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    <loc>https://annaseaman.net/content/from-abu-dhabi-to-toronto-illuminating-islamic-art-for-a-new-generation</loc>
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    <lastmod>2025-12-26</lastmod>
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      <image:title>content - From Abu Dhabi to Toronto: Illuminating Islamic Art For a New Generation - Make it stand out</image:title>
      <image:caption>Tawaf, 2021. © Aly Manji</image:caption>
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      <image:title>content - From Abu Dhabi to Toronto: Illuminating Islamic Art For a New Generation - Make it stand out</image:title>
      <image:caption>[L-M-R] Aga Khan Museum, As the Sun Appears from Beyond exhibition. © Aly Manji</image:caption>
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    <image:image>
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      <image:title>content - From Abu Dhabi to Toronto: Illuminating Islamic Art For a New Generation - Make it stand out</image:title>
      <image:caption>Muhammad Arif Khan, 2009. © Aly Manji</image:caption>
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    <image:image>
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      <image:title>content - From Abu Dhabi to Toronto: Illuminating Islamic Art For a New Generation - Make it stand out</image:title>
      <image:caption>[L-R] Ornamentation by Nihil Tezcan Sisman, 2016. Maitha Al Shamsi, 2006. © Aly Manji</image:caption>
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      <image:title>content - From Abu Dhabi to Toronto: Illuminating Islamic Art For a New Generation - Make it stand out</image:title>
      <image:caption>[L-R] The Abrahamic Prayer , 2007. Ornamentation by Naciye Subaşi, 2007. © Aly Manji</image:caption>
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    <image:image>
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      <image:title>content - From Abu Dhabi to Toronto: Illuminating Islamic Art For a New Generation - Make it stand out</image:title>
      <image:caption>Aga Khan Museum, As the Sun Appears from Beyond exhibition. © Aly Manji</image:caption>
    </image:image>
    <image:image>
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      <image:title>content - From Abu Dhabi to Toronto: Illuminating Islamic Art For a New Generation - Make it stand out</image:title>
      <image:caption>Aga Khan Museum, As the Sun Appears from Beyond exhibition. © Aly Manji</image:caption>
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  <url>
    <loc>https://annaseaman.net/content/zayed-national-museum-a-museum-for-everyone</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-07</lastmod>
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      <image:title>content - Zayed National Museum, A Museum for Everyone - Make it stand out</image:title>
      <image:caption>‘Al Dhuha Hour Programme’, offer calmer, lower-sensory access to the galleries for visitors on autism spectrum and senior citizens, including those living with dementia. ©Zayed National Museum</image:caption>
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      <image:title>content - Zayed National Museum, A Museum for Everyone - Make it stand out</image:title>
      <image:caption>Nassra Al Buainain, Director of Learning and Public Engagement at Zayed National Museum. ©Zayed National Museum</image:caption>
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      <image:title>content - Zayed National Museum, A Museum for Everyone - Make it stand out</image:title>
      <image:caption>[L-R] From the early stages of planning, the museum has worked directly with People of Determination, special education centres, senior citizens, caregivers, individuals living with dementia and other groups who might face barriers accessing the museum, to co-design meaningful experiences. ©Zayed National Museum</image:caption>
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      <image:title>content - Zayed National Museum, A Museum for Everyone - Make it stand out</image:title>
      <image:caption>[L-R] Zayed National Museum’s work is also closely aligned with the UAE’s broader vision for inclusion. ©Zayed National Museum</image:caption>
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  <url>
    <loc>https://annaseaman.net/content/an-introduction-to-m-39-with-dr-alamira-reem-al-hashimi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-04</lastmod>
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      <image:title>content - An Introduction to M_39 with Dr Alamira Reem Al Hashimi - Make it stand out</image:title>
      <image:caption>Dr. Alamira Reem Al Hashimi, General Manager of Madar_39. © M_39</image:caption>
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      <image:title>content - An Introduction to M_39 with Dr Alamira Reem Al Hashimi - Make it stand out</image:title>
      <image:caption>(L-R) M_39 Community. An exterior look at M_39. © M_39</image:caption>
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      <image:title>content - An Introduction to M_39 with Dr Alamira Reem Al Hashimi - Make it stand out</image:title>
      <image:caption>(L-R) Madar_39 The Atrium. Dr Alamira Reem Al Hashimi, General Manager of Madar39. © Madar_39</image:caption>
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      <image:title>content - An Introduction to M_39 with Dr Alamira Reem Al Hashimi - Make it stand out</image:title>
      <image:caption>M_39 Shared Workspace. © M_39</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/36f0fda3-1b07-420c-a7e1-6453dbb42759/Screenshot+2025-12-04+at+14.23.40.png</image:loc>
      <image:title>content - An Introduction to M_39 with Dr Alamira Reem Al Hashimi - Make it stand out</image:title>
      <image:caption>Mini Musing. © M_39</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/359ab7f0-2268-4fdd-9ec6-e5e709f898da/Screenshot+2025-12-04+at+14.26.48.png</image:loc>
      <image:title>content - An Introduction to M_39 with Dr Alamira Reem Al Hashimi - Make it stand out</image:title>
      <image:caption>M_39 rooftop event. © M_39</image:caption>
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  <url>
    <loc>https://annaseaman.net/content/sharjah-the-capital-of-culture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-29</lastmod>
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      <image:title>content - Sharjah: The Capital of Culture</image:title>
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      <image:title>content - Sharjah: The Capital of Culture</image:title>
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      <image:title>content - Sharjah: The Capital of Culture</image:title>
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      <image:title>content - Sharjah: The Capital of Culture</image:title>
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      <image:title>content - Sharjah: The Capital of Culture</image:title>
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      <image:title>content - Sharjah: The Capital of Culture</image:title>
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      <image:title>content - Sharjah: The Capital of Culture</image:title>
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      <image:title>content - Sharjah: The Capital of Culture</image:title>
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  <url>
    <loc>https://annaseaman.net/content/inside-the-vision-of-dubai-cultures-arts-design-and-literature-ceo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/233fab18-186b-4dde-800c-c0bc91429a57/Screenshot+2025-11-22+at+15.34.21.png</image:loc>
      <image:title>content - Inside the Vision of Dubai Culture's Arts, Design, and Literature CEO - Make it stand out</image:title>
      <image:caption>Shaima Rashed Al Suwaidi, CEO of the Arts, Design, and Literature Section at Dubai Culture and Arts Authority. © Culture Dubai</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/f4eea0e4-43c2-4035-9a8c-2952fb6d18dd/Screenshot+2025-11-22+at+20.50.48.png</image:loc>
      <image:title>content - Inside the Vision of Dubai Culture's Arts, Design, and Literature CEO - Make it stand out</image:title>
      <image:caption>An art installation at Sikka Art &amp; Design Festival 2025. © Dubai Culture</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/0d430550-59bc-46cd-9e75-881db1326a8e/Screenshot+2025-11-22+at+20.44.24.png</image:loc>
      <image:title>content - Inside the Vision of Dubai Culture's Arts, Design, and Literature CEO - Make it stand out</image:title>
      <image:caption>An art installation at Sikka Art &amp; Design Festival 2025. © Dubai Culture</image:caption>
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      <image:title>content - Inside the Vision of Dubai Culture's Arts, Design, and Literature CEO - Make it stand out</image:title>
      <image:caption>Sikka Art &amp; Design Festival 2025. © Dubai Culture</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/19ce43cf-8fa1-4db8-9de0-a159ac8ed57b/Screenshot+2025-11-26+at+21.54.55.png</image:loc>
      <image:title>content - Inside the Vision of Dubai Culture's Arts, Design, and Literature CEO - Make it stand out</image:title>
      <image:caption>The Perfume House, Al Shindagha Museum. © Dubai Culture.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/0819d2b6-c27f-4b58-a077-9f65a0fc04a2/Screenshot+2025-11-26+at+00.42.11.png</image:loc>
      <image:title>content - Inside the Vision of Dubai Culture's Arts, Design, and Literature CEO - Make it stand out</image:title>
      <image:caption>The participating “Oasis Design UAE ” designers at the Maison&amp;Objet. A delegation from the Authority and the participants met with HE Fahad Saeed Al Raqbani, UAE Ambassador to France at the UAE embassy in France to discuss opportunities to strengthen support for Dubai creative sector. © Dubai Culture</image:caption>
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      <image:title>content - Inside the Vision of Dubai Culture's Arts, Design, and Literature CEO - Make it stand out</image:title>
      <image:caption>Sikka Art &amp; Design Festival 2025. © Dubai Culture</image:caption>
    </image:image>
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      <image:title>content - Inside the Vision of Dubai Culture's Arts, Design, and Literature CEO - Make it stand out</image:title>
      <image:caption>Sikka Art &amp; Design Festival 2025. © Dubai Culture</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/11fd3b2c-1c05-476b-8f0a-9bcb9adaee25/dubai+c.jpg</image:loc>
      <image:title>content - Inside the Vision of Dubai Culture's Arts, Design, and Literature CEO - Make it stand out</image:title>
      <image:caption>(L-R) House of Saffron at Sikka Art &amp; Design Festival 2025. National Youth Orchestra of Dubai at the iconic Steinway &amp; Sons in New York. © Dubai Culture</image:caption>
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  </url>
  <url>
    <loc>https://annaseaman.net/content/the-domino-effect</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-11</lastmod>
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      <image:title>content - The Domino Effect - Make it stand out</image:title>
      <image:caption>Dear friend (2023) by Farhad Moshiri. Courtesy of the artist and The Third Line, Dubai.</image:caption>
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  </url>
  <url>
    <loc>https://annaseaman.net/content/coordinates-and-currents</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/7d46ef9c-13d9-49ac-af00-f50afb2595aa/DSCF0399.webp</image:loc>
      <image:title>content - Coordinates and Currents - Make it stand out</image:title>
      <image:caption>Directions (Merging) at Art Dubai 2025. Shifting animations created a sense of perpetual motion, destabilising precise locations and challenging the notion of fixed borders. Photo: Sueraya Shaheen.</image:caption>
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    <image:image>
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      <image:title>content - Coordinates and Currents - Make it stand out</image:title>
      <image:caption>Raw Data (1999-2013), a video installation at Sharjah’s Maraya Art Centre, November 2013 to January 2014. Photo: Lester Andrew Johnson.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/6266098f-81fa-4ab5-af6d-0b0e5bb998f1/Directions-UAE.webp</image:loc>
      <image:title>content - Coordinates and Currents - Make it stand out</image:title>
      <image:caption>Directions (UAE) showcased the coordinates of the seven emirates. Photo by Lance Gerber</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/dde2b53a-7f4f-4977-b8fc-20e1660c2217/Jerusalem-Lives.webp</image:loc>
      <image:title>content - Coordinates and Currents - Make it stand out</image:title>
      <image:caption>Directions (Border), vinyl on glass, at The Palestinian Museum in Birzeit, August 2017 to January 2018. Photo by Hamoudi Shehadeh, The Palestinian Museum. Courtesy of Mohammed Kazem.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/d2ffb617-1dc5-4b01-87e2-f407daccba5b/Sound-of-Angles.webp</image:loc>
      <image:title>content - Coordinates and Currents - Make it stand out</image:title>
      <image:caption>Sound of Angles No 3 (2020). Scratches and inkjet print on Hahnemuhle paper.</image:caption>
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  </url>
  <url>
    <loc>https://annaseaman.net/content/all-we-can-do-is-mend</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/bbbf6797-7d2d-4dd9-9d90-e167fc01bdbd/hadara1.jpg</image:loc>
      <image:title>content - All We Can Do Is Mend - Make it stand out</image:title>
      <image:caption>Come, let me heal your wounds. Let me mend your broken bones (2024). In the face of ongoing cultural loss, the work is both a plea to safeguard ancient civilisation as well as a bid to rejoice in the collective history of artisanship.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/a4d2d153-c003-4965-8693-77197d69c5e5/Screenshot+2025-10-27+at+20.54.30.png</image:loc>
      <image:title>content - All We Can Do Is Mend - Make it stand out</image:title>
      <image:caption>Dana Awartani. Artwork courtesy of Venice Documentation Project. Awartani by Lisa Whiting Photography.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/552704a8-fff4-4b6f-99b4-ed9777d8a9bc/Screenshot+2025-10-27+at+20.56.48.png</image:loc>
      <image:title>content - All We Can Do Is Mend - Make it stand out</image:title>
      <image:caption>Standing by the Ruins II (2024).Courtesy of Sfeir-Semler Gallery.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/0f7589d5-00a5-4121-94a9-77b41bd75ea2/Screenshot+2025-10-27+at+21.00.49.png</image:loc>
      <image:title>content - All We Can Do Is Mend - Make it stand out</image:title>
      <image:caption>When Our Paths Collide (2024). This sculpture, in Omachi City, Japan, was inspired by the history of the salt trade. Salt was harvested from the shores of the Sea of Japan and transported inland. These routes were known as Salt Roads. Made from locally sourced materials, the cubic shape of the artwork echoes the geometry of salt crystals. Courtesy of the artist and the Northern Alps Festival</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/e02d1f58-c259-4796-a034-6627f7368b04/Screenshot+2025-10-27+at+21.03.14.png</image:loc>
      <image:title>content - All We Can Do Is Mend - Make it stand out</image:title>
      <image:caption>Where the Dwellers Lay (2022). Shown at Desert X AlUla, a geometric sculpture references the Nabataean tombs at Hegra and their decorative facades. Courtesy of the artist and Desert X AlUla</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/a509ce5a-d744-450d-a704-1b909c772193/Screenshot+2025-10-27+at+21.04.49.png</image:loc>
      <image:title>content - All We Can Do Is Mend - Make it stand out</image:title>
      <image:caption>When the Dust of Conflict Settles (2023) examines the repercussions of conflict on cultural heritage. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/what-are-you-working-on</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/efac66fe-e069-4847-b953-f55434546ab8/Screenshot+2025-10-22+at+20.01.22.png</image:loc>
      <image:title>content - What Are You Working On? - Make it stand out</image:title>
      <image:caption>Photo by Anna Nielsen.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/in-the-spirit-of-connection</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/2c3dd5e7-d065-4540-ac61-4ece1b36a3d6/Screenshot+2025-10-22+at+19.38.23.png</image:loc>
      <image:title>content - In the Spirit of Connection - Make it stand out</image:title>
      <image:caption>Lebanese artist Katya Traboulsi presents two mortar missile sculptures covered in embroidery made by Inaash. They are part of her Perpetual Identities series. Courtesy of the artist and Maraya Art Centre.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/stepping-into-the-circle</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/4decabf3-1757-435f-a902-c7b782a39561/Screenshot+2025-10-17+at+22.53.02.png</image:loc>
      <image:title>content - Stepping Into the Circle - Make it stand out</image:title>
      <image:caption>Afra Al Dhaheri, Round and round we go (2023). Photo: Ismail Noor, courtesy of the artist and Green Art Gallery, Dubai.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/addressing-history</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/c190eb22-5639-4f2d-ac63-05ed1d2e02a2/Screenshot+2025-10-17+at+22.45.03.png</image:loc>
      <image:title>content - Addressing History - Make it stand out</image:title>
      <image:caption>Descending Angel 2 (2020) Digital print, watercolour and ink on archival watercolour arches paper. Campos-Pons is known for her deeply immersive explorations of memory, identity, and spirituality. Courtesy of the artist and Efie Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/moments-of-transition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/2c3aa95e-d5e6-4bd5-9eed-10742532c351/Screenshot+2025-10-13+at+00.24.14.png</image:loc>
      <image:title>content - Moments of Transition - Make it stand out</image:title>
      <image:caption>Monira Al Qadiri, Gastromancer (2023). The oil industry has a significant impact on marine life. For example, the paint that protects oil tankers causes Murex molluscs to change gender. Gastromancer imagines thesefemale-to-male creatures as storytellers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/e0dfc2fa-eed7-4175-ad96-aaf8810c78a0/Screenshot+2025-10-13+at+00.33.32.png</image:loc>
      <image:title>content - Moments of Transition - Make it stand out</image:title>
      <image:caption>Why such a journey devoid of return (2021-2022) by Cassi Namoda turns a dhow sail into a gestural canvas that appears as a symbol of integrated oceanic memory and seafaring in the Swahili seas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/23d9934a-4d00-4470-b3a8-90ba104e24e8/Screenshot+2025-10-13+at+00.34.59.png</image:loc>
      <image:title>content - Moments of Transition - Make it stand out</image:title>
      <image:caption>The five curators of SB16: Natasha Ginwala, Megan Tamati-Quennell, Zeynep Öz, Alia Swastika and Amal Khalaf. Curators photo by Danko Stjepanovic, courtesy of Sharjah Art Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/18086e69-d534-49c2-8eeb-66ffa7a56ad0/Screenshot+2025-10-13+at+00.37.29.png</image:loc>
      <image:title>content - Moments of Transition - Make it stand out</image:title>
      <image:caption>Risham Syed’s installation Unn, Pani, Sut (Grain, Water, Truth) (2024) brings together agrarian, sonic and kinetic rhythms, centring the wheat field and granary as protagonists for exploring notions of generosity, sacred transfer and distribution in Sikh philosophy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/c34dfa35-a636-4a37-a1be-0d2f6399d590/Screenshot+2025-10-13+at+00.39.26.png</image:loc>
      <image:title>content - Moments of Transition - Make it stand out</image:title>
      <image:caption>Michael Parekōwhai is a leading conceptual artist based in Aotearoa New Zealand. His work He Kōrero Pūrakau mo Te Awanui o Te Motu: Story of a New Zealand river (2011) is a Steinway concert grand piano that has been intricately carved with Māori motifs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/a97eaf0f-45b3-4068-aef8-a6a44b9419cb/Screenshot+2025-10-13+at+00.41.24.png</image:loc>
      <image:title>content - Moments of Transition - Make it stand out</image:title>
      <image:caption>Artist, composer and educator Joe Namy explores the social and political forces that shape our understanding of organised sound. His installation Dub Plants (2024-2025) probes the historical kinship between radio culture and agriculture.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/58383791-af93-449a-b00c-9609d728b02c/Screenshot+2025-10-13+at+00.43.29.png</image:loc>
      <image:title>content - Moments of Transition - Make it stand out</image:title>
      <image:caption>Kaili Chun is a sculptor and installation artist based in Hawaii. Her works address ideas of containment and exposure, agency and restraint.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/the-nature-of-things</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/d29a275e-1106-4870-a6e4-0ba58634ecaa/Screenshot+2025-10-12+at+23.42.55.png</image:loc>
      <image:title>content - The Nature of Things - Make it stand out</image:title>
      <image:caption>Part-Time Lovers (2024) is part of Al Lamki’s contribution to Sharjah Biennial 16 and hangs in Sharjah Art Museum until June 15. It was made in response to Amal Khalaf’s curatorial thematic Throwing Shells.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/81996cfa-142d-4f3d-9c04-8eb76646df99/Screenshot+2025-10-12+at+23.53.00.png</image:loc>
      <image:title>content - The Nature of Things - Make it stand out</image:title>
      <image:caption>The artist photographed by Hanna S. Orlowski @ HSO.Art, Courtesy of Canvas magazine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/a413aafe-871a-4725-b40f-524c779deaec/Screenshot+2025-10-12+at+23.59.41.png</image:loc>
      <image:title>content - The Nature of Things - Make it stand out</image:title>
      <image:caption>The idea that we are all woven together in a fabric of existence is explored in Al Lamki’s textile installation Maat (2025), which is installed at Al Qasimiyah School as part of Sharjah Biennial 16.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/04920bbb-64ab-4277-a987-0c7dd5a09465/Screenshot+2025-10-13+at+00.07.18.png</image:loc>
      <image:title>content - The Nature of Things - Make it stand out</image:title>
      <image:caption>In a survey show, Maqam, presented in 2023 in Abu Dhabi and Kochi, Al Lamki’s focus on the interplay between natural landscapes and human intervention was again brought to the fore.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/f737b200-4c5a-4093-b35b-614d4b22d47a/Screenshot+2025-10-13+at+00.11.39.png</image:loc>
      <image:title>content - The Nature of Things - Make it stand out</image:title>
      <image:caption>Missionary (2022), courtesy of Abu Dhabi Art; Missionary courtesy of Tabari Artspace.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/hazem-harb-not-there-yet-felt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/4ad3ceb6-3700-4d41-bd81-ed37cb8c9faf/Screenshot+2025-09-16+at+21.43.22.png</image:loc>
      <image:title>content - Hazem Harb: Not There, Yet Felt - Make it stand out</image:title>
      <image:caption>Hazem Harb, Hollyland Part 2 (Marsaba Monastery, Bethlehem), Letters in acrylic plexiglass mounted upon archival C-P fine art photography paper on MDF wood, 2021, 105 x 235 cm, Nisreen Bajis Collection</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/preserving-heritage-zayed-national-museum-research-funds-role-in-cultural-scholarship</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/ebf11b92-7ef4-4a60-b45c-2d0679e38cb2/Screenshot+2025-09-09+at+21.20.54.png</image:loc>
      <image:title>content - Preserving Heritage: Zayed National Museum Research Fund’s Role in Cultural Scholarship - Make it stand out</image:title>
      <image:caption>Zayed National Museum. © Foster + Partners</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/6d582cc8-cd0d-4f00-a37b-f1a5a489d06d/Screenshot+2025-09-12+at+10.17.48.png</image:loc>
      <image:title>content - Preserving Heritage: Zayed National Museum Research Fund’s Role in Cultural Scholarship - Make it stand out</image:title>
      <image:caption>Dr Fatma Al Mazrouei – Head of the Historical Archives Department, National Library and Archives. Image courtesy of Dr Fatma Al Mazrouei</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/in-orbit-madar-39-and-the-rise-of-abu-dhabis-creative-constellation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/c6d9b7ae-24b7-4d2f-bd04-278493f1fa93/Screenshot+2025-09-08+at+14.23.13.png</image:loc>
      <image:title>content - In Orbit: Madar 39 and the Rise of Abu Dhabi’s Creative Constellation - Make it stand out</image:title>
      <image:caption>M_ 39 The Atrium. © Madar_ 39</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/b3901bdf-7069-420b-90a6-7104a086d277/Screenshot+2025-09-08+at+22.46.26.png</image:loc>
      <image:title>content - In Orbit: Madar 39 and the Rise of Abu Dhabi’s Creative Constellation - Make it stand out</image:title>
      <image:caption>Where Lies My Carpet. Image courtesy of the artist and M_ 39</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/7e307265-678e-4525-97c0-be3044542edb/1.png</image:loc>
      <image:title>content - In Orbit: Madar 39 and the Rise of Abu Dhabi’s Creative Constellation - Make it stand out</image:title>
      <image:caption>Lest We Forget exhibiton. Image courtesy of Lest We Forget and M_ 39</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/d4e313bf-4908-4a1c-b988-fb948dbf6271/Untitled+design.png</image:loc>
      <image:title>content - In Orbit: Madar 39 and the Rise of Abu Dhabi’s Creative Constellation - Make it stand out</image:title>
      <image:caption>(L-R) Maryam Al Falasi Iris Projects. © Kristina Sergeeva of Seeing Things. HE Noura Al Kaabi, UAE Minister of State and Maryam Al Falasi at Iris Projects booth at Abu Dhabi Art 2024. Image courtesy of Iris Projects and M_ 39</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/2aaaa8e3-dbee-4c9a-8264-2a0d69563af9/Screenshot+2025-09-08+at+22.58.51.png</image:loc>
      <image:title>content - In Orbit: Madar 39 and the Rise of Abu Dhabi’s Creative Constellation - Make it stand out</image:title>
      <image:caption>Ruha. Image courtesy of Asateer and M_ 39</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/truth-in-memory</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/02e5c056-a300-41ec-919c-4aae2982050d/Screenshot+2025-09-04+at+21.49.46.png</image:loc>
      <image:title>content - Truth In Memory - Make it stand out</image:title>
      <image:caption>Mona Hatoum, ‘T42 (gold)’ (1999). Courtesy of the artist. From the Fournie Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/5b87c6db-09cf-4e44-9435-6ef683599ac2/Screenshot+2025-09-04+at+21.58.04.png</image:loc>
      <image:title>content - Truth In Memory - Make it stand out</image:title>
      <image:caption>Maha Mullah, Unveiled, Photogram; lambda print mounted on acid free board, 2010, 125 x 160 cm. Jamil Hallak Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/cd8931ae-cd6a-4917-a11b-a3888c7d4814/Screenshot+2025-09-04+at+22.22.45.png</image:loc>
      <image:title>content - Truth In Memory - Make it stand out</image:title>
      <image:caption>Marwan Sahmarani, Guns and Tricks, acrylic on canvas, (2022), 120 x150 x 3 cm. Caroline and Kais Ben Hamida Art Collection.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/collector-series-reem-el-roubi-and-amir-daoud-abdellatif-collection</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/0a32663e-bbf7-46de-a37c-9ecfc4890bb9/Screenshot+2025-09-01+at+22.27.09.png</image:loc>
      <image:title>content - Collector Series: Reem El Roubi and Amir Daoud Abdellatif Collection - Make it stand out</image:title>
      <image:caption>El-Anatsui, Ancient Text, Assorted Tropical Hardwood, (2021), 160 x 260 cm, Reem El Roubi and Amir Daoud Abdellatif Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/47b135a9-81bd-4ad7-90a8-b54fc339049e/Screenshot+2025-09-01+at+22.59.29.png</image:loc>
      <image:title>content - Collector Series: Reem El Roubi and Amir Daoud Abdellatif Collection - Make it stand out</image:title>
      <image:caption>Salah El Mur, Untitled, Oil on Canvas, (2008), 69 x 69 cm, Reem El Roubi and Amir Daoud Adbellatif Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/057ae618-f49f-422e-9675-20f653f639ba/Screenshot+2025-09-01+at+22.47.46.png</image:loc>
      <image:title>content - Collector Series: Reem El Roubi and Amir Daoud Abdellatif Collection - Make it stand out</image:title>
      <image:caption>Ibrahim El-Salahi, Untitled, Ink on Paper, (1964), 24,5 x 21,7 cm, Reem El Roubi and Amir Daoud Abdellatif collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/b7f6fa9b-bbaa-4b1e-a709-e5328ce52e61/Screenshot+2025-09-01+at+22.55.42.png</image:loc>
      <image:title>content - Collector Series: Reem El Roubi and Amir Daoud Abdellatif Collection - Make it stand out</image:title>
      <image:caption>Ahmed Shibrain, Untitled, Oil on Canvas, (1998), 80 x 80 cm, Reem El Roubi and Amir Daoud Abdellatif Collection.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/collector-interview-elie-khouri</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/744c43cc-f09b-4df3-b3ac-d167931021e7/Screenshot+2025-02-26+at+08.50.31.png</image:loc>
      <image:title>content - Collector Interview: Elie Khouri - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1740545577826-J31WFHTCXNBV6R8CX4U7/Screenshot+2025-02-26+at+08.52.28.png</image:loc>
      <image:title>content - Collector Interview: Elie Khouri - Dana Schutz, Large Model, 2020 Oil on Canvas</image:title>
      <image:caption>ELIE: “The colossal scale of “Large Model”, suggests that the figure could stride through the sea at any depth and turbulence encapsulating the unpredictable aspects of life. A reminder to stay resilient, embrace change and navigate through life with strength and grace.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1740545611232-0D3CXQA7UVTMPU20IVZN/Screenshot+2025-02-26+at+08.52.48.png</image:loc>
      <image:title>content - Collector Interview: Elie Khouri - Carol Bove Ragle, 2019 Stainless steel and urethane paint</image:title>
      <image:caption>ELIE: “There is an unexpected sense of lightness to this Carol Bove sculpture despite its metal composition. The contrast stemming from the hardness of the material and the fluidity of the shape creates an impression that the metal, even with its inherent toughness, can have a surprisingly delicate quality.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1740545647091-5U31BGL9VN0YQOAM3EQC/Screenshot+2025-02-26+at+08.53.00.png</image:loc>
      <image:title>content - Collector Interview: Elie Khouri - Rashid Johnson Untitled Broken Men, 2018 ceramic tile, mirror tile, spray enamel, oil stick, black soap, and wax 50 x 38 x 2 1/4 inches</image:title>
      <image:caption>ELIE: “Johnson’s work exudes a remarkable audacity. Whether through his daring exploration of colour or his unorthodox selection of materials for his surfaces, his creations possess a distinctive flair. His art not only captures the essence of the African American experience in the United States but also resonates with a broader modern unease that touches every one of us.”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1740545646107-VMSQM37U99461E5W2BRY/Screenshot+2025-02-26+at+08.53.08.png</image:loc>
      <image:title>content - Collector Interview: Elie Khouri - Kehinde Wiley  Fisherman upon a Lee-shore, in Squally Weather (Andielo Pierre), 2017 Oil on Canvas</image:title>
      <image:caption>ELIE: “The title of this piece suggests Kehinde's inspiration from J.M.W. Turner's artwork of the same name. True to Kehinde's distinctive approach, he offers a modern take on historical portraiture. The central figure, a young African American man exudes pride and confidence, challenging traditional representations.”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1740545674770-RF3RVOH9K8D7JPQ7XVLH/Screenshot+2025-02-26+at+08.53.17.png</image:loc>
      <image:title>content - Collector Interview: Elie Khouri - Beatriz Milhazes O Arlequim (The Harlequin), 2021–2022 acrylic on canvas</image:title>
      <image:caption>ELIE: “Beatriz’s art is like a colourful dance of shapes and patterns! Her abstract works which are full of geometric forms are rich in culture and fun. It invites us to discover a beautiful balance between careful details and joyful spontaneity.”</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/adrian-pepe-a-shroud-is-a-cloth</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/89a488f2-1066-49ac-aafb-29d2804e2bda/Adrian+Pepe.+A+Shroud+is+a+Cloth.+Exhibition+View.+2025.NIKA+Project+Space+Dubai.+Courtesy+of+NIKA+Project+Space.jpg</image:loc>
      <image:title>content - Adrian Pepe: A Shroud is a Cloth - Make it stand out</image:title>
      <image:caption>Adrian Pepe. A Shroud is a Cloth, exhibition view, (2025). NIKA Project Space Dubai. Image: Liana Mukhamedzianova; courtesy of NIKA Project Space</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/feb2032f-a8b2-412b-831e-1355f84f899c/Adrian+Pepe.+Entangled+Matters.+Exhibition+View.+Beirut.+2024.+Courtesy+of+the+artist..jpg</image:loc>
      <image:title>content - Adrian Pepe: A Shroud is a Cloth - Make it stand out</image:title>
      <image:caption>Adrian Pepe. Entangled Matters 2.0. Exhibition View. Beirut. 2024. Courtesy of the artist.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/61c7f12d-268a-48ce-b881-9bc1a4727aaa/Adrian+Pepe%2C+2022.+Photo+courtesy+of+the+artist..jpg</image:loc>
      <image:title>content - Adrian Pepe: A Shroud is a Cloth - Make it stand out</image:title>
      <image:caption>Adrian Pepe, 2022. Photo courtesy of the artist.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/0881fcf7-8fcc-42a1-9cfa-9f7da43e2812/6515_AdrianPepe_4.jpg</image:loc>
      <image:title>content - Adrian Pepe: A Shroud is a Cloth - Make it stand out</image:title>
      <image:caption>Untitled, hand-felted wool, 2025, Adrian Pepe. Image: Liana Mukhamedzianova; Courtesy of NIKA Project Space</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/df98c6c2-6bde-42e2-8227-46e1cead64fd/Adrian+Pepe_A+Shroud+is+a+Cloth%2C+2025_Exhibition+view_+Photo+by+Liana+Mukhamedzianova_Courtesy+of+NIKA+Project+Space+000.jpg</image:loc>
      <image:title>content - Adrian Pepe: A Shroud is a Cloth - Make it stand out</image:title>
      <image:caption>Adrian Pepe. A Shroud is a Cloth, 2025. Exhibition view. Image: Liana Mukhamedzianova; Courtesy of NIKA Project Space</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/36ae616d-348d-48a2-8544-a4d1ae694010/6515_AdrianPepe_2.jpg</image:loc>
      <image:title>content - Adrian Pepe: A Shroud is a Cloth - Make it stand out</image:title>
      <image:caption>Adrian Pepe. Shedding, 2024.; video and glass encased work). Installation view. Image: Liana Mukhamedzianova; Courtesy of NIKA Project Space. (video and glass encased work)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/jake-andrew-syzygy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/48b19de5-1207-48d4-a645-68813af2b0a5/IMG_7526.JPG</image:loc>
      <image:title>content - Jake Andrew: Syzygy - Make it stand out</image:title>
      <image:caption>Jake Andrew inside Syzygy, his solo exhibition at Mondoir Art Gallery, January 2025. Image taken by Anna Seaman.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/b82370ab-d7b7-46e4-9e8e-48aa2c838df9/Mondoir+Art+Gallery-32.jpg</image:loc>
      <image:title>content - Jake Andrew: Syzygy - Make it stand out</image:title>
      <image:caption>Opening night. Syzygy by Jake Andrew at Mondoir Art Gallery, January 2025. Image courtesy of Mondoir Art Gallery.</image:caption>
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      <image:title>content - Jake Andrew: Syzygy - Make it stand out</image:title>
      <image:caption>Colourblind by Jake Andrew. From the exhibition Syzygy at Mondoir Art Gallery, January 2025.</image:caption>
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      <image:title>content - Jake Andrew: Syzygy - Make it stand out</image:title>
      <image:caption>Jake Andrew. Courtesy of Mondoir Art Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/tran</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/7dec8655-e168-4403-9e33-e080401fb1a8/-lsquo-ta-770-768-m-ta-771-ndash-soaked-in-the-long-rain-rsquo-tra-770-768-n-lu-795-o-795-ng-jameel-arts-centre-2024-tra-770-768-n-lu-795-o-795-ng-jameel-arts-centre-stirworld-250107125647.jpg</image:loc>
      <image:title>content - Tran Luong: Tầm Tã – Soaked in the Long Rain - Make it stand out</image:title>
      <image:caption>Tầm Tã – Soaked in the Long Rain, Trần Lương, Jameel Arts Centre, 2024. Image: Daniella Baptista; Courtesy of Art Jameel</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/f73af97e-1459-4ba3-8e0c-e34ca1d1f9d1/%E2%80%98Ta%CC%82%CC%80m+Ta%CC%83+%E2%80%93+Soaked+in+the+Long+Rain%E2%80%99+by+Tra%CC%82%CC%80n+Lu%CC%9Bo%CC%9Bng.+Courtesy+of+Art+Jameel.+Photography+by+Daniella+Baptista17.jpg</image:loc>
      <image:title>content - Tran Luong: Tầm Tã – Soaked in the Long Rain - Make it stand out</image:title>
      <image:caption>From the Underwater World Series by Trần Luong. Courtesy of Art Jameel. Photography by Daniella Baptista</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/10a3812b-a984-435d-bf17-d2497306cb86/%E2%80%98Ta%CC%82%CC%80m+Ta%CC%83+%E2%80%93+Soaked+in+the+Long+Rain%E2%80%99+by+Tra%CC%82%CC%80n+Lu%CC%9Bo%CC%9Bng.+Courtesy+of+Art+Jameel.+Photography+by+Daniella+Baptista31.jpg</image:loc>
      <image:title>content - Tran Luong: Tầm Tã – Soaked in the Long Rain - Make it stand out</image:title>
      <image:caption>Tran Luong, Lập Lòe (2012). Installation view in Tầm Tã – Soaked in the Long Rain, Trần Lương, Jameel Arts Centre, 2024. Image: Daniella Baptista; Courtesy of Art Jameel</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/d76c15d5-fe34-41a9-a090-8307ab68c820/%E2%80%98Ta%CC%82%CC%80m+Ta%CC%83+%E2%80%93+Soaked+in+the+Long+Rain%E2%80%99+by+Tra%CC%82%CC%80n+Lu%CC%9Bo%CC%9Bng.+Courtesy+of+Art+Jameel.+Photography+by+Daniella+Baptista61.jpg</image:loc>
      <image:title>content - Tran Luong: Tầm Tã – Soaked in the Long Rain - Make it stand out</image:title>
      <image:caption>Tầm Tã – Soaked in the Long Rain, Trần Lương, Jameel Arts Centre, 2024. Image: Daniella Baptista; Courtesy of Art Jameel</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/d5c23c11-ba00-40d8-9e7e-ab6d0053ccd7/6405_TranLuong_6.jpg</image:loc>
      <image:title>content - Tran Luong: Tầm Tã – Soaked in the Long Rain - Make it stand out</image:title>
      <image:caption>Installation view of An up-to-date Dragon, 1998, part of ‘Khởi Thuỷ - Initial’, Trần Lương's first solo show in Nhà Sàn Studio, Hanoi, Vietnam 1998Image: Courtesy of Trần Lương</image:caption>
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  </url>
  <url>
    <loc>https://annaseaman.net/content/echoes-of-trauma-and-identity-in-syrian-contemporary-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-01-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/e0153729-09a2-4323-83a2-4782537711c6/Screenshot+2025-01-08+at+13.31.06.png</image:loc>
      <image:title>content - Echoes of Trauma and Identity in Syrian Contemporary Art - Make it stand out</image:title>
      <image:caption>Safwan Dahoul, undated from the 'Reve Series' from Dubai Collection. Courtesy Zina Khair and Majd Suleiman Collection.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/38aa61d7-c178-47ec-8151-40c8918169bc/Screenshot+2025-01-08+at+13.33.59.png</image:loc>
      <image:title>content - Echoes of Trauma and Identity in Syrian Contemporary Art - Make it stand out</image:title>
      <image:caption>Safwan Dahoul, Dream 112, 2016 from Dubai Colection. Courtesy the Ghada Kunash &amp; Hamid Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/8d4cb20f-1b7c-4fa6-abe4-298c91b22610/Screenshot+2025-01-08+at+13.38.56.png</image:loc>
      <image:title>content - Echoes of Trauma and Identity in Syrian Contemporary Art - Make it stand out</image:title>
      <image:caption>Fateh Moudarres, Untitled, undated from Dubai Collection. From the private collection of His Highness Sheikh Mohammed Bin Rashid Al Maktoum.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/cc01b22e-0541-4bb7-883e-8304eb5579df/Screenshot+2025-01-08+at+13.38.17.png</image:loc>
      <image:title>content - Echoes of Trauma and Identity in Syrian Contemporary Art - Make it stand out</image:title>
      <image:caption>Fateh Moudarres, Levant Borders, 1997 from Dubai Collection. From the private collection of His Excellency Abdul Rahman bin Mohammed Al Owais</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/96db9894-2bff-4cb9-96ca-896236cc0476/Screenshot+2025-01-08+at+13.45.17.png</image:loc>
      <image:title>content - Echoes of Trauma and Identity in Syrian Contemporary Art - Make it stand out</image:title>
      <image:caption>Fateh Moudarres, The Black Sun and Birth, 1972 from Dubai Collection. Courtesy of The Khair Art Collection.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/solace-in-soil</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-05</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/72e86d9f-68b3-4b6b-831d-3e70923809d6/8-Dr-Mohamed-Yousif_web_2.png</image:loc>
      <image:title>content - Solace In Soil - Make it stand out</image:title>
      <image:caption>Gazelles (2005) by Dr. Mohamed Yousif. Courtesy of Efie Gallery and the artist.</image:caption>
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      <image:title>content - Solace In Soil - Make it stand out</image:title>
      <image:caption>Still Whole (2024) by Maggie Otieno. Courtesy of Efie Gallery and the artist.</image:caption>
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  </url>
  <url>
    <loc>https://annaseaman.net/content/poetic-symmetry</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-04</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/abd5a5e1-5919-40be-87cd-9755866f2525/Skateboard-Bahraini-Youth_web-1.png</image:loc>
      <image:title>content - Poetic Symmetry - Make it stand out</image:title>
      <image:caption>SHABAB AL MUSTAQBEL In a single frame, Ishaq Madan had captured the raw and sometimes rebellious energy of youth in an often-misunderstood culture. The photograph became an overnight viral sensation when his image was shown in New York City subway stations in 2022.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/28921453-7022-4e5a-a57f-bae4cd1f2df8/Bahrain-Museum-1_web.png</image:loc>
      <image:title>content - Poetic Symmetry - Make it stand out</image:title>
      <image:caption>ODD ONE OUT When shooting at Bahrain National Museum, Madan was inspired by childhood visits. Using a tripod, he photographed himself in playful poses, utilising the shadows and patterns at the museum to create cinematic images.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/eac87ccd-57bf-45ed-9e98-98af382663fd/watermelon-IMG_1057_web.png</image:loc>
      <image:title>content - Poetic Symmetry - Make it stand out</image:title>
      <image:caption>BITTERSWEET SUMMER, 2022 The pink flesh of the watermelon draws the eye to this roadside scene, which Madan spotted during a summer drive. The colour palette, symmetry and quirky style is reminiscent of a Wes Anderson film still.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/954caba0-43de-42c6-88b3-13a42d13151f/2-HADARA_web.png</image:loc>
      <image:title>content - Poetic Symmetry - Make it stand out</image:title>
      <image:caption>TWO SCOOPS The Sakhir desert region of western Bahrain was once a popular picnic spot, luring intrepid ice-cream vendors. Madan’s framing of this lone van against the scoop-shaped mountain is both incongruous and humorous.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/f7f93345-5951-47c4-9e27-10a61d77d997/5From-the-Archives_web.png</image:loc>
      <image:title>content - Poetic Symmetry - Make it stand out</image:title>
      <image:caption>BA6EK ALMA7ELI, 2023 Shot for a campaign to relaunch Bahrain’s farmers market, this local farmer sits atop a tower of chairs, reflecting Madan’s playful style as well as a reverence for farmers as the backbone of society.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/d2e96f78-efc8-4124-8c5c-da4fcd58fb5e/HR-1-of-15-JUNE-2024_web.png</image:loc>
      <image:title>content - Poetic Symmetry - Make it stand out</image:title>
      <image:caption>UNTITLED, 2024 Every Friday since the war in Gaza began, the Bahraini Society Against Normalization has organised protest marches. Madan describes this image, taken in January, as his “contribution to and support for the cause”.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/443dee25-0d82-4f26-ade6-15d357dde8c2/DSC_5431-2_web.png</image:loc>
      <image:title>content - Poetic Symmetry - Make it stand out</image:title>
      <image:caption>UNTITLED, 2019 Shot from a rickety rooftop over Manama Souq, this photograph captures both the density of the area and the dedication of the worshippers who fall silent for a few minutes each week during Friday prayers.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/cf86019c-bc99-4295-98c6-4a61cf4a6a3d/Manama-2019_web.png</image:loc>
      <image:title>content - Poetic Symmetry - Make it stand out</image:title>
      <image:caption>UNTITLED, 2021 Walking in Manama, the intensity of this game captured Madan’s attention: the player’s concentration, the texture of his gaffiyah, the detail of the brickwork and the opponent’s cigarette in the foreground.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/emily-karaka-ka-awatea-a-new-dawn</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-12-04</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/0694b1c4-355a-452d-9019-346052ccb6c4/dpf06viu1k81qawpn.png</image:loc>
      <image:title>content - Emily Karaka: 'Ka Awatea, A New Dawn' - Make it stand out</image:title>
      <image:caption>Emily Karaka, Te Uri o Te Ao, 1995. Collection of Auckland Art Gallery Toio Tāmaki. Installation: Ka Awatea, A New Dawn,Al Mureijah Square, Sharjah, 2024. Image courtesy of Sharjah Art Foundation.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/4726b090-e5a9-43bd-94c3-34ced013b979/6286_EmilyKaraka_8.jpg</image:loc>
      <image:title>content - Emily Karaka: 'Ka Awatea, A New Dawn' - Make it stand out</image:title>
      <image:caption>Five Māori Painters: Emily Karaka (still), 2014. Courtesy of Auckland ArtGallery Toi o Tamaki. Installation view: Ka Awatea, A New Dawn, Al Mureijah Square, Sharjah, 2024. Image courtesy of Sharjah ArtFoundation. Photo: Shanavas Jamaluddin</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1a7fe9d1-d580-4ca9-aad6-898d2e7069e2/6286_EmilyKaraka_7.jpg</image:loc>
      <image:title>content - Emily Karaka: 'Ka Awatea, A New Dawn' - Make it stand out</image:title>
      <image:caption>Emily Karaka’s Ka Awatea, A New Dawn, installation view, 2024, Sharjah Art Foundation, Al Mureijah Square, Sharjah, 2024. Image: Shanavas Jamaluddin; Courtesy of Sharjah Art Foundation</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/87b73570-8165-4988-b5e5-cabe98d87331/6286_EmilyKaraka_5.jpg</image:loc>
      <image:title>content - Emily Karaka: 'Ka Awatea, A New Dawn' - Make it stand out</image:title>
      <image:caption>Motutapu Waewaetapu, 2015, Emily Karaka, at Ka Awatea, A New Dawn, Sharjah Art Foundation, Al Mureijah Square, Sharjah, 2024. Image: Shanavas Jamaluddin; Courtesy of Sharjah Art Foundation.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/b5b05289-d77b-4e24-82a4-5330b6db5246/Y_a0ENjS.jpeg</image:loc>
      <image:title>content - Emily Karaka: 'Ka Awatea, A New Dawn' - Make it stand out</image:title>
      <image:caption>Emily Karaka, various works from ‘Matariki Ring of Fire’, 2022. Installation view: Ka Awatea, A New Dawn, Al Mureijah Square, Sharjah, 2024. Image courtesy of Sharjah Art Foundation. Photo: Shanavas Jamaluddin.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/art-from-the-arab-mediterranean</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/cce2c131-96a5-48b0-9fce-ac069f67249e/Wijdan-Ali_web.png</image:loc>
      <image:title>content - Art from the Arab Mediterranean - Make it stand out</image:title>
      <image:caption>I Am You (2008), by Jordanian painter Wijdan, is an ode to the Sufi interpretation of Islam and pays tribute to the beauty of Arabic calligraphy. Wijdan / Jordan National Gallery of Fine Arts.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/a-celebration-of-humanity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-08</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/8e3128cf-3ee5-453b-922f-254d8c0dbec3/Tanweer_web.png</image:loc>
      <image:title>content - A Celebration of Humanity - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/forgotten-spaces</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/9a91d656-2b82-46db-a1ec-88b2bed1e044/LG-DINING-TABLE_web.png</image:loc>
      <image:title>content - Forgotten Spaces - Make it stand out</image:title>
      <image:caption>Dining Table – Square (2022), from the Xanadu series. In the context of rapid modernisation, Lamya Gargash seeks to capture the subtle beauty and melancholy of human presence. Courtesy of Lamya Gargash and The Third Line Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/a-cocoon-for-contemplation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/81c97a10-171a-4502-9d3f-ed9e193d887c/h1.png</image:loc>
      <image:title>content - A Cocoon for Contemplation - Make it stand out</image:title>
      <image:caption>Sharjah Mosque</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/729e0696-4e6c-4fab-8c13-33d968ee6812/h3.png</image:loc>
      <image:title>content - A Cocoon for Contemplation - Make it stand out</image:title>
      <image:caption>The wooden doors at the main entrance, were made using kündekari, a decorative form of joinery favoured by the Ottomans.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/4d72fd85-d638-4e88-b9dc-45bce4e358af/h2.png</image:loc>
      <image:title>content - A Cocoon for Contemplation - Make it stand out</image:title>
      <image:caption>A chandelier in the shape of a 16-point star hangs low over the ground-floor prayer space.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1d571e62-40da-4f80-bd61-ea4018ca43f1/h4.png</image:loc>
      <image:title>content - A Cocoon for Contemplation - Make it stand out</image:title>
      <image:caption>The mosque is in stark contrast to the desert landscape from which it rises. Abundant water and well-tended gardens give the sense of an oasis.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/chopards-red-carpet-collection-77-fairy-tales</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-04</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/c52aea74-e174-4f4c-a537-7f1d466fc0b1/Screenshot+2024-10-23+at+18.06.14.png</image:loc>
      <image:title>content - Chopard's Red Carpet: Collection 77 Fairy Tales - Make it stand out</image:title>
      <image:caption>Hair comb in ethical 18 karat white and yellow gold and titanium, set with topaz briolettes, a topaz cabochon, brilliant-cut rubellites, a marquise-cut mandarine garnet and fancy-cut diamonds. © Chopard</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/6772db6a-f6d1-4492-ba7a-3d21d6130ae9/Screenshot+2024-10-23+at+18.25.23.png</image:loc>
      <image:title>content - Chopard's Red Carpet: Collection 77 Fairy Tales - Make it stand out</image:title>
      <image:caption> The making of the Fairy Tiara part of the Red Carpet Collection. © Chopard</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/c52325fe-e327-4858-9b9f-1337a593f32e/Screenshot+2024-10-23+at+18.40.44.png</image:loc>
      <image:title>content - Chopard's Red Carpet: Collection 77 Fairy Tales - Make it stand out</image:title>
      <image:caption>[L-R]  The making of the Fairy Tiara part of the Red Carpet Collection.  e making of the Oak Necklace, part of the Red Carpet Collection. © Chopard</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/transparencies-of-material-culture-and-history-the-richard-mille-art-prize-opens-conversations-on-the-ways-we-see</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-11-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/e53b78ee-8fec-4bee-a8bc-2d861fdc2c90/Screenshot+2024-10-25+at+17.03.17.png</image:loc>
      <image:title>content - Transparencies of Material, Culture, and History: The Richard Mille Art Prize Opens Conversations on the Ways We See - Make it stand out</image:title>
      <image:caption>Zahrah Al Ghamdi, Anthropocene's Toll A Planet Asphyxiated. Image courtesy of Richard Mille</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/985dc488-cba9-4ed0-ab7e-444df30b2ba8/Screenshot+2024-10-25+at+17.17.49.png</image:loc>
      <image:title>content - Transparencies of Material, Culture, and History: The Richard Mille Art Prize Opens Conversations on the Ways We See - Make it stand out</image:title>
      <image:caption>Alaa Tarabzouni, Remember to Forget. Image courtesy of Richard Mille</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/49ddcb87-f3c1-44df-931b-925a545ab70b/Screenshot+2024-10-25+at+17.21.17.png</image:loc>
      <image:title>content - Transparencies of Material, Culture, and History: The Richard Mille Art Prize Opens Conversations on the Ways We See - Make it stand out</image:title>
      <image:caption>MilleMaya El Khalil, Art Here 2023 Curator. Image courtesy of Richard MilleRichard</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/a78a1590-bda8-42e2-a51f-bc0b07a79509/Screenshot+2024-10-25+at+17.26.02.png</image:loc>
      <image:title>content - Transparencies of Material, Culture, and History: The Richard Mille Art Prize Opens Conversations on the Ways We See - Make it stand out</image:title>
      <image:caption>T] Sawsan &amp; Bahar Al Bahar, Waterdust. [Bottom L-R] Sarah Brahim, Flesh Memory. Zahrah Al Ghamdi, Anthropocene’s Toll A Planet Asphyxiated. Images courtesy of Richard Mille</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/beauty-of-the-treasured-green-gems-an-exhibition-of-emeralds-opens-lcole-school-of-jewelery-arts-new-permanent-campus-in-dubai</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/a4c3f2eb-a43f-4ba7-8a5f-39957f6d3304/Screenshot+2024-10-25+at+15.54.36.png</image:loc>
      <image:title>content - Beauty of the Treasured Green Gems: An Exhibition of Emeralds Opens L’ÉCOLE, School of Jewelery Art's New Permanent  Campus in Dubai - Make it stand out</image:title>
      <image:caption>The mission of L’ÉCOLE is to share jewellery culture with the widest possible audience, in Paris, and around the world. Image courtesy of VCA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/d698bb62-e801-4b49-9e29-09f2386d5d20/Screenshot+2024-10-25+at+16.02.26.png</image:loc>
      <image:title>content - Beauty of the Treasured Green Gems: An Exhibition of Emeralds Opens L’ÉCOLE, School of Jewelery Art's New Permanent  Campus in Dubai - Make it stand out</image:title>
      <image:caption>Gemologist &amp; Curator of L’ÉCOLE Middle East’s exhibition “Garden of Emeralds”, Oliver Segura giving Abdulla Belhoul, CEO of TECOM Group; Khadija Al Bastaki, Senior Vice President of d3 and Lise Macdonald, Global President of L’ÉCOLE a tour of the L’ÉCOLE Middle East campus. Image courtesy of VCA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/02db7b85-5e38-4e88-b82e-120b0b65993f/Screenshot+2024-10-25+at+16.09.36.png</image:loc>
      <image:title>content - Beauty of the Treasured Green Gems: An Exhibition of Emeralds Opens L’ÉCOLE, School of Jewelery Art's New Permanent  Campus in Dubai - Make it stand out</image:title>
      <image:caption>The “Garden of Emeralds” exhibition introduces you to the enchanting world of emeralds, where you can discover their cultural significances to the stone’s scientific form. Image courtesy of VCAGreen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/46861419-e7ed-47a0-ae93-e71826798f5e/Screenshot+2024-10-25+at+16.14.04.png</image:loc>
      <image:title>content - Beauty of the Treasured Green Gems: An Exhibition of Emeralds Opens L’ÉCOLE, School of Jewelery Art's New Permanent  Campus in Dubai - Make it stand out</image:title>
      <image:caption>L’ÉCOLE promotes jewellery culture through a rich programme of in-person courses and talks for beginners and collectors, along with free temporary exhibitions, publications and research programmes. Image courtesy of VCA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/e42256ca-b7af-41ca-a585-8f9c777bd0eb/Screenshot+2024-10-25+at+16.19.38.png</image:loc>
      <image:title>content - Beauty of the Treasured Green Gems: An Exhibition of Emeralds Opens L’ÉCOLE, School of Jewelery Art's New Permanent  Campus in Dubai - Make it stand out</image:title>
      <image:caption>[T-B] Dubai becomes L’ÉCOLE’s fourth permanent international location alongside Paris, Hong Kong and Shanghai. Image courtesy of VCA“</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/survival-of-the-fittest</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-26</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/f7d839c1-3fdc-4094-b529-e74279358b2d/Unfinished-Obelisk-Credits-MO4_web.png</image:loc>
      <image:title>content - Survival Of The Fittest - Make it stand out</image:title>
      <image:caption>Camoulflage 1.618: The Unfinished Obelisk (2022) At the end of 2022, Alhashemi exhibited in Art D’Égypte. The incomplete structure was installed in the desert beside the Great Pyramids of Giza. Photograph by Mahmoud Elbeleehy/MO4.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1c3f4ffb-eef8-4c45-a7db-82e24a5e681d/4N5A2187-HIRZ_web.png</image:loc>
      <image:title>content - Survival Of The Fittest - Make it stand out</image:title>
      <image:caption>Portrait of Alhashemi by Rudolf Azzi.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/a7c2ce85-b0f3-48ca-ab8d-93e2db0653cc/TM-Exist-TH_Alhashemi_TR_042023_web.png</image:loc>
      <image:title>content - Survival Of The Fittest - Make it stand out</image:title>
      <image:caption>There May Exist (2024) Alhashemi’s installation in the Theseus Temple, Vienna. The link between progress and decline reverberates through her work. Courtesy of KHM-Museumsverband.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/2c5e670d-ec03-4e3b-8b35-341d262296c7/DXA-Zeinab-AlHashemi-02-Lance-Gerber_web.png</image:loc>
      <image:title>content - Survival Of The Fittest - Make it stand out</image:title>
      <image:caption>Camoulflage (2015). Alhashemi’s work explores the changing role of camels on the Arabian Peninsula. The connection she makes between organic and industrial materials began here. Courtesy of Leila Heller Gallery.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/f2fcb91c-f087-4df7-80ad-d9e9a8438ec3/2015-Camoulflage-896A2498_web.png</image:loc>
      <image:title>content - Survival Of The Fittest - Make it stand out</image:title>
      <image:caption>Camoulflage 2.0 at Desert X AlUla 2022, top. A combination of camel and camouflage. The installation strikes the viewer as a desert scene from which an abstract camel silhouette emerges. Photo by Lance Gerber.</image:caption>
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    <image:image>
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      <image:title>content - Survival Of The Fittest - Make it stand out</image:title>
      <image:caption>Portrait by Rudolf Azzi</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/dubai-design</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-25</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/e525bc51-cc7a-4df4-884f-74335724d0bd/shawati.png</image:loc>
      <image:title>content - Dubai Design Week: Celebrating Functional Creativity with a Sustainable Lens - Make it stand out</image:title>
      <image:caption>Abwab translates to ‘doors’ in Arabic and is an annually remodeled key feature of the Dubai Design Week programme, dedicated to commissioning work from across the Middle East, North Africa and South Asia with the objective to promote the region’s talent and stimulate cultural exchange. Image courtesy of Dubai Design Week</image:caption>
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      <image:title>content - Dubai Design Week: Celebrating Functional Creativity with a Sustainable Lens - Make it stand out</image:title>
      <image:caption>Abwab: India Pavilion Qissa Ghar by The Busride Studio, Dubai Design Week 2019. Image courtesy of Dubai Design Week</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/936f3455-e400-48c2-b95a-0584e275437c/Screenshot+2024-10-21+at+13.49.26.png</image:loc>
      <image:title>content - Dubai Design Week: Celebrating Functional Creativity with a Sustainable Lens - Make it stand out</image:title>
      <image:caption>Downtown Design 2022, Slamp. Image courtesy of Dubai Design Week</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/6b69edb0-5dc0-4550-9714-f4f773479b20/Screenshot+2024-10-21+at+13.52.57.png</image:loc>
      <image:title>content - Dubai Design Week: Celebrating Functional Creativity with a Sustainable Lens - Make it stand out</image:title>
      <image:caption>Visitor interaction at Downtown Design 2022, Hvila Editions. Image courtesy of Dubai Design Week</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/06bd14df-2535-4cf1-9ccc-cad8f47868c6/Screenshot+2024-10-21+at+13.56.34.png</image:loc>
      <image:title>content - Dubai Design Week: Celebrating Functional Creativity with a Sustainable Lens - Make it stand out</image:title>
      <image:caption>Silent Call, Lasvit Design, Khaled Shafar, Dubai Design Week 2017. Image courtesy of Dubai Design Week</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/4ef4bd90-a666-4a39-92c0-dbee7716fee2/Untitled+design.jpg</image:loc>
      <image:title>content - Dubai Design Week: Celebrating Functional Creativity with a Sustainable Lens - Make it stand out</image:title>
      <image:caption>Mette Degn-Christensen, Director - Downtown Design. Image courtesy of Dubai Design Week</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1753e345-e10c-4317-a95b-5d7c1106d5bc/Screenshot+2024-10-21+at+14.10.59.png</image:loc>
      <image:title>content - Dubai Design Week: Celebrating Functional Creativity with a Sustainable Lens - Make it stand out</image:title>
      <image:caption>A visitor at Downtown Design. Image courtesy of Dubai Design Week</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/0efda59a-4bbd-4f53-a07c-6707066be966/Screenshot+2024-10-21+at+14.12.39.png</image:loc>
      <image:title>content - Dubai Design Week: Celebrating Functional Creativity with a Sustainable Lens - Make it stand out</image:title>
      <image:caption>Downtown Design 2022, Cosentino. Image courtesy of Dubai Design Week</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/from-local-to-global-how-the-capitals-art-fair-is-shaping-the-region</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/ae07684a-3d58-4e47-88de-8c832179988c/shawati1.png</image:loc>
      <image:title>content - From Local to Global, How Abu Dhabi Art is Shaping the Region - Make it stand out</image:title>
      <image:caption>The 15th edition of Abu Dhabi Art took place 22-26 November 2023 at Manarat Al Saadiyat. Image courtesy of DCT - Abu Dhabi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/5aa2f614-7d2e-403d-9415-0810997c6a2c/Screenshot+2024-10-20+at+16.54.16.png</image:loc>
      <image:title>content - From Local to Global, How Abu Dhabi Art is Shaping the Region - Make it stand out</image:title>
      <image:caption>Abu Dhabi Art brings together a number of local and international galleries offering artworks for sale which are shown alongside exhibitions, artist commissions and installations both at the fair and across the emirate. Image courtesy of DCT - Abu Dhabi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1d1abe1c-378a-484a-bc1d-e08c58e8fb60/Screenshot+2024-10-20+at+17.02.24.png</image:loc>
      <image:title>content - From Local to Global, How Abu Dhabi Art is Shaping the Region - Make it stand out</image:title>
      <image:caption>Art and Galleries at the Abu Dhabi Art Fair. Image courtesy of DCT - Abu Dhabi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/15b3c88c-cbf0-41b8-8f03-25d4f1333d7d/Screenshot+2024-10-20+at+16.59.33.png</image:loc>
      <image:title>content - From Local to Global, How Abu Dhabi Art is Shaping the Region - Make it stand out</image:title>
      <image:caption>The entrance to Manarat Al Saadiyat, the venue for the Abu Dhabi Art Fair. Image courtesy of DCT - Abu Dhabi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/8adc4a1a-9a1f-455b-9fca-5b0e96f9075c/Screenshot+2024-10-20+at+17.08.05.png</image:loc>
      <image:title>content - From Local to Global, How Abu Dhabi Art is Shaping the Region - Make it stand out</image:title>
      <image:caption>Art and galleries at Abu Dhabi Art. Image courtesy of DCT - Abu Dhabi</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/d5b1a85b-accb-4911-9642-919428a359e5/Screenshot+2024-10-20+at+17.13.02.png</image:loc>
      <image:title>content - From Local to Global, How Abu Dhabi Art is Shaping the Region - Make it stand out</image:title>
      <image:caption>Hongkong Sector at Abu Dhabi Art. Image courtesy of DCT - Abu Dhabi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/09883689-0b9f-4fa8-a878-21db0ce2b4e0/Screenshot+2024-10-20+at+17.14.55.png</image:loc>
      <image:title>content - From Local to Global, How Abu Dhabi Art is Shaping the Region - Make it stand out</image:title>
      <image:caption>Art Installations at Abu Dhabi Art. Image courtesy of DCT - Abu Dhabi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/b7b554ae-3fde-4d10-93f9-53a95aaba9df/Screenshot+2024-10-20+at+17.19.12.png</image:loc>
      <image:title>content - From Local to Global, How Abu Dhabi Art is Shaping the Region - Make it stand out</image:title>
      <image:caption>Dyala Nusseibeh, Director of Abu Dhabi Art, Culture Programming Department. Image courtesy of DCT - Abu Dhabi</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1e7631d8-eecb-4a7b-a499-294962c3a20d/Screenshot+2024-10-20+at+17.20.45.png</image:loc>
      <image:title>content - From Local to Global, How Abu Dhabi Art is Shaping the Region - Make it stand out</image:title>
      <image:caption>Visitors to the Fair. Image courtesy of DCT - Abu Dhabi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/3f728fdf-455a-4de1-aa24-4052e4bda34e/Screenshot+2024-10-20+at+17.23.12.png</image:loc>
      <image:title>content - From Local to Global, How Abu Dhabi Art is Shaping the Region - Make it stand out</image:title>
      <image:caption>Art and Galleries at the Abu Dhabi Art Fair. Image courtesy of DCT - Abu Dhabi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/65adf5ea-701f-4c20-b8f2-218d033b8732/Screenshot+2024-10-20+at+17.25.29.png</image:loc>
      <image:title>content - From Local to Global, How Abu Dhabi Art is Shaping the Region - Make it stand out</image:title>
      <image:caption>The Art Wall at Abu Dhabi Art 2023. Image courtesy of DCT - Abu Dhabi</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/im-excited-about-creatives-taking-control-of-their-future</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/2a0d7466-7255-4bb9-8c14-548ba6b1f650/Screenshot+2024-04-04+at+13.31.58.png</image:loc>
      <image:title>content - “I’m excited about creatives taking control of their future” - Make it stand out</image:title>
      <image:caption>Marguerite deCourcelle’s Torched H34R7S. (2015). The final part of the puzzle chain leading to the 1FLAMEN6 wallet. Within this painting she hid 4.87BTC. Coding done in collaboration with Rhea Myers</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/b6c76391-65ba-4f88-95e3-b84822191b73/Screenshot+2024-04-04+at+13.34.19.png</image:loc>
      <image:title>content - “I’m excited about creatives taking control of their future” - Make it stand out</image:title>
      <image:caption>Marguerite deCourcelle’s Dark Wallet Puzzle (2014). Painting depicting Cody Wilson and Amir Taaki — so-called crypto anarchists and founders of Dark Wallet. Within this painting she hid 3.4BTC.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/48553f6c-b351-45fb-bb1b-9ba2e57976b4/Screenshot+2024-04-04+at+13.37.59.png</image:loc>
      <image:title>content - “I’m excited about creatives taking control of their future” - Make it stand out</image:title>
      <image:caption>Marguerite deCourcelle’s ‘F473 (FATE)’ (2021) digital-born game with generative elements using HTML, CSS, React.JS, Javascript, dedicated web page and polygon smart contract</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/590a869c-e8e4-4d34-ad4a-8174b285da43/Screenshot+2024-04-04+at+13.41.49.png</image:loc>
      <image:title>content - “I’m excited about creatives taking control of their future” - Make it stand out</image:title>
      <image:caption>Marguerite deCourcelle</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/can-code-be-art-or-can-art-be-code</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1c0c73cb-d142-45f6-9c13-18f7d1b30206/Screenshot+2024-04-04+at+13.21.50.png</image:loc>
      <image:title>content - Can code be art? Or can art be code - Make it stand out</image:title>
      <image:caption>Rhea Myers, Is Art, 2014/2015, Ethereum DApp.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/97d3f802-5374-4d6b-b916-ad8c49607176/Screenshot+2024-04-04+at+13.22.52.png</image:loc>
      <image:title>content - Can code be art? Or can art be code - Make it stand out</image:title>
      <image:caption>Rhea Myers. Proof of Existence, 2014. Bitcoin transaction.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/3d3108a7-68b1-48b0-801a-a6f459a471e6/Screenshot+2024-04-04+at+13.24.08.png</image:loc>
      <image:title>content - Can code be art? Or can art be code - Make it stand out</image:title>
      <image:caption>Rhea Myers. Tokens Equal Text / Type Opposite Images.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/40b007d9-51d6-47ee-abbe-60b6be6b6afd/Screenshot+2024-04-04+at+13.25.34.png</image:loc>
      <image:title>content - Can code be art? Or can art be code - Make it stand out</image:title>
      <image:caption>Rhea Myers, courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/creating-art-and-community-going-against-the-grain-since-day-one</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/e627a97f-3f25-4df4-bd92-e0acc965203b/Screenshot+2024-04-04+at+13.10.19.png</image:loc>
      <image:title>content - Creating art and community, going against the grain since day one. - Make it stand out</image:title>
      <image:caption>Bea Ramos and Judy Mam, co-founders of dada.art. London, 2018. Courtesy of Judy Mam.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/d3733408-e937-4bd1-84d0-70e8541a1d9d/Screenshot+2024-04-04+at+13.11.35.png</image:loc>
      <image:title>content - Creating art and community, going against the grain since day one. - Make it stand out</image:title>
      <image:caption>Animalia, a visual conversation on dada.art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1890ca44-cc0a-4137-89cd-802f2c8c3c26/Screenshot+2024-04-04+at+13.12.51.png</image:loc>
      <image:title>content - Creating art and community, going against the grain since day one. - Make it stand out</image:title>
      <image:caption>DADA’s first tokenized collection, Creeps &amp; Weirdos, minted October 5, 2017.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/the-incredible-combination-of-art-and-technology</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/edbe669e-2596-42aa-8971-ffd933481356/Screenshot+2024-04-04+at+11.24.06.png</image:loc>
      <image:title>content - “The incredible combination of art and technology” - Make it stand out</image:title>
      <image:caption>Casey Reas It doesn’t exist (in any other form) bitforms gallery, New York, 2023–24. Still Life (RGB-D), 2023. Courtesy of the artist and bitforms gallery. Photo: Tyler Rutledge</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/99bbb609-a99f-4fea-94c3-6cb8f0cfb1e1/Screenshot+2024-04-04+at+11.26.03.png</image:loc>
      <image:title>content - “The incredible combination of art and technology” - Make it stand out</image:title>
      <image:caption>Manfred Mohr, A Formal Language, bitforms gallery, New York, 2019. Courtesy of the artist and bitforms gallery. Photo: Emile Askey</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/a741e756-c724-4f68-814c-1b7291416887/Screenshot+2024-04-04+at+11.27.41.png</image:loc>
      <image:title>content - “The incredible combination of art and technology” - Make it stand out</image:title>
      <image:caption>Refik Anadol, Quantum, bitforms gallery, New York, 2021. From left to right: Quantum Memories Probability, 2021; Quantum Memories Nature Studies, 2021. Courtesy of the artist and bitforms gallery. Photo: Emile Askey</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/c7e28308-4a5e-418a-9e9e-0c31185268dd/Screenshot+2024-04-04+at+11.30.03.png</image:loc>
      <image:title>content - “The incredible combination of art and technology” - Make it stand out</image:title>
      <image:caption>Steven Sacks, founder, bitforms gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/flipping-copyright-on-its-head-artists-at-the-service-of-the-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/e245ddde-fe89-4a49-bc8f-36d9b9af53dc/Screenshot+2024-04-04+at+10.43.30.png</image:loc>
      <image:title>content - “Flipping copyright on its head: artists at the service of the art” - Make it stand out</image:title>
      <image:caption>The Plantoid Explained: Schema.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/b3428485-6540-4bed-9662-4d64334be578/Screenshot+2024-04-04+at+10.45.34.png</image:loc>
      <image:title>content - “Flipping copyright on its head: artists at the service of the art” - Make it stand out</image:title>
      <image:caption>Variety of Plantoid sculptures.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/9d278061-69a4-4254-93d2-fb13a99f8c06/Screenshot+2024-04-04+at+10.47.24.png</image:loc>
      <image:title>content - “Flipping copyright on its head: artists at the service of the art” - Make it stand out</image:title>
      <image:caption>Plantoid #15</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/fbd2cf8a-6020-469c-bcad-2decf4c54131/Screenshot+2024-04-04+at+10.48.51.png</image:loc>
      <image:title>content - “Flipping copyright on its head: artists at the service of the art” - Make it stand out</image:title>
      <image:caption>Primavera De Filippi. Creator &amp; Copyright: Ivo Näpflin</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/a-bitcoin-key-turned-money-into-poetry</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/9c79c2b7-8121-4360-8842-c4f27c19fceb/Screenshot+2024-04-04+at+10.32.28.png</image:loc>
      <image:title>content - “A Bitcoin key turned money into poetry.” - Make it stand out</image:title>
      <image:caption>Edwin Rosero, The Soul Of Money, 2014. Digital file with private key hidden in blue channel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/47bfd210-8bb6-43c3-9028-10fbedf57371/Screenshot+2024-04-04+at+10.33.38.png</image:loc>
      <image:title>content - “A Bitcoin key turned money into poetry.” - Make it stand out</image:title>
      <image:caption>Edwin Rosero, The Soul Of Money, 2014. Personal photograph revealing the private key in the blue channel. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/0a8c1af4-b2a8-48ce-aff5-6f581ee2d1f2/Screenshot+2024-04-04+at+10.34.50.png</image:loc>
      <image:title>content - “A Bitcoin key turned money into poetry.” - Make it stand out</image:title>
      <image:caption>Edwin Rosero, Cardinal, 2015.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/0033add8-3660-44c3-8d15-16cd0fff669d/Screenshot+2024-04-04+at+10.36.38.png</image:loc>
      <image:title>content - “A Bitcoin key turned money into poetry.” - Make it stand out</image:title>
      <image:caption>Edwin Rosero, courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/digital-patterns-in-architecture-depicting-the-post-future</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/c62a758a-ff17-4dff-89fa-2520865483c8/Screenshot+2024-04-04+at+10.21.38.png</image:loc>
      <image:title>content - Digital patterns in architecture depicting the post-future - Make it stand out</image:title>
      <image:caption>Kevin McCoy, still from Quantum (2014). Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/e1a908b5-75ec-40c2-b390-9ce87078b19b/Screenshot+2024-04-04+at+10.23.24.png</image:loc>
      <image:title>content - Digital patterns in architecture depicting the post-future - Make it stand out</image:title>
      <image:caption>Still from Jennifer &amp; Kevin McCoy’s Cars (2024). Courtesy of the artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/f0efc6b2-9495-405a-9eb4-ae52f58611e0/Screenshot+2024-04-04+at+10.24.30.png</image:loc>
      <image:title>content - Digital patterns in architecture depicting the post-future - Make it stand out</image:title>
      <image:caption>Cars was transferred to Anil Dash on stage at the New Museum in New York as part of Rhizome’s fifth Seven on Seven conference in 2014.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/2a617c2f-3eda-415e-99a2-93672c4366f2/Screenshot+2024-04-04+at+10.26.35.png</image:loc>
      <image:title>content - Digital patterns in architecture depicting the post-future - Make it stand out</image:title>
      <image:caption>Jennifer and Kevin McCoy. Courtesy of the artists.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/value-and-art-a-specular-relation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/238aced9-b661-4e9b-ad38-946106f8edee/Screenshot+2024-04-04+at+10.07.05.png</image:loc>
      <image:title>content - “Value and art — a specular relation” - Make it stand out</image:title>
      <image:caption>Sarah Meyohas. BITCHCOIN, Public Key: BAyq44Aa7btZBJ7RLHUnLC8MoDNe6gETTw, 2015 (no professional photography available). Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/fcd6eb60-e064-41d6-8da4-a46130d0b0ed/Screenshot+2024-04-04+at+10.08.57.png</image:loc>
      <image:title>content - “Value and art — a specular relation” - Make it stand out</image:title>
      <image:caption>Sarah Meyohas, Liquid Speculation #25 (2021). ERC-1155 token.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/331929a5-8208-4251-9164-0cac95b79a1c/Screenshot+2024-04-04+at+10.10.12.png</image:loc>
      <image:title>content - “Value and art — a specular relation” - Make it stand out</image:title>
      <image:caption>Still from Sarah Meyohas’ Cloud of Petals, 30min 16mm film.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/6bf631b4-a3b0-41d5-ad14-6c65b0798f49/Screenshot+2024-04-04+at+10.11.48.png</image:loc>
      <image:title>content - “Value and art — a specular relation” - Make it stand out</image:title>
      <image:caption>Sarah Meyohas. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/most-of-my-work-deals-with-social-consensus</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/f537c3e1-50f3-43c3-b144-71842a5557df/Screenshot+2024-04-04+at+09.51.51.png</image:loc>
      <image:title>content - “Most of my work deals with social consensus” - Make it stand out</image:title>
      <image:caption>Depiction of Nili Lerner’s ICOKE coin, part of the NILIcoin currency, through which she envisioned a new financial model against the grain of centralized capitalist economy</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/8f25fe44-50f2-458c-ad9a-155b0a2dddb3/Screenshot+2024-04-04+at+09.53.43.png</image:loc>
      <image:title>content - “Most of my work deals with social consensus” - Make it stand out</image:title>
      <image:caption>Nili Lerner’s The Dollar Ribbon was a performance piece made in New York in 2008 during Lerner’s first explorations into the meaning of value and money.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/587f8fcd-cb49-4376-b15d-359b634ba121/Screenshot+2024-04-04+at+09.58.26.png</image:loc>
      <image:title>content - “Most of my work deals with social consensus” - Make it stand out</image:title>
      <image:caption>The original announcement of NILIcoins in September 2014 on the Bitcointalk Forum.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/0d22225a-ccc3-474d-9440-6106937c935f/Screenshot+2024-04-04+at+09.59.43.png</image:loc>
      <image:title>content - “Most of my work deals with social consensus” - Make it stand out</image:title>
      <image:caption>Nili Lerner, self portrait. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/the-fever-dream</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/c0aeea05-8cd6-405d-8595-d4883a65f9ad/Screenshot+2024-04-04+at+09.32.07.png</image:loc>
      <image:title>content - “The fever dream” - Make it stand out</image:title>
      <image:caption>Jonathan Monaghan, ‘Mothership’ (2013). Still from 14m 33sec born-digital video). Courtesy of bitforms gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/0292f267-e0dd-404d-9e85-2dbcb36f95c0/Screenshot+2024-04-04+at+09.33.18.png</image:loc>
      <image:title>content - “The fever dream” - Make it stand out</image:title>
      <image:caption>Jonathan Monaghan. Out of the Abyss, 2018. video (color, sound), media player, screen or projector, single or 3-channel, 19 min loop.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/d025c0e8-faf3-4792-b106-2b47e4a9ec99/Screenshot+2024-04-04+at+09.34.46.png</image:loc>
      <image:title>content - “The fever dream” - Make it stand out</image:title>
      <image:caption>Jonathan Monaghan, Sentries (2019–2021). Die-cut adhesive-backed polyester canvas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/70f6ebb1-3198-46ca-b703-af4fa4dfbfb0/Screenshot+2024-04-04+at+09.36.31.png</image:loc>
      <image:title>content - “The fever dream” - Make it stand out</image:title>
      <image:caption>Jonathan Monaghan. Courtesy of the artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/kq4cpls1diyjgeo5hbtqid5q4d6ity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/c73c1a05-dbc9-48d2-a5e5-176030a65582/Screenshot+2024-04-03+at+19.16.34.png</image:loc>
      <image:title>content - “I attempt to divinate the unseen through expressions of art, music and ceremony.” - Make it stand out</image:title>
      <image:caption>halluciphile’s m/eow-bside (2024). Image representing a digital setlist from a series of mash-ups of publicly available music and material</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/3b02d8a2-4f67-4d39-b80a-e191f2c7f95d/Screenshot+2024-04-03+at+19.18.54.png</image:loc>
      <image:title>content - “I attempt to divinate the unseen through expressions of art, music and ceremony.” - Make it stand out</image:title>
      <image:caption>halluciphile’s MRTALPHA: 100% Issuance Rare Pepe (tokenized 2017, published 2018)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/78c70f05-f424-4eb0-9eaf-903329168f2c/Screenshot+2024-04-03+at+19.20.21.png</image:loc>
      <image:title>content - “I attempt to divinate the unseen through expressions of art, music and ceremony.” - Make it stand out</image:title>
      <image:caption>halluciphile’s Punytokens Debut Dozen Decennial — 12 Counterparty single character punytokens</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/27bfc1e4-2d64-48e6-bb47-7730c525a4bf/Screenshot+2024-04-03+at+19.30.15.png</image:loc>
      <image:title>content - “I attempt to divinate the unseen through expressions of art, music and ceremony.” - Make it stand out</image:title>
      <image:caption>halluciphile, 2023.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/were-at-the-beginning-of-a-digital-renaissance</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/72026fb7-742b-4f7b-9e1a-c2783c037184/Screenshot+2024-04-09+at+12.15.55.png</image:loc>
      <image:title>content - “We’re at the beginning of a digital Renaissance” - Make it stand out</image:title>
      <image:caption>Matthew Ferrick is Creative Lead at Nifty Gateway. He joined the team in January 2021.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/there-was-a-spark-of-magic-around-superrare-from-the-beginning</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/845da88c-cc6e-4b5c-bae4-fcdc1e32991f/Screenshot+2024-04-08+at+22.55.09.png</image:loc>
      <image:title>content - “There was a spark of magic around SuperRare from the beginning” - Make it stand out</image:title>
      <image:caption>Jon Perkins, co-founder of SuperRare, one of the world’s most popular NFT art marketplaces</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/800d1144-1d26-4fe1-95ff-aa327c908358/Screenshot+2024-04-08+at+22.57.53.png</image:loc>
      <image:title>content - “There was a spark of magic around SuperRare from the beginning” - Make it stand out</image:title>
      <image:caption>Artists on SuperRare have to be selected to join the platform, hence curation and quality control have been a priority since the beginning.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/758c4224-6cfd-42c2-8998-a72076b0c10c/Screenshot+2024-04-08+at+22.59.31.png</image:loc>
      <image:title>content - “There was a spark of magic around SuperRare from the beginning” - Make it stand out</image:title>
      <image:caption>The Space Race is a community curation game designed to surface emerging talent in the NFT ecosystem</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/digital-is-todays-tool-that-enables-the-greatest-opportunity-for-free-expression</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/315b1485-05bf-41b9-9c77-e66b3b1d21af/Screenshot+2024-04-09+at+12.23.47.png</image:loc>
      <image:title>content - “Digital is today’s tool that enables the greatest opportunity for free expression” - Make it stand out</image:title>
      <image:caption>On the Shoulders of Giants by Kenneth Alexander</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/df0be127-254e-4a35-9da8-699b6f7fe570/Screenshot+2024-04-09+at+12.24.45.png</image:loc>
      <image:title>content - “Digital is today’s tool that enables the greatest opportunity for free expression” - Make it stand out</image:title>
      <image:caption>SERVER, OUTSMARTED by Stan Adard</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/3bb4218b-4c5e-4d82-8612-e565eb9b288f/Screenshot+2024-04-09+at+12.25.55.png</image:loc>
      <image:title>content - “Digital is today’s tool that enables the greatest opportunity for free expression” - Make it stand out</image:title>
      <image:caption>Marc Billings, co-founder and CEO of Blackdove</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/shifting-perspective-is-really-powerful-in-art-and-in-life</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-05-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/5ab37cd0-7151-4bd4-ae94-78bd3038e99d/Screenshot+2024-04-09+at+21.28.57.png</image:loc>
      <image:title>content - “Shifting perspective is really powerful, in art and in life.” - Make it stand out</image:title>
      <image:caption>Detail of the art studio in which Raphael grew up in. Image courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/efe9f137-6ade-4c57-a353-86896b8efb56/Screenshot+2024-04-09+at+21.30.46.png</image:loc>
      <image:title>content - “Shifting perspective is really powerful, in art and in life.” - Make it stand out</image:title>
      <image:caption>An image from the beginning of Raphael’s fascination with aerial photography. Image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/8c06cc18-cad4-4266-b98e-d0598bec7fa8/Screenshot+2024-04-09+at+21.31.53.png</image:loc>
      <image:title>content - “Shifting perspective is really powerful, in art and in life.” - Make it stand out</image:title>
      <image:caption>A Belle Epoch. One of Raphael’s first NFTs</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/39be6d00-f941-4f03-a667-6d34f233edd4/Screenshot+2024-04-09+at+21.33.06.png</image:loc>
      <image:title>content - “Shifting perspective is really powerful, in art and in life.” - Make it stand out</image:title>
      <image:caption>Raphael. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/every-time-i-take-a-photo-i-close-my-eyes-and-it-is-like-a-movie</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/6a1c7cad-3724-45c2-932e-f9f7b64b006b/Screenshot+2024-04-09+at+21.40.38.png</image:loc>
      <image:title>content - “Every time I take a photo, I close my eyes and it is like a movie” - Make it stand out</image:title>
      <image:caption>From the #ReflectionStories series by Monaris. Captioned: Less than a second but felt like an eternity. How long has it been since she looked just like that? Her youth had disappeared captured by the weight of never-ending memories.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/dd5e5dd7-151b-41a4-bfe2-e5a7770937a1/Screenshot+2024-04-09+at+21.42.37.png</image:loc>
      <image:title>content - “Every time I take a photo, I close my eyes and it is like a movie” - Make it stand out</image:title>
      <image:caption>Cine &amp; Color: A Sleepless Soul by Monaris</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/ef00ad59-cdb7-4f0a-8df2-1dc94ccfd128/Screenshot+2024-04-09+at+21.44.03.png</image:loc>
      <image:title>content - “Every time I take a photo, I close my eyes and it is like a movie” - Make it stand out</image:title>
      <image:caption>Collecting Hands, #11 _ Edition of 1 by Monaris. This collection is a grounding prompt that no pair of hands share or tell the same story, yet somehow, despite our different experiences in life, we’re able to relate to one another on one common ground: “Life.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/a892e5b3-a3f4-45c9-9d71-cba5b740e44b/Screenshot+2024-04-09+at+21.45.50.png</image:loc>
      <image:title>content - “Every time I take a photo, I close my eyes and it is like a movie” - Make it stand out</image:title>
      <image:caption>Monaris, courtesy of the artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/i-dont-like-mixing-art-and-money</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/f1bd7906-b2b1-48f1-9645-bde45d119c69/Screenshot+2024-04-09+at+22.16.53.png</image:loc>
      <image:title>content - “I don’t like mixing art and money” - Make it stand out</image:title>
      <image:caption>Colborn Bell</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/df0f0147-91dc-4cb0-aa8f-18e739826ec5/Screenshot+2024-04-09+at+22.18.56.png</image:loc>
      <image:title>content - “I don’t like mixing art and money” - Make it stand out</image:title>
      <image:caption>magic internet money #65 by Colborn Bell</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/4a761932-8fe5-4894-a3a8-2c6176d06ad1/Screenshot+2024-04-09+at+22.19.56.png</image:loc>
      <image:title>content - “I don’t like mixing art and money” - Make it stand out</image:title>
      <image:caption>An artist’s homage to Colborn Bell. Image courtesy Colborn Bell.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/all-of-my-buildings-are-inside-out</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/270816b9-6976-4cbf-8446-352d0b0c05d3/Screenshot+2024-04-09+at+22.30.04.png</image:loc>
      <image:title>content - “All of my buildings are inside out” - Make it stand out</image:title>
      <image:caption>Loading New Architecture by untitled, xyz. Minted on SuperRare in August 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/86938792-5200-44d5-bbfd-822eca82fe20/Screenshot+2024-04-09+at+22.32.10.png</image:loc>
      <image:title>content - “All of my buildings are inside out” - Make it stand out</image:title>
      <image:caption>Gamified by untitled, xyz. Minted on SuperRare in February 2021</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/42359e49-28e3-46f9-aa85-e09385dffc13/Screenshot+2024-04-09+at+22.34.01.png</image:loc>
      <image:title>content - “All of my buildings are inside out” - Make it stand out</image:title>
      <image:caption>Monument of Errors by untitled, xyz. Minted on SuperRare in January 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/c9f012f1-f7dc-4237-86ed-ecab0194a861/Screenshot+2024-04-09+at+22.40.41.png</image:loc>
      <image:title>content - “All of my buildings are inside out” - Make it stand out</image:title>
      <image:caption>Kirk Finkel, a.k.a untitled, xyz</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/i-use-a-candy-coating-of-colour-to-get-people-to-listen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/4858616a-d49f-4e16-ba69-2dcd9f52292b/Screenshot+2024-04-11+at+11.08.55.png</image:loc>
      <image:title>content - “I use a candy coating of colour to get people to listen” - Make it stand out</image:title>
      <image:caption>SWING (Day) by Bryan Brinkman — screen shot sourced from animated NFT</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/2df2b0ee-1b3e-4f77-8e03-1fd7859adcd8/Screenshot+2024-04-11+at+11.10.12.png</image:loc>
      <image:title>content - “I use a candy coating of colour to get people to listen” - Make it stand out</image:title>
      <image:caption>Explode by Bryan Brinkman — screen shot sourced from animated NFT</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/c0cca2ef-e0b1-4b6d-adb3-1553751c6efb/Screenshot+2024-04-11+at+11.11.20.png</image:loc>
      <image:title>content - “I use a candy coating of colour to get people to listen” - Make it stand out</image:title>
      <image:caption>Bryan Brinkman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/f67bcf6b-7d97-4634-a19f-6686c3ed1504/Screenshot+2024-04-11+at+11.13.05.png</image:loc>
      <image:title>content - “I use a candy coating of colour to get people to listen” - Make it stand out</image:title>
      <image:caption>Self Portrait by Bryan Brinkman</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/i-try-to-fight-the-brain</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/5106a409-fa7c-48bb-8d31-503a4d12a3c1/Screenshot+2024-04-11+at+11.01.45.png</image:loc>
      <image:title>content - “I try to fight the brain” - Make it stand out</image:title>
      <image:caption>The Lost Vitalik — Decentral Eyes Genesis. Minted by Coldie, July 31, 2020 on SuperRare</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/818e9679-dc7c-42e8-a0ad-6dacb3b0d186/Screenshot+2024-04-11+at+11.03.35.png</image:loc>
      <image:title>content - “I try to fight the brain” - Make it stand out</image:title>
      <image:caption>The Day We’ve All Been Waiting For — Citadel 6.15 3D Anaglyph (incl. signed Coldie/Hackatao 3D glasses)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/80ad310e-c395-46c0-9d97-cdeb35f77846/Screenshot+2024-04-11+at+11.04.40.png</image:loc>
      <image:title>content - “I try to fight the brain” - Make it stand out</image:title>
      <image:caption>Coldie is a stereoscopic 3D artist creating crypto art focused on blockchain and decentralisation. Coldie is an award-winning mixed media practitioner and one of the most collected crypto artists of our time.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/the-great-leveller</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/7c7a43f0-6e7d-4be2-8c97-58d17a97fa3b/Screenshot+2024-04-11+at+10.56.42.png</image:loc>
      <image:title>content - The Great Leveller - Make it stand out</image:title>
      <image:caption>Queen Elizabeth Taylor I by Jen Stelco (@stelcart) and Panji Krishna</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/survival-of-the-fittest-the-perils-of-viral-memes-internet-algorithms-and-the-rise-of-the-nft-market</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/b1a3e479-c13f-4951-b0a8-295185568054/BEEPLE-EVERYDAYS_THE_FIRST_5000_DAYS_3k.jpeg</image:loc>
      <image:title>content - Survival of the fittest: the perils of viral memes, internet algorithms and the rise of the NFT market - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/to-nft-or-not-to-nft</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/129e2cc5-bc5e-4dec-86d1-2b44682d52ea/Screenshot+2024-04-10+at+10.31.04.png</image:loc>
      <image:title>content - To NFT or not to NFT - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/curation-vs-gatekeeping</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/d15bb30b-8769-4a51-89a8-69cd6a9734d4/Screenshot+2024-04-10+at+10.25.17.png</image:loc>
      <image:title>content - Curation vs Gatekeeping - Make it stand out</image:title>
      <image:caption>Inside MORROW collective’s GENESIS exhibition, in the Origin Art Museum space in Cryptovoxels</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/the-machine-in-the-mirror</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/47ebe7db-4c4c-46fb-b29e-593db8d0af12/Screenshot+2024-04-12+at+11.24.23.png</image:loc>
      <image:title>content - The Machine in the Mirror - Make it stand out</image:title>
      <image:caption>Screenshot of The Digital Awakening virtual exhibition.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1b0739c7-8c75-4546-acca-8f812382d8a5/Screenshot+2024-04-12+at+11.34.52.png</image:loc>
      <image:title>content - The Machine in the Mirror - Make it stand out</image:title>
      <image:caption>Still of Servant, Child, Lover. (LOVER) Alex Trochut - full animation here</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/20aca278-3c2c-4e86-838c-eda736017fd7/Screenshot+2024-04-11+at+12.50.17.png</image:loc>
      <image:title>content - The Machine in the Mirror - Make it stand out</image:title>
      <image:caption>X-Reality: A Manifesto for Mixed Reality Futures by Inferstudio and Atom Futures</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/40aaa14a-0a6b-40f5-9dbc-ea160d9ddbf5/Screenshot+2024-04-11+at+13.11.51.png</image:loc>
      <image:title>content - The Machine in the Mirror - Make it stand out</image:title>
      <image:caption>Metaverse Archaeology NFT Collection by Andrea Castillo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/39046c90-80e7-44aa-83ba-be8bd4bc7b88/a1.png</image:loc>
      <image:title>content - The Machine in the Mirror - Make it stand out</image:title>
      <image:caption>Kevin Cobb. Ecstasis (2022)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/bd96a076-79b8-4465-b02e-f88950f66a0b/Screenshot+2024-04-12+at+11.44.54.png</image:loc>
      <image:title>content - The Machine in the Mirror - Make it stand out</image:title>
      <image:caption>John Jahni Moore. Destiny’s World: Beyond The MotherBoard, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/d74cc398-859e-481b-b066-31bd29ba5e2b/Hint_Thumbnail_copy.png</image:loc>
      <image:title>content - The Machine in the Mirror - Make it stand out</image:title>
      <image:caption>Hint 仚NFT Collection by JU-EH</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/the-journeyman</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/c78e48a7-c343-419a-a612-6601c4589c9e/a1.png</image:loc>
      <image:title>content - The Journeyman - Make it stand out</image:title>
      <image:caption>Abdullah Al Saadi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/a0b14d92-bcc6-40eb-bad6-ca76035eb623/Screenshot+2024-04-02+at+22.03.43.png</image:loc>
      <image:title>content - The Journeyman - Make it stand out</image:title>
      <image:caption>A key figure in the UAE’s contemporary art scene, Abdullah Al Saadi’s proliﬁc practice ranges from painting, drawing, sculpture, performance and photography to collecting and cataloguing found objects. The artist has created a comprehensive body of work connected to the landscapes of the Arabian Peninsula. His exhibition in Venice will be curated by Tarek Abou El Fetouh, above,  with whom Al Saadi collaborated on a public intervention in Expo 2020 Dubai. Al Saadi in his studio photographed by Roman Mensing, both courtesy The National Pavilion UAE—La Biennale Di Venezia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/35dcc595-260a-4afb-89d2-4d999f54865d/Screenshot+2024-04-02+at+22.05.36.png</image:loc>
      <image:title>content - The Journeyman - Make it stand out</image:title>
      <image:caption>Abdullah Al Saadi, The Slipper’s Journey, Rock 1.1 (2015). Acrylic paint on rock. This series of works comprises 85 small stones and rocks upon which Al Saadi has painted abstract musings. Photo by Roman Mensing, courtesy The National Pavilion UAE—La Biennale Di Venezia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/3b8d5995-c863-4221-8392-68e02e28cb5b/Screenshot+2024-04-02+at+22.07.17.png</image:loc>
      <image:title>content - The Journeyman - Make it stand out</image:title>
      <image:caption>Stone Slippers (2013). A visual metaphor for the life of a wanderer who travels constantly in search of something, but which remains elusive.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/86d72adb-1adc-4402-975d-ccdf52cc733c/Screenshot+2024-04-02+at+22.07.37.png</image:loc>
      <image:title>content - The Journeyman - Make it stand out</image:title>
      <image:caption>Al Saadi’s remote studio in the hills around Madha, an Omani enclave south of Khorfakkan. Photos by Haupt and Binder, Universes in Universe.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/all-seeing-eye-jon-burgermans-blobs</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/3f4ec520-1d55-49b9-9dcb-30e78f4a0803/Screenshot+2024-04-07+at+22.11.15.png</image:loc>
      <image:title>content - All-Seeing Eye: Jon Burgerman’s Blobs - Make it stand out</image:title>
      <image:caption>Screenshot from Fireworks by Jon Burgerman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/416dc084-9376-436d-902f-b8bbbfeae14f/Screenshot+2024-04-07+at+22.18.58.png</image:loc>
      <image:title>content - All-Seeing Eye: Jon Burgerman’s Blobs - Make it stand out</image:title>
      <image:caption>Jon Burgerman, photograph by Matthew A. Eller.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/all-seeing-eye-pervasive-pop-art-with-dax-norman</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/3c76d183-46b9-4c82-897c-46e5ac891eda/Screenshot+2024-04-04+at+13.49.48.png</image:loc>
      <image:title>content - All Seeing Eye: Pervasive Pop-Art with Dax Norman - Make it stand out</image:title>
      <image:caption>Ocular Rosacea by Dax Norman (still form a Gif)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/150f38b9-e189-42be-aeee-cd45eebff386/Screenshot+2024-04-04+at+13.53.55.png</image:loc>
      <image:title>content - All Seeing Eye: Pervasive Pop-Art with Dax Norman - Make it stand out</image:title>
      <image:caption>Dax Norman — self-portrait. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/all-seeing-eye-the-legs-have-eyes-with-vestica</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/fa735370-b594-4563-b755-6bf00de0e65d/Screenshot+2024-04-04+at+13.59.21.png</image:loc>
      <image:title>content - All Seeing Eye: The legs have eyes with Vestica - Make it stand out</image:title>
      <image:caption>Still from Tear Legged by Vestica</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/5e33a2df-9e6a-4a26-bbe9-45e6ed4e6b90/Screenshot+2024-04-04+at+14.00.42.png</image:loc>
      <image:title>content - All Seeing Eye: The legs have eyes with Vestica - Make it stand out</image:title>
      <image:caption>Mariah (Veštica) is a contemporary artist from Belgrade, Serbia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/ac31f593-f9e7-47f5-8497-c1f1cfd1c81a/Screenshot+2024-04-04+at+14.01.49.png</image:loc>
      <image:title>content - All Seeing Eye: The legs have eyes with Vestica - Make it stand out</image:title>
      <image:caption>Still from Eyes Have Seen Murder by Vestica</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/shifting-sands</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/026ac2e5-8d01-476a-8bf7-7f8c762831a2/Screenshot+2023-09-12+215625.png</image:loc>
      <image:title>content - Shifting Sands - Make it stand out</image:title>
      <image:caption>NOMADS (2021) Latifa Saeed explores the geographic and cultural fabric of Dubai, physically and metaphorically. Here she uses tent wool, a reference to Bedouin  practices.  Photo: courtesy of Latifa Saeed.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/the-artivist</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-10-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/657eb414-029d-49a7-b00b-93d8a41cd2c8/Screenshot+2023-09-12+221240.png</image:loc>
      <image:title>content - Emel Mathlouthi: The Artivist - Make it stand out</image:title>
      <image:caption>Photograph by Ryan Murad. Dress by the Mediterranean label Benma.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/33-songs-99-words</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/557120f7-6380-4821-b8d4-ddbda328db33/Screenshot+2023-09-12+222945.png</image:loc>
      <image:title>content - 33 Songs, 99 Words - Make it stand out</image:title>
      <image:caption>Like the inherent or invisible music in the Arabic language, harakat (vocalisation marks) intimate music and create material rhythm. 33 Songs is composed of 330 such sheets. Photo courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/artist-of-the-people</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/9f80f0d3-0a9c-4459-af4a-bb6d317862e1/Kesh-Angels-XL_web.jpg</image:loc>
      <image:title>content - Artist of The People - Make it stand out</image:title>
      <image:caption>KESH ANGELS (2010) Part of the Kesh Angels series. Courtesy of Karima &amp; crew and the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/28012edc-db79-40a0-b0db-8e0cb7add5ed/Hassan-by-Jenny-Fremont-4_DSC0718_web.jpg</image:loc>
      <image:title>content - Artist of The People - Make it stand out</image:title>
      <image:caption>Portrait of Hassan Hajjaj by Jenny Fremont.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/84d0665b-0f0d-469d-a3a9-de4100c60e2b/Alo-Wala-_DSC0028-Diva-green-olives-frame_web.jpg</image:loc>
      <image:title>content - Artist of The People - Make it stand out</image:title>
      <image:caption>ALO WALA (2015) Part of the My Rockstars series. Courtesy of Alo Wala and the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/126af7af-cf3b-47c2-9306-bf776b3bb0e7/Rilene-_DSC0325-with-HH-Jajjah-Sencha-tea-boxes-green-with-yellow-top_web.jpg</image:loc>
      <image:title>content - Artist of The People - Make it stand out</image:title>
      <image:caption>RILENE (2013) Part of the My Rockstars series. Courtesy of Rilene Martin and the Artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/73e2aa42-080a-4934-8f4a-bb626d9c2557/Lynette-Yiadom-Boakye-_DSC0214_web.jpg</image:loc>
      <image:title>content - Artist of The People - Make it stand out</image:title>
      <image:caption>LYNETTE YIADOM-BOAKYE (2017) Part of the My Rockstars series. Courtesy of Lynette Yiadom-Boakye and the Artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/972feea1-ed05-4c46-a0d0-0c79dcc337db/Adriana-Vogue-DSC03829_web.jpg</image:loc>
      <image:title>content - Artist of The People - Make it stand out</image:title>
      <image:caption>ADRIANA VOGUE (2021) Part of the My Rockstars series. Courtesy of Adriana Lima, Vogue Arabia and the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/e533649f-9904-411c-9ced-c4ff216f5e2b/Vogue-Arab-Issue-Dior-XL-_DSC0390_web-1536x1111.jpg</image:loc>
      <image:title>content - Artist of The People - Make it stand out</image:title>
      <image:caption>DIOR (2012) Part of the VOGUE, THE ARAB ISSUE series. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/0c4b0c27-c3c4-4535-ab45-b8cb383b5d9c/My-Rockstars-Alexandre-Nilere-_DSC0677-Jajjah-Hojicha-tea-cans_web.jpg</image:loc>
      <image:title>content - Artist of The People - Make it stand out</image:title>
      <image:caption>ALEXANDER NILERE (2012) Part of the My Rockstars series. Courtesy of Alexander Nilere and the Artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/meet-the-artist-kamal-boullata</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/bcf3b4e2-bd82-42f9-8b1a-64af83f40025/Screenshot+2023-07-04+221635.png</image:loc>
      <image:title>content - Meet the Artist: Kamal Boullata - Make it stand out</image:title>
      <image:caption>Image courtesy Arab American Institute</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/a263a282-fd66-44d8-872a-28984df8f57c/Screenshot+2023-07-04+223547.png</image:loc>
      <image:title>content - Meet the Artist: Kamal Boullata - Make it stand out</image:title>
      <image:caption>Illumination ll (2001), Dubai Collection</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/dubai-global-capital-for-the-creative-economy-he-hala-badri-shares-her-insight-and-vision</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-04-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/d14cdca9-3d0f-4e82-89e0-d3eddea3a1b2/a1.png</image:loc>
      <image:title>content - Dubai: Global Capital for the Creative Economy, HE Hala Badri Shares her Insight and Vision - Make it stand out</image:title>
      <image:caption>Her Excellency Hala Badri, Director General of Dubai Culture and Arts Authority. © Dubai Culture.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/541b0e9f-b191-438c-91d2-a03251e1bae3/a2.png</image:loc>
      <image:title>content - Dubai: Global Capital for the Creative Economy, HE Hala Badri Shares her Insight and Vision - Make it stand out</image:title>
      <image:caption>HE Hala Badri at the Reading Box initiative at City Centre Mirdif. © Dubai Culture.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/7cdf9bdd-ea7a-4518-bd7e-dc729f30fd7e/a3.png</image:loc>
      <image:title>content - Dubai: Global Capital for the Creative Economy, HE Hala Badri Shares her Insight and Vision - Make it stand out</image:title>
      <image:caption>Downtown Design 2022. © Dubai Culture.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/f63c927f-b29c-49f0-8b99-582077eaf37e/a4.png</image:loc>
      <image:title>content - Dubai: Global Capital for the Creative Economy, HE Hala Badri Shares her Insight and Vision - Make it stand out</image:title>
      <image:caption>HE Hala Badri visiting Downtown Design 2022. © Dubai Culture.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/8901bae9-dd8d-4621-8507-41e6f8935458/a5.png</image:loc>
      <image:title>content - Dubai: Global Capital for the Creative Economy, HE Hala Badri Shares her Insight and Vision - Make it stand out</image:title>
      <image:caption>Downtown Design, 2022. © Dubai Culture.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/05d37bc9-858e-4b33-bdd2-289ca271b536/a6.png</image:loc>
      <image:title>content - Dubai: Global Capital for the Creative Economy, HE Hala Badri Shares her Insight and Vision - Make it stand out</image:title>
      <image:caption>HE Hala Badri with Saeed Bin Kharbash at Downtown Design, 2022. © Dubai Culture.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/d62549b9-f1da-41f3-b808-4fce2bebdf7d/a7.png</image:loc>
      <image:title>content - Dubai: Global Capital for the Creative Economy, HE Hala Badri Shares her Insight and Vision - Make it stand out</image:title>
      <image:caption>JBM Studios at Al Quoz Creative Zone. © Dubai Culture.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1b1f92e7-6efb-4a4e-9a9b-7f3abd098733/a8.png</image:loc>
      <image:title>content - Dubai: Global Capital for the Creative Economy, HE Hala Badri Shares her Insight and Vision - Make it stand out</image:title>
      <image:caption>HE Hala Badri at the opening of Emirati photographer and filmaker, Ali bin Thalith’s solo exhibition “The Ocean’s Gems!” at Khawla Art Gallery at d3 Dubai. © Dubai Culture.</image:caption>
    </image:image>
    <image:image>
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      <image:title>content - Dubai: Global Capital for the Creative Economy, HE Hala Badri Shares her Insight and Vision - Make it stand out</image:title>
      <image:caption>HH Sheikha Latifa bint Mohammed bin Rashid Al Maktoum headed the meeting of the Higher Committee members, HE Mattar Al Tayer, Director-General, Chairman of the Board of Executive Directors of the Roads and Transport Authority [RTA], Vice Chairman of the Committee; HE Lieutenant-General Abdullah Khalifa Al Marri, Commander-in-Chief of Dubai Police; HE Dawoud Al Hajri, Director General of Dubai Municipality; HE Helal Saeed Almarri, Director General of the Department of Economy and Tourism [DET], Director General of Dubai World Trade Centre Authority; HE Hala Badri, HE Hamad Obaid Al Mansoori, Director General of Digital Dubai; HE Mona Al Marri, Director General of the Government of Dubai Media Office [GDMO]; and HE Hesham Abdullah Al Qassim, CEO of Wasl Asset Management Group [Wasl AMG] of the Al Quoz Creative Zone Development Project and approved the master plan for the “Al Quoz Creative Zone”. © Dubai Culture.</image:caption>
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      <image:title>content - Dubai: Global Capital for the Creative Economy, HE Hala Badri Shares her Insight and Vision - Make it stand out</image:title>
      <image:caption>HH Sheikha Latifa bint Mohammed bin Rashid Al Maktoum and HE Matter Al Tayer at the meeting of the Higher Committee members of the Al Quoz Creative Zone Development Project and approved the master plan for the 'Al Quoz Creative Zone'. © Dubai Culture.</image:caption>
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      <image:title>content - Dubai: Global Capital for the Creative Economy, HE Hala Badri Shares her Insight and Vision - Make it stand out</image:title>
      <image:caption>HE Hala Badri at the Al Quoz Creative Zone open day. © Dubai Culture.</image:caption>
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      <image:title>content - Dubai: Global Capital for the Creative Economy, HE Hala Badri Shares her Insight and Vision - Make it stand out</image:title>
      <image:caption>HE Hala Badri at the Mawaheb Art Studio and Cafe, Dubai. © Dubai Culture.</image:caption>
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      <image:title>content - Dubai: Global Capital for the Creative Economy, HE Hala Badri Shares her Insight and Vision - Make it stand out</image:title>
      <image:caption>HE Hala Badri visiting the Dubai Institute of Design and Innovation [DIDI] graduate exhibition held at d3 Dubai. © Dubai Cultur</image:caption>
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      <image:title>content - Dubai: Global Capital for the Creative Economy, HE Hala Badri Shares her Insight and Vision - Make it stand out</image:title>
      <image:caption>Katia Nounou-Boeuiz, Robbie Williams, HE Hala Badri, Ed Godrich and Hugo Cobb at the Black and White Paintings II at Sotheby’s Dubai. © Dubai Culture.</image:caption>
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      <image:title>content - Dubai: Global Capital for the Creative Economy, HE Hala Badri Shares her Insight and Vision - Make it stand out</image:title>
      <image:caption>HH Sheikha Latifa bint Mohammed bin Rashid Al Maktoum, Chairperson of Dubai Culture &amp; Arts Authority [Dubai Culture] and Member of the Dubai Council, HE Reem Al Hashimy, Minister of State for International Cooperation and HE Hala Badri and the UAE Delegation at the International Council of Museums General Conference 2022 in Prague. © Dubai Culture.</image:caption>
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      <image:title>content - Dubai: Global Capital for the Creative Economy, HE Hala Badri Shares her Insight and Vision - Make it stand out</image:title>
      <image:caption>[T &amp; B] HE Hala Badri at the Mawaheb Dubai studio that provides People of Determination with a platform to develop their life and social skills through art. © Dubai Culture.</image:caption>
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      <image:title>content - Dubai: Global Capital for the Creative Economy, HE Hala Badri Shares her Insight and Vision - Make it stand out</image:title>
      <image:caption>[T &amp; B] HE Hala Badri visiting the Dubai Institute of Design and Innovation [DIDI] graduate exhibition held at d3 Dubai. © Dubai Culture.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/9a508b21-4082-4672-80cd-cf3b0c246b81/a2.png</image:loc>
      <image:title>content - Dubai: Global Capital for the Creative Economy, HE Hala Badri Shares her Insight and Vision - Make it stand out</image:title>
      <image:caption>HE Hala Badri at the opening of Emirati photographer and filmaker, Ali bin Thalith’s solo exhibition “The Ocean’s Gems!” at Khawla Art Gallery at d3 Dubai. Seen with Rayan Imad Hakki, Deputy General Manager, Khawla Art and Culture Foundation. © Dubai Culture.</image:caption>
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      <image:title>content - Dubai: Global Capital for the Creative Economy, HE Hala Badri Shares her Insight and Vision - Make it stand out</image:title>
      <image:caption>HH Sheikha Latifa bint Mohammed bin Rashid Al Maktoum headed the meeting of the Higher Committee members, HE Mattar Al Tayer, HE Lieutenant-General Abdullah Khalifa Al Marri, HE Dawoud Al Hajri, HE Helal Saeed Almarri, HE Hala Badri, HE Hamad Obaid Al Mansoori, HE Mona Al Marri, and HE Hesham Abdullah Al Qassim. © Dubai Culture</image:caption>
    </image:image>
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  <url>
    <loc>https://annaseaman.net/content/for-the-love-of-dance-dance-reflections-supports-creativity-all-around-the-world</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-01</lastmod>
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      <image:title>content - For The Love of Dance: Dance Reflections Supports Creativity All Around the World - Make it stand out</image:title>
      <image:caption>Candoco Dance Company “Set and Reset/Reset”. © Camilla Greenwell.</image:caption>
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      <image:title>content - For The Love of Dance: Dance Reflections Supports Creativity All Around the World - Make it stand out</image:title>
      <image:caption>Candoco Dance Company “Set and Reset/Reset”. © Camilla Greenwell</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/dd13ca8b-3115-45a6-9a10-ac05d514b172/a3.png</image:loc>
      <image:title>content - For The Love of Dance: Dance Reflections Supports Creativity All Around the World - Make it stand out</image:title>
      <image:caption>Yaa Samar! Dance Theatre "Last Ward". © Whitney Brown.</image:caption>
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      <image:title>content - For The Love of Dance: Dance Reflections Supports Creativity All Around the World - Make it stand out</image:title>
      <image:caption>Compagnie Hervé Koubi' “What the Day Owes the Night”. © Nathalie Sternalski</image:caption>
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      <image:title>content - For The Love of Dance: Dance Reflections Supports Creativity All Around the World - Make it stand out</image:title>
      <image:caption>Serge Laurent, Van Cleef &amp; Arpels’ Director of Dance and Culture Program. © Marc de Groot.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/d518f4f1-3afc-4f58-bb47-0d3e3e8d7879/a6.png</image:loc>
      <image:title>content - For The Love of Dance: Dance Reflections Supports Creativity All Around the World - Make it stand out</image:title>
      <image:caption>Guests at “What the Day Owes the Night” performance at the The Red Theater, The Arts Center at NYU Abu Dhabi. © Waleed Shah.</image:caption>
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      <image:title>content - For The Love of Dance: Dance Reflections Supports Creativity All Around the World - Make it stand out</image:title>
      <image:caption>Pierre Arpels, ballerina Suzanne Farrell and George Balanchine, circa 1976. © BALANCHINE is a Trademark of The George Balanchine Trust.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/af5f84d9-11c8-461e-ae68-bdc10f96510e/a8.png</image:loc>
      <image:title>content - For The Love of Dance: Dance Reflections Supports Creativity All Around the World - Make it stand out</image:title>
      <image:caption>Compagnie Hervé Koubi' “What the Day Owes the Night” performance at the The Red Theater, The Arts Center at NYU Abu Dhabi. © Waleed Shah.</image:caption>
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      <image:title>content - For The Love of Dance: Dance Reflections Supports Creativity All Around the World - Make it stand out</image:title>
      <image:caption>Lady Danse watch. © Van Cleef &amp; Arpels / Clément Rousset.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/9246bad3-d4b4-4c64-9930-b1278c0589d7/a10.png</image:loc>
      <image:title>content - For The Love of Dance: Dance Reflections Supports Creativity All Around the World - Make it stand out</image:title>
      <image:caption>Compagnie Hervé Koubi' “What the Day Owes the Night”. © Waleed Shah.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/a-celebration-of-islamic-art-across-the-ages</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-27</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/55acfa02-e705-4a38-b375-dc3d70610df2/a1.png</image:loc>
      <image:title>content - Sacred Words: Timeless Calligraphy - A Celebration of Islamic Art Across the Ages - Make it stand out</image:title>
      <image:caption>Installation view of Sacred Words, Timeless Calligraphy. © Neville Hopwood</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/5038439e-84a2-4ca3-9b04-edb09f5a3a02/a2.png</image:loc>
      <image:title>content - Sacred Words: Timeless Calligraphy - A Celebration of Islamic Art Across the Ages - Make it stand out</image:title>
      <image:caption>Installation view of Sacred Words, Timeless Calligraphy, October 2022. © Tala Gharagozlou.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/ee0719f9-899a-41ef-960c-46be15728172/a3.png</image:loc>
      <image:title>content - Sacred Words: Timeless Calligraphy - A Celebration of Islamic Art Across the Ages - Make it stand out</image:title>
      <image:caption>Installation view of Sacred Words, Timeless Calligraphy, October 2022. © Tala Gharagozlou.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/be6654d1-c1d1-458f-9e90-9b126141f732/a4.png</image:loc>
      <image:title>content - Sacred Words: Timeless Calligraphy - A Celebration of Islamic Art Across the Ages - Make it stand out</image:title>
      <image:caption>Manuscript image on display, Sacred Words, Timeless Calligraphy at the Sharjah Museum of Islamic Civilization, October 2022. © Tala Gharagozlou.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/4e2c531e-3d29-4f5c-a53a-495f81ebea4d/a5.png</image:loc>
      <image:title>content - Sacred Words: Timeless Calligraphy - A Celebration of Islamic Art Across the Ages - Make it stand out</image:title>
      <image:caption>Installation view of Sacred Words, Timeless Calligraphy. © Neville Hopwood.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/b87e7e5f-5584-4c24-86dc-b1f36a0039ed/a6.png</image:loc>
      <image:title>content - Sacred Words: Timeless Calligraphy - A Celebration of Islamic Art Across the Ages - Make it stand out</image:title>
      <image:caption>Manuscript images at the Sharjah Museum of Islamic Civilization, October 2022. Sacred Words, Timeless Calligraphy. © Tala Gharagozlou.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/ba824e2a-6b40-4781-9aca-802a1c99c206/a7.png</image:loc>
      <image:title>content - Sacred Words: Timeless Calligraphy - A Celebration of Islamic Art Across the Ages - Make it stand out</image:title>
      <image:caption>Installation view of Sacred Words, Timeless Calligraphy, October 2022. © Tala Gharagozlou.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/uncovering-the-untold</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/3c64f4a2-07c8-4994-bba6-2e2ff9e38075/1.jpg</image:loc>
      <image:title>content - Xpsoure Photography Festival: Uncovering The Untold - Make it stand out</image:title>
      <image:caption>Esther Horvath The MOSAiC expedition was the climate-science equivalent of going to the moon. Experts from 20 countries studied changing sea ice near the North Pole.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/e1cde901-5534-456a-9c85-df790e0b6194/2.jpg</image:loc>
      <image:title>content - Xpsoure Photography Festival: Uncovering The Untold - Make it stand out</image:title>
      <image:caption>Karen Zusman The death of George Floyd compelled Zusman to take to the streets of New York. She captured the early days of the Black Lives Matter protests.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/65e91272-eea1-477e-851f-ba633b8c76b4/3.jpg</image:loc>
      <image:title>content - Xpsoure Photography Festival: Uncovering The Untold - Make it stand out</image:title>
      <image:caption>Dan Winters. Winters captures both the grandeur of launches and the detail of space exploration. Shown here is the Space Shuttle Endeavour (2011).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/9a7a695c-9d59-4382-90c0-2d7b0db9abd6/4.jpg</image:loc>
      <image:title>content - Xpsoure Photography Festival: Uncovering The Untold - Make it stand out</image:title>
      <image:caption>Albert Dros A Dutch photographer with a passion for landscape photography, Dros captured the pristine beauty of Kyrgyzstan. And with this image, the nomadic lifestyle of farming families.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/22b19416-d12f-422e-a910-88dfaebceadc/1.jpg</image:loc>
      <image:title>content - Xpsoure Photography Festival: Uncovering The Untold - Make it stand out</image:title>
      <image:caption>James Balog For 40 years, Balog has broken new conceptual and artistic ground on one of the most important issues of our time: human modification of nature</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/184033a6-725e-4e57-992d-c22ce2afdf55/1.jpg</image:loc>
      <image:title>content - Xpsoure Photography Festival: Uncovering The Untold - Make it stand out</image:title>
      <image:caption>Levon Biss Insects are at once familiar and mysterious. In collaboration with the American Museum of Natural History, Biss presented 40 extinct or endangered species.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/4a5294da-876f-4b35-969a-0e75c6682bb9/2.jpg</image:loc>
      <image:title>content - Xpsoure Photography Festival: Uncovering The Untold - Make it stand out</image:title>
      <image:caption>Levon Biss Insects are at once familiar and mysterious. In collaboration with the American Museum of Natural History, Biss presented 40 extinct or endangered species.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/e15ef291-8cef-4fa5-ae9b-bea32d11015c/3.jpg</image:loc>
      <image:title>content - Xpsoure Photography Festival: Uncovering The Untold - Make it stand out</image:title>
      <image:caption>Levon Biss Insects are at once familiar and mysterious. In collaboration with the American Museum of Natural History, Biss presented 40 extinct or endangered species.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/3584e527-2401-4dea-b0aa-6965a61ce6cd/1.jpg</image:loc>
      <image:title>content - Xpsoure Photography Festival: Uncovering The Untold - Make it stand out</image:title>
      <image:caption>Nancy Borowick The Family Imprint: A Daughter looked at a family’s experience with two parents who were in parallel treatment for stage-four cancer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/f0a4e252-aed7-452b-902f-5e6570511451/2.jpg</image:loc>
      <image:title>content - Xpsoure Photography Festival: Uncovering The Untold - Make it stand out</image:title>
      <image:caption>Neil Leifer This exhibition was a survey of Leifer’s 60-year career. Here, Muhammad Ali reacts after his first-round knockout of Sonny Liston during the 1965 World Heavyweight Title fight.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/53bfcbe4-0606-43c0-99a4-1d022501654c/3.jpg</image:loc>
      <image:title>content - Xpsoure Photography Festival: Uncovering The Untold - Make it stand out</image:title>
      <image:caption>Greg Gorman  Known for his stark, honest portraits of the most famous and infamous faces from the worlds of entertainment, art, sport and music. Here, Andy Warhol, Los Angeles (1986).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/changing-states</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/4611fdfa-34fe-44c3-825a-42595df74ce3/1.jpg</image:loc>
      <image:title>content - Changing States - Make it stand out</image:title>
      <image:caption>Moufida Mohideen. Photo by Alin Constantin Photography.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/engines-of-meditation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-04-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/5dffcf02-11e0-405d-b88e-c764d7ce03d4/Hadara-SHJBI15-27022023_195-RUK_web.jpg</image:loc>
      <image:title>content - Sharjah Biennial 15: Engines Of Meditation - Make it stand out</image:title>
      <image:caption>A Tale of Time and Purple Republic (2023) by Ghana’s Ibrahim Mahama. His practice grapples with globalisation, colonialism, injustice and trade. This is one of three pieces Mahama is showing at SB15. Photo: Ruksana Hussain.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/84cc18c5-1fe2-4579-87b6-818dbf8a1f8e/shj1.png</image:loc>
      <image:title>content - Sharjah Biennial 15: Engines Of Meditation - Make it stand out</image:title>
      <image:caption>Among 30 artists commissioned to make new work for SB15 is Colombian sculptor and artist Doris Salcedo. Uprooted (2020-2022) is made from more than 400 dead trees. The work is a testament to the refugee’s predicament: permanently impermanent. Photos: Juan Castro Photoholic. Courtesy of the artist.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/007429fb-4224-4fb8-bac7-9478eaa49289/Saddam-Al-Jumaily-3-JML_web.jpg</image:loc>
      <image:title>content - Sharjah Biennial 15: Engines Of Meditation - Make it stand out</image:title>
      <image:caption>Iraqi artist Saddam Al Jumaily’s Unfair Game (2022). His surrealist works deride the future for Iraqis in the chaos of a war-torn country. Photo: Shanavas Jamaluddin courtesy of Sharjah Art Foundation.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/22a02ad8-144e-41eb-b743-5738934516ee/QURESHI_Nusra-Latif_web.jpg</image:loc>
      <image:title>content - Sharjah Biennial 15: Engines Of Meditation - Make it stand out</image:title>
      <image:caption>Nusra Latif Qureshi, The Ideal Floral Background (2013). Qureshi references the traditional art of South Asian miniature painting in her art practice. Her practice ranges from small and highly detailed paintings to large scale digital prints that engage with the visual histories of the South Asian region. Photo: Courtesy of the artist and Sutton Gallery, Melbourne</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/enter-the-digital-era-how-nfts-are-impacting-art-creativity-and-beyond</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/5c8d9228-afd6-4a15-bebd-ed29e9002409/sw0.png</image:loc>
      <image:title>content - Enter the Digital Era, How NFTs are Impacting Art, Creativity and Beyond - Make it stand out</image:title>
      <image:caption>50/50 installation Image. Image courtesy of MORROW collective</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/a24fc725-3fdc-4d16-9da6-6d513ed615a0/sw1.png</image:loc>
      <image:title>content - Enter the Digital Era, How NFTs are Impacting Art, Creativity and Beyond - Make it stand out</image:title>
      <image:caption>50/50 installation image. Image courtesy of Morrow collective.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/78e6488f-4590-4986-96bf-fee7d7f20edb/sw2.png</image:loc>
      <image:title>content - Enter the Digital Era, How NFTs are Impacting Art, Creativity and Beyond - Make it stand out</image:title>
      <image:caption>Claire Napper’ Ajmam. Image courtesy of Morrow collective.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/be91b6e5-015b-4910-b799-45aa958883a6/sw3.png</image:loc>
      <image:title>content - Enter the Digital Era, How NFTs are Impacting Art, Creativity and Beyond - Make it stand out</image:title>
      <image:caption>Claire Napper’s The Capital Way. Image courtesy of Morrow Collective</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/f9e36c15-ef56-4e84-a4a2-e704a2af54a6/sw4.png</image:loc>
      <image:title>content - Enter the Digital Era, How NFTs are Impacting Art, Creativity and Beyond - Make it stand out</image:title>
      <image:caption>Genesis exhibition in MORROW collective metaverse gallery installation view. Image courtesy of Morrow collective</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/e2e80315-cdf6-4e0f-a37b-5b0e032fbcd2/sw6.png</image:loc>
      <image:title>content - Enter the Digital Era, How NFTs are Impacting Art, Creativity and Beyond - Make it stand out</image:title>
      <image:caption>MORROW collective L-R Jen Stelco, Anna Seaman, Claire Harris in Zawyeh Gallery, Alserkal Avenue, Dubai. Image courtesy of Morrow collective.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/8a48ecde-b095-45fd-b23c-1a46060ef057/sw5.png</image:loc>
      <image:title>content - Enter the Digital Era, How NFTs are Impacting Art, Creativity and Beyond - Make it stand out</image:title>
      <image:caption>Gigi - Desert Dreams. Image courtesy of Morrow collective</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/f4bfe9fb-999e-40da-a777-82a5296d0a9e/sw7.png</image:loc>
      <image:title>content - Enter the Digital Era, How NFTs are Impacting Art, Creativity and Beyond - Make it stand out</image:title>
      <image:caption>Al Salam - Lulwah Al Humoud. Her Genesis NFT. Image courtesy of Morrow collective</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/write-from-the-heart-seddiqi-holding-launches-mentorship-programme-for-young-writers</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-11-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/3ff9513a-aed3-49b1-8058-80138c58b7ce/as1.jpg</image:loc>
      <image:title>content - Write from the Heart: Seddiqi Holding's mentorship programme for young writers - Make it stand out</image:title>
      <image:caption>Hind Abdul Hamied Seddiqi, Chief Marketing and Communications Officer and Director General, Seddiqi Holding. © Seddiqi Holding.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/a7cbfed2-9a7c-4831-88e4-606822d8048f/as2.png</image:loc>
      <image:title>content - Write from the Heart: Seddiqi Holding's mentorship programme for young writers - Make it stand out</image:title>
      <image:caption>Abdulmagied Seddiqi, Co-Founder of Seddiqi Holding, Abdul Hamied Ahmed Seddiqi, Chairman, Mohammed Abdul Hamied Seddiqi, Senior Finance Director, Mohammed Abdulmagied. Seddiqi, Chief Commercial Officer, Osama Ibrahim Seddiqi, Vice Chairman and Chief Financial Officer, Hassan Abdulmagied Seddiqi, Chief Human Capital Officer, Hind Abdul Hamied. Seddiqi, Chief Marketing and Communications Officer and Director General, Mahra Seddiqi, Senior Director and Muna Mohammed Seddiqi, Senior Creative Director. © Seddiqi Holding.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/febdff1b-93cd-48a6-aec1-f195f6b3a1be/as3.png</image:loc>
      <image:title>content - Write from the Heart: Seddiqi Holding's mentorship programme for young writers - Make it stand out</image:title>
      <image:caption>Hind Seddiqi, Isobel Abulhoul, Founder, CEO &amp; Trustee Emirates Literature Foundation and Ahlam Bolooki, Festival Director, Emirates Airlines Festival of Literature. Image courtesy of Emirates Airline Festival of Literature.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/e2087435-0306-4f63-801e-ac73c6b0889a/as4.png</image:loc>
      <image:title>content - Write from the Heart: Seddiqi Holding's mentorship programme for young writers - Make it stand out</image:title>
      <image:caption>Hind Seddiqi and author Shahad Al Rawi speaking at the Announcement of the Winners of First Chapter of ELF - Seddiqi Writer’s Fellowship. Image courtesy of Emirates Airline Festival of Literature.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/3364b027-5ef3-4740-869c-b8a76399a466/as5.png</image:loc>
      <image:title>content - Write from the Heart: Seddiqi Holding's mentorship programme for young writers - Make it stand out</image:title>
      <image:caption>Recipients of First Chapter, the ELF Seddiqi Writers’ Fellowship, were awarded at a ceremony during the Emirates Airline Festival of Literature. Image courtesy of Emirates Airline Festival of Literature.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/6eb632fb-e03b-4a33-a2c4-3c5246c4f32c/as6.png</image:loc>
      <image:title>content - Write from the Heart: Seddiqi Holding's mentorship programme for young writers - Make it stand out</image:title>
      <image:caption>Ahlam Bolooki, Festival Director, Emirates Airlines Festival of Literature. Image courtesy of Emirates Airline Festival of Literature.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/08746d9c-d13b-471f-bfa4-11d60561531a/as7.png</image:loc>
      <image:title>content - Write from the Heart: Seddiqi Holding's mentorship programme for young writers - Make it stand out</image:title>
      <image:caption>The First Chapter ELF Seddiqi Writers’ Fellowship involves a total of 40 hours of guided learning in the form of workshops, meetups and talks that aims to cover all stages of writing, publishing and promoting a book. Image courtesy of Emirates Airline Festival of Literature.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/89aa31db-43a1-429a-8217-6d9000b726cb/as8.png</image:loc>
      <image:title>content - Write from the Heart: Seddiqi Holding's mentorship programme for young writers - Make it stand out</image:title>
      <image:caption>The selection process for the 2022 award involved three judges, namely Alexander McCall Smith, Ali sparkes and Anna Kantaria. Image courtesy of Emirates Airline Festival of Literature.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/a6d207ed-2ab1-4277-8c97-6be72185bdc1/as9.png</image:loc>
      <image:title>content - Write from the Heart: Seddiqi Holding's mentorship programme for young writers - Make it stand out</image:title>
      <image:caption>Launch of the Fellowship. © Seddiqi Holding.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/d7663d77-ca4d-4a16-9b86-b158d7742363/as10.png</image:loc>
      <image:title>content - Write from the Heart: Seddiqi Holding's mentorship programme for young writers - Make it stand out</image:title>
      <image:caption>Announcement of the Winners of First Chapter of ELF - Seddiqi Writer’s Fellowship. Image courtesy of Emirates Airline Festival of Literature.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/54725735-ee51-46ea-9631-e0d32cd63651/as11.png</image:loc>
      <image:title>content - Write from the Heart: Seddiqi Holding's mentorship programme for young writers - Make it stand out</image:title>
      <image:caption>Hind Seddiqi speaking at the Announcement of the Winners of First Chapter of ELF - Seddiqi Writer’s Fellowship. Image courtesy of Emirates Airline Festival of Literature.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/8c443e98-3fc7-40c6-b8f6-9d56fd6614c5/as12.png</image:loc>
      <image:title>content - Write from the Heart: Seddiqi Holding's mentorship programme for young writers - Make it stand out</image:title>
      <image:caption>Ahlam Bolooki at the Announcement of the Winners of First Chapter of ELF - Seddiqi Writer’s Fellowship. Image courtesy of Emirates Airline Festival of Literature</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/the-return-of-sharjah-biennial</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-10-19</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/746d4477-fb4d-4611-b31e-56505f2785da/Alo-Wala-_DSC0028-Diva-green-olives-frame_web.jpg</image:loc>
      <image:title>content - The Return of Sharjah Biennial - Make it stand out</image:title>
      <image:caption>ALO WALA (2015) by Hassan Hajjaj from the My Rockstars Series. COURTESY OF ALO WALA AND HASSAN HAJJAJ</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/a-porous-practice-mohammed-ahmed-ibrahim</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-10-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/9e6b7b4b-6e8b-4c43-9995-eec2ec012153/INST2527-Courtesy-of-National-Pavilion-UAE-La-Biennale-di-Venezia.-Photo-by-Ismail-Noor-of-Seeing-Things_web.jpg</image:loc>
      <image:title>content - A Porous Practice: Mohamed Ahmed Ibrahim - Make it stand out</image:title>
      <image:caption>Between Sunrise and Sunset is a single installation of 128 abstract and organic elements. The exhibition is inspired by Ibrahim’s deep connection to the physical environment of his hometown, Khorfakkan, on Sharjah’s east coast. Image courtesy of National Pavilion of UAE, La Biennale Di Venezia</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/e8c7f8b1-686b-4978-a149-e73c990b11de/IMG_9670_web.jpeg</image:loc>
      <image:title>content - A Porous Practice: Mohamed Ahmed Ibrahim - Make it stand out</image:title>
      <image:caption>Mophamed Ahmed Ibrahim at the foot of the mountains in Khorfakkan. Image Courtesy of National Pavilion UAE, La Biennale Di Venezia. Photo by Cheb Moha.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/84aedcc7-cb0b-407d-803c-53f812d16919/DSCF0187_web.jpeg</image:loc>
      <image:title>content - A Porous Practice: Mohamed Ahmed Ibrahim - Make it stand out</image:title>
      <image:caption>The work was created from raw papier-mache and natural materials such as dirt, leaves, tea, coffee and tobacco. Images courtesy of National Pavilion of the UAE, La Biennale Di Venezia</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/48baa914-0b38-4787-8966-d7d61806a582/Curator-Allison-9-Image-Courtesy-of-National-Pavilion-UAE-La-Biennale-di-Venezia.-Photo-by-Mohamed-Somji-of-Seeing-Things_DSCF7877_web.jpg</image:loc>
      <image:title>content - A Porous Practice: Mohamed Ahmed Ibrahim - Make it stand out</image:title>
      <image:caption>Maya Allison. Image Courtesy of National Pavilion UAE, La Biennale Di Venezia. Photo by Mohamed Somji of Seeing Things.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/da671090-9645-49c5-9ef1-fc8f8d191a1f/2022_Apr_NPUAE_Installation_Final-Selects-3-Image-Courtesy-of-National-Pavilion-UAE-La-Biennale-di-Venezia.-Photo-by-Ismail-Noor-of-Seeing-Things_web.jpg</image:loc>
      <image:title>content - A Porous Practice: Mohamed Ahmed Ibrahim - Make it stand out</image:title>
      <image:caption>Image Courtesy of National Pavilion UAE, La Biennale Di Venezia. Photo by Ismail Noor of Seeing Things</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/a-lasting-impression-ismail-khayat</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/7778d6bc-cb02-44ed-acf3-4329a8c92af5/Ismail-Khayat-Joey-Lawrence-01_web.jpeg</image:loc>
      <image:title>content - A Lasting Impression: Ismail Khayat - Make it stand out</image:title>
      <image:caption>THIS 2019 PHOTO SHOWS THE ARTIST WITH HIS 1981 WORK, UNTITLED, AN OIL ON WOOD CANVAS, NOW OWNED BY BARJEEL ART FOUNDATION IN SHARJAH. PHOTOGRAPH BY JOEY L.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/in-the-absence-of-colour</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-09-13</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/515bc263-f08f-4d8c-8d9f-ce3f6480dd29/FAIZA-BOUGUESSA-THE-VOICE216818_web.jpeg</image:loc>
      <image:title>content - In The Absence Of Colour - Make it stand out</image:title>
      <image:caption>Portrait of Patricia Millns, courtesy of Bougessa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/629cea46-c0a1-4364-8c1f-f91bef36c3a1/BERN0936_web.jpeg</image:loc>
      <image:title>content - In The Absence Of Colour - Make it stand out</image:title>
      <image:caption>Patricia Millns’ uses every day materials such as tea bags to create layered pieces of art that ask the viewer to pause and reflect. This images is a detail from SILENT CONVERSATIONS (2022) - hand stitched coffee filters, site specific, approximately 30 x 30 x 30 cm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/e623a439-06d8-4b30-878b-2eedd8cdf6c6/feathers-BERN0996_web.jpeg</image:loc>
      <image:title>content - In The Absence Of Colour - Make it stand out</image:title>
      <image:caption>SPACE BETWEEN (2022), Japanese teabags, light installation, site specific. As part of Space Between</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/ff915bd1-2fb2-4e15-99a7-eae27752ab85/1J0A5775_web.jpeg</image:loc>
      <image:title>content - In The Absence Of Colour - Make it stand out</image:title>
      <image:caption>INTERVALS (2022), hand-stitched coffee filters. Courtesy of the artist and Maraya Art Centre</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/2013-2014-co-author-the-art-of-the-emirates-published-by-abu-dhabi-music-and-arts-foundation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-22</lastmod>
  </url>
  <url>
    <loc>https://annaseaman.net/content/2015-primary-english-editor-arabic-hurufiyya-art-and-identity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-22</lastmod>
  </url>
  <url>
    <loc>https://annaseaman.net/content/2018-co-editor-paul-guiragossian-testimonies-of-existence</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-22</lastmod>
  </url>
  <url>
    <loc>https://annaseaman.net/content/2018-english-editor-perception</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-22</lastmod>
  </url>
  <url>
    <loc>https://annaseaman.net/content/2018-editor-abdulqader-al-rais-a-retrospective</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-22</lastmod>
  </url>
  <url>
    <loc>https://annaseaman.net/content/2021-contributor-building-sharjah</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-22</lastmod>
  </url>
  <url>
    <loc>https://annaseaman.net/content/2021-ghost-writer-dont-look-down-fatima-daoui</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-22</lastmod>
  </url>
  <url>
    <loc>https://annaseaman.net/content/2022-co-editor-50u</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-22</lastmod>
  </url>
  <url>
    <loc>https://annaseaman.net/content/the-artist-who-inspired-picasso</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/f6f2a579-b374-49ff-814f-43998bf07117/BAYA-1024x683.jpg</image:loc>
      <image:title>content - The Artist Who Inspired Picasso - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/material-man</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/89eb6cf8-bd62-45f3-8e9d-93e7debe8b7f/Khalid_Al_Banna-5-HIRZ_web.jpg</image:loc>
      <image:title>content - Material Man - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/8d6e3933-7c6c-409d-b0c8-735c0495bde4/HIRZ-03AAAA_web.jpg</image:loc>
      <image:title>content - Material Man - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/10518095-aad8-457b-9ec3-5568cd185a2a/dome_retouched_2_web.jpg</image:loc>
      <image:title>content - Material Man - Make it stand out</image:title>
      <image:caption>DYNAMIC OF MOTION (2019) (above)—Al Banna uses textiles to address how traditions change and are diluted in a rapidly evolving consumerist era. GARGOUR 1 (2021)—This sculptural composition has steel rods wrapped in multi-hued fabrics redolent of traditional fishing nets in the UAE. A continuation of Al Banna’s research into Emirati heritage.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/f2208f4e-f45a-4984-84af-ca6b78d54d67/Intersection-7-HIRZ_web.jpg</image:loc>
      <image:title>content - Material Man - Make it stand out</image:title>
      <image:caption>INTERSECTION 7 (2020). Intersection is a series of abstract works on paper.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/between-memory-and-reality</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/9b6b3771-87be-4a38-9de9-88c253d9203c/Execution-Squares_2008-Palm-Trees_web.jpg</image:loc>
      <image:title>content - Between Memory And Reality - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/737a9df0-afb1-4f1f-9f94-567657d20598/Last-Seen_ARG_web.jpg</image:loc>
      <image:title>content - Between Memory And Reality - Make it stand out</image:title>
      <image:caption>LAST SEEN (2018-21) These 50 photographs, taken over four years in five countries, politically charged and loaded with sentiment, capture the spot where a missing person’s family last saw them alive. EXECUTION SQUARES (2008, top) A series of 14 photographs depicting the sites of public executions in Syria. Each shows a square where executions took place, for civil rather than political crimes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/73b937ff-010f-42e8-859b-e4c8fa87ac19/Background_2012-1_web.jpg</image:loc>
      <image:title>content - Between Memory And Reality - Make it stand out</image:title>
      <image:caption>BACKGROUND (2012) This series, shot in six Middle Eastern cities, marks the wane of studio portraiture in the region. With sitters absent, the backdrops become symbols of lost tradition and time.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/3ffd01b0-d1b0-4ff9-bf5f-9f409f2b81d6/In-Between_2006-07_web.jpg</image:loc>
      <image:title>content - Between Memory And Reality - Make it stand out</image:title>
      <image:caption>IN BETWEEN (2006) This series grew from an inconsistency in Sarkissian’s own identity. Visiting Armenia, the reality of the country did not match the image of a proud nation held by the diaspora. The snow is a blanket that obstructs our vision, hiding the reality beneath.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/27f4bef3-6a61-4c22-b5ce-19d7194ef1c9/Final-Flight_web.jpg</image:loc>
      <image:title>content - Between Memory And Reality - Make it stand out</image:title>
      <image:caption>FINAL FLIGHT (2018-19) The northern bald ibis is one of the world’s rarest birds. In 2002 a surviving colony was found near Palmyra; in 2014 it disappeared again. Final Flight includes resin/bone casts of the bird’s skull and the last photograph of the birds over Palmyra.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/narratives-from-the-past</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/b0f55651-69df-4908-8c09-40013be27bee/Barjeel-Hakim-Al-Akel_web.jpg</image:loc>
      <image:title>content - Narratives From The Past - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/poetry-in-motion</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/63f8a7d2-8ead-4ec7-a488-02c5c0a39a70/Mirage-2_extended_lighter_web.jpg</image:loc>
      <image:title>content - Poetry In Motion - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/4366cf28-802e-4b06-86cd-fbebfa13176a/Portrait-eL-Seed-2_web.jpg</image:loc>
      <image:title>content - Poetry In Motion - Make it stand out</image:title>
      <image:caption>el Seed in his studio. MIRAGE (top photo)—In the Saudi desert, this calligraphic installation was inspired by a 7th century poem. Jameel Bin Ma’mar was denied the opportunity to unite with his love, Buthayna. Mirage is a metaphor for this love: a love so infinite, ever longing to be reached and grasped.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/e1b860e9-eb13-4c6d-9a90-f479e37e9139/Cairo-Perception-FULLY_web.jpg</image:loc>
      <image:title>content - Poetry In Motion - Make it stand out</image:title>
      <image:caption>PERCEPTION—Perhaps the most personally significant of all his works. It is an anamorphic piece drawn across 50 buildings in Cairo’s neglected Manshiyat Nasr district. It is only visible from a certain point on the Mokattam Mountain.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/0cab1035-593c-4287-92e4-21f29eb27c4a/LostWalls-Temoula_Lostwalls_Tunisia_web.jpg</image:loc>
      <image:title>content - Poetry In Motion - Make it stand out</image:title>
      <image:caption>LOST WALLS—Prompted by the reaction to his project on the minaret of Jara Mosque in his home town of Gabes, the artist set out on a month-long journey across Tunisia painting ‘Lost Walls’ along ththe way.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/245dd992-dda2-4350-a1f2-dfe71f4270e5/The_Bridge_DMZ_South_Korea3_web.jpg</image:loc>
      <image:title>content - Poetry In Motion - Make it stand out</image:title>
      <image:caption>THE BRIDGE—The artist was approached by the Gyeonggi Museum of Modern Art in Ansan, South Korea, to create an art piece in the demilitarised zone between North and South Korea. His goal was to make a call for reunification, unity and mutual respect. The piece remains unfinished, extending only to the mid point between the nations.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/a-dynamic-force-for-change</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/7fcb3cf4-6fc6-41e7-96f1-dceb3b49b569/POS-DK-227-16_web.jpg</image:loc>
      <image:title>content - A Dynamic Force For Change - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/0980360a-ba4b-42e4-9a1f-f7cc2583474c/POS-21-Nachtwey_Darfur_1_FLAT_web.jpg</image:loc>
      <image:title>content - A Dynamic Force For Change - Make it stand out</image:title>
      <image:caption>DANIEL KORDAN, top—The argish, a train of connected sledges, is loaded with the family’s possessions as the Nenets people move north with their herds. Above, JAMES NACHTWEY—Darfur, Sudan. A mother comforts her son in a medical centre. Nachtwey believes that public awareness is essential to effect change.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/9eb60c93-1a1d-484e-878a-75e85cf15ee7/POS-BS-243-18_web.jpg</image:loc>
      <image:title>content - A Dynamic Force For Change - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/175b31e0-9288-4095-9a73-cb8a0dbe685a/POS-CR-184-22_web.jpg</image:loc>
      <image:title>content - A Dynamic Force For Change - Make it stand out</image:title>
      <image:caption>BRIAN SKERRY, top—This female sperm whale calf is important for the future of her family since sperm whale societies arematrilineal. Skerry named this calf Hope. CHRIS RAINIER, above—Rainier documents endangered cultures and traditional languages around the globe. Here, Raven Mask, Alert Bay, British Columbia, Canada.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/262f449c-524d-4e06-b08d-cef61cd4ed04/POS-MM-258-09_web.jpg</image:loc>
      <image:title>content - A Dynamic Force For Change - Make it stand out</image:title>
      <image:caption>MUHAMMED MUHEISEN—The two-time Pulitzer Prize winner has been documenting the refugee crisis for over a decade. Here, a Palestinian child at the Al Amari camp near Ramallah.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/a2c89b85-3fb6-423e-a83e-fcea3b9c7bde/POS-JA-283-15_web.jpg</image:loc>
      <image:title>content - A Dynamic Force For Change - Make it stand out</image:title>
      <image:caption>JANA ANDERT—A female Kurdish fighter preparing her weapon before the operation to liberate the city of Hajin, Deir-ez-Zor Governorate, Syria, 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/b7629bb1-46b2-430a-8954-ba339d3a22ba/POS-LB-242-24_web.jpg</image:loc>
      <image:title>content - A Dynamic Force For Change - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/c4c1109b-e134-45ab-8985-1bbfefa9a8a9/POS-TZ-237-14_web.jpg</image:loc>
      <image:title>content - A Dynamic Force For Change - Make it stand out</image:title>
      <image:caption>LEVON BISS, top—The Hidden Beauty of Seeds &amp; Fruits displays specimens from the carpology collection of the Royal Botanic Garden Edinburgh. TARIQ ZAIDI, above—Elie Fontaine, a 45-year-old taxi owner and sapeur in Brazzaville. The true art lies in a sapeur’s ability to put together an elegant look unique to their personality.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/0847b17a-9b92-4dfb-8fac-a5744cbc4820/POS-JS-176-04_web.jpg</image:loc>
      <image:title>content - A Dynamic Force For Change - Make it stand out</image:title>
      <image:caption>JOEL SARTORE—Sartore invites the viewer to look animals directly in the eye, to see their beauty, grace and intelligence. Here, the endangered Bornean orangutan.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/the-art-of-taking-things-slowly</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/3c397d93-e1b7-4aa0-9baf-eb653b6421eb/934_SloCeramics_square_web-e1647887762829-1024x629.jpg</image:loc>
      <image:title>content - The Art Of Taking Things Slowly - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/0715fdff-4fda-4b6a-aa54-135e5cf28016/127_SloCeramicsHadara20220123-2_web.jpg</image:loc>
      <image:title>content - The Art Of Taking Things Slowly - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/the-sonic-image</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/17fec2ac-d77c-4ea1-89f3-b64968a6abf1/Lawrence-1-AbuHamdan-Sharjah-Art-Foundation_web-e1647887194477-1014x1024.jpg</image:loc>
      <image:title>content - The Sonic Image - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/using-thread-to-weave-messages</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/c63abd00-f641-464c-ba01-55d924093a3e/CristianaDeMarchi-TheWall-12152021-003_extended_web.jpg</image:loc>
      <image:title>content - Using Thread To Weave Messages - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/performance-art-born-from-lockdown</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/d2acd720-edc5-4843-803f-d90995912e4d/Circle-1-photographic-print-Courtesy-of-the-Artist_web.jpg</image:loc>
      <image:title>content - Performance Art Born From Lockdown - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/sheikha-hoor-al-qasimi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/80a6e6b1-8e88-4b21-b6cf-4d00047ae3fa/Hoor_opener_web.jpg</image:loc>
      <image:title>content - Sheikha Hoor Al Qasimi - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/5d3659b9-cfc5-4417-b999-f73a1d1e23ba/Alley_portrait2_web-1229x1536.jpg</image:loc>
      <image:title>content - Sheikha Hoor Al Qasimi - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/add699b7-64cc-43a4-b5e9-442bc1bfc8f9/Khadim-Ali-at-Summer-Palace_web.jpg</image:loc>
      <image:title>content - Sheikha Hoor Al Qasimi - Make it stand out</image:title>
      <image:caption>This piece by Khadim Ali, exhibited in the Lahore Fort Summer Palace, was part of the second edition of the Lahore Biennale, curated by Sheikha Hoor Al Qasimi.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/2b426936-d344-45b8-8f15-7c26dd028568/Tapestries_web-1400x893.jpg</image:loc>
      <image:title>content - Sheikha Hoor Al Qasimi - Make it stand out</image:title>
      <image:caption>Libretto-o-o: A Curtain Design in the Bright Sunshine Heavy with Love (2017) Joe Namy. Installation view, Sharjah Biennial 13, 2017. Commissioned by Sharjah Art Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/ade14b6a-0043-40e4-98e1-b7e0fda65522/Installation_web.jpg</image:loc>
      <image:title>content - Sheikha Hoor Al Qasimi - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/8be9ed68-059d-4941-9605-fa3f9eec85fa/People_web.jpg</image:loc>
      <image:title>content - Sheikha Hoor Al Qasimi - Make it stand out</image:title>
      <image:caption>Hypothesis of a Tree (2016) Mariana Castillo Deball. Installation view, Sharjah Biennial 13, 2017. Bottom: Planetarium (2015) Adrián Villar Rojas. Installation view, Sharjah Biennial 12, 2015. Commissioned by Sharjah Art Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/7a533f78-8152-44e1-9135-b3f0d67aea21/courtyard-11_WEB.jpg</image:loc>
      <image:title>content - Sheikha Hoor Al Qasimi - Make it stand out</image:title>
      <image:caption>Al Mureijah Square, 2016</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/the-facilitator</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/de336d21-687d-4641-b1b1-00794234ca80/Salem_opener_web-370x247.jpg</image:loc>
      <image:title>content - The Facilitator - Make it stand out</image:title>
      <image:caption>GRAPHIC DESIGN</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/b1570682-fcaa-4391-b31a-7bbec786c4a7/Salem-at-computer_web.jpg</image:loc>
      <image:title>content - The Facilitator - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/59c8a363-16b2-463c-ac1d-dd42d606672b/Floor-shot_web.jpg</image:loc>
      <image:title>content - The Facilitator - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/700a453f-7f13-483d-94e6-42d52af6f390/Screenshot+%2880%29.png</image:loc>
      <image:title>content - The Facilitator - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/66832591-eeee-4633-ac22-72a1cead6905/Sharjah-Food-Festival-Tshirt_web.jpg</image:loc>
      <image:title>content - The Facilitator - Make it stand out</image:title>
      <image:caption>Fikra Campus encompasses Fikra Design Studio, a cafe, gallery, co-working space, and library. While he has accepted diverse design projects, Al-Qassimi has been careful to ensure that he is creating a place for enquiry and play, a space to evolve.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/solving-the-mystery-of-chants-mystique-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/42f465f2-6df0-4013-90dc-630a30c6263a/Hi-Res-with-frame_web_1100-1024x775.jpg</image:loc>
      <image:title>content - Solving The Mystery Of Chants Mystique - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/a-riddle-inside-a-riddle</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/86dbd1e8-e0ba-443d-803a-357c9b5973d3/STUDIO-IMG_0910-SQUARE_CROP_web-1024x931.jpg</image:loc>
      <image:title>content - A Riddle Inside A Riddle - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/677ac986-63b4-43b8-ab00-e5046a71cdd2/45_web.jpg</image:loc>
      <image:title>content - A Riddle Inside A Riddle - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/8e2e4979-a98b-4fe2-a861-0e4af0c38b3d/58_Retouched_web.jpg</image:loc>
      <image:title>content - A Riddle Inside A Riddle - Make it stand out</image:title>
      <image:caption>CLOSE TO THE COAST BUT NOT TOO CLOSE (2020) above and WE MET HALFWAY (2020) below</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/97837b37-5570-445a-b4bb-bea4172c9e7c/55_Retouched_web.jpg</image:loc>
      <image:title>content - A Riddle Inside A Riddle - Make it stand out</image:title>
      <image:caption>TO CREATE MEANING IN PERCEPTION (2020)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/f4091ebe-5fd3-4d1c-ad1e-17dbd5ffac62/SAND-LAND-Shaikha-Al-Mazrou-Sand-Land-2017-Photographic-prints-Set-of-9-80-x-80-cm-each-Edition-of-3-Courtesy-the-artist-and-Lawrie-Shabibi_web.jpg</image:loc>
      <image:title>content - A Riddle Inside A Riddle - Make it stand out</image:title>
      <image:caption>SAND-LAND (2017), a 225-square-metre land project in the Ras Al Khaimah mountains, a series of perfectly executed concentric circles. Courtesy of Lawrie Shabibi and the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/14295cdc-3ba4-4c97-af02-ca5a894c7619/Untitled-2019-Wet-coated-steel-100-x-86-x-26-cm-each.-Courtesy-of-the-artist-and-Lawrie-Shabibi_web.jpg</image:loc>
      <image:title>content - A Riddle Inside A Riddle - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/12b1ae94-f952-4854-8375-1d6ad285c3f1/EXHALE-2018-Wet-coated-steel-Glass-film-198-x-121.5-x-109-cm-Courtesy-the-artist-and-Lawrie-Shabibi_web.jpg</image:loc>
      <image:title>content - A Riddle Inside A Riddle - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/cfc65dee-2b7e-4d54-ad2a-87bb1c142608/Green-house-6_web.jpg</image:loc>
      <image:title>content - A Riddle Inside A Riddle - Make it stand out</image:title>
      <image:caption>UNTITLED (2019) Pieces that explored materiality, steel structures that challenge perceptions (top). EXHALE (2018) similarly juxtaposes hard and soft (bottom left). GREEN HOUSE: INTERIOR YET EXTERIOR, MANMADE YET NATURAL (2018) a commissioned sculpture for the Art Jameel garden (bottom right).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/0357e72e-e43e-44d4-862a-564f77ddfeb6/Blue-Print_web.jpg</image:loc>
      <image:title>content - A Riddle Inside A Riddle - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/649d542b-d38d-4382-a73f-89ad6faa9dac/41_web.jpg</image:loc>
      <image:title>content - A Riddle Inside A Riddle - Make it stand out</image:title>
      <image:caption>BLUE PRINT, part of a series of brick-shaped blocks from AN AUTOBIOGRAPHY OF COLOUR (2020). FOR THE THINGS THAT WILL REMAIN UNSAID (2020) contains 200 pieces of hand-made paper, each unique, (below). All images courtesy of Maraya Art Centre except: AL MAZROU courtesy of the artist; UNTITLED (2019) by Ismail Noor courtesy of Lawrie Shabibi and the artist; EXHALE (2018) courtesy of Lawrie Shabibi and the artist; GREEN HOUSE by Mohamed Somji courtesy of Art Jameel; SAND-LAND (2017) courtesy of Lawrie Shabibi and the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/homegrown-hero</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-04-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1650216049057-Q0VBAD2SMJ01O6B34KR6/Mohammed-Ahmed-Ibrahim-1024x654.jpg</image:loc>
      <image:title>content - Homegrown Hero - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/manal-ataya-information-is-power</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1616402718886-BJK6L7QVWHQW8P980XF8/653_ManalAtaya-V3.jpeg</image:loc>
      <image:title>content - Manal Ataya: Information is Power</image:title>
      <image:caption>Manal Ataya. Photograph by Siddharth Siva</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1616402850518-63FTXAI00ZSCOBMNNGQA/Sharjah-Fort.jpeg</image:loc>
      <image:title>content - Manal Ataya: Information is Power</image:title>
      <image:caption>Sharjah Fort (Al Hisn) was built with coral stones collected from the deep waters of the Arabian Gulf. Photo: Sharjah Art Museum.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/xposure-agents-of-change</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1616345510525-J744Q7GNG6K90IZEICFZ/image.jpeg</image:loc>
      <image:title>content - Xposure: Agents of Change</image:title>
      <image:caption>SERGEY PONOMAREV. The Arch of Triumph in Syria’s ancient desert city of Palmyra. Image taken in 2014. The Roman monument was destroyed shortly after by ISIS forces.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1616345604233-RJ2YH73WTOGJ5IU9YK6Y/POS-PB-01.jpeg</image:loc>
      <image:title>content - Xposure: Agents of Change</image:title>
      <image:caption>PAULA BRONSTEIN—In her powerful photo essay, Bronstein bears witness to the complexity of daily life in Afghanistan. Masooma, badly burned from self-immolation, highlights the many challenges women in the country face.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1616346164149-SBMK1ZIAQ6T5GT5NDHCD/POS-TT-15.jpeg</image:loc>
      <image:title>content - Xposure: Agents of Change</image:title>
      <image:caption>TRAN TUAN VIET—Burning incense is a ritual that symbolises the spiritual and cultural values of the Vietnamese. Over many years, Viet sought to capture the culture and people of his homeland.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1616346220471-76VW6DSL3CELINJB16JG/POS_09.jpeg</image:loc>
      <image:title>content - Xposure: Agents of Change</image:title>
      <image:caption>BRENT STIRTON—Starting before dawn, Sheikh Rashid Bin Butti Bin Maktoum Bin Juma Al Maktoum, a member of the Dubai royal family, trains his falcons in the desert outside Dubai.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1616346241981-2TY03JHI99N72JKTQE9H/POS-FZ-06-copy.jpeg</image:loc>
      <image:title>content - Xposure: Agents of Change</image:title>
      <image:caption>FRANCESCO ZIZOLA—Zizola’s exhibition, Mare Omnis, is part of a long-term project documenting the relationship between man and nature. This image, The Trap, was taken in Sardinia in 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1616346312865-USMOUL3C2MONCJMBHNDM/POS-AA-20P.jpeg</image:loc>
      <image:title>content - Xposure: Agents of Change</image:title>
      <image:caption>ABDULLA ALBUQAISH—Sharjah-born Albuqaish specializes in taking cityscapes, combining his passions for photography and architecture. This image is titled, The Power of Light.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1616346357040-CLAIPTLU8DXORQFFK0OK/POS-DK-01.jpeg</image:loc>
      <image:title>content - Xposure: Agents of Change</image:title>
      <image:caption>DANIEL KORDAN—Kordan’s work captures the beauty and magic of the natural world, highlighting its diversity and fragility. In Western Mongolia’s Altai region, a small group of nomads keep the tradition of eagle hunting</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/tarek-atoui-the-unseen-conductor</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1616342971800-HAMT23CNQTSFRXH565IB/Screenshot+2021-03-21+at+20.09.03.png</image:loc>
      <image:title>content - Tarek Atoui: The Unseen Conductor</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1616343482221-4F23BMAKI173GWL4N67H/OP-1_JML2817.jpeg</image:loc>
      <image:title>content - Tarek Atoui: The Unseen Conductor</image:title>
      <image:caption>The artist performs at the opening of Tarek Atoui: Cycles in 11. Sharjah Art Foundation, 2020. Photo: Shanavas Jamaluddin / Sharjah Art Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1616343586000-MMDZDSAOA72P7UCRM7ZV/JML8594.jpeg</image:loc>
      <image:title>content - Tarek Atoui: The Unseen Conductor</image:title>
      <image:caption>Tarek Atoui: Cycles in 11 is more than an exhibition. It is an immersive experience to be seen, heard and felt with the entire body. Installation view, 2020. Photo: Omar Rasheed / Sharjah Art Foundation.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/solving-the-mystery-of-chants-mystique</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-02</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1601622854111-2W5VRLF0F6V4DPE032HB/image-asset.jpeg</image:loc>
      <image:title>content - Solving the mystery of Chants Mystique</image:title>
      <image:caption>Chants Mystique courtesy of the Collection of Barjeel Art Foundation</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/enter-the-age-of-anxiety</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1600933408245-3601BR8TUAR7ANKL4HRI/23.+2020_03_19_Omar_contactsheetL_2867.jpg</image:loc>
      <image:title>content - Enter The Age of Anxiety</image:title>
      <image:caption>Trevor Paglen,‘ de Beauvoir’ (Even the Dead Are Not Safe), 2019. From ‘Even the Dead Are Not Safe’, 2019. Colourised eigen face, dye sublimation print; 126.05x126.05cm. Installation view: Arti n the Age of Anxiety, Sharjah Art Foundation, 2020. Courtesy of the artist and Pace Gallery, New York. ©Trevor Paglen. Photo: Danko Stjepanovic</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1600933857551-FYE5EUF7PCEEZ8UFVJBO/image-asset.jpeg</image:loc>
      <image:title>content - Enter The Age of Anxiety</image:title>
      <image:caption>Douglas Coupland, Delaware (detail), 2016. Acrylic on archival pigment print; 127x101.6cm. Installation view: Art in the Age of Anxiety, Sharjah Art Foundation, 2020. Courtesy of the artist and Daniel Faria Gallery, Toronto. Photo: Danko Stjepanovi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1600944478725-KOCZMECRC2VK90PKA7FQ/image-asset.jpeg</image:loc>
      <image:title>content - Enter The Age of Anxiety</image:title>
      <image:caption>Jeremy Bailey, The Future Of Television (2012). In the future, as the artist imagines it, screens would be embedded in our faces, with content determined by our mood and controlled through facial movements.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1600944567713-JKPP1QVH1FKR6YZUA4UY/33.+2020_03_19_Omar_contactsheet_2997.jpg</image:loc>
      <image:title>content - Enter The Age of Anxiety</image:title>
      <image:caption>Jenna Sutela, nimiiacétiï( video still), 2018. Video installation; 12 minutes and 4 seconds.Installation view: Art in the Age of Anxiety, Sharjah Art Foundation, 2020. Created in collaboration with Memo Akten and Damien Henry as part of n-dimensions, Google Arts &amp; Culture's artist-in-residence program at Somerset House Studios, London. Courtesy of the artist. Photo: Danko Stjepanovi</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/alserkal-lates-back-on-track</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1600157115657-NGCS8JC0XSRBL0N3MNLO/Alserkal+Avenue4.jpg</image:loc>
      <image:title>content - Alserkal Lates back on track</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/game-changer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1599815288400-M8PJ2HXARO51KYVZ2V03/Hoor_opener_web-770x513.jpg</image:loc>
      <image:title>content - Game Changer</image:title>
      <image:caption>Sheikha Hoor Al Qasimi. Photograph by Sebastian Böttcher</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1599815333382-HHFPNJQHIQUSPUAT7O2C/image-asset.jpeg</image:loc>
      <image:title>content - Game Changer</image:title>
      <image:caption>Sheikha Hoor Al Qasimi. Photograph by Sebastian Böttcher</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1599815363591-2DYFF9MI8HIKZWX91TOU/image-asset.jpeg</image:loc>
      <image:title>content - Game Changer</image:title>
      <image:caption>Libretto-o-o: A Curtain Design in the Bright Sunshine Heavy with Love (2017) Joe Namy. Installation view, Sharjah Biennial 13, 2017. Commissioned by Sharjah Art Foundation. Image courtesy of Sharjah Art Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1599815522743-94E11D8FHW3WG6VU84O2/Khadim-Ali-at-Summer-Palace_web.jpg</image:loc>
      <image:title>content - Game Changer</image:title>
      <image:caption>This piece by Khadim Ali, exhibited in the Lahore Fort Summer Palace, was part of the second edition of the Lahore Biennale, curated by Sheikha Hoor Al Qasimi. Image courtesy of Sharjah Art Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1599815543918-7469RE6BK0788U5GNXNJ/People_web.jpg</image:loc>
      <image:title>content - Game Changer</image:title>
      <image:caption>Planetarium (2015) Adrián Villar Rojas. Installation view, Sharjah Biennial 12, 2015. Commissioned by Sharjah Art Foundation. Image courtesy of Sharjah Art Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1599815469481-C7WSJTNIM36QVPN6G8UP/courtyard-11_WEB.jpg</image:loc>
      <image:title>content - Game Changer</image:title>
      <image:caption>Al Mureijah Square, 2016. Image courtesy of Sharjah Art Foundation.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/warehouse-421-reopens-after-six-months</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1598945999619-CLN2GZ167PWNJKJUWEG3/The+Cup+and+The+Saucer3.jpg</image:loc>
      <image:title>content - Warehouse 421 reopens after six months</image:title>
      <image:caption>The Cup and The Saucer by Hashel Al Lamki (installation view). Exhibition is curated by Munira Al Sayegh. Image courtesy of Warehouse 421</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1598946282249-WWORZMSI44VFNQX3I8JA/Warehouse421+-+1.jpg</image:loc>
      <image:title>content - Warehouse 421 reopens after six months</image:title>
      <image:caption>Warehouse 421, entrance view. Image courtesy of Warehouse 421.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/mohamed-melehi-exhibition-to-open-six-months-after-postponement</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-08-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1597213389333-ZV5ZS5IW72ZPF2EXLK74/Mohamed+Melehi1_Photography+by+H.+Chergui%2C+2017.JPG</image:loc>
      <image:title>content - Mohamed Melehi exhibition to open six months after postponement</image:title>
      <image:caption>Mohamed Melehi, photographed by H. Chergui in 2017. Image courtesy of Alserkal Avenue.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1597214015974-C13S3NJOR25LWRJOQPOZ/Untitled%2C+1970-1971%2C+cellulose+paint+on+wood.+Private+collection.jpg</image:loc>
      <image:title>content - Mohamed Melehi exhibition to open six months after postponement</image:title>
      <image:caption>Untitled, 1970-1971, cellulose paint on wood. Private collection. Image courtesy of Alserkal Avenue.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/virtual-live-music-and-art-performances-from-uaes-creative-community</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1590564383821-1IXO4D944COU9TD4M704/Event+Calendar.jpg</image:loc>
      <image:title>content - Virtual live music and art performances from UAE's creative community</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/winner-of-christo-and-jeanne-claude-award-announced</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1589961280203-IZWSZTDYH9SPBV5RUJ9G/THE+CHRISTO+AND+JEANNE-CLAUDE+AWARD-WINNING+SCULPTURE+COMES+HOME+TO+AUS+copy.jpg</image:loc>
      <image:title>content - Winner of Christo and Jeanne-Claude Award announced</image:title>
      <image:caption>Keswa was created by graduating AUS architecture students Nada Al Mulla and Salwa Al Khudairi in 2015 and was a previous winner of the Christo and Jeanne-Claude Award</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/revival-fund-aims-to-help-the-creative-sector</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1589358487683-AY8UV12C0CG0XN59OWT0/Warehouse421+-+1.jpg</image:loc>
      <image:title>content - Revival Fund aims to help the creative sector</image:title>
      <image:caption>Warehouse 421, a contemporary art institution based in Abu Dhabi. Image courtesy of Warehouse 421</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/as-restrictions-are-lifted-galleries-start-to-reopen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1588749742002-NL333RUTALQT4YOSOS48/mm019-image.jpg</image:loc>
      <image:title>content - As restrictions are lifted, galleries start to reopen</image:title>
      <image:caption>Mohamed Melehi, Moucharabieh, Purple and Orange, 2020. Acrylic on canvas, 170 x 150 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1588750187149-JD51HBPCQETZYDRHPWU1/Screenshot+2020-05-06+at+11.29.08.png</image:loc>
      <image:title>content - As restrictions are lifted, galleries start to reopen</image:title>
      <image:caption>Mohammed Kazem, Infinite Angles, 2020, Installation View. Image courtesy of Gallery Isabelle Van Den Eynde.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1588750055451-ZWM6KZCAZTBE8D1WNGFC/Screenshot+2020-05-06+at+11.26.57.png</image:loc>
      <image:title>content - As restrictions are lifted, galleries start to reopen</image:title>
      <image:caption>André Butzer. Untitled, 2019, Oil on canvas. 45 x 51 cm. Image courtesy of Carbon 12.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1588750646891-QT4AH9YSU2MKKMH5CZ6W/Screenshot+2020-05-06+at+11.36.52.png</image:loc>
      <image:title>content - As restrictions are lifted, galleries start to reopen</image:title>
      <image:caption>Michael John Whelan, L-R, Darkness had no need / And they did live by watchfires 3, 2020. pigment print on paper, 100 x 80cm (unframed) Edition 1/3 / Darkness had no need. Courtesy Grey Noise.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/fresh-content-about-south-asian-art-with-aicon-contemporary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1587643996627-NQ4WG7D6BMK7O9A6PDT2/519df15ae553a787b2ea8d07cbbc9697.jpeg</image:loc>
      <image:title>content - Fresh content about South Asian art with Aicon Gallery</image:title>
      <image:caption>M. F. Husain, Untitled (After "Gandhi"), c. 1983. Acrylic on canvas, 90 x 32 in. x 6 Nos. Image courtesy of Aicon Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1587644116392-8SC76WQPQQ7W2ZLOSW83/Screen+Shot+2020-04-21+at+12.03.09+PM.png</image:loc>
      <image:title>content - Fresh content about South Asian art with Aicon Gallery</image:title>
      <image:caption>Aicon Contemporary also released a short film about G.R. Iranna, whose work was on show in the 2019 VEnice Biennale. Image courtesy of Aicon Contemporary.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1587644636108-KS3PGBQUKQQCK8IPXZDJ/Screenshot+2020-04-23+at+16.05.11.png</image:loc>
      <image:title>content - Fresh content about South Asian art with Aicon Gallery</image:title>
      <image:caption>Rasheed Araeen, From the Opus Series (2018) Image courtesy of Aicon Contemporary.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/rearranging-the-riddle-shaikha-al-mazrou</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1587196088695-UQ23X8HCAZ2WNEY30F4W/%2865%29.JPG</image:loc>
      <image:title>content - Rearranging the Riddle: Shaikha Al Mazrou</image:title>
      <image:caption>Shaikha Al Mazrou’s Rearranging the Riddle, installation view at Maraya Art Centre, March 2020. Image courtesy Maraya Art Centre.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1587196299403-FCYPQRO6MFZG6KDN0KAV/%2847%29.JPG</image:loc>
      <image:title>content - Rearranging the Riddle: Shaikha Al Mazrou</image:title>
      <image:caption>Shaikha Al Mazrou. Close To The Coast But Not Too Close (2020). As displayed in Maraya Art Centre, Sharjah. March-July 2020. Image courtesy of Maraya Art Centre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1587196784903-90WWAR57IFYU0NK4FVVZ/%2856%29.JPG</image:loc>
      <image:title>content - Rearranging the Riddle: Shaikha Al Mazrou</image:title>
      <image:caption>Shaikha Al Mazrou. To Create Meaning In Perception (2020). As displayed in Maraya Art Centre, Sharjah. March-July 2020. Image courtesy of Maraya Art Centre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1587196372256-OAHVAH9UH8CCCSS9RWXK/%28119%29.JPG</image:loc>
      <image:title>content - Rearranging the Riddle: Shaikha Al Mazrou</image:title>
      <image:caption>Shaikha Al Mazrou with her twin sons, Marwan and Omar, at the opening of her exhibition Rearranging The Riddle. Image taken in March 2020. Image courtesy of Maraya Art Centre.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/in-light-of-covid-19-what-looks-different-now</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1586948550554-LIPQTC0OYF6GTN77A1DN/Scene+of+Crime+by+Amar+Kanwar%2C+film+still.+Courtesy+of+the+Artist..jpg</image:loc>
      <image:title>content - In Light of COVID-19: What Looks Different Now?</image:title>
      <image:caption>Photo: Scene of Crime by Amar Kanwar, film still. Courtesy of the Artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/sacred-spring-a-celebration-of-shona-sculpture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1586920930680-ZLAB3EWJPOD1B4NAB01Y/DP250%2C+All+Together+Now%2C+Dominic+Benhura.jpg</image:loc>
      <image:title>content - Sacred Spring: a celebration of Shona sculpture - All Together Now by Dominic Benhura</image:title>
      <image:caption>Beginning to sculpt at age 14, Dominic Benhura is credited with the modernisation of Shona Sculpture in the present day.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1586922116021-B7K0QHNBY1H3IA9238PE/DP273%2C+Intertwine%2C+Tawanda+Makore.jpg</image:loc>
      <image:title>content - Sacred Spring: a celebration of Shona sculpture - Fruit Serpentine by Tawanda Makore</image:title>
      <image:caption>Tawanda Makore is recognized as one of the major talents to emerge from Zimbabwe today. His rounded 3D creations are called ‘vision sculptures’ and have an experimental feel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1586922190860-SU515AU15ZC691NQI362/DP259%2C+Professor+2%2C+Lovemore+Bonjisi.jpg</image:loc>
      <image:title>content - Sacred Spring: a celebration of Shona sculpture - Professor 2 by Lovemore Binjisi</image:title>
      <image:caption>Once called the Michaelangelo of Shona sculpture, Lovemore Binjisi has a distinctive angular style and comes from a long-line of sculptors in his family.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/extended-spotlight-series</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1586666677057-8AIGL5U6XYMRRALYJETY/image-asset.jpeg</image:loc>
      <image:title>content - Extended spotlight series</image:title>
      <image:caption>Mia Fonssagrives Solow. Apple Form, Green enamel on fiberglass. Also available in blue, black, orange, red and white. Image courtesy of Leila Heller Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1586667028010-340YXQEYK5UTA670QLXA/acb5abd8b9dd9fecc13564ba1076e53e.jpeg</image:loc>
      <image:title>content - Extended spotlight series</image:title>
      <image:caption>Richard Hudson, NOTE, 2018. Polished Mirrored Steel. Five metres tall. Courtesy of Leila Heller Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1586667499565-OEAN2M4Y6XE40HMTSOAM/cb73dfd39c61dda5db10b0398e63ba10.jpeg</image:loc>
      <image:title>content - Extended spotlight series</image:title>
      <image:caption>Habitat The Bird, 2019. Porcelain. 120 cm x 145 cm.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/enter-the-world-of-performing-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1586587215413-Z4P3BS06O3CLHVZSA4OO/Screenshot+2020-04-11+at+10.39.36.png</image:loc>
      <image:title>content - Enter the world of performing art</image:title>
      <image:caption>Screenshot from the Courtyard Playhouse website</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/culture-summit-to-livestream-special-panel-session-and-performances</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1586341572332-Z6SOWWJ11CO0ACO2JLA7/1124654752383043198.jpg</image:loc>
      <image:title>content - Culture Summit to livestream special panel session and performances</image:title>
      <image:caption>A panel from the Culture Summit 2019. The event is usually characterised by short, roundtable panel discussions that cover pertinent cultural issues. Image courtesy of DCT Abu Dhabi.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/isolation-life-6-online-art-shows-worth-checking-out</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1586153220549-J4K4ZHUCPXBJ049QNVLS/Screenshot+2020-04-06+at+09.55.18.jpg</image:loc>
      <image:title>content - Isolation life: 5 online art shows worth checking out</image:title>
      <image:caption>Screenshot from the PDF catalogue of Let’s Get Lost (Let Them Send Out Alarms) by Firouz FarmanFarmaian</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1586153358990-I3POQTK93ZIGW7VV4TOC/Screenshot+2020-04-06+at+10.08.50.png</image:loc>
      <image:title>content - Isolation life: 5 online art shows worth checking out</image:title>
      <image:caption>The Oil Beach Villager, 2000. Water colour and acrylic on paper, 43 × 58 cm. Image courtesy of Gallery One</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1586154030959-45I5DL5E2VSLIAZUWUGI/image-asset.jpeg</image:loc>
      <image:title>content - Isolation life: 5 online art shows worth checking out</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1586154631742-C97M41T2GD41SWB2WPDZ/Screenshot+2020-04-06+at+10.29.45.jpg</image:loc>
      <image:title>content - Isolation life: 5 online art shows worth checking out</image:title>
      <image:caption>Willy Aractingi, Les Cactus (1975). Oil on canvas. 70 x 80 cm. Signed. Image courtesy of Artscoops</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1591168676101-TGPMGJX2WYFCNNUDOHYR/01+Panorama6_2.jpg</image:loc>
      <image:title>content - Isolation life: 5 online art shows worth checking out</image:title>
      <image:caption>Hazem Harb, The Silk Line of identity, 2020. Layers of collage of archival Fine Art C-P photography on MDF wood. Diptych. Courtesy of Tabari Artspace.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/enter-the-livingroom-with-lawrie-shabibi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1586064391302-VDAGWI7LXGHI8G7EVR8O/Screenshot+2020-04-05+at+09.26.01.png</image:loc>
      <image:title>content - Enter the #LivingRoom with Lawrie Shabibi</image:title>
      <image:caption>Screenshot of clipping about Farhad Ahrania’s online content direct from his studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1586064561189-8YPY9HZFGFGFE52HQ0X4/Screenshot+2020-04-05+at+09.28.03.jpg</image:loc>
      <image:title>content - Enter the #LivingRoom with Lawrie Shabibi</image:title>
      <image:caption>Lawrie Shabibi’s instagram page showing the brand new work by Asad Faulwell’s Les Femmes d’Alger. Captured April 5, 2020.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/hurrah-for-indie-films-stream-for-free-with-cinema-akil</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1585976945280-8Y845LJYOF5ZNJ6KJ0FP/3+IDIOTS+Directed+by+RAJKUMAR+HIRANI+India%2C+2009+.jpg</image:loc>
      <image:title>content - Hurrah for indie films! Stream for free with Cinema Akil</image:title>
      <image:caption>3 Idiots is a 2009 Indian Hindi-language coming-of-age comedy-drama film co-written (with Abhijat Joshi) and directed by Rajkumar Hirani.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1585977275125-DXNP5M6UI6T0IFOPDA43/image-asset.jpeg</image:loc>
      <image:title>content - Hurrah for indie films! Stream for free with Cinema Akil</image:title>
      <image:caption>A still from Om Dar-B-Dar, a 1988 Indian Hindi-language postmodernist film.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1585977324727-C20X50T965LHXDR4H5WO/JOURNEY+TO+THE+SHORE+KISHIBE+NO+TABI+Directed+by+KIYOSHI+KUROSAWA+Japan%2C+France%2C+2015.jpg</image:loc>
      <image:title>content - Hurrah for indie films! Stream for free with Cinema Akil</image:title>
      <image:caption>Journey to the Shore: KIshibe No Tabi is a Japanese romantic comedy by Kiyoshi Kurosawa;</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/online-viewing-rooms-for-leila-heller</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1585975760204-CVSYRZQ1KT9Y2HT3LIKS/Reza-Derakshani-1.jpg</image:loc>
      <image:title>content - Online viewing rooms for Leila Heller</image:title>
      <image:caption>Reza Derakshani. Pink Days and Nights, 2016. Oil on canvas. 153 x 183 cm. Image courtesy of Leila Heller Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/view-art-and-buy-art-online-in-the-age-of-covid-19</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-04-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1585371193359-G15TV8GS6BXXE7CWGRHZ/ac23-art-ayyam-gallery-alserkal-online.jpg</image:loc>
      <image:title>content - View art and buy art online in the age of Covid-19</image:title>
      <image:caption>This is what viewing a gallery virtually looks like. Image found on alserkal.online</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/photographys-power-to-protect</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1585369654109-RVC0KLW774LLDMFMUBR4/POS-23_CC_WEB.jpg</image:loc>
      <image:title>content - Photography's power to protect</image:title>
      <image:caption>This stunning photograph by Ami Vitale captured the final moments in the life of Sudan, the world’s last male northern white rhino.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1585369715505-J6SA3W9PR5FEKQECM0QZ/IMG_20190920_225018A_WEB.jpg</image:loc>
      <image:title>content - Photography's power to protect</image:title>
      <image:caption>Gregory Pol is a French photographer, sailor and scuba diver whose vivid photography reveals his fascination for a ruthless nature that can be so fragile. This image: Les Yeux du Harfang.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1585369793330-77FR2HKLYNN8J3TOYSKM/image-asset.jpeg</image:loc>
      <image:title>content - Photography's power to protect</image:title>
      <image:caption>Award-winning wildlife photographer Florian Ledoux captures some of the most inaccessible regions on earth and implores those who view his extraordinary images to help protect them. This image, Above the Polar Bear, is a once-in-a-lifetime shot, taken by drone in Nunavut, northern Canada.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1585369861506-KJ9JXZ8GKNHPZ5MLY2SJ/POS-WB-108-05_CC_WEB.jpg</image:loc>
      <image:title>content - Photography's power to protect</image:title>
      <image:caption>Will Burrard-Lucas uses innovation to capture his ground-breaking images. BeetleCam, a remote-control buggy for his DSLR camera, allowed him to take this extraordinary shot of an African elephant. African wildlife, and its conservation, remains his passion.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1585369874214-1HP7ZDTUIP95V4CVBFFW/POS-JM-129-19-RIP_CC_WEB.jpg</image:loc>
      <image:title>content - Photography's power to protect</image:title>
      <image:caption>In this photo, which won World Press Photo of the Year 2019 for John Moore, Honduran toddler Yanela Sanchez cries as she and her mother, Sandra, are taken into custody by US border officials in McAllen, Texas, in June 2018. The image was part of a striking exhibition titled Undocumented.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1585369968534-UL3ZARWA7NE947UJXZSN/XPF-2019-Competition-Winners-OA_CC_WEB.jpg</image:loc>
      <image:title>content - Photography's power to protect</image:title>
      <image:caption>With this image, Walking to the Future City, self-taught photographer Pedro Luis Ajuriaguerra Saiz, from Bilbao, Spain, was the overall winner of the Xposure International Photography and Film Contest 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1585370015575-1L59DM9P9FSZF7290I2E/Wickbold-romulo_0176_CC_WEB.jpg</image:loc>
      <image:title>content - Photography's power to protect</image:title>
      <image:caption>From Sao Paulo, Brazil, Gabriel Wickbold uses the camera like an aura reader to expose the human condition. His art arose from a desire to explore the complexity of human experience by mixing fantasy and reality in a way that engages viewers differently than traditional photography. His exhibition was entitled I am Light.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/art-dubai-postpones-fair-and-presents-regional-programme</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1583388711435-23JZ2RAS8W8P7QQ952XM/download.png</image:loc>
      <image:title>content - Art Dubai postpones fair and presents regional programme</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/sultan-sooud-al-qassemi-the-interview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-03-04</lastmod>
    <image:image>
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      <image:title>content - Sultan Sooud Al Qassemi: The Interview</image:title>
      <image:caption>Photography by Rabee Younes. Courtesy of Hadara Magazine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1583341728146-S200EDGI8LPNB1SAZIP7/image-asset.jpeg</image:loc>
      <image:title>content - Sultan Sooud Al Qassemi: The Interview</image:title>
      <image:caption>Photography by Rabee Younes. Courtesy of Hadara Magazine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1583341781085-CPPTM8LWLT64PYZHINYP/DSC_3995_CC_WEB.jpg</image:loc>
      <image:title>content - Sultan Sooud Al Qassemi: The Interview</image:title>
      <image:caption>Photography by Rabee Younes. Courtesy of Hadara Magazine.</image:caption>
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    <image:image>
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      <image:title>content - Sultan Sooud Al Qassemi: The Interview</image:title>
      <image:caption>Photography by Rabee Younes. Courtesy of Hadara Magazine.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/louvre-abu-dhabi-unveils-singing-trees</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1582455136250-PNGQHD1MFBM3YAKKUZOX/%C2%A9Department+of+Culture+and+Tourism+%E2%80%93+Abu+Dhabi+%281%29.jpg</image:loc>
      <image:title>content - Louvre Abu Dhabi unveils Singing Trees</image:title>
      <image:caption>Image courtesy of The Department of Culture and Tourism - Abu Dhabi</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/sharjah-art-foundation-looking-for-proposals</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1580713072298-12GWGJXN62L71YD4Y4YF/1-10.jpg</image:loc>
      <image:title>content - Sharjah Art Foundation looking for proposals</image:title>
      <image:caption>March Meeting 2019, Bait Obaid Al Shamsi, Sharjah, 2019. Photo: Sharjah Art Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1580713150199-LP8F3YZZ4ZXARAQVV5ZX/Open-Call_-Short-Film-Production-Grant.jpg</image:loc>
      <image:title>content - Sharjah Art Foundation looking for proposals</image:title>
      <image:caption>Film screenings for Sharjah Film Platform at Mirage City Cinema, Sharjah Art Foundation, 2019. Photo: Sharjah Art Foundation</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/wolf-tone-a-group-exhibition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-01-15</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1579080503236-APXA502GT4OJZWHL94LW/Daniah+Al+Saleh.jpg</image:loc>
      <image:title>content - Wolf Tone: a group exhibition</image:title>
      <image:caption>Daniah Al Saleh, Disobedient Affects (2019). Image courtesy of the artist and XVA Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1579109074399-95FMTWCMR7NIYGTCFJW1/Amal+Al+Gurg_Haram%3AHalal.jpg</image:loc>
      <image:title>content - Wolf Tone: a group exhibition</image:title>
      <image:caption>Amal Al Gurg, Haram/Halal (2019). Image courtesy of the artist and XVA Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1579109136917-2F3GOBHDHOPG41Z5EQXZ/Huma+Shoaib%2C+To+Fly+towards+a+secret+sky%2C+2019.jpg</image:loc>
      <image:title>content - Wolf Tone: a group exhibition</image:title>
      <image:caption>Huma Shoaib, To Fly Towards a Secret Sky (2019). Image courtesy of the artist and XVA Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1579108770230-XELXULF7AT0ISDP38YIF/Arezu_Untitled+01+-+Life+goes+on+from+the+series+that+obscure+object-25x35.5cm+collage+on+paper+2019+.jpeg</image:loc>
      <image:title>content - Wolf Tone: a group exhibition</image:title>
      <image:caption>Arezu. Untitled 01 (2019) Life Goes On from the series That Obscure Object; 25x35.5cm collage on paper. Image courtesy of the artist and XVA.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1579109271984-9TRPG54YVFKXH7JUG2BS/Naz+Shahrokh_J%E2%80%99arrive+%28E+from+a+series+of+7%29.jpg</image:loc>
      <image:title>content - Wolf Tone: a group exhibition</image:title>
      <image:caption>Naz Shahrokh, J’arrive (E from a series of 7). Image courtesy of the artist and XVA Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1579108929015-G41XUC1GS0LXFIMVLJYX/image-asset.jpeg</image:loc>
      <image:title>content - Wolf Tone: a group exhibition</image:title>
      <image:caption>Stephanie Neville, Mine (2019) from the Blushing Bride series. Image courtesy of the artist and XVA Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/dubai-culture-partners-with-expo-2020</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1576566416126-9T7BL8PZ6TMUE35ICZJ2/191216-CultureExpo_16f0b306713_large.jpg</image:loc>
      <image:title>content - Dubai Culture partners with Expo 2020</image:title>
      <image:caption>Hala Badri, the director general of Dubai Culture &amp; Arts Authority signs an agreement with the EXPO 2020 Dubai team to become official cultural supporter of the event</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/open-call-made-in-al-quoz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1576041560900-GE8UQR4SREJ5II3S5BL5/Alserkal+Lates_Photo+courtesy+Alserkal+Avenueangelo-173.JPG</image:loc>
      <image:title>content - Open Call: Made in Al Quoz</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/majd-kurdieh-smaller-than-a-cherry-blossom-bigger-than-the-world</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1575532695587-W5QL6XWY7KM9DFVPBF9E/AC30-SEP-ART-Amman-Design-Week-Majd.jpg</image:loc>
      <image:title>content - Majd Kurdieh: Smaller than a cherry blossom, bigger than the world</image:title>
      <image:caption>Majd Kurdieh, in his studio in Amchit, Lebanon. Image courtesy of The Workshop.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1575532782232-VQ6KKKX7JKY787IEUKUG/AC11-Nov-ART-Majd-Kurdieh-1.jpg</image:loc>
      <image:title>content - Majd Kurdieh: Smaller than a cherry blossom, bigger than the world</image:title>
      <image:caption>Majd Kurdieh, 'Untitled', 2019, Surrender To Love series. Image courtesy of The Workshop.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1575532776855-1X0BTWXA4LW6NFP54I3J/AC11-Nov-ART-Majd-Kurdieh-3.jpg</image:loc>
      <image:title>content - Majd Kurdieh: Smaller than a cherry blossom, bigger than the world</image:title>
      <image:caption>Majd Kurdieh, 'Untitled', 2019, Surrender To Love series. Image courtesy of The Workshop.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1575532908331-2Z7D6I8GBY7YMKQRSDSR/AC11-Nov-ART-Majd-Kurdieh-5.jpg</image:loc>
      <image:title>content - Majd Kurdieh: Smaller than a cherry blossom, bigger than the world</image:title>
      <image:caption>Majd Kurdieh, 'Untitled', 2019, Surrender To Love series. Image courtesy of The Workshop.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/all-four-artists-win-turner-prize-2019</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-12-05</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1575532012528-2E9Q9L4QZFS7230BAQRC/turnerprize-40.jpg</image:loc>
      <image:title>content - All four artists win Turner Prize 2019</image:title>
      <image:caption>Left-right: Tai Shani, Lawrence Abu Hamdan, Helen Cammock and Oscar Murillo. Courtesy Press Association</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/body-building-ishara-art-foundation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1573365962955-VX8BPZBM6ZXHHMS7DVZ4/Body+Building_2019_Installation+view+5.jpg</image:loc>
      <image:title>content - Body Building: Ishara Art Foundation</image:title>
      <image:caption>Installation view of works by Ram Rahman, from the series Bioscope: Scenes from an Eventful Life2008, in the exhibition Body Building at Ishara Art Foundation. Courtesy of the artist. Photo by Ismail Noor/Seeing Things.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1573367232268-4PQMBNVJ9DYDY3YH7YST/rGoody_Untitled_2018_inkjet+on+archival_8.jpg</image:loc>
      <image:title>content - Body Building: Ishara Art Foundation</image:title>
      <image:caption>Untitled, 2018. Rajyashri Goody. Image courtesy of the artist and Ishara Art Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1573367538119-01XVYTNRNZPJ5T6NCYRI/IMG_2051.jpg</image:loc>
      <image:title>content - Body Building: Ishara Art Foundation</image:title>
      <image:caption>Abdul Halik Azeez (perhaps better known by his social media handle of @colombedouin) stands next to his video installation Pics or It Didn’t Happen (2016) at Ishara Art Foundation. Image taken by Anna Seaman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1573368965221-9G6N8QN08SH5R48E6CEQ/Body+Building_2019_Installation+view+19.jpg</image:loc>
      <image:title>content - Body Building: Ishara Art Foundation</image:title>
      <image:caption>Installation view of works by Randhir Singh and Arthur Crestani in the exhibition Body Building at Ishara Art Foundation. Photo by Ismail Noor/Seeing Things. From left: Randhir Singh, Water Towers 2015-2016. Courtesy of the artist. Arthur Crestani. Bad City Dreams 2017. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1573371123181-6YLUH78ORIYOOFB2DAY7/Body+Building_2019_Installation+view+15.jpg</image:loc>
      <image:title>content - Body Building: Ishara Art Foundation</image:title>
      <image:caption>Installation view of Umber Majeed Memories Fade...Photographs Shouldn’t (2009-2016) in the exhibition Body Building at Ishara Art Foundation. Courtesy of the artist. Photo by Ismail Noor/Seeing Things.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/education-in-art-interview-with-sheikha-noora-al-mualla</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1572930767298-4YW98GQ3HLF6Q1LLM5BU/wk01-nov-sharjah-art-foundation-6.jpg</image:loc>
      <image:title>content - Education in art: Interview with Sheikha Noora Al Mualla</image:title>
      <image:caption>Sheikha Noora Al Mualla at the Sharjah Art Museum with a sculpture by Adam Henein. Pawan Singh / The National.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1572931154151-40QBYGNINWXQC0CD1VPR/5-2.JPG</image:loc>
      <image:title>content - Education in art: Interview with Sheikha Noora Al Mualla</image:title>
      <image:caption>Adam Henein,Untitled, 1992. Natural pigments and acacia gum on papyrus; 69 x 87 cm. Collection of Adam Henein Foundation, Cairo. Photo: Adam Henein Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1572931262708-O1XPC3LPIJLD7C9HFEQQ/wk01-nov-sharjah-art-foundation-7.jpg</image:loc>
      <image:title>content - Education in art: Interview with Sheikha Noora Al Mualla</image:title>
      <image:caption>Sheikha Noora Al Mualla stands inside the courtyards of Sharjah Art Foundation. Pawan Singh / The National</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1572934365952-PARTVWAUIKNGPJ92V9PK/Akram_Zaatari_Talk_September_27_SAF_large.jpeg</image:loc>
      <image:title>content - Education in art: Interview with Sheikha Noora Al Mualla</image:title>
      <image:caption>Akram Zaatari On Photography, People and Modern Times, 2-channel HD video, colour, sound, 38 minutes. Installation view: Museu d’Art Contemporani de Barcelona. Courtesy of the artist. Photo: Roberto Ruiz</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/on-appreciating-visual-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-11-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1572862301121-X3J2AA2I1PUTQ06O23V2/Shaikha+Al+Mazrou.+Engage.+2018.+Diptych.+Wet+coated+steel.+115+x+233+x+60+cm.+Courtesy+Lawrie+Shabibi+and+the+artist.+Photography+by+Ismail+Noor.jpg</image:loc>
      <image:title>content - On Appreciating Visual Art</image:title>
      <image:caption>Shaikha Al Mazrou. Engage. 2018. Diptych. Wet coated steel. 115 x 233 x 60 cm. Courtesy Lawrie Shabibi and the artist. Photography by Ismail Noor and courtesy of Lawrie Shabibi Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/gallery-isabelle-van-den-eynde-announces-representation-of-latif-al-ani</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1572416408409-27YQU8O53R114N643CLK/e70b9a04c1471a5b09e74509e0d185e3.jpg</image:loc>
      <image:title>content - Gallery Isabelle Van Den Eynde announces representation of Latif Al Ani</image:title>
      <image:caption>Latif Al Ani at Sulaimaniya, North Iraq, 1957. Image courtesy of the artist and Gallery Isabelle Van Den Eynde.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/learn-jazz-from-tarek-yamani</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-27</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1572163388899-463BD7TS77V1B8E5AFFY/1-9.jpg</image:loc>
      <image:title>content - Learn jazz from Tarek Yamani</image:title>
      <image:caption>Tarek Yamani performing at Atrium Lincoln Center, New York, 2018 Photo: Sachyn Mital</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/dubai-design-week-a-preview</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1571292434020-CU72XAOUWVUQGE2NAG4I/Breath+of+Light_Preciosa_Downtown+Design+2018.jpg</image:loc>
      <image:title>content - Dubai Design Week: a preview</image:title>
      <image:caption>Breath of Light, an installation by Preciosa at Downtown Design, 2018. Image courtesy of Dubai Design Week</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1571292879643-EOGD7YOGM3MF6S0HL906/Visitor+at+Downtown+Design.jpg</image:loc>
      <image:title>content - Dubai Design Week: a preview</image:title>
      <image:caption>A visitor at Dubai Design Week 2018. Image courtesy of Dubai Design Week.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1571292927527-BH3JAAH88CN0Y5OOSM5Q/Abwab+2018_Eastern+Provinces+of+KSA+Pavilion_Dubai+Design+week+%282%29.jpg</image:loc>
      <image:title>content - Dubai Design Week: a preview</image:title>
      <image:caption>Abwab. The Pavilion of the Eastern Provinces of Saudi Arabia from Dubai Design Week 2018. Image courtesy of Dubai Design Week.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1571293004537-4PHDWF3XC0RFZ0PL6QR1/Downtown+Design+2018+%283%29.jpg</image:loc>
      <image:title>content - Dubai Design Week: a preview</image:title>
      <image:caption>The exterior of Downtown Design 2018. Image courtesy of Dubai Design Week.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1571293446890-7I2F6NOT7CY8P42920CB/download.jpeg</image:loc>
      <image:title>content - Dubai Design Week: a preview</image:title>
      <image:caption>Rue Kothari, fair director of Downtown Design.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/dubai-gallery-travels-to-amman-for-design-week</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1569906618738-TPOPRLLYOOMRVASFNKCI/Houssam+Ballan+3.jpg</image:loc>
      <image:title>content - Dubai gallery travels to Amman for Design Week</image:title>
      <image:caption>Houssam Ballan in his studio with his paints. Courtesy Houssam Ballan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1569907953760-H3Q3EYQ5NAOETDUHFTUI/Safwan+Dahoul.jpg</image:loc>
      <image:title>content - Dubai gallery travels to Amman for Design Week</image:title>
      <image:caption>The exhibition is curated by Safwan Dahoul, a well known artist and curator. Courtesy of Safwan Dahoul</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1569908196389-OHPOIFVH6QIHKNYUTKW8/Majd+Kurdieh+2.jpg</image:loc>
      <image:title>content - Dubai gallery travels to Amman for Design Week</image:title>
      <image:caption>Majd Kurdieh making his childlike but compelling paintings. Image courtesy of Majd Kurdieh</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1569908850491-9FPMGUM7IBHH727TF7H4/Shereen+Shalhoub.jpg</image:loc>
      <image:title>content - Dubai gallery travels to Amman for Design Week</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/the-alumni-return-a-group-exhibition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-10-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1569905749948-KA1BPU0UWLWGF8O6850Y/AC29-SEP-ART-Tashkeel-Nasib.jpg</image:loc>
      <image:title>content - The Alumni Return: A group exhibition</image:title>
      <image:caption>Salama Nasib in the replica of her studio for Tashkeel’s The Alumni Return. Courtesy Tashkeel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1569905826608-0YFD16XXSWTKVVH25U5V/AC29-SEP-ART-Tashkeel-show.jpg</image:loc>
      <image:title>content - The Alumni Return: A group exhibition</image:title>
      <image:caption>Visitors during opening night of The Alumni Return at Tashkeel. Image courtesy of Tashkeel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1569905876167-1BPTHMTZMIWOMMZBHXN4/AC29-SEP-ART-Tashkeel-Khalid.jpg</image:loc>
      <image:title>content - The Alumni Return: A group exhibition</image:title>
      <image:caption>Khalid Mezaina stands infront of his work at Tashkeel's The Alumni Return. He has graduated with a master's degree in textile design from Rhode Island School of Design. Image courtesy of Tashkeel.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/curators-selected-for-uae-national-pavilion-2020</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1569474221464-1EH88L3D3YH9A60M10Y8/NPUAE2020_Wael+Alawar+and+Kenichi+Teramoto_+Image+courtesy+of+National+Pavilion+UAE+-+La+Biennale+di+Venezia+001.jpg</image:loc>
      <image:title>content - Curators selected for UAE National Pavilion 2020</image:title>
      <image:caption>Wael Al Awar and Kenichi Teramoto. Image courtesy of National Pavilion UAE - La Biennale di Venezia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1569474397928-F7CCME8V7OP1UPXFB4L1/Dead-sea-salt.jpg</image:loc>
      <image:title>content - Curators selected for UAE National Pavilion 2020</image:title>
      <image:caption>Their exhibition will explore sea salt as a traditional, locally-sourced building material, and its potential uses for developing sustainable habitation in desert environments like the UAE.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/art-for-all-collective-to-open-tonight</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1569313671098-1DMPZYAKKO5S1PT13BD2/ON14%2C+Omar+Najjar%2C+2018%2C+oil+on+canvas%2C+mes+75+x+90+cm+-+AED+11%2C000.jpg</image:loc>
      <image:title>content - Art For All Collective offers accessibility to art for everyone</image:title>
      <image:caption>Omar Najjar, Untitled. 2018, oil on canvas, 75 x 90 cm. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1569313876475-BRQM5RQNXWXE87V7TUYY/AK+1+-+Annie+Kurkdjian%2C+Untitled%2C+2017%2C+acrylic+on+canvas%2C+80+x+80+cm.jpg</image:loc>
      <image:title>content - Art For All Collective offers accessibility to art for everyone</image:title>
      <image:caption>Annie Kurkdjian, Untitled, 2017, acrylic on canvas, 80 x 80 cm. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/leaving-the-echo-chamber</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1568955793643-R5ZZST10UXRDIIRDNGMX/jpeg.jpg</image:loc>
      <image:title>content - Leaving the Echo Chamber</image:title>
      <image:caption>Kalba Ice Factory stands as an abandoned building on the shores of Kalba Creek. Its dilapidated state and pigeon inhabitants only adds to the artistic experience.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1568955900033-AOTS1OC7435JVRUDBBFV/Biennial-Cecillia_1200.jpg</image:loc>
      <image:title>content - Leaving the Echo Chamber</image:title>
      <image:caption>Even the Stars Look Lonesome (2019) Caecilia Tripp. A five-screen film installation, copper sculpture. Co-commissioned by Sharjah Art Foundation and Art Gallery York University, Toronto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1568956312696-L9Y7PDYYX6I8IO7PZ3SU/Biennial-wall_1800px.jpg</image:loc>
      <image:title>content - Leaving the Echo Chamber</image:title>
      <image:caption>Standing Flames (2019) Khadim Ali in collaboration with Bamyan Art Space. From Flowers of Evil. Commissioned by Sharjah Art Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1568956281057-LJ9SPV0OU7X4J90VOTW2/image-asset.jpeg</image:loc>
      <image:title>content - Leaving the Echo Chamber</image:title>
      <image:caption>Ahmad Fuad Osman, Enrique de Malacca Memorial Project,2016–ongoing. Mixed media installation: 73 objects; two single-channel videos: colour, sound; 33 interactive video interviews, archival materials, dimensions variable. Installation view: Sharjah Biennial 14: ‘Leaving the Echo Chamber’. Partially commissioned by Sharjah Art Foundation. Courtesy of the artist. Courtesy of Sharjah Art Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1568956499993-NTELP54BXY35S2V4SC8I/image-asset.jpeg</image:loc>
      <image:title>content - Leaving the Echo Chamber</image:title>
      <image:caption>Alessandro Balteo-Yazbeck, various works, 2018. From ‘All the Lands from Sunrise to Sunset’. Mixed media, dimensions variable. Installation view: Sharjah Biennial 14: ‘Leaving the Echo Chamber’. Commissioned by Sharjah Art Foundation. Courtesy of the Green Art Gallery.Courtesy of Sharjah Art Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1568956672753-DJK51CKVB9GHP2XBT1KV/1-8.jpg</image:loc>
      <image:title>content - Leaving the Echo Chamber</image:title>
      <image:caption>Otobong Nkanga and Emeka Ogboh, Aging Ruins Dreaming Only to Recall the Hard Chisel from the Past,2019. Multi-channel sound installation, sculpture and light installation, poetry, dimensions variable. Installation view: Sharjah Biennial 14: ‘Leaving the Echo Chamber’. Commissioned by Sharjah Art Foundation. Courtesy of the artists. Courtesy of Sharjah Art Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1568956763162-WMVHXNFBJ0AE4MNZUDVZ/image-asset.jpeg</image:loc>
      <image:title>content - Leaving the Echo Chamber</image:title>
      <image:caption>Phan Thảo Nguyên, Mute Grain,2019. Mixed media installation: 24 paintings; three-channel video, colour, sound, dimensions variable; 15 minutes 45 seconds. Installation view: Sharjah Biennial 14: ‘Leaving the Echo Chamber’. Commissioned by Sharjah Art Foundation. Courtesy of the artist. Courtesy of Sharjah Art Foundation.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/abu-dhabis-cultural-foundation-inaugurated</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1568697516914-C6HSGFV5WG296AIWWFXK/Emirati+Theatre+-+Ahmed+bint+Suleiman_1.JPG</image:loc>
      <image:title>content - Abu Dhabi's Cultural Foundation inaugurated</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1568697603595-2299PMXYZ0AEWA6LO1O3/Najat+Makki.+Untitled.+2011.+Acrylic%2C+fluorescent+paint+on+canvas.+220+x+242+cm.+Courtesy+of+the+Artist.jpg</image:loc>
      <image:title>content - Abu Dhabi's Cultural Foundation inaugurated</image:title>
      <image:caption>Najat Makki. Untitled. 2011. Acrylic, fluorescent paint on canvas. 220 x 242 cm. Courtesy of the Artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/sketch-off-competition-to-design-next-gen-car</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1568697149402-DT2XX01VDVFR4E1E43M4/sketch-battle-car.jpg</image:loc>
      <image:title>content - Sketch-off competition to design next-gen car</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/photography-exhibition-to-explore-notions-of-home</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1565277085065-PWB7OJX6XQRRFF0HWNTP/%C2%A9+Gillian+Robertson.jpg</image:loc>
      <image:title>content - Photography exhibition to explore notions of home</image:title>
      <image:caption>Image taken by Gillian Robertson as part of The Place I Call Home travelling exhibition with The British Council in the Gulf region. Image courtesy of the artist and the British Council.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1565278051577-IN8PLYUZWPV8J1UFQ9HR/mysteries-on-the-horizon-abi-green.jpg</image:loc>
      <image:title>content - Photography exhibition to explore notions of home</image:title>
      <image:caption>Mysteries on the Horizon © Abi Green.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1565278075417-X5K732EWKWNE4A8F2T38/qasr-al-salam-mohammed-al-kouh.jpg</image:loc>
      <image:title>content - Photography exhibition to explore notions of home</image:title>
      <image:caption>Qasr Al Salam © Mohammed Al-Kouh</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/princess-fawzia-a-life-through-a-lens</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-08-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1565274340058-4WWJM5W6W36PAU7GJ21X/AC30-July-ART-Princess-Fawzia-cover-3.jpg</image:loc>
      <image:title>content - Princess Fawzia: A life through a lens</image:title>
      <image:caption>Princess Fawzia Fuad of Egypt on the cover of Al Musawwar magazine's May 7, 1948 issue. Courtesy of Amer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1565274806587-CNSJ2DYU60NT66VLN1ZK/00101.jpg</image:loc>
      <image:title>content - Princess Fawzia: A life through a lens</image:title>
      <image:caption>Princess Fawzia Fuad on the cover of ‘Al Musawwar’ magazine, November 12, 1948. Courtesy American University in Cairo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1565275427644-QY7MAXV8T3OTA0S9MLWI/3-2.jpg</image:loc>
      <image:title>content - Princess Fawzia: A life through a lens</image:title>
      <image:caption>The princess on the cover of ‘Al Musawwar’ magazine in June 1948.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/an-autumn-of-art-safs-fall-programming</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-07-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1563427315366-A4YL06JN2SQIVEK2MOTH/1.JPG</image:loc>
      <image:title>content - An Autumn of Art: SAF's Fall programming</image:title>
      <image:caption>Sharjah Art Foundation Art Spaces in Al Mujeirah (aerial view). Courtesy Sharjah Art Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1563427353778-6VY5DGB97IH4EY23AGAA/image-asset.jpeg</image:loc>
      <image:title>content - An Autumn of Art: SAF's Fall programming</image:title>
      <image:caption>Monir Shahroudy Farmanfarmaian in her salon in Tehran, 1975. Courtesy The Third Line.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1563427568627-72APP4ZUT3HWG5RMY1TG/TTL_Monir+Farmanfarmaian_The+Breeze+at+Dawn+Has+Secrets+to+Tell+You_2018_Installation+view_5.jpg</image:loc>
      <image:title>content - An Autumn of Art: SAF's Fall programming</image:title>
      <image:caption>Monir Farmanfarmaian, The Breeze at Dawn Has Secrets to Tell You, (2018). Installation view. Image courtesy of The Third Line.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1563427623111-ZI06G5P2GPALOHFML7VR/3.jpg</image:loc>
      <image:title>content - An Autumn of Art: SAF's Fall programming</image:title>
      <image:caption>Akram Zaatari. The Landing, 2019. Film, interviews, installation, single photograph. This installation was part of Sharjah Biennial 14: Leaving the Echo Chamber. Image courtesy of Sharjah Art Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1563427985738-SJC8W4GWKEF6U67225W0/Art-Adam01_1600.jpg</image:loc>
      <image:title>content - An Autumn of Art: SAF's Fall programming</image:title>
      <image:caption>Adam Henein, Cat (undated) and Mirror, Pietrasanta, 1988. Image taken from Hadara Magazine website.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1563428505185-JH4YRGJYOMHNSUAXTGM3/Art-Marwan01_1600.jpg</image:loc>
      <image:title>content - An Autumn of Art: SAF's Fall programming</image:title>
      <image:caption>Marwan Rechmaoui, Blue Building, 2015. Concrete, iron, nylon, soil, Styrofoam. Image taken from Hadara Magazine website.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1563428562150-N44TOR00IV8KWO8WPFHS/image-asset.jpeg</image:loc>
      <image:title>content - An Autumn of Art: SAF's Fall programming</image:title>
      <image:caption>Bani Abidi, ...and they died laughing, 2016. Water colour on paper. From the exhibition They Died Laughing. Image taken from the Hadara Magazine website.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/surface-tension-a-group-show</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-07-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1563358725866-TLYYP3WOLKE8NAKQ02ZJ/5.jpg</image:loc>
      <image:title>content - Surface Tension: a group show</image:title>
      <image:caption>Surface Tension, 2019. Installation view: with Mire Lee’s Ophelia (2018-2019) in the foreground and Dala Nasser and Minam Apang’s work in the background. Surface Tension, Sharjah Art Foundation, Sharjah, 2019. Photo: Sharjah Art Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1563358735604-GAA01CPORM2R9XGR1A9S/1-2.jpg</image:loc>
      <image:title>content - Surface Tension: a group show</image:title>
      <image:caption>Dale Harding, Untitled (Private painting H1), 2019. Dry pigment, gum arabic and acrylic on linen and walls; 3 x (250 x 150 cm), 3 x (150 x 150 cm); overall dimensions variable. Installation view: Surface Tension, Sharjah Art Foundation, Sharjah, 2019. Commissioned by Sharjah Art Foundation. Courtesy of the artist and Milani Gallery, Brisbane. Photo: Sharjah Art Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1563359283416-URUW843TZXGBUB3AMIDJ/2.jpg</image:loc>
      <image:title>content - Surface Tension: a group show</image:title>
      <image:caption>Randa Maroufi, Bab Sebta, 2019. HD video; 19 minutes. Installation view: SurfaceTension, Sharjah Art Foundation, Sharjah, 2019. Courtesy of the artist. Barney Production -Montfleuri Production. Photo: Sharjah Art Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1563358975009-DVMRN8B8K2JICVC6PE3X/9.jpg</image:loc>
      <image:title>content - Surface Tension: a group show</image:title>
      <image:caption>Dala Nasser, Red is the colour of everything internal, 2018. Discarded fabric, survival blankets, coal, glitter, liquid latex, resin, chrome orange and DPP orange pigments; 160 x 195 cm. Installation view: Surface Tension, Sharjah Art Foundation, Sharjah, 2019. Courtesy of the artist. Photo: Sharjah Art Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1563359276263-RR4C660XD0N9Q7NIJSGG/13.jpg</image:loc>
      <image:title>content - Surface Tension: a group show</image:title>
      <image:caption>Mohammad Al Faraj, Sophia, 2018–2019.Video installation, plywood, computer, stereo speaker;3 x 3 x 3 m, 10 minutes. Installation view: Surface Tension, Sharjah Art Foundation, Sharjah, 2019. Courtesy of the artist and Athr Gallery, Jeddah. Photo: Sharjah Art Foundation</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/lorenzo-quinn-artist-for-the-people</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-07-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1563191335740-NB1XLKH4AI0UGSDJLPGL/_DSF0363.jpg</image:loc>
      <image:title>content - Lorenzo Quinn: Artist for the people</image:title>
      <image:caption>Lorenzo Quinn, Building Bridges, on the Grand Canal in Venice in 2019. Courtesy of Lorenzo Quinn/</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1563191684208-61H2GLOSYBSJTGZCD77Q/_DSF0009.jpg</image:loc>
      <image:title>content - Lorenzo Quinn: Artist for the people</image:title>
      <image:caption>The installation of Lorenzo Quinn’s Building Bridges in Venice, 2019. Courtesy Lorenzo Quinn</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1563191786599-ZK4VPI89ULRRUQYZSOIX/Support%2C+Venice+2017%2C+Lorenzo+Quinn.jpg</image:loc>
      <image:title>content - Lorenzo Quinn: Artist for the people</image:title>
      <image:caption>Lorenzo Quinn, Support, installed on the Grand Canal in Venice in 2017. Courtesy of Lorenzo Quinn</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1563191865053-QY2L354W2A4R6AY50I4E/image-asset.jpeg</image:loc>
      <image:title>content - Lorenzo Quinn: Artist for the people</image:title>
      <image:caption>Lorenzo Quinn, This is Not a Game. For the 2011 Venice Biennale. Courtesy of Lorenzo Quinn</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/we-are-open-for-installation-the-latest-update</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-07-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1563008083520-JRYI5YS2BDY3IT54T3NS/DSCF3562.jpg</image:loc>
      <image:title>content - We Are Open For Installation: the latest update</image:title>
      <image:caption>Ramin Haerizadeh and Hesam Rahmanian in We Are Open For Installation. Image taken July 9, 2019. Courtesy of Gallery Isabelle Van Den Eynde.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1563008155715-GELRDKRVJG32IC5SY84V/DSCF3338.jpg</image:loc>
      <image:title>content - We Are Open For Installation: the latest update</image:title>
      <image:caption>Mid-June, 2019. We Are Open For Installation by Rokni and Ramin Haerizadeh and Hesam Rahmanian. Courtesy of Gallery Isabelle Van Den Eynde.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1563008274165-5FA1GTUO4T9ZES3CXCPY/AC11-JULY-ART-Trio-artists-pink-and-orange.jpg</image:loc>
      <image:title>content - We Are Open For Installation: the latest update</image:title>
      <image:caption>‘Pigeon is always in distance with me’ is part of We Are Open For Installation. Chris Whiteoak / The National</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/third-edition-of-the-ithra-art-prize-is-now-open</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-07-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1562841916492-08N0QPIEVAXJ5DNNNWZX/image-asset.jpeg</image:loc>
      <image:title>content - Third edition of the Ithra Art Prize is now open</image:title>
      <image:caption>The King Abdulaziz Center for World Culture (Ithra).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/the-arab-culturalist</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-07-10</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1562737386462-4H2GZLXV0QDZ8IDNYO0D/IMG_5761.jpg</image:loc>
      <image:title>content - The Arab Culturalist</image:title>
      <image:caption>Nasif Kayed sharing coffee and insights with guests. Courtesy The Arab Culturalist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1562737489803-UCK0Z1CVOWJRJHD5NFC4/IMG_6183.JPG</image:loc>
      <image:title>content - The Arab Culturalist</image:title>
      <image:caption>Nasif Kayed targets all segments of society with his work at building bridges and uniting communities. Courtesy The Arab Culturalist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1562737524115-1T0PDHVAH2DI7K92H61J/IMG_6256.jpg</image:loc>
      <image:title>content - The Arab Culturalist</image:title>
      <image:caption>Giving a workshop on cultural intelligence. Courtesy The Arab Culturalist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1562737552571-6WDMRKCGXL6OEC2JSCTM/image-asset.jpeg</image:loc>
      <image:title>content - The Arab Culturalist</image:title>
      <image:caption>Giving a speech at a corporate event. Courtesy The Arab Culturalist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/gerry-judah-on-the-scroll</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1561615002749-5PKSKIU6FML2I7TI33MX/SCROLL+3.jpg</image:loc>
      <image:title>content - Gerry Judah on The Scroll</image:title>
      <image:caption>Gerry Judah’s The Scroll, installed in Sharjah outside the House of Wisdom. Image courtesy of Flint PR.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1561615284832-RJRWB3PCVVXFRHEXTLFS/GJ5518.jpg</image:loc>
      <image:title>content - Gerry Judah on The Scroll</image:title>
      <image:caption>Gerry Judah. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/nyuad-gallery-announces-autumn-exhibition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1561613157353-JCBCF6LC5K9IG78547KU/BRZ5+imagined_2019_digital+collage_Jumairy.jpg</image:loc>
      <image:title>content - NYUAD Gallery announces autumn exhibition</image:title>
      <image:caption>Jumairy, BRZ5 imagined, 2019. Digital collage. Image courtesy of the artist and NYUAD Art Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/samir-sayegh-on-liberating-calligraphy</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1560924714352-K2Y1D0IXBLTB6EC5RQC0/Samir-Sayegh-talks-to-Art-Dubai.png</image:loc>
      <image:title>content - Samir Sayegh: On Liberating Calligraphy</image:title>
      <image:caption>Still from Art Dubai Portraits, a film with Samir Sayegh. Courtesy of Art Dubai.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1560924736772-L64BFAK6XDZOKIQVAFYT/image-asset.png</image:loc>
      <image:title>content - Samir Sayegh: On Liberating Calligraphy</image:title>
      <image:caption>Samir Sayegh in his Beirut studio. Courtesy of Art Dubai</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1560925063864-9S6QV5TGZ2O4JILBBL9W/Samir-Sayegh-at-work.png</image:loc>
      <image:title>content - Samir Sayegh: On Liberating Calligraphy</image:title>
      <image:caption>Supported by members of Art Salon,  Art Dubai Portraits is a film series that provides a short perspective into the lives and workspaces of artists that are connected to the fair through its programming or participating galleries. The series is produced in collaboration with Forward James Filmmakers. Watch the full series here: www.artdubai.ae/art-dubai-portraits</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/sadik-kwaish-alfraji-wins-cairo-biennale-prize</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1560858127796-2AU38HY0ZRIQL5OBHI24/woek_04.jpg</image:loc>
      <image:title>content - Sadik Kwaish Alfraji wins Cairo Biennale prize</image:title>
      <image:caption>Sadik Alfraji. Weeping of the South, 2019. Image courtesy of Ayyam Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/we-are-open-for-installation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1560665858211-QX73X7P49JSJ5CHU2QQD/DSCF2628.jpg</image:loc>
      <image:title>content - We Are Open For Installation</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1560666022872-FFVIURTLR3W413OWAKFQ/DSCF2635.jpg</image:loc>
      <image:title>content - We Are Open For Installation</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/driss-ouadahi-extra-muros</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1560231336584-UQIVEXDNJKBR279LT9AR/Driss+Ouadahi+Carcasse+Heimat%2C+2005%2C+Oil+on+canvas%2C+200+x+240+cm.jpg</image:loc>
      <image:title>content - Driss Ouadahi: Extra Muros</image:title>
      <image:caption>Driss Ouadahi Carcasse Heimat, 2005, Oil on canvas, 200 x 240 cm. Courtesy of the artist and Lawrie Shabibi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1560231240808-9K0ST08LS3WIEMJAPO6T/Driss+Ouadahi+Ethereal%2C+2019+%2C+Oil+on+canvas%2C+170+x+200+cm.jpg</image:loc>
      <image:title>content - Driss Ouadahi: Extra Muros</image:title>
      <image:caption>Driss Ouadahi Ethereal, 2019 , Oil on canvas, 170 x 200 cm. Courtesy of the artist and Lawrie Shabibi.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/amir-khojestah-the-gloomiest-sunset-in-the-world</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1559976252746-3NA4K9CEZ4T1ZUQS4ESM/Amir+Khojasteh+Red+Room%2C+2018+Oil+on+canvas+90+x+80+cm.jpg</image:loc>
      <image:title>content - Amir Khojestah: The Gloomiest Sunset in the World.</image:title>
      <image:caption>Amir Khojasteh Red Room, 2018 Oil on canvas 90 x 80 cm. Courtesy of the artist and Carbon 12</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1559976210670-N7SPI5ZOFHZ2Z1XRE410/AK+Three+Holy+Heads+%234%2C+2019+Oil+on+canvas+196+x+145+cm.jpg</image:loc>
      <image:title>content - Amir Khojestah: The Gloomiest Sunset in the World.</image:title>
      <image:caption>Amir Khojestah, Three Holy Heads #4, 2019 Oil on canvas 196 x 145 cm. Courtesy of the artist and Carbon 12</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1559976334294-W2K0NROU5I2VQ28V95MD/Amir+Khojasteh+The+Man+with+a+Horse+%234%2C+2019+Oil+on+canvas+70+x+125+cm.jpg</image:loc>
      <image:title>content - Amir Khojestah: The Gloomiest Sunset in the World.</image:title>
      <image:caption>Amir Khojasteh The Man with a Horse #4, 2019 Oil on canvas 70 x 125 cm. Courtesy of the artist and Carbon 12</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/saf-appoints-omar-kholeif</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-06-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1559975870419-SK6EZ815D0ACDQUMC6NT/Omar-Kholeif-3-673x10241.jpg</image:loc>
      <image:title>content - SAF appoints Omar Kholeif</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/one-wall-at-1x1-cristiana-de-marchi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1558764714040-D4XNE6ZNTNM44YUWFQCG/Cristiana+de+Marchi%2C+An+Atlas+of+Clouds.+Colonial+Clouds%2C+2018%2C+embroidery+on+watercolor+paper%2C+42+x+30+cm+eaxh+set+of+24.jpg</image:loc>
      <image:title>content - One Wall at 1x1: Cristiana De Marchi</image:title>
      <image:caption>Cristiana de Marchi, An Atlas of Clouds. Colonial Clouds, 2018, embroidery on watercolour paper, 42 x 30 cm each set of 24. Image courtesy of the artist and 1x1 Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1558764783259-TH3JAUD1NIBXAMTJOXP6/Cristiana+de+Marchi%2C+Shine%2C+2011%2C+embroidery+on+golden+beaded+fabric%2C+46.5+x+155+cm.jpg</image:loc>
      <image:title>content - One Wall at 1x1: Cristiana De Marchi</image:title>
      <image:caption>Cristiana de Marchi, Shine, 2011, embroidery on golden beaded fabric, 46.5 x 155 cm. Image courtesy of the artist and 1x1 Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1558764872934-99QKTTA6NPPF9RO9YZO9/Cristiana+de+Marchi%2C+Liberte%CC%81%2C+E%CC%81galite%CC%81%2C+Fraternite%CC%81%2C+2018%2C+bowling+ball%2C+PU+spray+paint%2C+22+cm+diameter.jpg</image:loc>
      <image:title>content - One Wall at 1x1: Cristiana De Marchi</image:title>
      <image:caption>Cristiana de Marchi, Liberté, Égalité, Fraternité, 2018, bowling ball, PU spray paint, 22 cm diameter. Image courtesy of the artist and 1x1 Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/the-trio-take-over-gallery-isabelle-van-den-eynde</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1558263544911-X533OOIL464G2X65E7GQ/DSCF2628.jpg</image:loc>
      <image:title>content - The trio take over Gallery Isabelle Van Den Eynde - We Are Open For Installation</image:title>
      <image:caption>Gallery Isabelle Van Den Eynde is a working studio for the next few months</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1558263535292-TJ6CO3QQUVVH6AGIGRY1/DSCF2629.jpg</image:loc>
      <image:title>content - The trio take over Gallery Isabelle Van Den Eynde - We Are Open For Installation</image:title>
      <image:caption>Artistic trio Rokni and Ramin Haerizadeh and Hesam Rahmanian will be working in the gallery every day transforming it gradually into an exhibition</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1558263685911-22DT53YP5SFP08CT1YM7/DSCF2631.jpg</image:loc>
      <image:title>content - The trio take over Gallery Isabelle Van Den Eynde - We Are Open For Installation</image:title>
      <image:caption>As usual, they will be pulling in plenty of collaborators</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1558263714167-28P0VZ3TA9INDYTBXKAT/DSCF2635.jpg</image:loc>
      <image:title>content - The trio take over Gallery Isabelle Van Den Eynde - We Are Open For Installation</image:title>
      <image:caption>The pink floor will be painted and lacquered</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1558263784825-4WF5K8LXIKJXIVO78LON/DSCF2637.jpg</image:loc>
      <image:title>content - The trio take over Gallery Isabelle Van Den Eynde - We Are Open For Installation</image:title>
      <image:caption>The final results will be presented as a closing exhibition in September</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/vantage-point-open-call-for-photographers-worldwide</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1558247527938-AYN17CVJTK4GYMPT5X5H/satisfied-photography-2.jpg</image:loc>
      <image:title>content - Vantage Point open call for photographers worldwide</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/heitham-adjina-the-architecture-of-being</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1557654782765-G90IHRBDMC39ECTFORM4/Heitham-Adjina_A-Delicate-Balance_Showcase-Gallery.jpg</image:loc>
      <image:title>content - Heitham Adjina: The Architecture of Being</image:title>
      <image:caption>Heitham Adjina, A Delicate Balance (2016). Courtesy of the artist and Showcase Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1557654739516-MITVWFW69ZA5684K3JHD/Heitham-Adjina-1.png</image:loc>
      <image:title>content - Heitham Adjina: The Architecture of Being</image:title>
      <image:caption>Heitham Adjina, 'In Unison', 2017. Acrylic on canvas, 40 x 60cm. Courtesy of the artist and Showcase Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1557654621723-CHRJ25Y4E1WME5L9TKO9/Heithan-Adjina-Architecture-of-Being.png</image:loc>
      <image:title>content - Heitham Adjina: The Architecture of Being</image:title>
      <image:caption>Heitham Adjina, 'Siesta Dreams', 2015, Acrylic on canvas. Courtesy of the artist and Showcase Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/healing-wounds</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1556880050416-8PRCX71R4FP9EK3CIYGW/Manal_AM_9887+AWARD+WINNING+PICTURE.jpg</image:loc>
      <image:title>content - Healing Wounds - Manal</image:title>
      <image:caption>Manal, 11, has to wear a mask for several hours a day after undergoing extensive plastic surgery, having been injured in a missile explosion in Kirkuk, Iraq. This image won second prize in the People Singles category at the World Press Photo awards in 2018. Photo by Alessio Mamo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1556880045194-HRZO5ZI5WYYILP36XARG/Manal-MSF217977%28High%29.jpg</image:loc>
      <image:title>content - Healing Wounds - Manal</image:title>
      <image:caption>Since arriving at MSF’s hospital in Amman earlier this year, Manal has made a lot of friends while taking part in activities run by the psychosocial team. In particular, she loves to play guitar with music teacher Isabel, pictured right. Photo by Alessio Mamo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1556880043951-W0GQXIV1MBA2ZU9R6S1W/Ibrahim-MSF217970%28High%29.jpg</image:loc>
      <image:title>content - Healing Wounds - Ibrahim</image:title>
      <image:caption>Ibrahim, four, and his parents fled bombing in Sanaa, Yemen in 2015, taking refuge in his grandmother’s house. Ibrahim drank from a bottle of drain cleaner while he was there and the acid burnt his mouth and fused his lips together. After being treated in Amman, he is able open his mouth again. Photo by Alessio Mamo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1556880037478-UJHYDNR7K1TQNV8O6B2J/Ibrahim-MSF217971%28High%29.jpg</image:loc>
      <image:title>content - Healing Wounds - Ibrahim</image:title>
      <image:caption>Ibrahim has a mischievous smile and is keen to communicate with everyone around him. “Come here!” and “Go away!” he pronounces determinedly, as he learns to form words from a still fragile mouth. With the help of the physiotherapy team, he has started to eat semi-solid food and his father is teaching him to speak. “I am so happy to see Ibrahim laughing again,” says his father. “God willing, the surgery and physiotherapy will allow him to make a full recovery.” Photo by Alessio Mamo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1556880039354-PUEZLGUSV59RHKA2IHZD/Qatada-MSF217980%28High%29.jpg</image:loc>
      <image:title>content - Healing Wounds - Qatada</image:title>
      <image:caption>Qatada was injured during fighting in Aden and arrived in a wheelchair at the MSF hospital in Amman, where he had complex orthopaedic surgery on both arms, including a nerve transplant. He has been fitted with prosthetic legs but is not yet able to use them because of a heart condition. Photo by Alessio Mamo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1556880028907-OKB04FQLKQG852YKR0DN/Qatada-MSF217981%28High%29.jpg</image:loc>
      <image:title>content - Healing Wounds - Qatada</image:title>
      <image:caption>Now Qatada is able to use his hands for everyday tasks such as using his phone and dressing himself, and has also taught himself to write. Testament to his spirit, Qatada and his wife Kifah had their third son a year ago and hope to resettle in a Western country in the future. Photo by Alessio Mamo</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/jameel-prize-5</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1556794734267-H8W5UZL2BUNCXHB7GMR5/naqsh+collection_+Shawl%2C+2015+%28detail%29.+Photo+courtesy+of+Nabil+Qutteineh_naqsh+collective%281%29.jpg</image:loc>
      <image:title>content - Jameel Prize 5</image:title>
      <image:caption>Shawl (2015). Detail of wooden inlay work by naqsh collective. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1556794916141-WYI0WMSCODOCIP8OC3WS/Installation+view+of+Jameel+Prize+5+at+Jameel+Arts+Centre%2C+Dubai.+Courtesy+of+Art+Jameel%2C+Photo+by+Dani+Baptista%282%29.jpg</image:loc>
      <image:title>content - Jameel Prize 5 - Jameel Prize 5</image:title>
      <image:caption>The show opens with a selection of small woollen caps lit from the inside. Artwork by Younes Rahmoun.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1556794891943-ZW01GEMBZ7I9YA6W05ZI/Installation+view+of+Jameel+Prize+5+at+Jameel+Arts+Centre%2C+Dubai.+Courtesy+of+Art+Jameel%2C+Photo+by+Dani+Baptista.jpg</image:loc>
      <image:title>content - Jameel Prize 5 - Jameel Prize 5</image:title>
      <image:caption>Mehdi Moutashar’s work on the left complement’s Kamrooz Aram’s installation set up as both artists have an interest in geometric form</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1556794893723-Q6UI9ZRJ2N97OYNCBG40/Installation+view+of+Jameel+Prize+5+at+Jameel+Arts+Centre%2C+Dubai.+Courtesy+of+Art+Jameel%2C+Photo+by+Dani+Baptista%281%29.jpg</image:loc>
      <image:title>content - Jameel Prize 5 - Jameel Prize 5</image:title>
      <image:caption>Wardha Shabbir’s miniature style paintings presented in a dark grey room with spot lighting</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/two-uae-art-venues-nominated-for-aga-khan-prize</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1556705688517-5WSWBABLACVZR73JBZ5S/a5e179bd-672a-11e9-8e8b-f23c912460f3.jpg</image:loc>
      <image:title>content - Two UAE art venues nominated for Aga Khan Prize</image:title>
      <image:caption>Concrete was designed by Office for Metropolitan Architecture (OMA).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1556790645634-UQ40J3JA24QU2XT74L31/1.JPG</image:loc>
      <image:title>content - Two UAE art venues nominated for Aga Khan Prize</image:title>
      <image:caption>Al Mureijah Square (Aerial view), 2017. Photo: Sharjah Art Foundation</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/the-youth-takeover-at-jameel-arts-centre</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-01-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1556695696996-KVNADMT536GQXSCC1POQ/_DSC8604.jpg</image:loc>
      <image:title>content - The Youth Takeover at Jameel Arts Centre</image:title>
      <image:caption>The Jameel Arts Centre engaged the young community in Dubai and gave them full control of the centre. Photo credit: Shruti Jan for The National</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1556695925316-YJKWABNJ6A317EHKZUSC/_DSC8449.jpg</image:loc>
      <image:title>content - The Youth Takeover at Jameel Arts Centre</image:title>
      <image:caption>More than 400 people showed up to the event. Photo credit Shruti Jan for The National.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1556695964635-J5DUEIQ5NO41T5C2CB4Y/image-asset.jpeg</image:loc>
      <image:title>content - The Youth Takeover at Jameel Arts Centre</image:title>
      <image:caption>Shaikha Al Ketbi gave a one-off performance during the event. Photo credit Shruti Jan for The National.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/art-world-mourns-for-monir</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1555825548719-D9INJHYEWQ5CACY6VS9O/Screenshot+2019-04-21+at+09.45.07.png</image:loc>
      <image:title>content - Art world mourns for Monir</image:title>
      <image:caption>Butheina Kazim, founder of Cinema Akil pays tribute to the ‘woman in the mirrors’. Screenshot taken from Instagram.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1555826634739-5TFDAMZ9YHRRP5C5L8IN/Screenshot+2019-04-21+at+09.44.38.png</image:loc>
      <image:title>content - Art world mourns for Monir</image:title>
      <image:caption>Dr Shiva Balaghi, art historian, scholar and curator posts a personal picture of Monir on her instagram feed to commemorate her death.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1555826701173-QYRTNJO972WOV8PKRJBY/monir_2.jpg</image:loc>
      <image:title>content - Art world mourns for Monir</image:title>
      <image:caption>Monir in her studio in 1975.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/join-alserkal-avenue-for-a-road-trip</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1555825192279-PVF2G205ICCLWI2CDYOM/image-asset.jpeg</image:loc>
      <image:title>content - Join Alserkal Avenue for a road trip</image:title>
      <image:caption>Installation image of Tashweesh at Maraya Art Centre. Image courtesy of Maraya.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/curator-announced-for-riga-biennial-2020</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1555159264473-MRJ6NUKBPSSFFN58PAAS/TOMAS_SARACENO_151018_0039-768x512.jpg</image:loc>
      <image:title>content - Curator announced for Riga Biennial 2020</image:title>
      <image:caption>Rebecca Lamarche-Vadel was formerly curator at the Palais de Tokyo in Paris. and she curated Tomás Saraceno, ON AIR, which was the most attended exhibition in the institution’s history.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/crossing-continents-art-dubai-2019</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1555158622552-0YWM1M7KLNMZQK53HGT0/Farid+Rasulov+-+Kangaroo+-+SANATORIUM.jpg</image:loc>
      <image:title>content - Crossing Continents: Art Dubai 2019</image:title>
      <image:caption>Farid Rasulov, Kangaroo. Image courtesy of Sanatorium Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1555158417907-RF2PL9Q2R3TYTWNQ2IT9/Marcelo+Moscheta%2C+Suite+Versailles%2C+2018.jpg</image:loc>
      <image:title>content - Crossing Continents: Art Dubai 2019</image:title>
      <image:caption>Marcelo Moscheta, Suite Versailles, 2018. Moscheta’s was one of 12 solo presentations chosen for Bawabba at Art Dubai 2019. Image courtesy of Vermelho Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1555158758912-9AELSLNT8FBFXZ2YZZ30/Heba+Y.+Amin+-+Operation+Sunken+Sea%2C+The+Anti+Control+Room+-+ZILBERMAN.jpg</image:loc>
      <image:title>content - Crossing Continents: Art Dubai 2019</image:title>
      <image:caption>Heba Y. Amin - Operation Sunken Sea, The Anti Control Room. Courtesy of Zilberman Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/sadik-kwaish-alfraji-the-river-that-was-in-the-south</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1555138112831-SBLVGQ0483IPPMXSFRVF/woek_04.jpg</image:loc>
      <image:title>content - Sadik Kwaish Alfraji: The River That Was in the South</image:title>
      <image:caption>Sadik Alfraji. Weeping of the South, 2019. Image courtesy of Ayyam Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1555138322953-HF78T04VVIYF1O7BF5SG/woek_05.jpg</image:loc>
      <image:title>content - Sadik Kwaish Alfraji: The River That Was in the South</image:title>
      <image:caption>Sadik Kwaish Alfraji: Rivers Book 1 (2018). Image courtesy of Ayyam Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1555138499182-XR3Q0518F46DMQ9DDPSQ/unnamed_1.jpg</image:loc>
      <image:title>content - Sadik Kwaish Alfraji: The River That Was in the South</image:title>
      <image:caption>Still from the animation The River That Was in the South by Sadik Kwaish Alfraji. Image courtesy of Ayyam Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/personal-revolutions-atassi-foundation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1554674464944-R5GZBEK0ACWOYEYV6HZF/Nairy+Shahinian+Photography+-+Personal+Revolution+Exhibition+by+Atassi+Foundation-50+copy.jpg</image:loc>
      <image:title>content - Personal Revolutions: Atassi Foundation</image:title>
      <image:caption>Personal Revolutions, installation view. Nairy Shahinian Photography</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1554674590931-FC7P4V08EZD8U1T16PXY/%D9%82%D9%8A%D8%AF+%D8%A7%D9%84%D9%86%D8%B8%D8%B1+%D9%A2.jpg</image:loc>
      <image:title>content - Personal Revolutions: Atassi Foundation</image:title>
      <image:caption>Still from Randa Maddah’s In View . Courtesy of the artist and the Atassi Foundation.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/alserkal-arts-foundation-announced</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-03-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1553493195254-QPW8I4YK0DX3SN3QPJ9A/Vilma+Jurkute+at+the+Alserkal+Arts+Foundation+announcement_credit+Tara+Atkinson13_AL+SERKAL_+FOUNDATION_LUNCH.jpg</image:loc>
      <image:title>content - Alserkal Arts Foundation announced</image:title>
      <image:caption>Vilma Jurkute at the Alserkal Arts Foundation announcement. Photo credit Tara Atkinson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1553493208739-KIZNE55VCPSIY8PX4DZU/HE+Noura+Al+Kaabi%2C+HE+Zaki+Nusseibeh%2C+Abdelmonem+Bin+Eisa+Alserkal+and+Vilma+Jurkute+at+the+announcement+of+Alserkal+Arts+Foundation.jpg</image:loc>
      <image:title>content - Alserkal Arts Foundation announced</image:title>
      <image:caption>HE Noura Al Kaabi, HE Zaki Nusseibeh, Abdelmonem Bin Eisa Alserkal and Vilma Jurkute at the announcement of Alserkal Arts Foundation.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/art-dubai-offering-a-slice-of-uae</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-03-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1553491329641-AEOE2OGQUEOZV32MYZ5I/Screenshot+2019-03-25+at+08.53.53.png</image:loc>
      <image:title>content - Art Dubai: Offering a slice of UAE</image:title>
      <image:caption>Screenshot from Pablo Del Val’s instagram in the weeks leading up to the fair. Preparing for the new UAE Now section.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1553491861530-BFTQD69T6BOC47WJZZYF/Screenshot+2019-03-25+at+08.50.09.png</image:loc>
      <image:title>content - Art Dubai: Offering a slice of UAE</image:title>
      <image:caption>Screenshot from Hadil Moufti’s instagram showing her exploration of Daftar Al Asfar with the founder Sarah Hatahet.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1553492075200-7DW6W87Y93BREMBCBGXP/Screenshot+2019-03-25+at+09.07.45.png</image:loc>
      <image:title>content - Art Dubai: Offering a slice of UAE</image:title>
      <image:caption>Cooking Adobo in the Hea(r)t of 25.2048°N, 55.2708°E by Augustine Paredes. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/a-guide-to-art-week-at-alserkal-avenue</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-03-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1552989440536-2AROOC2S198ZC4S9TJ1Y/DSC5008.jpg</image:loc>
      <image:title>content - A guide to Art Week at Alserkal Avenue</image:title>
      <image:caption>Phillip Mueller exhibition at Salsali Private Museum. Courtesy of SPM.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1552989602691-9WE4JLLUOLDVK6D0O7B4/Johan+Creten+-+Glory+8+-+LEILA+HELLER.jpg</image:loc>
      <image:title>content - A guide to Art Week at Alserkal Avenue</image:title>
      <image:caption>Glory 8 by Johan Creten. Courtesy of the artist and Leila Heller Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1552989827256-81GGO9DTD987VM1Y40V4/Liwa+Tower.jpg</image:loc>
      <image:title>content - A guide to Art Week at Alserkal Avenue</image:title>
      <image:caption>Liwa Tower by Hussein AlMoosawi. Courtesy the artist and GPP.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1552989962219-1RVNJ84Q1OP9K6VG6K0D/ac19-MAR-art-alserkal-green-art01.jpg</image:loc>
      <image:title>content - A guide to Art Week at Alserkal Avenue</image:title>
      <image:caption>Kamrooz Aram's Arabesco, 2019. Courtesy of the artist and Green Art Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1552990096563-O2ELJZ6Y315YGG2PNNDQ/OB+761+-+1000.jpg</image:loc>
      <image:title>content - A guide to Art Week at Alserkal Avenue</image:title>
      <image:caption>Hassan Sharif, Blue, 2016. Set of 3. Tissue, glue and oil paint. Courtesy of Gallery Isabelle Van Den Eynde.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/play-a-group-exhibition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-03-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1552974785246-BNPLVA2SVHJZDO9XLXGL/fullsizeoutput_54f1.jpeg</image:loc>
      <image:title>content - Play: a group exhibition</image:title>
      <image:caption>Enchanted, the painting by Fatima Atallah. Courtesy Fatima Atallah.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1552974958794-6FVWE5EE8C1H7J3DJXD0/Eternal+Youth.+Ichraq+Bouzidi.+2019.+Digital+Illustration.+40+x+40+cm.+Image+courtesy+of+Tashkeel.jpg</image:loc>
      <image:title>content - Play: a group exhibition</image:title>
      <image:caption>Eternal Youth. Ichraq Bouzidi. 2019. Digital Illustration. 40 x 40 cm. Image courtesy of Tashkeel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1552974839320-BKQ987LE7406FUPNOT7F/Still+from+%27The+die+is+cast%27.+Cristiana+de+Marchi.+2016.+Video.+11m34s.+Image+courtesy+of+Tashkeel.jpg</image:loc>
      <image:title>content - Play: a group exhibition</image:title>
      <image:caption>Still from 'The die is cast'. Cristiana de Marchi. 2016. Video. 11m34s. Image courtesy of Tashkeel.jpg</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/mohammed-ahmed-ibrahim-the-space-between-the-eyelid-and-the-eyeball</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1552666414368-EBRDF99D1RF204O3V1JQ/Mohmed+Ibrahim+01.jpg</image:loc>
      <image:title>content - Mohammed Ahmed Ibrahim: The Space Between the Eyelid and the Eyeball</image:title>
      <image:caption>Mohammed Ahmed Ibrahim in his installation room inside his exhibition at Lawrie Shabibi. Image courtesy of Lawrie Shabibi.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1552709135790-L3POKWCVVYGMYH2395AL/Installation+photo.+courtesy+of+Lawrie+Shabibi.jpg</image:loc>
      <image:title>content - Mohammed Ahmed Ibrahim: The Space Between the Eyelid and the Eyeball</image:title>
      <image:caption>Installation image of The Space Between the Eyelid and the Eyeball. Image courtesy Lawrie Shabibi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1552709072759-GXR635OHQ01NVBMP1K1B/Mohamed+Ahmed+Ibrahim+Sitting+Man%2C+2013+Oil+on+Canvas+81+x+65+cm+%281%29.jpg</image:loc>
      <image:title>content - Mohammed Ahmed Ibrahim: The Space Between the Eyelid and the Eyeball</image:title>
      <image:caption>Mohamed Ahmed Ibrahim Sitting Man, 2013 Oil on Canvas 81 x 65 cm. Image courtesy of Lawrie Shabibi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1552709401665-N04JQN256834GHQLZR4J/Installation+photo.+courtesy+of+Lawrie+Shabibi+2.jpg</image:loc>
      <image:title>content - Mohammed Ahmed Ibrahim: The Space Between the Eyelid and the Eyeball</image:title>
      <image:caption>Mohammed Ahmed Ibrahim’s installation room in his solo exhibition at Lawrie Shabibi Gallery in March 2019. Image courtesy Lawrie Shabibi.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/art-dubai-uae-now</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-03-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1552125678528-M5B0P7KLV3GB99N0SY26/Bait+15+team.jpg</image:loc>
      <image:title>content - Art Dubai: UAE NOW</image:title>
      <image:caption>L-R: The core team behind Bait 15, one of Abu Dhabi’s homegrown artistic collectives. Hashel Al Lamki, from Al Ain; Afra Al Dhaheri, from Abu Dhabi; Maitha Abdalla, originally from Khorfakkan. Courtesy Bait15</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/art-dubai-exploring-the-contemporary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-03-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1551764035010-CC9SJ6A1D191ALL025U8/Joel+Mpah+Dooh+-+Brunch+under+a+cloudy+sky+%289+of15%29.jpg</image:loc>
      <image:title>content - Art Dubai: Exploring the contemporary</image:title>
      <image:caption>Joel Mpah Dooh. Brunch under a Cloudy Sky. Exhibited by Galerie MAM, from Douala in Cameroon. Courtesy Galerie MAM.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1551764278873-8HKT8YQD2IN443J970ZM/Farshad+Farzankia_Time+Glass+3_2018_Acrylic+oil+stick+on+canvas_+200x150+cm_ANDERSENS.jpg</image:loc>
      <image:title>content - Art Dubai: Exploring the contemporary</image:title>
      <image:caption>Farshad Farzankia, Time Glass 3 (2018) Acrylic oil stick on canvas. 200x150 cm. Showing at Andersens gallery booth from Copenhagen. Courtesy Andersens</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1551764540062-JNRQR7WCIZTUL9A4YAV4/1.Shaikha+Marzou+-+Extend+-+LAWRIE+SHABIBI.jpg</image:loc>
      <image:title>content - Art Dubai: Exploring the contemporary</image:title>
      <image:caption>Shaikha Al Mazrou, Extend (2018). As exhibited by Lawrie Shabibi Gallery from Dubai. Courtesy Lawrie Shabibi.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1551764579793-13L3HY4LX8OH0WIGKV98/Rana+Samara+-+Lego+-+ZAWYEH.jpg</image:loc>
      <image:title>content - Art Dubai: Exploring the contemporary</image:title>
      <image:caption>Rana Samara, Lego as part of a series on intimate spaces showing at Zawyeh Gallery from Ramallah. Image courtesy of Zawyeh.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/in-the-studio-with-mohammed-ahmed-ibrahim-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-03-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1551505655859-XS9K2O84XDX9RV871B6P/screen-shot-2019-02-26-at-5.23.14-pm-copy.jpg</image:loc>
      <image:title>content - In the studio with Mohammed Ahmed Ibrahim</image:title>
      <image:caption>Mohammed Ahmed Ibrahim in his studio in Khorfakkan. Photo courtesy of Selections magazine, taken by Natalie Naccache.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1551505738643-KG7QDJBDBE4B6D3N0GVS/screen-shot-2019-02-27-at-3.54.44-pm-copy.jpg</image:loc>
      <image:title>content - In the studio with Mohammed Ahmed Ibrahim</image:title>
      <image:caption>Ibrahim enjoys making sculptures from abstract shapes, forms and material. Image taken by Natalie Naccache.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1551505840906-YP4RV4N2TBK7EEV80KY1/screen-shot-2019-02-27-at-4.02.30-pm.jpg</image:loc>
      <image:title>content - In the studio with Mohammed Ahmed Ibrahim</image:title>
      <image:caption>Inside Ibrahim’s Khorfakkan studio (detail). Photo by Natalie Naccache.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/salsali-private-museum-announces-final-dubai-exhibition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-02-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1551340996091-UAGP6EA3IR0A0ESPLXE4/SPM.jpg</image:loc>
      <image:title>content - Salsali Private Museum announces final Dubai exhibition</image:title>
      <image:caption>Ramin Salsali shows guests one of the many presentations hosted at Salsali Private Museum in Alserkal Avenue since it opened in 2011. Courtesy Alserkal Avenue.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/zimoun-silence-that-you-hear</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-02-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1551255787214-RT5DS8HH87E5MPSHTWB8/NYU2317.jpg</image:loc>
      <image:title>content - Zimoun: Silence that you hear</image:title>
      <image:caption>(l) 269 Prepared DC-Motors, Cotton Balls, Cardboard Boxes 60x60x60cm - a 10 metre-high circular tower of cardboard boxes inside which cotton balls clatter and (r) 192 Prepared DC-Motors, Wooden Sticks 2.4 m, is a wall-hanging of motorised wooden sticks. Photography John Varghese. Courtesy NYU Abu Dhabi Art Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1551255995553-47F2ZX0RLQST7UZWZPLF/zimoun_metalmagazine.jpg</image:loc>
      <image:title>content - Zimoun: Silence that you hear</image:title>
      <image:caption>Zimoun, a portrait taken for Metal magazine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1551256118223-OKGJKJSKW7O29IJLOM6N/NYU2379.jpg</image:loc>
      <image:title>content - Zimoun: Silence that you hear</image:title>
      <image:caption>510 Prepared DC-Motors, 2142 m Rope, Wooden Sticks 20 cm - Zimoun's new commission at the NYU Abu Dhabi Art Gallery. Photography John Varghese. Courtesy NYU Abu Dhabi Art Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/former-art-dubai-participants-to-curate-documenta-2022</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1551202319359-XQHXGU3J34X23W8NXTF7/Indonesian-artists-cooperative-Ruangrupa-will-curate-the-next-edition-of-Documenta-Courtesy-of-Gudskul-Jin-Panji.jpg</image:loc>
      <image:title>content - Former Art Dubai participants to curate Documenta 2022</image:title>
      <image:caption>Indonesian artists cooperative Ruangrupa will curate the next edition of Documenta, Courtesy of Gudskul Jin Panji</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/art-dubai-bawwaba-a-cross-section-of-the-global-south</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-02-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1551174731157-BU9QY9SNHQZOPP91KUVZ/Chourouk+Hreich+-+De+Quoi+Ce+Monde+Est-Il+le+Miroir+-+ANNE+SARAH+BENICHOU.jpg</image:loc>
      <image:title>content - Art Dubai: Bawwaba, a cross section of the Global South</image:title>
      <image:caption>Chourouk Hriech, Exhibition view of De quoi ce monde est-il le miroir?, Centre d'Art contemporain Chanot, Clamart, France, 2017. ©Nicolas Giraud-Cacc, courtesy of the artist and Galerie Anne-Sarah Bénichou</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1551174831086-K294TVNJT6UPRKJCB3XY/Hamra+Abbas+-+Fruits%2C+Gardens+of+Paradise+-+CANVAS.jpg</image:loc>
      <image:title>content - Art Dubai: Bawwaba, a cross section of the Global South</image:title>
      <image:caption>Hamra Abbas, Fruits: Gardens of Paradise, 2018. Marble, 2 x 5 feet. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1551174735192-K63HGR8NPENYW8J6U6JI/Marcelo+Moscheta%2C+Suite+Versailles%2C+2018.jpg</image:loc>
      <image:title>content - Art Dubai: Bawwaba, a cross section of the Global South</image:title>
      <image:caption>Marcelo Moscheta, Suite Versailles, 2018. Acrylic ink, dermatographic pencil, graphite and wax chalk on printing with mineral pigmented ink on Rag Rag Felix Schoeller Etching. 305 gr mounted on autoclaved pinus wood and magnets. 71,5 x 90 x 25 cm. Courtesy: Marcelo Moscheta</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/art-dubai-modern-section-retells-history</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-02-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1551093826960-VG7WVSDE7DIEDXU3WMGT/Krishen+Khanna+-+Woodland+Melody+-+DHOOMIMAL.jpg</image:loc>
      <image:title>content - Art Dubai: Modern section retells history</image:title>
      <image:caption>Krishen Khanna, Woodland Melody. Courtesy of Dhoomimal Art Gallery, India’s oldest art gallery and now somewhat of an institution.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1551094123123-S5U4THDF5IRFPQ66AQEX/Ernesto+Shikhani+-+Untitled+-+PERVE.jpg</image:loc>
      <image:title>content - Art Dubai: Modern section retells history</image:title>
      <image:caption>Ernesto Shikhani. Untitled. Courtesy of Perve Galeria from Lisbon, who are presenting a group of works from artists in Portuguese speaking countries</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/art-dubai-meet-the-residents</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-02-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1550993267922-JTAWB1Y46J980FG2RKBN/Mazenett+Quiroga+-+De+Mas+alla+del+Mar+-+INSTITUTO+DE+VISION.jpg</image:loc>
      <image:title>content - Art Dubai: Meet the Residents</image:title>
      <image:caption>Mazenett Quiroga. De Mas alla del Mar. Image courtesy of INSTITUTO DE VISION.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1550993390902-HCA894H7MYOYZQJJGBGQ/image-asset.jpeg</image:loc>
      <image:title>content - Art Dubai: Meet the Residents</image:title>
      <image:caption>Alexandre da Cunha. Fair Trade XIV. Courtesy Galeria Luisa Strina</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/wissam-shawkat-disciplined-insurgence</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-02-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1549907703876-OBUZOF1MQDAQZXHTW44F/Wissam+Shawkat+%7C+Lost+in+Love1+%7C+62x73cm+%7CInk%26Acrylic+colors+on+treated+handmade+paper.jpg</image:loc>
      <image:title>content - Wissam Shawkat: Disciplined Insurgence</image:title>
      <image:caption>Wissam Shawkat | Lost in Love 1 | 62x73cm| Ink &amp; Acrylic colours on treated handmade paper. Courtesy of the artist and Mestaria.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1549907796274-9ZKVRMBJ3WEAL776CM8X/Wissam+Shawkat+%7C+Quad+Love+2+%7C+73X38cm+%7CInk%26Acrylic+colors+on+treated+handmade+paper.jpg</image:loc>
      <image:title>content - Wissam Shawkat: Disciplined Insurgence</image:title>
      <image:caption>Wissam Shawkat | Quad Love 2 | 73X38cm | Ink &amp; Acrylic colours on treated handmade paper. Courtesy of the artist and Mestaria.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1549907988299-2PJO02ENJH5XJ84A1GV3/Wissam+Shawkat+%7C+Loving+Heart+3+%7C64X73cm+%7CInk%26Acrylic+colors+on+treated+handmade+paper.jpg</image:loc>
      <image:title>content - Wissam Shawkat: Disciplined Insurgence</image:title>
      <image:caption>Wissam Shawkat | Loving Heart 3 |64X73cm | Ink &amp; Acrylic colours on treated handmade paper. Courtesy of the artist and Mestaria</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1549908749590-BLQ5E2YLWAP6J7TGPBL6/new+Wissam+Shawkat+%7C+Something+%7C+40X48cm+%7CInk%26Acrylic+colors+on+treated+handmade+paper.jpg</image:loc>
      <image:title>content - Wissam Shawkat: Disciplined Insurgence</image:title>
      <image:caption>Wissam Shawkat | Something | 40X48cm | Ink &amp; Acrylic colours on treated handmade paper. Courtesy of the artist and Mestaria</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/rainlight-in-the-rain-room</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-02-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1549443765080-BAJCL91L4QG1JQDBJM2O/Picture1.jpg</image:loc>
      <image:title>content - Rainlight in the Rain Room</image:title>
      <image:caption>Company Wayne McGregor, Rain Room, 2012. Performance view: Rain Room installation, The Curve, Barbican, London, 2012. Courtesy of Random International. Photo: Sidd Khajuria</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/the-uae-national-pavilion-at-venice-a-combination-of-poetry-and-filmmaking</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-02-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1549438508914-UPZR1D7ITZF3AF328H33/National+Pavilion+UAE+2019+artist+Nujoom+Alghanem.+Image+courtesy+National+Pavilion+UAE+-+La+Biennale+di+Venezia.jpg</image:loc>
      <image:title>content - The UAE National Pavilion at Venice: a combination of poetry and filmmaking</image:title>
      <image:caption>National Pavilion UAE 2019 artist Nujoom Alghanem. Image courtesy National Pavilion UAE - La Biennale di Venezia</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/huda-lutfi-and-sherin-guirguis-on-the-inner-and-outer-landscapes-of-cairo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-02-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1549383832906-04FECGT7HJRRODDDVK7N/Sherin+Guirguis_Azbakeya+%28Will+You+Welcome+Me+This+Time_%29_2018_Hand+cut+paper%2C+ink+and+acrylic+paint_35+x+63+in.jpg</image:loc>
      <image:title>content - Huda Lutfi and Sherin Guirguis on the inner and outer landscapes of Cairo</image:title>
      <image:caption>Sherin Guirguis, Azbakeya (Will You Welcome Me This Time), 2018. Hand cut paper, ink and acrylic paint. 35 x 63. Courtesy of the artist and The Third Line.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1549383927308-K7DTYS4HYKHGQ3OEY2ZM/American-University-of-Cairo.jpg</image:loc>
      <image:title>content - Huda Lutfi and Sherin Guirguis on the inner and outer landscapes of Cairo</image:title>
      <image:caption>American University of Cairo in the 1950s. Courtesy American University of Cairo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1549384105384-O9ZVO6GDWZSZQ9TAXH0O/HL_Hand+of+Silence_2018_mixed+media_oil+on+paper%2C+fabric%2C+wood+%28detail%29.jpg</image:loc>
      <image:title>content - Huda Lutfi and Sherin Guirguis on the inner and outer landscapes of Cairo</image:title>
      <image:caption>Huda Lutfi, Hand of Silence, 2018. Mixed media, oil on paper, fabric, wood (detail). Courtesy of the artist adn The Third Line.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1549384782968-UTY620RQJ6YQOYGUOFBB/Lutfi.Chair.jpg</image:loc>
      <image:title>content - Huda Lutfi and Sherin Guirguis on the inner and outer landscapes of Cairo</image:title>
      <image:caption>Huda Lutfi, Chair. Courtesy of the artist and The Third Line.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/louvre-abu-dhabi-at-innovation-week</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1548754845150-5RMOP32AM5ZH61IQ9ETM/Soundwalk+Collective+-+Singing+Sand.jpg</image:loc>
      <image:title>content - Louvre Abu Dhabi at Innovation Week</image:title>
      <image:caption>Soundwalk Collective, Singing Sand. Courtesy of the artist and Louvre Abu Dhabi</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/sustainability-art-and-wildlife-harold-vanderschmidt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1548141449465-3PE5QUIAS0OJSHE0SD96/Elefant+at+Chobe+River+Kopie.jpeg</image:loc>
      <image:title>content - Sustainability, art and wildlife: Harold Vanderschmidt</image:title>
      <image:caption>Elephant on the banks of the Chobe River. Courtesy Harold Vanderschmidt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1548141650472-IFI0AHFUIRQVMC7WPU5A/_MG_4413-1.jpg</image:loc>
      <image:title>content - Sustainability, art and wildlife: Harold Vanderschmidt</image:title>
      <image:caption>Dr Harold Vanderschmidt spent his life capturing images of African wildlife and had his first exhibition aged 64 in Dubai’s Sustainable City.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1548141698980-T45D5DZ3CKYU7RN89ZER/Lion+in+a+Tree+Kopie.jpeg</image:loc>
      <image:title>content - Sustainability, art and wildlife: Harold Vanderschmidt</image:title>
      <image:caption>Lion sleeping in a tree in the Masai Mara Triangle. Courtesy Harold Vanderschmidt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1548141790762-NCPCX5282WP8FJFPHEXC/Mountain+Gorilla+Kopie.jpeg</image:loc>
      <image:title>content - Sustainability, art and wildlife: Harold Vanderschmidt</image:title>
      <image:caption>A mountain gorilla in Rwanda. Courtesy of Harold Vanderschmidt.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/tafawut-year-of-tolerance</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1548048130907-OO4MB8JQEE2ZB9CIP9N1/Jessica+Watson-Thorp+-+Bismillah+-+2018+-+Monoprint+on+linen.jpg</image:loc>
      <image:title>content - Tafawut: Year of Tolerance</image:title>
      <image:caption>Jessica Watson-Thorp, Bismillah, 2018. Monoprint on linen. Courtesy of Mestaria and the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1548048222553-0A07GVVNN8TZCTFG5MM9/Jessica+Watson-Thorp+-+Ard+I+Landscape+-+2018+-+Monoprints+on+acid+free+tissue+glazed+onto+canvas.jpg</image:loc>
      <image:title>content - Tafawut: Year of Tolerance</image:title>
      <image:caption>Jessica Watson-Thorp, Ard I, Landscape - 2018. Monoprints on acid free tissue glazed onto canvas. Courtesy of Mestaria and the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1548048329644-4N3SO8OTNQRGJ46WGEFR/image-asset.jpeg</image:loc>
      <image:title>content - Tafawut: Year of Tolerance</image:title>
      <image:caption>Jessica Watson-Thorp, Athiri - Ethereal, 2018. Monoprints on acid free tissue glazed onto canvas. Courtesy of Mestaria and the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1548048410866-WSX10D9Z3J29ELA4Z9BD/WhatsApp+Image+2019-01-13+at+19.52.40.jpeg</image:loc>
      <image:title>content - Tafawut: Year of Tolerance</image:title>
      <image:caption>Jessica Watson-Thorp in her studio. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/the-big-picture-el-seed</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1547875895411-SATC9HYZAZFSKGZG6S2U/Screen+Shot+2018-10-03+at+10.26.42+AM.png</image:loc>
      <image:title>content - The Big Picture: eL Seed</image:title>
      <image:caption>Yonge-Dundas Square in Toronto as part of the annual Nuit Blanche celebrations. eL Seed’s towering Mirrors of Babel sculpture represents the plurality of the city. Courtesy eL Seed Studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1547876421422-4DX762J9ITF7QR6WJPC2/Arab+world+Institute_Paris3.jpg</image:loc>
      <image:title>content - The Big Picture: eL Seed</image:title>
      <image:caption>The facade of L’Institut Du Monde Arabe in Paris is painted with eL Seed’s calligraphy mural. Courtesy: eL Seed.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1547876497330-NYXUTKW9OLVG8GVG9WX2/eL+seed+-+Perception+final+Zaraeeb.+Courtesy+El+Seed+Studio.jpg</image:loc>
      <image:title>content - The Big Picture: eL Seed</image:title>
      <image:caption>Perception in Cairo’s Manshiyat Nasr district was an anamorphic mural painted over 50 buildings and visible from only one viewpoint. Courtesy eL Seed</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1547876384824-MP1LJWHTARKRG8A54C1O/EL+Seed+The+Bridge.+DMZ.+Korea+02.jpg</image:loc>
      <image:title>content - The Big Picture: eL Seed</image:title>
      <image:caption>The Bridge, a laser-cut panelled piece installed on the military border between North and South Korea. Courtesy eL Seed.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1547876892633-S16LEFY1Q1D0NVW76V8V/Bilad+Al+Khayr+-+Algiers+-+Credit+Hichem+Merouche.jpg</image:loc>
      <image:title>content - The Big Picture: eL Seed</image:title>
      <image:caption>Bilad Al Khayr, a mural painted freehand in Algiers. Credit Hichem Merouche</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/rembrandt-and-vermeer-at-louvre-abu-dhabi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1547718738338-3G5Z8PIDNIY50HXHGTR9/Johannes+Vermeer%2C+Young+Woman+Seated+at+a+Virginal+%28ca.+1670-72%29+%C2%A9+The+Leiden+Collection%2CNew+York.jpg</image:loc>
      <image:title>content - Rembrandt and Vermeer at Louvre Abu Dhabi</image:title>
      <image:caption>Johannes Vermeer, Young Woman Seated at a Virginal (ca. 1670-72) © The Leiden Collection,New York</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/art-dubai-will-feature-ethiopian-photographer-michael-tsegaye</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-15</lastmod>
  </url>
  <url>
    <loc>https://annaseaman.net/content/opavivar-comes-to-dubai</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1547549892336-3LZLWV0F3H8AVZQGFJFK/opaviva.jpg</image:loc>
      <image:title>content - Brazilian art collective to take part in Art Dubai</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/art-dubai-announces-title-school-is-a-factory</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1547549042378-EWT9SSG20YZTBT13LOVK/school+factory.jpg</image:loc>
      <image:title>content - Art Dubai announces theme of 2019 Global Art Forum</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/transcendantal-lines</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1547530128637-GZB8WYPJ025BX84OCLHO/TTL_Monir+Farmanfarmaian_The+Breeze+at+Dawn+Has+Secrets+to+Tell+You_2018_Installation+view_5.jpg</image:loc>
      <image:title>content - Transcendantal Lines</image:title>
      <image:caption>Monir Farmanfarmaian, The Breeze at Dawn Has Secrets to Tell You, 2018, Installation view. Image courtesy of the artist and The Third Line.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1547529935518-6L3QUAWX5J6I990F45Z6/TTL_Nima+Nabavi_1%2C+2%2C+3_2018_Installation+view_4.jpg</image:loc>
      <image:title>content - Transcendantal Lines</image:title>
      <image:caption>Nima Nabavi, Series 3 (installation view). Image courtesy of the artist and The Third Line.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1547530279081-68Y7MIHB5P8KWSFL0Z3P/Nima_Nabavi_2018.07.13_%282.3.8%29_2018_Ink_on_Archival_Paper_8in_x_8in_%2820.32cm_x_20.32cm%29.jpg</image:loc>
      <image:title>content - Transcendantal Lines</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/open-call-for-photo-and-video-archives-for-sb14</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1547049747763-T7WOUUT1OGW2FBRAPMB9/events_SB14_open_call_archive.jpg</image:loc>
      <image:title>content - Open call for photo and video archives for SB14</image:title>
      <image:caption>Image courtesy of Hashem Al Ajmani, Sharjah, 1980s</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/reel-palestine-hosted-at-cinema-akil</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1546848908273-39Q01J891FRIMJQ296XD/WALL_007_861360_72dpi.jpg</image:loc>
      <image:title>content - Reel Palestine hosted at Cinema Akil</image:title>
      <image:caption>Still from The Wall by Cam Christiansen. Image courtesy Reel Palestine</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/changing-the-art-landscape-in-the-uae</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1546581973085-BFDU9W9F5OZXY0VP3XO0/4+View+%28Detail%29+of+Jameel+Arts+Centre%2C+Dubai%2C+Courtesy+Art+Jameel.jpg</image:loc>
      <image:title>content - Changing the art landscape in the UAE</image:title>
      <image:caption>View (Detail) of Jameel Arts Centre, Dubai, Courtesy Art Jameel. Photography: Mohamed Somji</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1546581286179-3W7O3A3SWF1Q12KW628E/Waterlicht+by+Daan+Roosegaarde+Presented+by+Dubai+Holding+at+the+Jameel+Arts+Centre+Dubai+-+Photo+by+Jalal+Abuthina+3.jpg</image:loc>
      <image:title>content - Changing the art landscape in the UAE</image:title>
      <image:caption>Waterlicht by Daan Roosegaarde Presented by Dubai Holding at the Jameel Arts Centre Dubai - Photo by Jalal Abuthina.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1546581974108-LWC1XRSJGI25Q6LLIWPR/4+Installation+view+of+Crude_Curated+by+Murtaza+Vali.jpg</image:loc>
      <image:title>content - Changing the art landscape in the UAE</image:title>
      <image:caption>Installation view of Crude. Curated by Murtaza Vali. Courtesy Art Jameel Photography: Mohamed Somji</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1546582007586-33Q4ZS9Y6UUPJPPS3BDE/3+View+of+the+Jameel+Library+in+the+Jameel+Arts+Centre%2C+Dubai%2C+Courtesy+Art+Jameel.jpg</image:loc>
      <image:title>content - Changing the art landscape in the UAE</image:title>
      <image:caption>View of the Jameel Library in the Jameel Arts Centre, Dubai, Courtesy Art Jameel</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/sharjah-islamic-arts-festival-horizon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1546490742719-A28PBEXNIXGQL7Z5EALP/image-asset.jpeg</image:loc>
      <image:title>content - Sharjah Islamic Arts Festival: Horizon</image:title>
      <image:caption>Mihrab’ by Khalid Zahid and Ali Chaaban at the Sharjah Islamic Art Festival. Antonie Robertson / The National</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1546490785746-XCVNR9VPUTIQ6E1A4QT1/image-asset.jpeg</image:loc>
      <image:title>content - Sharjah Islamic Arts Festival: Horizon</image:title>
      <image:caption>Room of Mysteries’ video installation by Sami Yusuf and Nujoom Al Ghanem. Antonie Robertson / The National.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1546490844463-U6G866G5KE9IAVF7JSPA/AC31-DEC-Sharjah-Islamic-Art-Festival-Nima-Nabavi-detail.jpg</image:loc>
      <image:title>content - Sharjah Islamic Arts Festival: Horizon</image:title>
      <image:caption>Nima Nabavi’s precise pencil-line drawing that explores his fascination with geometry. Antonie Robertson / The National.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1546490897334-1L8UOUTJRT1BYNTNZU64/AC07-DEC-Charles-Aweida.jpg</image:loc>
      <image:title>content - Sharjah Islamic Arts Festival: Horizon</image:title>
      <image:caption>Charles Aweida’s ‘Particles of the Horizon’, thousands of nails driven into foam. Antonie Robertson / The National.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/huda-lutfi-still</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-12-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1546019449903-384817SWHHJL1EA4RUPW/TTL_Huda+Lutfi_Nov+2018-12.jpg</image:loc>
      <image:title>content - Huda Lutfi: Still</image:title>
      <image:caption>Huda Lutfi, Still. Installation view. Image courtesy of The Third Line.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1546019518098-YWL2N6SGTTR7HDAGKY2C/Huda+Lutfi_%2314%2C+2018_acrylic%2C+oil+pastels%2C+collage+on+paper_20+x+17.5cm.jpg</image:loc>
      <image:title>content - Huda Lutfi: Still</image:title>
      <image:caption>Huda Lutfi_#14, 2018. Acrylic, oil pastels, collage on paper, 20 x 17.5cm. Image courtesy of the artist and The Third Line.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1546019660469-11QCZMKVEZF4CQV3MD5P/Huda+Lutfi_Difficult+to+Unravel%2C+2018_89+flax+thread+rolls+painted+in+metalic+silver_120+x+100+cm.jpg</image:loc>
      <image:title>content - Huda Lutfi: Still</image:title>
      <image:caption>Huda Lutfi. Difficult to Unravel, 2018. 89 flax thread rolls painted in metallic silver, 120 x 100 cm. Image courtesy of the artist and The Third Line.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1546019780445-GGD83H600S9JMPVFCPS7/TTL_Huda+Lutfi_Nov+2018-10.jpg</image:loc>
      <image:title>content - Huda Lutfi: Still</image:title>
      <image:caption>Silent Diary (2018). Courtesy of the artist and The Third Line.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/back-to-the-future</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-12-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1545845502343-4L273QUFLIYXNP0YY665/Option1_Close%2520Up_preview.jpeg.jpg</image:loc>
      <image:title>content - Back to the Future</image:title>
      <image:caption>Rendered image of the future Museum of the Future along Sheikh Zayed Road in Dubai, with the Emirates Towers in the background. Image courtesy Dubai Future Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1545845823567-1VPCUGM7Z5S3WMBKOI8N/Area+2071+1.jpg</image:loc>
      <image:title>content - Back to the Future</image:title>
      <image:caption>Inside Area 2071, the beating heart of Dubai Future Foundation. Image courtesy DFF</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1545846096125-9SHK8M341Y7SDMDIR4DX/Dubai+10X.jpg</image:loc>
      <image:title>content - Back to the Future</image:title>
      <image:caption>HH Sheikh Mohammed Bin Rashid Al Maktoum launches Dubai 10x. Image courtesy DFF.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1545846268022-0YB9O0X6RG0XOH7UO8XI/abdulaziz-3.jpg</image:loc>
      <image:title>content - Back to the Future</image:title>
      <image:caption>Abdulaziz Al Jaziri, Dubai Future Foundation’s Deputy CEO. Image courtesy DFF.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1545846670358-JR7GD8S2DMC50HU0KCJ9/Dubai+Future+Academy.jpg</image:loc>
      <image:title>content - Back to the Future</image:title>
      <image:caption>Dubai Future Academy is housed in the region’s first 3D printed building. Image courtesy of DFF.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/sharjahs-new-film-festival</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-12-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1545801847062-Q3KJZO1RQHP53M6E1OKU/Film_Screenings_and_Events_main.jpg</image:loc>
      <image:title>content - Sharjah's new film festival</image:title>
      <image:caption>Sharjah Film Platform is an annual programme organised by Sharjah Art Foundation, aims to support film production in the United Arab Emirates. Courtesy SAF</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/cultural-agenda-december</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-12-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1545716699231-SF5EA410RGY59PXYVK3R/agenda-december-featured+%281%29.jpg</image:loc>
      <image:title>content - Cultural Agenda: December</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1545716689001-FFNWOI6U4U9Q0843P83Q/cinema-akil-interior.jpg</image:loc>
      <image:title>content - Cultural Agenda: December</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1545716778582-L5GD6RXWQGNI0WGSHI1C/image-asset.jpeg</image:loc>
      <image:title>content - Cultural Agenda: December</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1545716828165-E68F0AJD0BZJ1094E61P/image-asset.jpeg</image:loc>
      <image:title>content - Cultural Agenda: December</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/mattar-bin-lahej-the-art-of-power</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-12-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1545715736739-RCXUK35964RE0J88RKCZ/DSC07619.jpg</image:loc>
      <image:title>content - Mattar Bin Lahej: The Art of Power</image:title>
      <image:caption>Aya is made from four tonnes of stainless steel and stands in Dubai’s City Walk. Image courtesy of Mattar Bin Lahej.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1545715755990-6FUDMM6PZALXXMS6531F/jpeg.jpg</image:loc>
      <image:title>content - Mattar Bin Lahej: The Art of Power</image:title>
      <image:caption>Moon Reflections stood for the month of Ramadan in 2013 inside The Dubai Mall. Image courtesy of The National.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1545715945641-JDK3R43PLTO8BCO46ON2/MMHiRes-9379.jpg</image:loc>
      <image:title>content - Mattar Bin Lahej: The Art of Power</image:title>
      <image:caption>Mattar Bin Lahej depicts the image of a galloping horse in many of his artworks. In the driveway of Jumeirah Al Nassem hotel, visitors can see his monumental sculpture. Image courtesy of Mattar Bin Lahej.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1545716110775-WO1Q03BN53A2V4PAAH5D/jpeg+%282%29.jpg</image:loc>
      <image:title>content - Mattar Bin Lahej: The Art of Power</image:title>
      <image:caption>Mattar Bin Lahej stands next to one of his large sculptures made from calligraphic lettering and summarising his artistic practice focused on movement. Image courtesy of The National</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/get-your-hands-on-a-limited-edition-print</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-12-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1544505869183-ZU1C6ZW5LPNW48U9XMZ2/Print+release+announcment+-+Choppy+Waters.jpg</image:loc>
      <image:title>content - Get your hands on a limited edition print</image:title>
      <image:caption>Matthew Ryder with Choppy Waters. Image courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/a-100-year-journey-through-japanese-books</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-12-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1544344025462-YUB4VKRAJ71FG753RWAO/_JML5244.jpg</image:loc>
      <image:title>content - A 100-year journey through Japanese books</image:title>
      <image:caption>Al Hamriyah Studios. Image courtesy of Sharjah Art Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1544344398104-R6XAH05JT542TPMODLKY/12.jpg</image:loc>
      <image:title>content - A 100-year journey through Japanese books</image:title>
      <image:caption>Shuzo Takiguchi and Joan Miró,In the Company of the Stars (Miro no Hoshi to Tomoni), 1978. Print on paper, 37.8 × 17.9 x 2.1 cm. Installation view, Al Hamriyah Studios, Sharjah Art Foundation, 2018. Image courtesy of Sharjah Art Foundation.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1544344527002-IS2EVQWZ3PIBKK6YBTM1/15.jpg</image:loc>
      <image:title>content - A 100-year journey through Japanese books</image:title>
      <image:caption>Ikko Narahara, Arcades of Light–Piazza San Marco, 1981. Book, 22 x 31.5 x 9.5cm. Installation view, Al Hamriyah Studios, Sharjah Art Foundation, 2018. Image courtesy of Sharjah Art Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1544347811925-8KNJ5LFD2GYELROTN2B4/29.jpg</image:loc>
      <image:title>content - A 100-year journey through Japanese books</image:title>
      <image:caption>Installation view of Yusuke Oono’s work, Al Hamriyah Studio, Sharjah Art Foundation, 2018. Mixed Media Installation, dimensions variable. Image courtesy of Sharjah Art Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1544344820397-ZHONU31NADC70QDEYTKV/6.jpg</image:loc>
      <image:title>content - A 100-year journey through Japanese books</image:title>
      <image:caption>Installation view of Shinro Ohtake’s work, Al Hamriyah Studios, Sharjah Art Foundation, 2018. Mixed Media Installation, dimensions variable. Image courtesy of Sharjah Art Foundation</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/sheikha-hoor-to-curate-lahore-biennale</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-12-01</lastmod>
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      <image:title>content - Sheikha Hoor to curate Lahore Biennale</image:title>
      <image:caption>Sheikha Hoor Al Qasimi. Photo by Nato Welton</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1543687696935-GDGWM3ETLCOTFMY07CPV/Picture1.png</image:loc>
      <image:title>content - Sheikha Hoor to curate Lahore Biennale</image:title>
      <image:caption>At the Shahi Hammam, Walled City, Lahore. Left to Right: Iftikhar Dadi (Advisor, LB02), Hoor Al Qasimi (Curator, LB02), Qudsia Rahim (Executive Director, LBF and Director, LB02) and Ayesha Jatoi (Advisor, LB02). Image courtesy of Lahore Biennale Foundation</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/how-the-louvre-abu-dhabi-created-a-night-sky-from-visitor-data</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1543467097464-A8I54WI64BJX0FE93W9P/http_%252F%252Fcdn.cnn.com%252Fcnnnext%252Fdam%252Fassets%252F181128113558-20181113---constellations11.jpg</image:loc>
      <image:title>content - How the Louvre Abu Dhabi created a 'night sky' from visitor data</image:title>
      <image:caption>Visitors in front of the Constellations artwork. Courtesy DCTA.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1543467242894-W4WP6Y9CIM24OWWML6UQ/20181113+-+CONSTILLATIONS-13.jpg</image:loc>
      <image:title>content - How the Louvre Abu Dhabi created a 'night sky' from visitor data</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1543467344088-KJY2RYIDKBR1FAGB073I/http_%252F%252Fcdn.cnn.com%252Fcnnnext%252Fdam%252Fassets%252F181128122445-constellations01.jpg</image:loc>
      <image:title>content - How the Louvre Abu Dhabi created a 'night sky' from visitor data</image:title>
      <image:caption>Constellations by Salem Al Mansoori. Image courtesy of Salam Al Mansoori</image:caption>
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  </url>
  <url>
    <loc>https://annaseaman.net/content/apply-for-arts-writing-and-research-programme</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1543382254485-XNPT8TK5LRA0QVBY6GWO/Art+Jameel+Commissions+Arts+Writing+and+Research+announced.jpg</image:loc>
      <image:title>content - Apply for Arts Writing and Research programme</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/all-consuming-culture-hassan-hajjaj</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1543214738371-4H6YB7G7859X8AQDQ6Q9/Feetball-White+frame.jpg</image:loc>
      <image:title>content - All Consuming Culture: Hassan Hajjaj</image:title>
      <image:caption>Hassan Hajjaj, Feetball (2006). Image courtesy of Hassan Hajjaj.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1543251682282-RK43PSXMAVO8KL0GGM4G/Unknown.jpeg</image:loc>
      <image:title>content - All Consuming Culture: Hassan Hajjaj</image:title>
      <image:caption>Yassin Alsalman a.k.a. The Narcycist as shot by Hassan Hajjaj. Courtesy of Hassan Hajjaj</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1543251775344-AH6S0DTJAV9JGAP0SOHM/629f4c1962c4a3d91877223bdfa7c1bc.jpg</image:loc>
      <image:title>content - All Consuming Culture: Hassan Hajjaj</image:title>
      <image:caption>Hassan Hajjaj. Eyes on Me (2000) Image courtesy of Hassan Hajjaj.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1543252072291-IXODAZDSKK8BCRJJ10UB/Hassan+by+Jenny+Fremont+3_DSC0717+2.JPG</image:loc>
      <image:title>content - All Consuming Culture: Hassan Hajjaj</image:title>
      <image:caption>Hassan Hajjaj by Jenny Fremont. Image courtesy of Hassan Hajjaj</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/letters-from-abu-dhabi-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1542968216779-7SMF3Y51YQHT8DS39K6N/Screenshot+2018-11-23+at+14.16.08.png</image:loc>
      <image:title>content - Letters from Abu Dhabi Art</image:title>
      <image:caption>Ahmed Mater, Yellow Cow Cheese (Yellow) 2010. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1542968292700-XWBSQEHVHG8JBMXGU253/MK_SC+259-image.jpg</image:loc>
      <image:title>content - Letters from Abu Dhabi Art</image:title>
      <image:caption>Mohammed Kazem. Measuring, 2015. Painted stainless steel, acrylic and led lights, 40 x 40 x 40 cm. Courtesy the artist and Gallery Isabelle van den Eynde.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1542968410792-KXACHY9KUOQ18EYG9N3T/download.jpeg</image:loc>
      <image:title>content - Letters from Abu Dhabi Art</image:title>
      <image:caption>Nasser Al Salem. Arabi/Gharbi, 2016. Neon Installation. 96.7 x 217.2 cm. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/fernando-botero-a-still-life-retrospective</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1542870006216-LN88AQ0YO12FFIIRXYZP/Fernando+Botero+-+Picnic+-+2002+-+oil+on+canvas+-+Courtesy+Custot+Gallery+Dubai+and+the+artist.jpg</image:loc>
      <image:title>content - Fernando Botero: A Still Life Retrospective</image:title>
      <image:caption>Fernando Botero, Picnic, (2002), oil on canvas. Courtesy Custot Gallery Dubai and the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1542870679865-1G8LISNQGKP0047LKTTK/image-asset.jpeg</image:loc>
      <image:title>content - Fernando Botero: A Still Life Retrospective</image:title>
      <image:caption>Fernando Botero, Oranges (2004), oil on canvas. Courtesy Custot Gallery Dubai and the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1542870943488-RXWLXUC9ZECO0SIHAZL8/Fernando+Botero+-+Still+life+with+violin+-+2000+-+oil+on+canvas+-+Courtesy+Custot+Gallery+Dubai+and+the+artist.jpg</image:loc>
      <image:title>content - Fernando Botero: A Still Life Retrospective</image:title>
      <image:caption>Fernando Botero, Still life with Violin (2000), oil on canvas. Courtesy Custot Gallery Dubai and the artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/emerging-artists-to-receive-mentorship-at-abu-dhabi-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1542020319499-MVFPCNQX7BF5QAWB02EE/image-asset.jpeg</image:loc>
      <image:title>content - Emerging artists to receive mentorship at Abu Dhabi Art</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/art-dubai-gallery-list-announced</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1541845713729-8LVRDNZ6KTF7EMM4FI40/PS2003-+ART+DUBAI11.jpg</image:loc>
      <image:title>content - Art Dubai: Gallery list announced</image:title>
      <image:caption>Visitors study the works on display during Art Dubai, 2017 at Madinat Jumeirah. Pawan Singh / The National</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/people-on-the-move-70-years-of-forced-migration</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-11-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1541568437405-DB97RYAR28B0W9RYRDW5/Invitation+Ad-03.jpg</image:loc>
      <image:title>content - People on the Move: 70 years of forced migration</image:title>
      <image:caption>A family fleeing violence in the Ivory Coast walk along a forest track in south-east Liberia. Courtesy UN Photo / Glenna Gordon</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1541568477622-YMJZQHX22FBLMQFMO36Q/Invitation+Ad-04.jpg</image:loc>
      <image:title>content - People on the Move: 70 years of forced migration</image:title>
      <image:caption>Child migrant workers are driven to fields in North Carolina. Courtesy UN Photo/S.Rotner</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1541568548425-SZK0WOVU6GO0D2ASAMVG/Invitation+Ad-05.jpg</image:loc>
      <image:title>content - People on the Move: 70 years of forced migration</image:title>
      <image:caption>A Kurdish family stand outside a damaged home in Erbil, northern Iraq in 1991. Courtesy UN Photo/John Isaac.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1541568609407-ESJEUHQTEQHMOHYQVO5P/Invitation+Ad-06.jpg</image:loc>
      <image:title>content - People on the Move: 70 years of forced migration</image:title>
      <image:caption>In Mali, a woman and her child displaced by violence in Timbuktu in 2015 walk through a village for internally displaced people in Mopti. Courtesy UN Photo/Marco Dormino.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/apply-for-alserkal-residency</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1540973800674-0XWLB71VOEGUY8DNAHZQ/d87ebb77-e6ca-11e5-b3e9-f23c9161897b.jpg</image:loc>
      <image:title>content - Apply for Alserkal Residency</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/dua-lipa-to-headline-at-louvre-abu-dhabi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1540710450217-2LC3XBJY55K1KH0MX7DL/image006.jpg</image:loc>
      <image:title>content - Dua Lipa to headline at Louvre Abu Dhabi</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/sam-bardaouil-amp-till-fellrath-on-ways-of-seeing</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1540361483573-0H6H5Q4PC1SFO6JRXH9G/Sam+and+Till.+Ways+of+Seeing.jpg</image:loc>
      <image:title>content - Sam Bardaouil &amp;amp; Till Fellrath on Ways of Seeing</image:title>
      <image:caption>Sam Bardaouil &amp; Till Fellrath stand inside Fred Sandback’s work inside their Ways of Seeing exhibition.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/look-again-ways-of-seeing</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1540360346824-BXKIE7AETPRKBDNHN2CP/Hassan+Sharif_Knots.jpg</image:loc>
      <image:title>content - Look again: Ways of Seeing</image:title>
      <image:caption>Hassan Sharif. Knots, 2012-2016, cotton rope &amp; stainless steel, 380 x 350 cm. Loan courtesy Estate of Hassan Sharif and Gallery Isabelle van den Eynde.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1540360557065-ZRJOYK5PXH2HO0ENP5CJ/Lateefa_bint_Maktoum_Oral+Tradition.jpg</image:loc>
      <image:title>content - Look again: Ways of Seeing</image:title>
      <image:caption>Lateefa bint Maktoum, Oral Tradition, 2014,archival print. Edition 3 of 3, 62 x 100 cm. Courtesy of the artist &amp; Tashkeel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1540360804767-REZ7R99SS5N0C2EMTMHN/Thomas+Struth_Hermitage+2+St.+Petersburg.jpg</image:loc>
      <image:title>content - Look again: Ways of Seeing</image:title>
      <image:caption>Thomas Struth, Hermitage 2 St.Petersburg, 2005, chromogenic print, 114 x 114.8 cm. Courtesy of the artist and Marian Goodman Gallery, New York/Paris/London.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1540361056482-1M3TBNI3SSPSAL65H3EF/Fred+Sandback_Untitled.jpg</image:loc>
      <image:title>content - Look again: Ways of Seeing</image:title>
      <image:caption>Fred Sandback, Untitled (Sculptural Study, Twenty-two-part Vertical Construction) 1991-2016, black and red acrylic yarn, dimensions variable. The Estate of Fred Sandback, Courtesy David Zwirner.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/butheina-kazim-on-cinema-akil</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1540058030037-BH4BWEQS6XB3QTGR48DD/featured1.jpg</image:loc>
      <image:title>content - Butheina Kazim on Cinema Akil</image:title>
      <image:caption>Butheina Kazim is the founder of Cinema Akil, the UAE’s first and only independent picture house and film platform.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1540058165927-XPDVBYJMPM9HD16LP66H/jpeg.jpg</image:loc>
      <image:title>content - Butheina Kazim on Cinema Akil</image:title>
      <image:caption>A screening of Monir earlier this year by Cinema Akil at Quoz Arts Festival, Alserkal Avenue. Image taken from The National newspaper.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/art-dubai-appoints-new-director</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1539839630969-D1HKTJW5F3ZMZW4YL999/DSCF4432-header2.jpg</image:loc>
      <image:title>content - Art Dubai appoints new director</image:title>
      <image:caption>Chloe Vaitsou will join Art Dubai as International Director.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/antonia-carver-on-the-jameel-arts-centre</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1539838954236-6EY89ZNQWKCL9C6JAZ02/Antonia%2BCarver.jpg</image:loc>
      <image:title>content - Antonia Carver on the Jameel Arts Centre</image:title>
      <image:caption>Antonia Carver is the director of Art Jameel</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1539839098110-OIY9QZURZJ2GNH0W8ZX1/Hayy-Jeddah_2000X1000.jpg</image:loc>
      <image:title>content - Antonia Carver on the Jameel Arts Centre</image:title>
      <image:caption>A rendering of the interior courtyard of Hayy: Creative Hub to open in Jeddah next year.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1539839164976-SIXT7PMA6M26VFC08YAB/Jameel-Art-Centre-Dubai-Serie-Architects_2000x1000.jpg</image:loc>
      <image:title>content - Antonia Carver on the Jameel Arts Centre</image:title>
      <image:caption>Jameel Arts Centre is due to open in Dubai in November 2018.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/the-photography-studio-opens-in-abu-dhabi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1539282422945-IBPBRR0LNEIJTC3HI1JB/Photography+Studio+now+open+at+Manarat+Al+Saadiyat+%282%29.jpg</image:loc>
      <image:title>content - The Photography Studio opens in Abu Dhabi</image:title>
      <image:caption>Photography Studio now open at Manarat Al Saadiyat. Image taken at the opening ceremony, courtesy of The Department of Culture and Tourism – Abu Dhabi (DCT Abu Dhabi).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1539282593330-O9DNQBNU3FCX5OACRDBX/Photography+Studio+%282%29.jpg</image:loc>
      <image:title>content - The Photography Studio opens in Abu Dhabi</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/bangladeshi-art-in-the-spotlight</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1539171185003-8BVH95ZKFWIOQ4JKHKER/Fabric%28ated%29+Fractures+announcement_image+courtesy+Alserkal+Avenue%2C+credit+Dan+Weill.jpg</image:loc>
      <image:title>content - Bangladeshi art in the spotlight</image:title>
      <image:caption>Pictured L-R: Rajeeb Samdani, Co-founder and Trustee of Samdani Art Foundation; Vilma Jurkute, Director of Alserkal Avenue; Nadia Samdani, Co-founder and President of Samdani Art Foundation; Diana Campbell Betancourt, Artistic Director of Samdani Art Foundation and Chief Curator of Dhaka Art Summit; Abdelmonem Bin Eisa Alserkal, Founder of Alserkal Avenue, Alserkal Programming and Alserkal Residency. Photo credit Dan Weill.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/mohammed-kazemnbspa-prime-activity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1539151298084-J52S4I30NDWKDT3K7S35/MK_CA+040-image+%281%29.jpg</image:loc>
      <image:title>content - Mohammed Kazem:&amp;nbsp;A Prime Activity</image:title>
      <image:caption>Mohammed Kazem. Even the Shade Does not Belong to Them, 2018. Acrylic and ink on canvas. 106 x 140.5 cm. Courtesy of the artist and Gallery Isabelle Van Den Eynde.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1539152088572-SSI3XY1IMEY0OK6W77QH/MK_SC+66-image.jpg</image:loc>
      <image:title>content - Mohammed Kazem:&amp;nbsp;A Prime Activity</image:title>
      <image:caption>Mohammed Kazem. Neighbours, 2018. Oil primer and exterior wall paint on MDF panel. 75 x 120 x 8cm. Courtesy of the artist and Gallery Isabelle Van Den Eynde.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1539152280975-GNG371BDF1LPWC6XY1SY/MK_CA+047-image.jpg</image:loc>
      <image:title>content - Mohammed Kazem:&amp;nbsp;A Prime Activity</image:title>
      <image:caption>Neighbour No. B5, 2018, Acrylic on canvas board, 45.7 x 61 cm. Courtesy of the artist and Gallery Isabelle Van Den Eynde.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/new-curators-chosen-for-the-uae-venice-pavilion-2019</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1538553338686-JN0OHWKQHOGJYWXVFDO5/Sam+Bardaouil+and+Till+Fellrath.+Image+courtesy+of+National+Pavilion+UAE+-+La+Biennale+di+Venezia.jpg</image:loc>
      <image:title>content - New curators chosen for the UAE Venice Pavilion 2019</image:title>
      <image:caption>Sam Bardaouil and Till Fellrath. Image courtesy of National Pavilion UAE - La Biennale di Venezia.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/painting-his-own-narrative-abdulqader-al-rais</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-10-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1538502682712-Q3IQ80SC7QUBKX4RAF2G/Dubai+Culture+-+IMA+-+Matthew+Oliver-7954.jpg</image:loc>
      <image:title>content - Painting his own narrative: Abdulqader Al Rais</image:title>
      <image:caption>Abdulqader Al Rais addresses audiences at the opening of his retrospective exhibition in Paris. Courtesy Matthew Oliver.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1538502781048-V1QQPV2J3W8VUQI69N79/Retrospective+Abdulqader+Al+Rais_Dubai+Culture_Institut+du+Monde+Arabe_The+Wait%2C+1968%2C+Oil+on+board.jpg</image:loc>
      <image:title>content - Painting his own narrative: Abdulqader Al Rais</image:title>
      <image:caption>Abdulqader Al Rais, Al Intithar (The Wait), 1968. Oil on board. From the artist’s private collection. Images courtesy of Dubai Arts and Culture Authority.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1538502905043-JNEK1HFZ0PMEM19UE5ZV/Retrospective+Abdulqader+Al+Rais_Dubai+Culture_Institut+du+Monde+Arabe_Years+of+Glory%2C+2016%2C+Watercolour+on+paper.jpg</image:loc>
      <image:title>content - Painting his own narrative: Abdulqader Al Rais</image:title>
      <image:caption>Abdulqader Al Rais, Years of Glory, 2016, Watercolour on paper. From the artist’s private collection. Images courtesy of Dubai Arts and Culture Authority.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1538503148144-KE9U8HLQXYHUHC35I9SQ/Retrospective+Abdulqader+Al+Rais_Dubai+Culture_Institut+du+Monde+Arabe_The+Chair%2C+2012%2C+Watercolour+on+paper.jpg</image:loc>
      <image:title>content - Painting his own narrative: Abdulqader Al Rais</image:title>
      <image:caption>Abdulqader Al Rais, The Chair, 2012, Watercolour on paper. Images courtesy of Dubai Culture.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1538503584377-9XE1SHEKYR0P9869XXPE/Retrospective+Abdulqader+Al+Rais_Dubai+Culture_Institut+du+Monde+Arabe_Wala%27in+Shakartom+l%27azeednakom%2C+2016%2C+Watercolour+on+paper.jpg</image:loc>
      <image:title>content - Painting his own narrative: Abdulqader Al Rais</image:title>
      <image:caption>Abdulqader Al Rais, Wala'in Shakartom l'azeednakom, 2016, Watercolour on paper. Image courtesy of Dubai Culture.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/shaikha-al-mazrou-expansion-extension</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1537943568590-OUVVCYQQXWQ5QKR2GST4/Installation+view+of+Shaikha+Al+Mazrou%27s+solo+exhibition+%27Expansion+-+Extension%27.+Courtesy+Lawrie+Shabibi+and+the+artist.+Photography+by+Ismail+Noor..jpg</image:loc>
      <image:title>content - Shaikha Al Mazrou: Expansion / Extension</image:title>
      <image:caption>Installation view of Shaikha Al Mazrou’s Expansion/Extension. Works featured are Enlarge (L) and Engage (R). Courtesy Lawrie Shabibi and the artist. Photography by Ismail Noor.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1537943805783-CCD8B3JXMVJ1K5Y6LAY3/Installation+view+of+Shaikha+Al+Mazrou%27s+solo+exhibition+%27Expansion+-+Extension%27.+Courtesy+Lawrie+Shabibi+and+the+artist.+Photography+by+Ismail+Noor....jpg</image:loc>
      <image:title>content - Shaikha Al Mazrou: Expansion / Extension</image:title>
      <image:caption>Installation view of Shaikha Al Mazrou’s Expansion/Extension. Works featured are Extend (L) and Exhale (R). Courtesy Lawrie Shabibi and the artist. Photography by Ismail Noor.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/no-place-like-home</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1537857263819-NP98566JOCCP3UPY6OJS/NPLH_Sandra-Zarneshan_NPLH_3738.jpg</image:loc>
      <image:title>content - No Place Like Home - Dichotomy by Sandra Zarneshan</image:title>
      <image:caption>“I feel home here. Moved by the global economy needs, we exist as a mass of impermanent nomads with a contrived feeling of belonging. The consequent sense of transience inevitably affects the construction of relations with others and the places in which we live.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1537857263513-TN2KIR84W4ES4W19L2TC/NPLH_Camillo-Pasquarelli_NPLH_3769_New.jpg</image:loc>
      <image:title>content - No Place Like Home - The Endless Winter of Kashmir by Camillo Pasquarelli</image:title>
      <image:caption>A group of boys swims in the Dal Lake of Srinagar, the only safe area after curfew. Defined by a Persian poet of as "the paradise on earth", the valley of Kashmir is today one of the most militarized zone in the world, where much of the population feels that their home has been occupied.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1537857274062-3NMLQSCQYBWD3F77R48A/NPLH_Anne-Ackermann_NPLH_3711.jpg</image:loc>
      <image:title>content - No Place Like Home - Happy by Anne Ackermann</image:title>
      <image:caption>A young Somali girl gets trapped in a curtain at her grandmother's house in Kisenyi, in Kampala that is a temporary home to the highest number of Somali migrants in Uganda. The girl is waiting to be reunited with her mother, who has already been resettled to Scandinavia, where she awaits the day when her three children can follow her.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1537857273447-UPYW5AAYGVTYANJAINX4/Muhcine_3R0001115+.jpg</image:loc>
      <image:title>content - No Place Like Home - Memento by Muhcine Ennou</image:title>
      <image:caption>This photograph came about at a time in my life when I felt torn between two countries, Morocco and the Netherlands. Place and identity are intricately intertwined and this conflict unsettled me: I felt like I belonged nowhere. As a way to reconconcile this conflict, I wanted to photograph the places that held significance to me in my home country.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1537867876330-3ZXV8XB98FYVFPQ6X737/NPLH_Lauren-Grabelle_NPLH_3700.jpg</image:loc>
      <image:title>content - No Place Like Home - Montana Noir by Lauren Grabelle</image:title>
      <image:caption>The rural and wilderness landscapes of Montana are well known for their implausible beauty and serenity. In 2017, I began wandering, after hours. It’s here in the nighttime streets and alleys of Montana, a place where the dark is electric, that my own inner landscape, my inscape, has revealed itself to be, perhaps, finally at home.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1537867870186-7N3PJPBKAR35LPL47472/NPLH_Charmaine-Poh_NPLH_3921.jpg</image:loc>
      <image:title>content - No Place Like Home - Learning to Leave - Flowers by Charmaine Poh</image:title>
      <image:caption>The childhood home, like kin, is an inheritance borne not out of choice nor effort, but sheer happenstance. I moved away when I was eight, and returned after 16 years to document the remarkable emotional resonance of place. Using found childhood photographs superimposed onto newly made photographs of the site, I tried to compress the years between the family that was and the individuals we are today.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1537867878678-BZMNCECCHE58W2IWDGRR/AUGUSTINE+PAREDES6.jpg</image:loc>
      <image:title>content - No Place Like Home - How to Slouch When Sleeping by Augustine Paredes</image:title>
      <image:caption>This self-portrait is a re-enactment of my initial reaction towards living in shared spaces when I first arrived in Dubai as an overseas Filipino worker. I rented a top bunk bed in a small room with four people. I was unable to unpack and settle my belongings due to the lack of space. As Filipinos, we have a saying — “kung maikli ang kumot, matutong bumaluktot,” which means, if the means are short, learn to slouch and make it work.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/alibadah-to-open-at-nyu-abu-dhabi-project-space</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1537720495297-TDVWMJEGRL9GB3F4NM59/Hashel+Al+Lamki+and+Mohammed+Al+Mazrouei.+My+personal+bar+soap+leftovers%2C+dried+brushes+%26+car+toys.jpg</image:loc>
      <image:title>content - Alibadah to open at NYU Abu Dhabi Project Space</image:title>
      <image:caption>Hashel Al Lamki and Mohammed Al Mazrouei. My personal bar soap leftovers, dried brushes &amp; car toys.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/the-architecture-of-spirituality</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1537681784199-9MIU5LVRTWW0L5VLXB01/image-asset.jpeg</image:loc>
      <image:title>content - The Architecture of Spirituality</image:title>
      <image:caption>Bait Ur Rouf Mosque, interior view. Courtesy: Marina Tabassum Architects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1537682044398-B9VTI7HG1CQZT80VQ662/03.jpg</image:loc>
      <image:title>content - The Architecture of Spirituality</image:title>
      <image:caption>Bait Ur Rouf Mosque, Dhaka, exterior view. Courtesy: Marina Tabassum Architects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1537682027703-AODL1OIP8D04CPXJK96G/Image_2.jpeg</image:loc>
      <image:title>content - The Architecture of Spirituality</image:title>
      <image:caption>Marina Tabassum. Founder of Marina Tabassum Architects and architect behind the Bait Ur Rouf Mosque. Courtesy: Marina Tabassum Architects.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/lantian-xie-full-special</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1537423155702-927B14VC13MLKWBBXTCT/4.+SUNSHINE.jpg</image:loc>
      <image:title>content - Lantian Xie: Full Special</image:title>
      <image:caption>SUNSHINE, 2018, water bottles, table, Al Ain Vitamin D water bottles on a plastic folding table, dimensions variable. Image courtesy of the artist and Grey Noise.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1537423256257-35XLCS4E2BTBV62NJRHO/7.+TOP+10+MIDDLE+EASTERN+ART.jpg</image:loc>
      <image:title>content - Lantian Xie: Full Special</image:title>
      <image:caption>TOP 10 MIDDLE EASTERN ART, 2018, inkjet prints on Hahnemühle, wood, bubble wrap, tape / framed and bubble wrapped prints of various crying memes, dimensions variable. Image courtesy of the artist and Grey Noise.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1537423544746-46R97JIDXP210KNQVF3T/5.+LARGEST+QUAD+HOMES+IN+DUBAI.jpg</image:loc>
      <image:title>content - Lantian Xie: Full Special</image:title>
      <image:caption>LARGEST QUAD HOMES IN DUBAI, 2018, oil on canvas, painting of a billboard in Delhi advertising real estate investment opportunity, 36.4 x 56.9 cm. Image courtesy of the artist and Grey Noise.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1537424127794-JKJRSM4P2TF72TFPLIWO/1.+WELCOME.jpg</image:loc>
      <image:title>content - Lantian Xie: Full Special</image:title>
      <image:caption>WELCOME, 2018, oil on canvas, painting of an iPhone screencap displaying “WelcomePresChina” status bar, 32.2 x 19.8 cm. Image courtesy of the artist and Grey Noise.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/marie-antoniettes-jewellery-on-display-at-sothebys</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1537339635715-KZWLZ7O0CZKYKKY6KBNC/A+natural+pearl+and+diamond+necklace+-+Royal+Jewels+from+the+Bourbon+Parma+Family+-+Sotheby%27s+November+2018.jpg</image:loc>
      <image:title>content - Marie Antoniette's jewellery on display at Sothebys</image:title>
      <image:caption>A natural pearl and diamond necklace - Royal Jewels from the Bourbon Parma Family - Sotheby's November 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1537341291595-15ZXSVDGTPFNU2LWCT1G/Diamond+parure+-+Royal+Jewels+from+the+Bourbon+Parma+Family+-+Sotheby%27s+November+2018.jpg</image:loc>
      <image:title>content - Marie Antoniette's jewellery on display at Sothebys</image:title>
      <image:caption>Diamond parure - Royal Jewels from the Bourbon Parma Family - Sotheby's November 2018</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/looking-for-a-new-curator-for-uae-pavilion-in-venice</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1536817331934-T2UP6PIXA0EUHUPPIF99/NPUAE2018_Installation_HiRes-23.jpg</image:loc>
      <image:title>content - Looking for a new curator for UAE Pavilion in Venice</image:title>
      <image:caption>Lifescapes Beyond Bigness. The UAE’s 2018 Pavilion for the International Architecture Exhibition at the Venice Biennale. Courtesy National Pavilion UAE.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/streamlining-perspectives</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1536814176338-L39904BWUL0E5KH1GBH1/Screen+Shot+2018-09-13+at+08.49.04.png</image:loc>
      <image:title>content - Streamlining Perspectives</image:title>
      <image:caption>From left to right: Elise Atangana, (Photo: Eva Bartussek), Fernanda Brenner (Photo: Everton Ballardin) and Munira Al Sayegh.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/an-evening-of-art-and-dance</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1536642749647-QRVAICKJOAZSYDZNV82N/01Harano+Sur.jpg</image:loc>
      <image:title>content - An evening of art and dance</image:title>
      <image:caption>Harano Sur (Lost Tune), 2017-2018. Performance by Reetu Sattar with 35 musicians and 30 harmoniums. Duration: 1 hour. Co-commissioned by Samdani Art Foundation and the Liverpool Biennial in association with the New North New South and the Archaeology of the Final Decade. Photo Credit: Pranabesh Das</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/apply-for-campus-art-dubai-tca6f</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1536042336893-HDSQ9KS4XEH0QUP7EDVB/Ac29-Campus.jpg</image:loc>
      <image:title>content - Apply for Campus Art Dubai</image:title>
      <image:caption>The Campus Art Dubai 5.0 reading group in discussion at the Project Space Art Jameel. Image courtesy of The National.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/abdulqader-al-rais-to-open-retrospective-in-paris</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1535970799295-V73FUT5IRMWKEGQZTNS5/Abdulqader+Al+Rais+in+his+atelier+in+Dubai_August+2018_5.JPG</image:loc>
      <image:title>content - Abdulqader Al Rais to open retrospective in Paris</image:title>
      <image:caption>Abdulqader Al Rais in his atelier in Dubai, 2018. Courtesy: Dubai Culture.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1535989644684-D4PQ767JG15FI4DJSPZ8/Retrospective+Abdulqader+Al+Rais_Dubai+Culture_Institut+du+Monde+Arabe_F....jpg</image:loc>
      <image:title>content - Abdulqader Al Rais to open retrospective in Paris</image:title>
      <image:caption>The work of Abdulqader Al Rais features bright colours, calligraphic elements and exaggerated paint brush strokes. Courtesy: Dubai Culture.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1535990004317-EAF5CNF6WQB1E4NVZUJE/Retrospective+Abdulqader+Al+Rais_Dubai+Culture_Institut+du+Monde+Arabe_W....jpg</image:loc>
      <image:title>content - Abdulqader Al Rais to open retrospective in Paris</image:title>
      <image:caption>This painting of the Sheikh Zayed Grand Mosque in Abu Dhabi contains a smaller image of another smaller mosque. The title of the painting is a Quranic verse that translates to How The Grateful Are Blessed and shows the importance of faith. Courtesy: Dubai Culture</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/youssou-ndour-to-play-in-sharjah</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-09-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1535819370849-JYZJ1W6H1SI3ISTYKD0C/Screen+Shot+2018-09-01+at+20.20.07.png</image:loc>
      <image:title>content - Youssou N'Dour to play in Sharjah</image:title>
      <image:caption>Sheikha Hoor Al Qasimi and Youssou N'Dour pictured in London as posted on Sheikha Hoor's Facebook page on September 1, 2018.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/japan-and-frances-artistic-links-explored-in-new-exhibition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-08-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1535361570748-L6SE4LO0VWH428PP8YIT/Be%CC%81gue%CC%81_cat._00-022268.jpg</image:loc>
      <image:title>content - Japan and France's artistic links explored in new exhibition</image:title>
      <image:caption>Utagawa Hiroshige (1797–1858). Fuji from Yoshiwara (14th station), from the series Fifty-Three Stations of the Tōkaidō 1833–34. Print. Paris, Musée National des Arts Asiatiques-Guimet. © RMN-Grand Palais (MNAAG, Paris) / Harry Bréjat</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1535361702034-T0647YW3PMH9I7ZO7IWL/image-asset.jpeg</image:loc>
      <image:title>content - Japan and France's artistic links explored in new exhibition</image:title>
      <image:caption>Maurice Denis (1870-1943). October, also known as October Evening, 1891. Oil on canvas. Musée d’Orsay, Paris. Photo © RMN-Grand Palais (musée d'Orsay) / Hervé Lewandowski.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/mosques-of-the-world</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-08-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1535217967081-XTCMH67DXD4N1XGQV7WU/Sheikh-Zayed-Grand-Mosque-Abu-Dhabi.jpg</image:loc>
      <image:title>content - Mosques of the World</image:title>
      <image:caption>Sheikh Zayed Grand Mosque at twilight.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/el-seed-building-bridges-with-arabic-from-korea-to-cape-town</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-07-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1532778071954-ZCN78FA8KC40ICMF07B2/image-asset.jpeg</image:loc>
      <image:title>content - eL Seed: Building bridges with Arabic from Korea to Cape Town</image:title>
      <image:caption>eL Seed shunned his Arab roots as a young French man, but later in life discovered the beauty of the Arabic script. Courtesy: eL Seed studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1532778721822-TR4SBSBCK2XUTPZ7PB43/Perception+-+el+seed+-+Final+Zaraeeb.jpg</image:loc>
      <image:title>content - eL Seed: Building bridges with Arabic from Korea to Cape Town</image:title>
      <image:caption>This mural is painted across around 50 buildings in Cairo. Courtesy: eL Seed studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1532778523627-4AQ01DXC0L7M0IRCS4HL/eL+Seed_Jara+Mosque+Minaret+-+Side+1-Gabes+Tunisia.jpg</image:loc>
      <image:title>content - eL Seed: Building bridges with Arabic from Korea to Cape Town</image:title>
      <image:caption>eL Seed's Jara Mosque project in his home town of Gabes, Tunisia. On the side of the minaret he wrote the words of a Quranic verse, which shows the true uniting spirit of Islam. Courtesy eL Seed Studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1532778772505-BXTKZTVGY22CF9H3B88K/Perception+-+el+seed+actino.jpg</image:loc>
      <image:title>content - eL Seed: Building bridges with Arabic from Korea to Cape Town</image:title>
      <image:caption>eL Seed, seen here in the foreground working on his most ambitious project to date, the mural in Cairo. Courtesy of eL Seed Studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1532779054102-RULVWMCRGNKEZU2XA1EN/EL+Seed+Korea11.jpg</image:loc>
      <image:title>content - eL Seed: Building bridges with Arabic from Korea to Cape Town</image:title>
      <image:caption>HIs looping Arabic script adorned the fence between North and South Korea along the DMZ. Courtesy eL Seed Studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1532779347215-LJ0ZPDAF2381095QS1GI/EL+Seed+Korea10.jpg</image:loc>
      <image:title>content - eL Seed: Building bridges with Arabic from Korea to Cape Town</image:title>
      <image:caption>Crossing boundaries and creating ties is eL Seed's intention as an artist and as a human. Here two people work together on either side of the fence in the DMZ, symbolising the unity that his artwork brings. Courtesy eL Seed Studio.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/kahlil-gibran-a-universal-philosophy-timelessly-impacted</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-07-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1532196657951-7H8XGAI6N05G3F9U0N3R/%C2%A9Ghada+Khunji+-+AlMitra+2018+Photomontage+on+fine+art+rag+paper.jpg</image:loc>
      <image:title>content - Kahlil Gibran: A Universal Philosophy Timelessly Impacted</image:title>
      <image:caption>Ghada Khunji, AlMitra, 2018. Photomontage on fine art rag paper. Courtesy of the artist and CARAVAN.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1532197003780-RF3OIN4H93CNXW1E78LP/%C2%A9Amal+Nasr+-+Love-+2018+Acrylic+on+canvas.JPG</image:loc>
      <image:title>content - Kahlil Gibran: A Universal Philosophy Timelessly Impacted</image:title>
      <image:caption>Amal Nasr, Love, 2018. Acrylic on canvas. Courtesy of the artist and CARAVAN</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1532197067354-UH3I0V4CAHP3K4T6VZ97/%C2%A9Yasser+Rostom+-+Give+Your+Hearts+2018+Ink+on+paper.jpg</image:loc>
      <image:title>content - Kahlil Gibran: A Universal Philosophy Timelessly Impacted</image:title>
      <image:caption>Yasser Rostom, Give Your Hearts, 2018. Ink on paper. Courtesy of the artist and CARAVAN.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1532197153455-85T425ZX9OC1V6GQE37O/%C2%A9Sarah+Aradi-+Young+Gibran+2018+Charcoal%2C+water+colors%2C+acrylic%2C+spray+paint%2C+oil+%26+soft+pastel+on+paper.jpg</image:loc>
      <image:title>content - Kahlil Gibran: A Universal Philosophy Timelessly Impacted</image:title>
      <image:caption>Sarah Aradi, Young Gibran, 2018. Charcoal, water colours, acrylic, spray paint, oil &amp; soft pastel on paper. Courtesy of the artist and CARAVAN</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/beirut-art-fair-a-celebration-of-creativity</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-07-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1532173494585-9YCL1TA9IQT2XSUS1GO7/Joana+Hadjithomas+%26+Khalil+Joreige%2C+Wonder+Beirut+%2320+%28Beirut+By+Night%29%2C+1998+-+2006++Photographic+print+mounted+on+aluminium+and+diasec%2C+70+x+105+cm%2C+Courtesy+of+the+artists+%26+In+Situ+-+Fabienne+Leclerc+.jpg</image:loc>
      <image:title>content - Beirut Art Fair: a celebration of creativity</image:title>
      <image:caption>Joana Hadjithomas &amp; Khalil Joreige, Wonder Beirut #20 (Beirut By Night), 1998 - 2006. Photographic print mounted on aluminium and diasec, 70 x 105 cm. Courtesy of the artists &amp; In Situ - Fabienne Leclerc</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1532173428204-9FCPWA27X8HUS9HST4Z7/Randa+Mirza%2C+Live+up+to+your+true+nation%2C+Beirutopia%2C+2013%2C+Pigment+ink+on+Baryte+paper%2C+80+cm+x+110+cm%2C+Courtesy+Randa+Mirza%2C+Private+Collection.jpg</image:loc>
      <image:title>content - Beirut Art Fair: a celebration of creativity</image:title>
      <image:caption>Randa Mirza, Live up to your true nation, Beirutopia, 2013. Pigment ink on Baryte paper, 80 cm x 110 cm. Courtesy Randa Mirza, Private Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1532173634873-ERB2HNORO2SDHJ7UWKIL/Composition+%28La+Grande+Charge%29%2C+1990-91.+Oil+on+canvas.+130+x+200+cm.+Paul+Guiragossian+Estate+collection%2C+Lebanon.JPG</image:loc>
      <image:title>content - Beirut Art Fair: a celebration of creativity</image:title>
      <image:caption>Composition (La Grande Charge), 1990-91. Oil on canvas. 130 x 200 cm. Paul Guiragossian Estate collection, Lebanon.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/alserkal-avenues-summer-programme-kicks-off</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-07-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1531573183559-QC34A1PLSAMO4OUF42JI/Intuitive+Creativity+by+thejamjar+-+Through+breathing+exercises+and+meditation+techniques%2C+participants+will+be+guided+through+a+state+of+relaxation+before+unleashing+their+creativity+using+ink+techniques_Images+courtesy+of+Alserkal+Avenue+1.JPG</image:loc>
      <image:title>content - Alserkal Avenue's summer programme kicks off</image:title>
      <image:caption>Participants in the intuitive creativity workshop at thejamjar. Through breathing exercises and meditation techniques, participants will be guided through a state of relaxation before unleashing their creativity using ink techniques. Image courtesy of Alserkal Avenue</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/ways-of-seeing-to-open-in-abu-dhabi-in-september</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-07-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1530607939381-26BARJ2WKEPZWPLWRV3P/Fred+Sandback_Untitled_preview.jpeg</image:loc>
      <image:title>content - Ways of Seeing to open in Abu Dhabi in September</image:title>
      <image:caption>Fred Sandback. Untitled (Sculptural Study, Twenty-two-part Vertical Construction) 1991-2016, black and red acrylic yarn, dimensions variable. The Estate of Fred Sandback. Courtesy David Zwirner</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1530608241596-59IHRUNGQVKTPP7WD13U/Thomas+Struth_Hermitage+2+St.+Petersburg_preview.jpeg</image:loc>
      <image:title>content - Ways of Seeing to open in Abu Dhabi in September</image:title>
      <image:caption>Thomas Struth Hermitage 2m St. Petersburg, 2005. Chromogenic print, 114 x 114.8 cm. Courtesy of the artist and Marian Goodman Gallery, New York/Paris/London.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/shakespeare-shelley-and-cyberspace</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-06-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1530183269819-VIMKWWPHN7X3EJ8IX8LY/ad09f631-6f1a-11e8-8ff1-f23c912460f3.jpg</image:loc>
      <image:title>content - Shakespeare, Shelley and Cyberspace</image:title>
      <image:caption>A visitor views Monika Grabuschnigg's work at Carbon 12, Alserkal Avenue. Courtesy Carbon 12.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1530183367197-4XZINVAU4UOEUXMNOSRI/Monika+Grabuschnigg%2C+I+tell+you%2C+this+is+so+deep+like+forever%2C+2018.+Mixed+media+on+paper%2C+65+x+50+cm.jpg</image:loc>
      <image:title>content - Shakespeare, Shelley and Cyberspace</image:title>
      <image:caption>Monika Grabuschnigg, I tell you, this is so deep like forever, 2018. Mixed media on paper. Courtesy Carbon 12.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1530184675066-7407EALXHASNDUPAKHMB/Monika+Grabuschnigg%2C+All+my+body+sees+you+in+delay%2C+2018.+Mixed+media+on+paper%2C+42+x+30+cm.JPG</image:loc>
      <image:title>content - Shakespeare, Shelley and Cyberspace</image:title>
      <image:caption>Monika Grabuschnigg, All my body sees you in delay, 2018. Mixed media on paper. Courtesy Carbon 12.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/salvator-mundi-reveal-date-announced</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-06-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1530182610797-JOP1XG5J3ZWFC7Z8UCS4/4201763660.jpg</image:loc>
      <image:title>content - Salvator Mundi reveal date announced</image:title>
      <image:caption>Christie's employees pose in front of Salvator Mundi by Leonardo da Vinci. Image Credit:AFP</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1530182681484-06OKU4PPV3GXIKQ1Y3H5/70EBA2CB-9A00-4B70-A56C-CA0F4A9A5D77_cx0_cy3_cw0_w1023_r1_s.jpg</image:loc>
      <image:title>content - Salvator Mundi reveal date announced</image:title>
      <image:caption>A visitor films Leonardo da Vinci's "Salvator Mundi" on display at Christie's auction rooms, in London, Oct. 24, 2017. Image Credit: AP</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/mohammed-ahmed-ibrahim-elements</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-06-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1528193528445-JAZ7R53UCHKO8JHNK07M/2.jpg</image:loc>
      <image:title>content - Mohammed Ahmed Ibrahim: Elements</image:title>
      <image:caption>Mohamed Ahmed Ibrahim, various works. Mixed Media Installation, dimensions variable.  Installation view: Sharjah Art Foundation, 2018. Image courtesy of Sharjah Art Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1528193679345-G9R3GR2LN5ZCPXM6LILX/IMG_1038.jpg</image:loc>
      <image:title>content - Mohammed Ahmed Ibrahim: Elements</image:title>
      <image:caption>Mohammed Ahmed Ibrahim in his home studio in Khorfakkan. Image taken by Anna Seaman during the interview for Harper's Bazaar Art Arabia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1528193766117-S33FS9ZMYV78H9VFHINN/Mohammed%2BIbrahim.jpg</image:loc>
      <image:title>content - Mohammed Ahmed Ibrahim: Elements</image:title>
      <image:caption>Mohammed Ahmed Ibrahim. Primordial (1988). Shown at the Sharjah Art Foundation as part of Ibrahim's exhbition Elements in 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1528193998142-169Q5I0H4IZIQKWNLUDM/image-asset.jpeg</image:loc>
      <image:title>content - Mohammed Ahmed Ibrahim: Elements</image:title>
      <image:caption>Mohamed Ahmed Ibrahim, Bait Al Hurma, 2018. Commissioned by Sharjah Art Foundation.  Installation view: Sharjah Art Foundation, 2018. Image courtesy of Sharjah Art Foundation.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/the-diving-bell-and-the-butterfly</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-05-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1527761680868-A33VF37XF0PRFS6I75G4/Ebtisam+Abdulaziz+%7C%C2%A0Art+o+me+is+a+way+to+communicate+something+that+you+can%E2%80%99t+read-drawing+%7C+Ink+%26%C2%A0Colour+Pencil+on+Paper+%7C%C2%A030x30cm+%7CAED21%2C000+per+pair%C2%A0.jpg</image:loc>
      <image:title>content - The Diving Bell and The Butterfly</image:title>
      <image:caption>Ebtisam Abdulaziz. Art to me is a way to communicate something that you can’t read (2010) Ink &amp; Colour Pencil on Paper. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1527761760123-0UWQ93X17A0YZ50SW223/Katie+Venner-Woodbride+%7C+Series+of+Ink+%26+Acrylic+on+300+gm+Watercolour+Paper+%7C+H28xW19cm+each.jpg</image:loc>
      <image:title>content - The Diving Bell and The Butterfly</image:title>
      <image:caption>Katie Venner-Woodbridge. 20 drawings (ink and watercolour) from the 100 Days series. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1527761900309-39BPV2VYXQF64Z0UQQAA/image-asset.jpeg</image:loc>
      <image:title>content - The Diving Bell and The Butterfly</image:title>
      <image:caption>Wissam Shawkat. Gathering 3. Acrylic on linen canvas. Courtesy of the artist and Mestaria</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1527762087691-FQ450KB5RN1X9I7FR5U4/image-asset.jpeg</image:loc>
      <image:title>content - The Diving Bell and The Butterfly</image:title>
      <image:caption>Amal Al Gurg. Amalgamate. Screenprint. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1527762202899-84ZROPOYIEW5IPTGROLU/Julia+Ibbini+%7C+Study+No.1+for+the+Sublime+Line+%7C++85x100cm+%7C+Cut+paper+layers+over+metallic+ink+on+Mylar.jpg</image:loc>
      <image:title>content - The Diving Bell and The Butterfly</image:title>
      <image:caption>Julia Ibbini. Study No.1 for the Sublime Line. Cut paper layers over metallic ink on Mylar. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1527762127320-6EBI833GSF39M732SR0M/Mariam+Abbas+%7C+Miniature+Masjid+-+D+%7C+%7C+Paper.jpg</image:loc>
      <image:title>content - The Diving Bell and The Butterfly</image:title>
      <image:caption>Mariam Abbas. Miniature Masjid - D. Graphite on paper. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/sandi-hilal-and-alessandro-petti-permanent-temporariness</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-05-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1527405910996-F0HFQOOY96O1OCDMWL1F/DSC_0655.jpg</image:loc>
      <image:title>content - Sandi Hilal and Alessandro Petti: Permanent Temporariness</image:title>
      <image:caption>Sandi Hilal and Alessandro Petti. Common Assembly (front) and Refugee Heritage (back), 2018. Concrete structure, photos and light boxes, variable dimensions. Courtesy of the Artists and NYU Abu Dhabi Art Gallery. Image by John Varghese</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1527406859488-4OKIXWO0ED5C042KCK3J/DSC_01015.jpg</image:loc>
      <image:title>content - Sandi Hilal and Alessandro Petti: Permanent Temporariness</image:title>
      <image:caption>Sandi Hilal and Alessandro Petti. The Concrete Tent, 2015 – 2018. Courtesy of the Artists and NYU Abu Dhabi Art Gallery. Image by JohnVarghese</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1527407063923-HA8V7NL6FTWPR82T0XCJ/DSC_0779.jpg</image:loc>
      <image:title>content - Sandi Hilal and Alessandro Petti: Permanent Temporariness</image:title>
      <image:caption>Sandi Hilal and Alessandro Petti. Mujawara / The Tree School, 2014 – 2018. Stools, Ghaf tree. Courtesy of the Artists and NYU Abu Dhabi Art Gallery. Image by John Varghese</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/apply-now-for-vantage-point-6</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-05-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1527053636244-JKCDZ8TH4S1NRPAX2CRK/Picture1.jpg</image:loc>
      <image:title>content - Apply now for Vantage Point 6</image:title>
      <image:caption>Khaled Hourani, Rotation…of Picasso in Palestine, 2015. Image courtesy of Darat Al Fanun, Amman, Jordan 2016</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/nicky-nodjoumi-fractures</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-05-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1526983763794-RJ7JN6GREEZ0DEKGHUFX/The+Oaths+of+Infidels%2C+2017_oil+on+canvas_243x304cm+%2896x120%29.jpg</image:loc>
      <image:title>content - Nicky Nodjoumi: Fractures</image:title>
      <image:caption>Nicky Nodjoumi. The Oaths of Infidels, 2017. Oil on canvas. Courtesy of the artist and The Third Line.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1526983989648-P46XLUTOUNVQFNZZ71RS/Field+Report%2C+2018_oil+on+canvas_178x127cm+%2870x50%29.jpg</image:loc>
      <image:title>content - Nicky Nodjoumi: Fractures</image:title>
      <image:caption>Nicky Nodjoumi. Field Report, 2018. Oil on canvas. Courtesy of the artist and The Third Line</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1526984218249-N92NCTL0BGDU0FKTH060/Here+is+Aleppo%2C+2017_Ink+on+paper_215x320cm+%2885x126%29.jpg</image:loc>
      <image:title>content - Nicky Nodjoumi: Fractures</image:title>
      <image:caption>Nicky Nodjoumi. Here is Aleppo, 2017. Ink on paper.Courtesy of the artist and The Third Line</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/curtain-call</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-05-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1526360991430-T2L1QEE8I89I3FMK4QBD/imgonline-com-ua-twotoone-7WPRFmQRvXRrZbnx.jpg</image:loc>
      <image:title>content - Paul Guiragossian: Curtain Call</image:title>
      <image:caption>(L) Le Centre Du Monde (1983) by Paul Guiragossian. From the collection of HE Zaki Nusseibeh. (R) Silhouettes (1987) by Paul Guiragossian. On loan from the collection of the Salama bint Hamdan Al Nahyan Foundation. Images courtesy of Barjeel Art Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1526361559655-V9G1Q40W34XKC4HA67RR/imgonline-com-ua-twotoone-lzQE3dOb3PDZ.jpg</image:loc>
      <image:title>content - Paul Guiragossian: Curtain Call</image:title>
      <image:caption>(L) L'Enfant (1978) by Paul Guiragossian from the collection of Dr. Anwar Gargash. (R) Group with Flowers (1963) from the Barjeel Art Foundation collection. Both images courtesy of Barjeel Art Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1526362102273-1Z2B6TR6TQP9V66PN7B2/image-asset.png</image:loc>
      <image:title>content - Paul Guiragossian: Curtain Call</image:title>
      <image:caption>Installation view. Paul Guiragossian: Testimonies of Existence. Image courtesy of Barjeel Art Foundation.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/digital-lives-digital-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-05-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1525426467075-D3C6ONY257T7RL9570BE/IMG_0936.JPG</image:loc>
      <image:title>content - Digital Lives, Digital Art?</image:title>
      <image:caption>Ramin and Rokni Haerizadeh speaking at the Global Art Forum 2018 in a session titled I Am A Human Artist. Image taken by Anna Seaman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1525425926817-HCBAECFTNU6SX79C4L9P/YpTnzSP.jpg</image:loc>
      <image:title>content - Digital Lives, Digital Art?</image:title>
      <image:caption>Excerpt of the conversation between two chat-bots called Alice and Bob as part of an aborted Facebook AI experiment. Courtesy of Facebook Artificial Intelligence Research</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1525426227995-PDUQMCB75VASUFW7QRDW/qqq.JPG</image:loc>
      <image:title>content - Digital Lives, Digital Art?</image:title>
      <image:caption>Marlies Wirth, Noah Raford and Shumon Basar giving opening remarks at Art Dubai’s Global Art Forum 2018. Image courtesy of Art Dubai</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1525426270829-SN59ZD5KD5TKXFMJHNEC/DQmXa2vwZGKsLmzPXbFMEA3d4Fb4MkqH4GACEYxNsAx2aj9.jpeg</image:loc>
      <image:title>content - Digital Lives, Digital Art?</image:title>
      <image:caption>The first robotic policeman is currently undergoing testing in Dubai’s Police Force. Image courtesy of Dubai Police Smart Services Department.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/houssam-ballan-beings</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-05-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1525284608814-4AQTYNMOJF8VUXPB2UOF/1A8A2178.jpg</image:loc>
      <image:title>content - Houssam Ballan: Beings</image:title>
      <image:caption>Houssam Ballan's exhibition Beings, is a snapshot into life in his native Syria but also a deeply personal reflection on human emotion. Image courtesy of The Workshop, Dubai.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1525284685679-SFL1YXD0II0DB9IN2ENH/image-asset.jpeg</image:loc>
      <image:title>content - Houssam Ballan: Beings</image:title>
      <image:caption>He chooses to use less detail for his protagonists, meaning that he shows them as the mind's eye perceives them rather than in a fully realistic approach. Image courtesy of The Workshop, Dubai</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/abbas-akhavan-recently</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-05-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1525257921102-F3VW1MDHY4ANCH4LJ73S/Abbas+Akhavan_recently_2018_The+Third+Line_Installation+view_3.jpg</image:loc>
      <image:title>content - Abbas Akhavan: Recently</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/rain-room-opens-in-sharjah</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-05-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1525180272477-B038C2JW8P9ZVH9LE44C/5-2.jpg</image:loc>
      <image:title>content - Rain Room opens in Sharjah</image:title>
      <image:caption>Random International, Rain Room, 2012. Exhibited at Sharjah Art Foundation, 2018. Image courtesy of Sharjah Art Foundation</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/alserkal-to-collaborate-with-hayward-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-04-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1524553133026-Y1WC0U5T7SSYTR24F1G9/02+_SP_6455-Edit-large.jpg</image:loc>
      <image:title>content - Alserkal to collaborate with Hayward Gallery</image:title>
      <image:caption>Marguerite Humeau. HARRY II (BODY), 2017. Polystyrene, resin, fibreglass, white paint, acrylic parts, sprayed metal stand, water tanks, *raptors* – sourced on an anti-climbing security systems website – cast in artificial human skin, rubber, glass artificial blood-sucking organ, artificial human blood, sound. Stan Narten, JSP Photography. Courtesy the artist and C L E A R I N G New York / Brussels</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1524553242238-V4LU9ZUUDR3Y7KRPN1W9/03+Walking-Museum04-A-2308-HI.jpg</image:loc>
      <image:title>content - Alserkal to collaborate with Hayward Gallery</image:title>
      <image:caption>Andreas Angelidakis. The Walking Building, 2004 - 2006. Video animation, colour, sound, duration 5mins. © Andreas Angelidakis. Courtesy The Breeder, Athens</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/in-the-studio-with-mohammed-ahmed-ibrahim</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-04-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1523961202439-7Z7IHNJ25PDYM70IMVZU/IMG_1046.jpg</image:loc>
      <image:title>content - In the studio with Mohammed Ahmed Ibrahim</image:title>
      <image:caption>Mohammed Ahmed Ibrahim standing at the foot of the mountain outside his home in Khorfakkan. Image taken by Anna Seaman on March 27, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1523961309295-JU0U9SE4ZW60FJWL0ZTD/IMG_1034.jpg</image:loc>
      <image:title>content - In the studio with Mohammed Ahmed Ibrahim</image:title>
      <image:caption>Inside Mohammed Ahmed Ibrahim's studio, his desk is filled with evidence of his daily practice and the walls are hung from ceiling to floor with sketches and canvases. Image taken by Anna Seaman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1523961440340-HD9R98PUYMDWMYOGBFRQ/IMG_1036.jpg</image:loc>
      <image:title>content - In the studio with Mohammed Ahmed Ibrahim</image:title>
      <image:caption>A collection of stones wrapped in copper wire; a typical example of his work and a regular component to his studio. Image taken by Anna Seaman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1523961566432-3FUX21U21IUNEA6YTGKH/image-asset.jpeg</image:loc>
      <image:title>content - In the studio with Mohammed Ahmed Ibrahim</image:title>
      <image:caption>Installation view of Mohammed Ahmed Ibrahim: Elements (16 March—16 June, 2018) Gallery 3, Bait Al Hurma, Bait Makrani, Al Mureijah Square, Sharjah Art Foundation. Image courtesy of Sharjah Art Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1523961662779-3X1734QD06TP1HWRDZHU/IMG_1038.jpg</image:loc>
      <image:title>content - In the studio with Mohammed Ahmed Ibrahim</image:title>
      <image:caption>Mohammed Ahmed Ibrahim in his home studio, holding one of his collections of rocks. Image taken by Anna Seaman.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/barjeel-art-foundation-collection-to-go-on-semi-permanent-display</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-04-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1523611385084-Y7FVGSIPANVL70Q32HV8/Kadhim+Haider_1.jpg</image:loc>
      <image:title>content - Barjeel Art Foundation collection to go on permanent display</image:title>
      <image:caption>Kadhim Hayder. Ten Fatigued Horses Converse with Nothing (1965). Courtesy of the Barjeel Art Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1523613919735-LVWLRDROQCSC6OOVICH7/Dia+Azzawi+-+A+Wolf+Howls_Memories+of+a+Poet.jpg</image:loc>
      <image:title>content - Barjeel Art Foundation collection to go on permanent display</image:title>
      <image:caption>Dia Azzawi. A Wolf Howls: Memories of a Poet (1968). Courtesy of the Barjeel Art Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1523641476124-97UO0UGU1G3F29I54524/Ibrahim+El-Salahi+-+The+Last+Sound.jpg</image:loc>
      <image:title>content - Barjeel Art Foundation collection to go on permanent display</image:title>
      <image:caption>Ibrahim El Salahi. The Last Sound, 1964. Courtesy of the Barjeel Art Foundation.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/artscoops-auction-to-go-live-next-week</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-04-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1522859206689-7VOZPY2DOSPGIC0B1RDB/33+-+Willy+Aractingi.jpg</image:loc>
      <image:title>content - Artscoops auction to go live next week - Le Rêve du Coq Rouge by Willy Aractingi</image:title>
      <image:caption>Oil on canvas 100 x 100 cm. Painted in August 1992 and with an estimate of US$ 8,000-12,000 this work displays Aractingi's childlike and playful style that is full of wisdom and humour</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1522859276690-ZRPTH4YEDGZYGKBTJIB0/34+-+Safwan+Dahoul.jpg</image:loc>
      <image:title>content - Artscoops auction to go live next week - Still Life by Safwan Dahoul</image:title>
      <image:caption>Acrylic on canvas. 100 x 100 cm. Painted in 1999 with an estimate of US$ 30,000-50,000.  This painted toward the end of the artist’s Blue Period and is a particularly rare find today.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1522859336611-4V4XHJ315J2546573JX7/53+-+Hamed+Abdalla.jpg</image:loc>
      <image:title>content - Artscoops auction to go live next week - From the Ahl el Kahf (People from the Caves) series by Hamed Abdalla</image:title>
      <image:caption>Acrylic on paper. 24.4 x 17 cm. Painted in 1976 and with an estimate of US$ 6,500-8,000. Dating to the last decade of his life, this artwork illustrates Hamed Abdalla’s passion for experimenting with texture with a hieroglyphic feel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1522859785677-HG48EACV7HS9AYI4N5JS/32+-+Georges+Sabbagh.jpg</image:loc>
      <image:title>content - Artscoops auction to go live next week - Le Cèdre by Georges Sabbagh</image:title>
      <image:caption>Oil on canvas. 90 x 71.5 cm. Painted circa end of 1930s and with an estimate of US$ 15,000-25,000. This seminal painting by one of the region’s best-known artists highlights both his passion for countryside landscapes and, perhaps, gives a nod to his family’s part-Lebanese roots</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1522859350655-YUBDS2JBNKVZ13ADTXUZ/66+-+Rafa+Al-Nasiri.jpg</image:loc>
      <image:title>content - Artscoops auction to go live next week - Untitled by Rafa Al Nasiri</image:title>
      <image:caption>Acrylic and metallic spray paint on paper. image 38.4 x 29 cm. sheet: 61 x 50.8 cm. Painted in 1989 and with an estimate of US$ 4,000-6,000. This piece is typical of Al Nasiri's abstract style and also represents his interest in nature.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1522860566627-Y0UUZKXORKUYU08SCGUZ/81+-+Paul+Guiragossian.jpg</image:loc>
      <image:title>content - Artscoops auction to go live next week</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1522860025895-M6NBYPWXSDXA6118G9WG/81+-+Paul+Guiragossian.jpg</image:loc>
      <image:title>content - Artscoops auction to go live next week - Maternité by Paul Guiragossian</image:title>
      <image:caption>Oil on canvas 65 x 54 cm. Painted in 1962 and with an estimate of US$ 38,000-55,000. From the artist’s dominantly figurative period of the early 1960s, this is one of his most brilliant works of motherly figures, a recurrent theme in his oeuvre.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1522860812688-C2JI9EP3IOSCL31SRJ5Q/81+-+Paul+Guiragossian.jpg</image:loc>
      <image:title>content - Artscoops auction to go live next week</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1522860886926-ZOV79HA8QRLDIGXC4Y5Z/81+-+Paul+Guiragossian.jpg</image:loc>
      <image:title>content - Artscoops auction to go live next week</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1522860947398-05HDAGO5CMROAEJ84OAS/32+-+Georges+Sabbagh.jpg</image:loc>
      <image:title>content - Artscoops auction to go live next week</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/sothebys-prize-open-for-applications</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1522318884899-A5SMKZHKRN64WIEI8W7G/Huguette_Caland_5.jpg</image:loc>
      <image:title>content - Sotheby's Prize open for applications</image:title>
      <image:caption>Huguette Caland, Exit, 1970. One of the pieces of work to be displayed in the MCA Chicago exhibition set to open in 2020 - one winning entry to the 2017 Sotheby's Prize.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/art-jewellery-wearable-creations</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1522256221406-C3WCNETWSH968FJ1PK18/custot+display+%26+Set+up+03+2018%C2%A9Pia+Torelli-32.jpg</image:loc>
      <image:title>content - Art &amp; Jewellery: wearable creations</image:title>
      <image:caption>Art &amp; Jewelry. Installation view of the display cabinet housing more than 80 pieces of wearable art at Custot Gallery, Dubai. ©Pia Torelli. Copyright Vincent Coste Architecte</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1522256417291-N1QOW2A8GS470F3E3FPY/custot+display+%26+Set+up+03+2018%C2%A9Pia+Torelli-20.jpg</image:loc>
      <image:title>content - Art &amp; Jewellery: wearable creations</image:title>
      <image:caption>Installation view of jewellery pieces made in 2017 by Hervé van der Staeten. Image courtesy of Pia Torelli.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1522256511197-HI1PH71QLNAKNQAMW63R/untitled_gm_335871ex1.jpg</image:loc>
      <image:title>content - Art &amp; Jewellery: wearable creations</image:title>
      <image:caption>Untitled, 2002, Antony Gormley. Sculpture made from mild steel blocks. © Antony Gormley.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/sharjah-art-foundation-delivers-production-grants</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1521968471441-2X09F304K25U1GFIW8XW/PP_2018_News.JPG</image:loc>
      <image:title>content - Sharjah Art Foundation delivers production grants</image:title>
      <image:caption>Al Mureijah Sqaure, 2017. Aerial View. Image courtesy of Sharjah Art Foundation</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/highlights-of-art-dubai-2018</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1521719327885-15YPDEUB3YDXM5BCWXF7/Casting+The+Invisible+-+Installation+View.jpg</image:loc>
      <image:title>content - Highlights of Art Dubai 2018 - Casting the Invisible</image:title>
      <image:caption>Installation view of artwork by Yasauaki Onishi. Courtesy of The Mine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1521719345291-2AWI3DOQ80I5BRC6ZSAN/IMG_0897.jpg</image:loc>
      <image:title>content - Highlights of Art Dubai 2018</image:title>
      <image:caption>Installation by Farshad Farzankia. As part of the Residents section at Art Dubai. Image by Anna Seaman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1521719375269-QJUXAAASEIA4A6BUG4I8/IMG_0896.jpg</image:loc>
      <image:title>content - Highlights of Art Dubai 2018</image:title>
      <image:caption>Artwork by Iabadiou Piko at Orbital Dago gallery. Image by Anna Seaman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1521719499518-WRWU3H86DP31I42CPFKS/IMG_0896.jpg</image:loc>
      <image:title>content - Highlights of Art Dubai 2018</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1521719694127-3WJ7BPPD6ZXGL2KRSE1N/IMG_0933.jpg</image:loc>
      <image:title>content - Highlights of Art Dubai 2018 - Mama Gardener</image:title>
      <image:caption>Hiromi Tango creates whimsical worlds to inspire children and offer healing creativity. Image by Anna Seaman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1521719726068-TXRVILIFKAL6B67OR3EN/IMG_0932.jpg</image:loc>
      <image:title>content - Highlights of Art Dubai 2018 - Mama Gardener</image:title>
      <image:caption>Hiromi Tango creates whimsical worlds to inspire children and offer healing creativity</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1521719752101-MAZP6A6BWNZE2YYGEN5H/IMG_0945.JPG</image:loc>
      <image:title>content - Highlights of Art Dubai 2018 - Mama Gardener</image:title>
      <image:caption>Hiromi Tango weaving her healing garden. Image by Anna Seaman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1521719753661-6ZVVHTV9KQBF9336FZTT/hiromi-tango-fluorescence-installation-view-2015.jpg</image:loc>
      <image:title>content - Highlights of Art Dubai 2018 - Fluorescence</image:title>
      <image:caption>Hiromi Tango, ‘Installation View, 2015. Courtesy the Artist and Sullivan+Strumpf, Sydney.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1521719922352-1LF6YIA1VZT7135TBU9M/P1010327.jpg</image:loc>
      <image:title>content - Highlights of Art Dubai 2018 - Kristin Hjellegjerde Gallery booth at Art Dubai 2018</image:title>
      <image:caption>Featuring artwork by Sohelia Sokhanvari. Courtesy of the artist and the galleryFeaturing artwork by Sohelia Sokhanvari. Courtesy of the artist and the gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1521719957531-BIPP24ZV5L08MRZBQGJZ/WILEY+Idrissa+Ndiaye.jpg</image:loc>
      <image:title>content - Highlights of Art Dubai 2018 - Idrissa Ndiaye, 2012</image:title>
      <image:caption>Kehinde Wiley. Oil on canvas.© Kehinde Wiley studio Photo : B.Huet-Tutti. Courtesy Galerie Templon, Paris and Brussels.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1521720000473-7XPNX07Q1HFIMMQBJXXV/gwn_britton_2014-3-1.jpg</image:loc>
      <image:title>content - Highlights of Art Dubai 2018 - Deluge, 2014</image:title>
      <image:caption>Val Britton. Site-specific installation of hand cut and laser cut paper, ink, and thread, Dimensions variable Image courtesy of the artist and Gallery Wendi Norris, San Francisco.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1521720144474-8K1I2XQ6N3SIUCXBULFC/img_0700.jpg</image:loc>
      <image:title>content - Highlights of Art Dubai 2018 - Dastan's Basement booth</image:title>
      <image:caption>Booth view at Art Dubai 2018. Courtesy of the gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/dubai-welcome-to-the-happy-city-4366b</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1521522620623-A6QOAMYMZRQFNW1F6RWN/HH+Sheikh+Hamdan+and+Myrna+Ayad_Art+Dubai+2017_Courtesy+of+Photo+Solutions+%284%29.jpg</image:loc>
      <image:title>content - Dubai - Welcome to the happy city</image:title>
      <image:caption>His Highness Sheikh Hamdan bin Mohammed bin Rashid al Maktoum and Myrna Ayad, director of the fair at the opening of Art Dubai 2017. Courtesy of Photo Solutions.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1521522836744-CP7NKOR0MRCJC6VBIG0H/z14075502IER%2CDubaj.jpg</image:loc>
      <image:title>content - Dubai - Welcome to the happy city</image:title>
      <image:caption>The Burj Khalifa and the Dubai Mall - two of the world's largest buildings in terms of height and scale.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1521522926855-9EG0VPJNV5KKVXLA4LOF/Jaguar-Opera+Dubai+Event-12.jpg</image:loc>
      <image:title>content - Dubai - Welcome to the happy city</image:title>
      <image:caption>The facade of Dubai Opera during an event sponsored by Jaguar. Courtesy Dubai Opera</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1521523028442-R2SAAIPJ1O9CMJX7946P/Opera+14.jpg</image:loc>
      <image:title>content - Dubai - Welcome to the happy city</image:title>
      <image:caption>eL Seed's calligraphic sculpture - a 30 metre piece weighing 3.5 tonnes - is installed in the piazza outside of Dubai Opera. Image by Christina Dimitrova. Courtesy eL Seed Studio.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/jene-highstein-of-space-and-place</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1521398041244-4P8R1GGFY3N88L398KUG/Screen+Shot+2018-03-18+at+22.32.33.png</image:loc>
      <image:title>content - Jene Highstein: Space and Place</image:title>
      <image:caption>Four Forged Steel, St Etienne 1978, Deutsch Foundation, Lausanne. Photo by Magali Prod'Hom. Courtesy of Jean-Paul Najar Foundation.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/cultural-narratives-from-across-the-middle-east</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1521187210506-QVC906ZHSCOGK0E7QC5D/DSC_9758.jpg</image:loc>
      <image:title>content - Cultural Narratives from across the Middle East</image:title>
      <image:caption>Cultural Narratives, installation view in Alserkal Avenue, February 2018. Courtesy of Selections.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1521187574393-RGCSK8L2MQ1SA9KIWJZF/DSC_9757.jpg</image:loc>
      <image:title>content - Cultural Narratives from across the Middle East</image:title>
      <image:caption>Cultural Narratives, installation view. Featured here are pieces by Leila Kubba, Saddam Jumaily, Sinan Hussein, Mahmoud Obaidi, Fathel Neema, Serwan Baran, Sadik Kwaish Alfraji, Athier Mousawi, Dia Azzari, Nawal Alsadon, ?Missing info?, Mahmoud Shubbar, Nadim Kufi, Hanaa Malallah, Maysaloun Faraj (top-bottom; left-right)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1521187584481-RYCQ0G46XZ28D4K0V7TE/DSC_9756.jpg</image:loc>
      <image:title>content - Cultural Narratives from across the Middle East</image:title>
      <image:caption>Cultural Narratives, installation view. Featured here are pieces by Bahareh Navabi, Sogol Kashani, Sadra Baniasadi, Amin Akbari, Sadaf Hesamiyan, Habib Farajabadi, Mahsa Karimi, Zahra Navaei, Atousa Jannesari, Yashar Salahi, Kaveh Irani, Resmi Al Kafaji, Amir Sograthi, Habib Farajabadi, Khoroush Salehi, Nariman Farrokhi, ??missing info??, Sina Choopani, Ahmed Al Bahrani, Ghasemi Brothers, Mohammed Fattahi, Ahoo Maher, Aidin Xankeshipour, Amin Montazeri. (top-bottom; left-right)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/majd-kurdieh-stealing-sadness</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1521045041590-ID4VTL8NSVUNRGIY44QT/Majd+Kurdieh%2C+Untitled%2C+%23StealingSadness+series%2C+oil+on+canvas%2C+99+x+148+cm.jpg</image:loc>
      <image:title>content - Majd Kurdieh: Stealing Sadness</image:title>
      <image:caption>Majd Kurdieh, Untitled, #StealingSadness series, oil on canvas, 99 x 148 cm. Poem translation: The man burdened with desire is undone, he is beside himself with joy. Courtesy of the artist and The Workshop, Dubai.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1521044952436-ETTLBKPFWX3YVF1G6LCJ/Majd+Kurdeih%2C+Untitled%2C+%23StealingSaddness+series%2C+oil+on+canvas%2C+200+x+165+cm.jpg</image:loc>
      <image:title>content - Majd Kurdieh: Stealing Sadness</image:title>
      <image:caption>Majd Kurdieh, Untitled, #StealingSadness series, oil on canvas, 200 x 165 cm. Poem translation: This sadness is as big as a whale, how did it hide in one teardrop? Courtesy of the artist and The Workshop, Dubai.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1521045135307-2MLUXDGBR0D2NUEEJJH9/Majd+Kurdeih%2C+Untitled%2C+%23StealingSadness%2C+oil+on+canvas%2C+88.5+x+109+cm.jpg</image:loc>
      <image:title>content - Majd Kurdieh: Stealing Sadness</image:title>
      <image:caption>Majd Kurdieh, Untitled, #StealingSadness, oil on canvas, 88.5 x 109 cm. Poem translation: "I am actually not different from them all. I am just fatigued by this endless journey. Courtesy of the artist and The Workshop, Dubai.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1521045279401-PMXITBD9R0P4YQHHAR61/Majd+Kurdieh%2C+Untitled%2C+%23StealingSaddness+series%2C+oil+on+canvas%2C+130+x+100+cm.jpg</image:loc>
      <image:title>content - Majd Kurdieh: Stealing Sadness</image:title>
      <image:caption>Majd Kurdieh, Untitled, #StealingSadness series, oil on canvas, 130 x 100 cm. Courtesy of the artist and The Workshop, Dubai.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/jonny-farrow-to-open-exhibition-at-the-project-space-nyu-abu-dhabi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1520849927283-IFVFIC2OJU2NB843HED8/Hover_Nadir.jpg</image:loc>
      <image:title>content - Jonny Farrow to open exhibition at The Project Space, NYU Abu Dhabi</image:title>
      <image:caption>Jonny Farrow. Hover/Nadir. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/dine-with-a-jeff-koons-for-dubai-art-week</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1520848813063-ZKAES1SP9VA82WQ9IK3O/KOONS_Balloon+dogs+plate+orange+%28copyright+%C2%A9+Jeff+Koons.jpeg</image:loc>
      <image:title>content - Dine with a Jeff Koons for Dubai Art Week</image:title>
      <image:caption>Jeff Koons' Balloon dog plate orange. © Jeff Koons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1520848972291-4LFAPPWBHXLTQXCEMSML/Guelfenbein+-+Formation.jpeg</image:loc>
      <image:title>content - Dine with a Jeff Koons for Dubai Art Week</image:title>
      <image:caption>Formation by Eduardo Guelfenbein. Courtesy of the artist and Opera Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/the-secret-life-of-mushrooms-and-other-stories</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1520523713477-1MHF6FNCC7CVQO8QQ2FW/Exhibition+view_C0A2424.JPG</image:loc>
      <image:title>content - The Secret Life of Mushrooms and Other Stories</image:title>
      <image:caption>Ishara: Signs, Symbols and Shared Languages (installation view). Visible on the left is Dina Khorchid’s Through a Trail (2018) and in the main shot, Mycelial Meshing (2018) by Flounder Lee. Courtesy UAE Unlimited and Alserkal Programming.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1520523822257-H5L2QLOVAF55L5N1BR7Z/image-asset.jpeg</image:loc>
      <image:title>content - The Secret Life of Mushrooms and Other Stories</image:title>
      <image:caption>Ishara: Signs, Symbols and Shared Languages (installation view). Hanging on the left is Amna Al Dabbagh’s The Hanging Odes (2018) and the installation on the right is Farah Al Qasimi's Everybody was Invited to a Party (2018). On the rear wall is Nasir Nasrallah's Forgotten Title (2018) made of 100 everyday objects in envelopes with a coded description written on the surface.  Courtesy UAE Unlimited and Alserkal Programming.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1520524042374-2CI2NE45MUMD25I3ZRXS/Farah+Al+Qasimi_Everybody+was+Invited+to+a+Party%2C+2018_1.png</image:loc>
      <image:title>content - The Secret Life of Mushrooms and Other Stories</image:title>
      <image:caption>Still from Farah Al Qasimi's Everybody was Invited to a Party, 2018, a video based on the Arabic version of Sesame Street that addresses issues of translation. Courtesy UAE Unlimited and Alserkal Programming.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1520525591156-YGJ0UN5XGXRJDZ326Y2Z/Shaikha+Al+Ketbi+Ath%27thaniyah+video+installation%2C+part+of+Ishara+exhibition.+Image+credit+Musthafa+Aboobacker%2C+courtesy+UAE+Unlimited+and+Alserkal+Programming.JPG</image:loc>
      <image:title>content - The Secret Life of Mushrooms and Other Stories</image:title>
      <image:caption>Shaikha Al Ketbi Ath'thaniyah video installation, part of Ishara exhibition. Image credit Musthafa Aboobacker. Courtesy UAE Unlimited and Alserkal Programming.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1520525677043-UD5P6C9XSCPLJTZXSVRN/Saba+Qazilbash_C0A2415_2.jpg</image:loc>
      <image:title>content - The Secret Life of Mushrooms and Other Stories</image:title>
      <image:caption>Ishara: Signs, Symbols and Shared Languages (installation view). Visible on the left is Saba Qizilbash’s Land Marks (2018) and on the right, Salem Al Mansoori's Going Inside, In The Dictionary and Body Language2018 Courtesy UAE Unlimited and Alserkal Programming.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/art-dubai-to-partner-with-misk-institute</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1520345824457-00RCMRIXTT1YPHI1QPFW/AC06-Mar-Misk.jpg</image:loc>
      <image:title>content - Art Dubai to partner with Misk Institute</image:title>
      <image:caption>Shakir Hassan Al Said's untitled painting from 1957, part of the Baghdad Group for Modern Art</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1520345844579-WSPPBA4W5UNPJH8VAU2D/AC06-March-Misk-Institute-Photo.jpg</image:loc>
      <image:title>content - Art Dubai to partner with Misk Institute</image:title>
      <image:caption>Mohammed Melehi's 'Untitled,' 1976. Melehi's work, part of the Casablanca School of Art of the 1960s and 70s, will be on show in Art Dubai's show 'That Feverish Leap into the Fierceness of Life'.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/the-starry-night-in-carpet-form-to-be-auctioned-off-in-dubai</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1520337938228-WPS8OMCRUI9HP5QSEZ17/Samovar+Carpets_The+Making+of+Starry+Night_06.jpg</image:loc>
      <image:title>content - The Starry Night in carpet form to be auctioned off in Dubai</image:title>
      <image:caption>The Starry Night as rendered in hand-woven Tibetan style carpet in its finishing stages. The textile creation will be sold during a silent auction as part of Dubai Art Season. Image courtesy of Samovar Carpets.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1520338094470-IMON7W0I7AZFEVQ11JU4/Samovar+Carpets_The+Making+of+Starry+Night_08.jpg</image:loc>
      <image:title>content - The Starry Night in carpet form to be auctioned off in Dubai</image:title>
      <image:caption>Workers in the process of weaving the 150 knot per inch carpet that translates Van Gogh's masterpiece The Starry Night into a fabric artwork. Image courtesy of Samovar Carpets</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/six-cool-cultural-events-to-check-out-this-month</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1520274809354-CORKUZX4PIS53YFPW406/Hale+Tenger%2C+Under%2C+2018%2C+work+in-progress.+Photo+courtesy+Green+Art+Gallery%2C+Dubai%2C+Galeri+Nev%2C+Istanbul+and+Alserkal+Programming%2C+Dubai.jpg</image:loc>
      <image:title>content - Six cool cultural events to check out this month</image:title>
      <image:caption>Hale Tenger, Under, 2018, work in-progress. Photo courtesy Green Art Gallery, Dubai, Galeri Nev, Istanbul and Alserkal Programming, Dubai</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1520274408944-DQFJYKP90KPAUU7DBRN2/Geometric+Jewellery+4.JPG</image:loc>
      <image:title>content - Six cool cultural events to check out this month</image:title>
      <image:caption>Geometric Jewellery, as taught by Fay McCaul during her Tashkeel workshop. Image courtesy of Tashkeel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1520274638680-358MM97EB7L0Y8HNMSGT/Majd+Kurdiah+++++Oil+on+canvas+200x165.jpg</image:loc>
      <image:title>content - Six cool cultural events to check out this month</image:title>
      <image:caption>Painting by Majd Kurdieh from his #stealingsadness exhibition at The Workshop, Dubai. Image courtesy of The Workshop.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/fashion-illustration-goes-on-show-in-al-ain</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1520183136663-KNUU3TIF1ML5E2S2DS8A/Discover+the+World+of+Fashion+Illustration+at+Al+Qattara+Arts+Centre+1.jpg</image:loc>
      <image:title>content - Fashion illustration goes on show in Al Ain</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/arab-women-featured-in-london-exhibition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1519981227256-4KOXY4ONR2NSC4YQZPGN/3.+Shaikha%2C+Ghaya%2C+2016.jpg</image:loc>
      <image:title>content - Arab women featured in London exhibition</image:title>
      <image:caption>Shaikha Fahad Al Ketbi, Ghaya, 2016. Archival pigment print. Courtesy of the artist.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1519981338665-IBPL2IX0WULR09DFOWI9/6.+Nada%2C+December+Child%2C+2017.jpg</image:loc>
      <image:title>content - Arab women featured in London exhibition</image:title>
      <image:caption>December Child (detail). Nada Elkalaawy, acrylics on cotton, 2017. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/art-jameel-announces-winner-of-sculptural-commission</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-02-28</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1519794493099-S9567C413J9ZQWG1T9DL/Contrary-Life_Daytime-closeup_courtesy-of-the-artists.jpg</image:loc>
      <image:title>content - Art Jameel announces winner of sculptural commission</image:title>
      <image:caption>Contrary Life: A Botanical Light Garden Devoted to Trees (view in the daytime). Courtesy of the artists Alia Farid and Aseel AlYaqoub.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1519794439002-QU5DCAASKWAKD7EIW9HE/Contrary-Life_Nighttime-closeup_courtesy-of-the-artists-copy.jpg</image:loc>
      <image:title>content - Art Jameel announces winner of sculptural commission</image:title>
      <image:caption>Contrary Life: A Botanical Light Garden Devoted to Trees (view at night). Courtesy of the artists Alia Farid and Aseel AlYaqoub.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/from-barcelona-to-abu-dhabi-uniting-continents</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-02-25</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1519378997450-INM3NIBE5111FPDRR57M/IMG_0456.jpg</image:loc>
      <image:title>content - From Barcelona to Abu Dhabi: uniting continents</image:title>
      <image:caption>The first work that hangs in From Barcelona to Abu Dhabi - Works from MACBA in dialogue with the Emirates. Lawrence Weiner’s text-based piece Some Objects of Desire that has been translated for this exhibition from English to Arabic. Image taken by Anna Seaman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1519378864948-VOR799V4721X7O35584W/ShadowPP+ADMAF+MACBA+EXh+3287.jpg</image:loc>
      <image:title>content - From Barcelona to Abu Dhabi: uniting continents</image:title>
      <image:caption>Juan Muñoz’s The Nature of Visual Illusion (1994–1997) installed in Manarat Al Saadiyat, February 2018 as part of From Barcelona to Abu Dhabi - Works from MACBA in dialogue with the Emirates. © Courtesy of Abu Dhabi Festival</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1519379091333-QRUMKWKRRXVE22C58UZQ/ShadowPP+ADMAF+MACBA+EXh+3295.jpg</image:loc>
      <image:title>content - From Barcelona to Abu Dhabi: uniting continents</image:title>
      <image:caption>Mohammed Kazem's Scale hangs in the first section of Emirati art. On the right, Hassan Sharif's painting of El Greco is visible.  © Courtesy of Abu Dhabi Festival</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1519378626337-ZP5L43X19YH5V89H1RJQ/ShadowPP+ADMAF+MACBA+EXh+3317.jpg</image:loc>
      <image:title>content - From Barcelona to Abu Dhabi: uniting continents</image:title>
      <image:caption>Layla Juma's Settlement (2017) stands amid other works from ADMAF's collection of leading Emirati artists. Installed nstalled in Manarat Al Saadiyat, February 2018 as part of From Barcelona to Abu Dhabi - Works from MACBA in dialogue with the Emirates. © Courtesy of Abu Dhabi Festival</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1519378812307-QSFN4DH3W3Q21URSWG3Y/IMG_0466.jpg</image:loc>
      <image:title>content - From Barcelona to Abu Dhabi: uniting continents</image:title>
      <image:caption>We access the final section after crossing a large curtain by Daniel Steegmann Mangrané, Untitled, (2014). Inside Gego's work is installed across from two 1930s pieces by Alexander Calder. Picture taken by Anna Seaman.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/serge-attukwei-clottey-the-displaced</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-02-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1519012238164-UI0VGR2S6MS6DF0SDE91/Serge+Attukwei+Clottey%2C+Too+far+from+home%2C+2017%2C+Plastics%2C+wires%2C+and+oil+paint%2C+147.32+x+198.12+cm%2C+Courtesy+the+artist+and+Gallery+1957.jpg</image:loc>
      <image:title>content - Serge Attukwei Clottey: The Displaced</image:title>
      <image:caption>Serge Attukwei Clottey, Too far from home, 2017, Plastics, wires, and oil paint, 147.32 x 198.12 cm, Courtesy the artist and Gallery 1957</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1519012345885-UXEK82MEN67E345Z6ROD/Lawrie+Shabibi_The+Displaced_Jan+2018-11.jpg</image:loc>
      <image:title>content - Serge Attukwei Clottey: The Displaced</image:title>
      <image:caption>Installation view of The Displaced, Serge Attukwei Clottey's solo exhibition as part of the Gallery Takeover by Gallery 1957 at Lawrie Shabibi Gallery, Dubai. Image courtesy of Lawrie Shabibi.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1519012714142-VNALP7VW9D411H19MVPR/Lawrie+Shabibi_The+Displaced_Jan+2018-16.jpg</image:loc>
      <image:title>content - Serge Attukwei Clottey: The Displaced</image:title>
      <image:caption>Installation view of The Displaced, Serge Attukwei Clottey's solo exhibition as part of the Gallery Takeover by Gallery 1957 at Lawrie Shabibi Gallery, Dubai. Image courtesy of Lawrie Shabibi.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/louvre-abu-dhabi-opens-highway-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-02-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1518771383773-8KGHQAJQAXFOTKBI3O6M/DSCF9768.jpg</image:loc>
      <image:title>content - Louvre Abu Dhabi opens highway gallery</image:title>
      <image:caption>La Belle Ferroniere, Leonardo Da Vinci's masterpiece that is currently hanging in the Louvre Abu Dhabi is one of 10 billboards that trigger a radio introduction to be played to motorists as they drive past. Image courtesy of Louvre Abu Dhabi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1518771596521-W8H04YMFZSTPSWW8UB4R/DSCF9807.jpg</image:loc>
      <image:title>content - Louvre Abu Dhabi opens highway gallery</image:title>
      <image:caption>The Sarcophagus of Princess Henuttawy from Ancient Egypt is another of the 10 billboards launched to make the drive to the museum more interesting as well as to mark Innovation Month in the UAE. Image courtesy of Louvre Abu Dhabi</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/tariq-dajani-drinkers-of-the-wind</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-02-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1518605116581-J4SHK5CQR4EQVLSPJN1T/Tariq+Dajani+%7C+Attar+Dirab+2005.jpeg</image:loc>
      <image:title>content - Tariq Dajani: Drinkers of the Wind</image:title>
      <image:caption>Tariq Dajani, Attar Dirab, 2005. Courtesy of the artist and Mestaria.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1518605194188-V15JVAY14QV195Q2D6ZK/Tariq+Dajani+%7C+Peregrine+Falcon+%28Falco+Peregrinus%29+2011.jpeg</image:loc>
      <image:title>content - Tariq Dajani: Drinkers of the Wind</image:title>
      <image:caption>Tariq Dajani, Peregrine Falcon (Falco Peregrinus) 2011. Courtesy of the artist and Mestaria</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/naqsh-collective-shortlisted-for-jameel-prize-5</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-02-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1517756621555-H09QN2ZZRWLIJDRJQY4J/nisreen+and+nermeen+portrait_s.jpeg</image:loc>
      <image:title>content - Naqsh collective shortlisted for Jameel Prize 5</image:title>
      <image:caption>(L-R) Nisreen and Nermeen Abudail, the sister duo who make up naqsh collective have been nominated for the fifth edition of the Jameel Prize. Image courtesy of the artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1517752348482-WQ5TD27FV4L0U7VMB3F4/Jameel+Prize+5+Finalist_Nisreen_And_Nermenabudail_The+Shawl.jpg</image:loc>
      <image:title>content - Naqsh collective shortlisted for Jameel Prize 5</image:title>
      <image:caption>The Shawl by naqsh collective. The designers sisters Nisreen and Nermeen Abudail are Jordanian with Palestinian heritage and the design is based on Palestinian embroidery but rendered in wood and bronze. Image courtesy of the artists.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1517755612491-T388QKFDS7HXEAWQ7JWW/Jameel+Prize+5+Finalist_Nisreen_And_Nermenabudail_The+Shawl_Detail+shot_1.jpg</image:loc>
      <image:title>content - Naqsh collective shortlisted for Jameel Prize 5</image:title>
      <image:caption>The Shawl (detail) by Naqsh Collective. One of the shortlisted artworks for Jameel Prize 5. Image courtesy of the artists.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/tiles-and-textiles-at-tashkeel</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-02-06</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1517898053765-CYTVFM4KTNZPR0OWTU9W/IMG_0451.JPG</image:loc>
      <image:title>content - Tiles and Textiles at Tashkeel</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1517898140160-2WU5QPPZCL28OTT1KGNF/4.JPG</image:loc>
      <image:title>content - Tiles and Textiles at Tashkeel</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1517898258548-5RKK8QK76UZSE7MXE8YM/6.jpg</image:loc>
      <image:title>content - Tiles and Textiles at Tashkeel</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1517898326629-28BYQCDU1TPXR9BAT3WG/11.JPG</image:loc>
      <image:title>content - Tiles and Textiles at Tashkeel</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1517898421277-I60QTRS2OI0R4XQ0IF1Z/16.jpg</image:loc>
      <image:title>content - Tiles and Textiles at Tashkeel - Lustre Panel, 2016 (detail)</image:title>
      <image:caption>A wall panel consisting of thousands of copper and brass shapes placed in an Arabesque-inspired pattern.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1517898667542-GHUU2XZMYXJBYRMB5SR5/12.JPG</image:loc>
      <image:title>content - Tiles and Textiles at Tashkeel</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1517898735542-NG9UG7FFUVQI79S2VOI1/13.JPG</image:loc>
      <image:title>content - Tiles and Textiles at Tashkeel</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1517898863681-FKNMP97OMHKIZLRP4WV3/14.JPG</image:loc>
      <image:title>content - Tiles and Textiles at Tashkeel</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1517898881244-33N3E6KSJ2KZSLVGNQZK/14.JPG</image:loc>
      <image:title>content - Tiles and Textiles at Tashkeel</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/2139-jeddahs-arts-festival-opens-this-week</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-02-04</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1517721931095-R6VYJCLRIFXKCIROVHTT/Screen+Shot+2018-02-04+at+09.18.50.png</image:loc>
      <image:title>content - 21,39 Jeddah's arts festival opens this week</image:title>
      <image:caption>Screenshot of the flyer for Refusing to Be Still, the title of the 2018 edition of 21,39</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/khaled-zakis-sculptural-rebirth</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-02-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1517478635465-0OESY8QOCVX6QW9DK0VW/Screen+Shot+2018-02-01+at+13.49.54.png</image:loc>
      <image:title>content - Khaled Zaki's sculptural rebirth</image:title>
      <image:caption>A piece from Khaled Zaki's Resurrection series, set to go on display at Tabari Artspace next month. Image courtesy of the artist and the gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1517478715432-7PMGK74UEGSZG9I2S215/Screen+Shot+2018-02-01+at+13.51.24.png</image:loc>
      <image:title>content - Khaled Zaki's sculptural rebirth</image:title>
      <image:caption>A piece from Khaled Zaki's Resurrection series, set to go on display at Tabari Artspace next month. Image courtesy of the artist and the gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/el-seeds-call-for-unity-on-the-borders-between-the-koreas</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1517243340604-6XPCK9A5DPX6NKZU2PV8/EL+Seed+Korea+02.jpg</image:loc>
      <image:title>content - eL Seed's call for unity on the borders between the Koreas</image:title>
      <image:caption>eL Seed's artwork that has been installed on the fence between North and South Korea in the Demilitarised Zone (DMZ). Courtesy of eL Seed.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1517243593211-TZRH891KRELUSAP605LO/EL+Seed+Korea10.jpg</image:loc>
      <image:title>content - eL Seed's call for unity on the borders between the Koreas</image:title>
      <image:caption>Across the divide. During the installation process on the Korean border. Courtesy of eL Seed</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/hassan-sharif-interexchange-symposium</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1517142118274-CAE3HMLG2J3VVMHR7OCZ/IMG_0423.jpg</image:loc>
      <image:title>content - Hassan Sharif: Interexchange Symposium</image:title>
      <image:caption>Hassan Sharif, 1981. Courtesy of Hassan Sharif Estate.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/plan-for-a-feminist-greater-baghdad</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1517114379334-RWJKHIL1SOK0IAJL94JI/Ala+Younis+at+56th+Venice+Biennale.+Photo+Isabella+Balena.+Courtesy+la+Biennale+di+Venezia..jpg</image:loc>
      <image:title>content - Plan for A Feminist Greater Baghdad</image:title>
      <image:caption>Ala Younis at 56th Venice Biennale. Photo Isabella Balena. Courtesy la Biennale di Venezia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1517114408176-PUSBNXYD0BKOOWT8MGY8/Ala+Younis%2C+Plan+for+Greater+Baghdad+%282015%29.+Installation+view%2C+56th+Venice+Biennale.+Photo+Alessandra+Chemollo.+Courtesy+la+Biennale+di+Venezia..jpg</image:loc>
      <image:title>content - Plan for A Feminist Greater Baghdad</image:title>
      <image:caption>Ala Younis, Plan for Greater Baghdad (2015). Installation view, 56th Venice Biennale. Photo Alessandra Chemollo. Courtesy la Biennale di Venezia.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/artevue-arteprize-winner-is-announced</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-03-28</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1553810555595-0QM9CJXMCES45G1NR6PG/Zuza+Golinska+by+Ewa+Szatybe%C5%82ko.jpg</image:loc>
      <image:title>content - ArteVue ArtePrize winner is announced</image:title>
      <image:caption>Zuza Golinska by Ewa Szatybełko.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1516777341975-6Q0UUND5N479W5NZBV0P/2018-01-24-PHOTO-00000356.jpg</image:loc>
      <image:title>content - ArteVue ArtePrize winner is announced</image:title>
      <image:caption>Zuza Golińska.Dead End / Future Twice. A laser installation that won first prize in the ArtePrize 2017. Image courtesy of ArteVue Ltd.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/athier-mousawi-all-things-come-apart</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-24</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1516770931613-AUK0TDJVS9CRZ3IIOXC4/2199.jpg</image:loc>
      <image:title>content - Athier Mousawi: All Things Come Apart</image:title>
      <image:caption>Athier Mousawi. All Things Come Apart 10, 2017, acrylic on raw linen, 172 x 210 cm. Courtesy of the artist and Ayyam Gallery.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1516771017513-D4S9JI6N625CBP8YXQ11/ATM140_.jpg</image:loc>
      <image:title>content - Athier Mousawi: All Things Come Apart</image:title>
      <image:caption>Athier Mousawi. All Things Come Apart 15, 2017, acrylic on raw linen, 83 x 163 cm. Courtesy of the artist and Ayyam Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/highlights-of-quoz-arts-fest</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1516613582234-04VZF1J9MP6UB8H7PF8P/Quoz+Arts+Fest+2016%2C+Courtesy+Alserkal+Avenue.jpg</image:loc>
      <image:title>content - Highlights of Quoz Arts Fest</image:title>
      <image:caption>Quoz Arts Fest 2016. Image courtesy of Alserkal Avenue.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1516614064477-D1GMC3NSSONIOZC81BYH/image-asset.jpeg</image:loc>
      <image:title>content - Highlights of Quoz Arts Fest</image:title>
      <image:caption>A child partakes in a workshop during Quoz Fest 2017. Image courtesy of Alserkal Avenue</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/hassan-sharif-i-am-the-single-work-artist</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1516265345926-W2YEJXNF8CO9ZNY1FG8E/IMG_0333.jpg</image:loc>
      <image:title>content - Hassan Sharif: I Am The Single Work Artist - Hassan's Atelier</image:title>
      <image:caption>Everything in this room is exactly as Hassan left it in his workshop and studio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1516265360980-U0056ZD9N3EQH4NME5EM/IMG_0334.jpg</image:loc>
      <image:title>content - Hassan Sharif: I Am The Single Work Artist - Hassan's Atelier</image:title>
      <image:caption>His shelves were full of detritus that would either stay put for years or one day make it into an artwork.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1516265383189-ICZLT68QRU7C9PRNG433/IMG_0335.jpg</image:loc>
      <image:title>content - Hassan Sharif: I Am The Single Work Artist - Email, 2009</image:title>
      <image:caption>Mixed media, variable dimensions. Homage to Jos Clevers. Courtesy of Hassan Sharif Estate.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1516265411869-0ESW0ZGZQCWMPZVHZV3F/IMG_0340.jpg</image:loc>
      <image:title>content - Hassan Sharif: I Am The Single Work Artist - Man and Mountain No.4, 2009</image:title>
      <image:caption>Oil on canvas, 200x145cm. Courtesy of Hassan Sharif Estate.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1516265428867-VTXDRJJTGRCCEPL2JPE8/IMG_0341.jpg</image:loc>
      <image:title>content - Hassan Sharif: I Am The Single Work Artist</image:title>
      <image:caption>An oversized spool of wire. One of the many large-scale installations placed around the public areas of the Sharjah Art Foundation.</image:caption>
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    <image:image>
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      <image:title>content - Hassan Sharif: I Am The Single Work Artist - Seven Points Angular Lines - Part 8, 2013</image:title>
      <image:caption>Ink and pencil on paper; acrylic on canvas. 59.5x42cm; 60x30cm. Courtesy of Hassan Sharif Estate. A lovely combination of drawing and painting from Sharif's semi-system work.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1516265454147-FEJQLJCCSDNKGZY7A1T3/IMG_0343.jpg</image:loc>
      <image:title>content - Hassan Sharif: I Am The Single Work Artist - ... so I created a semi system</image:title>
      <image:caption>Installation view of Gallery 1, ... so I created a semi system. Sharif's obsessed with rules and breaking them is summarised in this room</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1516265490914-RTOIPCSK895POBT385NB/IMG_0344.jpg</image:loc>
      <image:title>content - Hassan Sharif: I Am The Single Work Artist - Wave-Like and Semistraight Horizontal Lines, 2006</image:title>
      <image:caption>Ink and pencil on paper. 29.5x21cm each. Sharjah Art Foundation Collection.</image:caption>
    </image:image>
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      <image:title>content - Hassan Sharif: I Am The Single Work Artist - Colourful File No.2, 2006</image:title>
      <image:caption>Plastic cover, jute, paper and cloth. 31x25x11.9cm. Sharjah Art Foundation Collection.  This was displayed in the gallery titled My Little Tiny Box - a reference to Sharif's many compulsive collections.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1516265557062-W7QQNWZUDQYBJNH9FTRS/IMG_0346.jpg</image:loc>
      <image:title>content - Hassan Sharif: I Am The Single Work Artist - Gallery 2: My Little Tiny Box</image:title>
      <image:caption>Installation view. Sharif's sewing notebooks and several other pieces made of paper and other printed matter on display in the Sharjah Art Foundation, Gallery 2.</image:caption>
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      <image:title>content - Hassan Sharif: I Am The Single Work Artist</image:title>
      <image:caption>Another of Sharif's large public installations inside the Sharjah Art Foundation spaces.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1516265608344-CBCMOYCWFBMUMRM01PXQ/IMG_0348.jpg</image:loc>
      <image:title>content - Hassan Sharif: I Am The Single Work Artist - Gallery 3: I'm loyal to colour</image:title>
      <image:caption>Installation view inside Gallery 3, the space dedicated to Sharif's largest and most colourful works.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1516265633477-MWNZPCDAE7RV46NJQZS5/IMG_0349.jpg</image:loc>
      <image:title>content - Hassan Sharif: I Am The Single Work Artist - Slippers and Wire, 2009 (detail)</image:title>
      <image:caption>Slippers and copper wire, dimensions variable. Courtesy of Hassan Sharif Estate.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1516265654459-0XEKEK62ZU0W2RPVGUAS/IMG_0351.jpg</image:loc>
      <image:title>content - Hassan Sharif: I Am The Single Work Artist - Gallery 5: I'm an object maker</image:title>
      <image:caption>Some of Sharif's monumental works appear in this gallery space. Shown here in the foreground is 555, (2016) ; aluminium plates and copper wire, 320x320x240cm. Courtesy of Hassan Sharif Estate; and Broom, (2016), broom and copper wire; 1070x315x10 cm. Courtesy of Hassan Sharif Estate.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1516265692048-3ID0OGTMSGVRN79JOPHF/IMG_0354.jpg</image:loc>
      <image:title>content - Hassan Sharif: I Am The Single Work Artist</image:title>
      <image:caption>Compartmentalised items from Sharif's vast oeuvre display how he was attracted to the sheer volume of things that we fill our lives with</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1516265686912-DUF3JAAMG1W4SQ75IQ79/IMG_0355.jpg</image:loc>
      <image:title>content - Hassan Sharif: I Am The Single Work Artist - Doorways</image:title>
      <image:caption>These doors, taken from Sharif's home studio are filled with more objects from his collection and act as a divider between two rooms inside Bait Al Serkal.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/mohammed-kazems-makes-his-mark-in-new-york</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-16</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1516079410639-KN4GL7FRX0MTKYBX6WWF/cb893a9b40e45ac5256d8dea6c0c8b15.jpeg</image:loc>
      <image:title>content - Mohammed Kazem's makes his mark in New York</image:title>
      <image:caption>Mohammed Kazem. Acrylic on Scratched Paper (Pink), 2013. Acrylic on scratched paper. 25.5 x 20 in. Image courtesy of the artist and Aicon Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1516079384662-8RAHI6S95SCF1P6SVKYN/84d27a44747856eae7ae1740435d87a5.jpeg</image:loc>
      <image:title>content - Mohammed Kazem's makes his mark in New York</image:title>
      <image:caption>Mohammed Kazem. Receiving Light IV, 2016. Scratches on inkjet print on Hahnemuhle paper. 16 x 24 in. Image courtesy of the artist and Aicon Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/barjeel-art-foundation-acquires-important-azzawi-work</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1516007984786-Q55930F5BSVEZPJA1BAB/IMG_0194.jpg</image:loc>
      <image:title>content - Barjeel Art Foundation acquires important Azzawi work</image:title>
      <image:caption>Sultan Sooud Al Qassemi reveals his latest acquisition to audiences at a panel discussion in Alserkal Avenue. The image is Dia Azzawi's A Wolf Howls: Memories of a Poet (1968)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/mahmoud-khaleds-proposal-for-an-unprejudiced-world</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1515860649293-THKFKKCN9Q0V8TMWHC7A/IKSV_15B_Sahirugureren_533.jpg</image:loc>
      <image:title>content - Mahmoud Khaled's proposal for an unprejudiced world</image:title>
      <image:caption>Mahmoud Khaled, Proposal for a House Museum of an Unknown Crying Man, 2017. Image courtesy of the artist and Gypsum Gallery, produced with the support of Arts Council Norway, Ari Meşulam and Office for Contemporary Art Norway, photo by Sahir Uğur Eren</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1515860651019-D9RPCQQV7IW4YKGO1VE0/IKSV_15B_Sahirugureren_565.jpg</image:loc>
      <image:title>content - Mahmoud Khaled's proposal for an unprejudiced world</image:title>
      <image:caption>Mahmoud Khaled, Proposal for a House Museum of an Unknown Crying Man, 2017. Image courtesy of the artist and Gypsum Gallery, produced with the support of Arts Council Norway, Ari Meşulam and Office for Contemporary Art Norway, photo by Sahir Uğur Eren</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1515860655208-BWBTLXJACMC231VLPLCI/IKSV_15B_Sahirugureren_568.jpg</image:loc>
      <image:title>content - Mahmoud Khaled's proposal for an unprejudiced world</image:title>
      <image:caption>Mahmoud Khaled, Proposal for a House Museum of an Unknown Crying Man, 2017. Image courtesy of the artist and Gypsum Gallery, produced with the support of Arts Council Norway, Ari Meşulam and Office for Contemporary Art Norway, photo by Sahir Uğur Eren</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1515860649583-1BFLMXTNVCW2E4I6LEL8/IKSV_15B_Sahirugureren_546.jpg</image:loc>
      <image:title>content - Mahmoud Khaled's proposal for an unprejudiced world</image:title>
      <image:caption>Mahmoud Khaled, Proposal for a House Museum of an Unknown Crying Man, 2017. Image courtesy of the artist and Gypsum Gallery, produced with the support of Arts Council Norway, Ari Meşulam and Office for Contemporary Art Norway, photo by Sahir Uğur Eren</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1515860651016-ZQI9KG4SOKBM94K1KX9G/IKSV_15B_Sahirugureren_552.jpg</image:loc>
      <image:title>content - Mahmoud Khaled's proposal for an unprejudiced world</image:title>
      <image:caption>Mahmoud Khaled, Proposal for a House Museum of an Unknown Crying Man, 2017. Image courtesy of the artist and Gypsum Gallery, produced with the support of Arts Council Norway, Ari Meşulam and Office for Contemporary Art Norway, photo by Sahir Uğur Eren</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/an-alternative-alexandria-ahmed-morsis-ode-to-his-home-city</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1515663851287-7DAQ54ZOBJATARZY6M61/Ahmed_Morsi_Artist_in_Alexandria_1989.jpg</image:loc>
      <image:title>content - An Alternative Alexandria: Ahmed Morsi's ode to his home city</image:title>
      <image:caption>Ahmed Morsi, Artist in Alexandria, 1989, image courtesy of the artist and Gypsum Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1515664216297-880013YQZAWWFREBPMEI/AM112016_G_58_Diptych.jpg</image:loc>
      <image:title>content - An Alternative Alexandria: Ahmed Morsi's ode to his home city</image:title>
      <image:caption>Ahmed Morsi, Untitled (Seaside Diptych), 1987, Acrylic on canvas, 360 x 135 cm. Image courtesy of the artist and Gypsum Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1515664339068-UCHH4SGWRCV412Q187BB/AM112016_G_48.jpg</image:loc>
      <image:title>content - An Alternative Alexandria: Ahmed Morsi's ode to his home city</image:title>
      <image:caption>Ahmed Morsi, Untitled, 2008, Acrylic on canvas, 155 x 200 cm. Image courtesy of the artist and Gypsum Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/van-gogh-paintings-come-alive-in-abu-dhabi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1515518597819-OGTDXUG81NS8UX0NM3TN/IMG_7028.jpg</image:loc>
      <image:title>content - Van Gogh paintings come alive in Abu Dhabi</image:title>
      <image:caption>The Starry Night created in 1889 when the artist was a patient at an asylum at Saint-Remy-de-Provence is seen here cast on floor-to-ceiling screens by 40 high definition projectors.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1515517791256-GKQV9EJM1ZOZE5CA5JLO/IMG_7045.jpg</image:loc>
      <image:title>content - Van Gogh paintings come alive in Abu Dhabi</image:title>
      <image:caption>A collection of Van Gogh's many self portraits seen as larger than life in the multi-sensory exhibition of images and sound.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1515517927385-UP1W9B5AD05GMNYHGD1G/IMG_6969.jpg</image:loc>
      <image:title>content - Van Gogh paintings come alive in Abu Dhabi</image:title>
      <image:caption>Sunflowers. The title of two series of paintings Van Gogh created in late 1888 and 1889, they are among some of the artist's most reproduced works.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1515517912186-FJ89F5GXMAFRITO2VIF2/IMG_7009-2.jpg</image:loc>
      <image:title>content - Van Gogh paintings come alive in Abu Dhabi</image:title>
      <image:caption>Some of the paintings are not shown in full, yet small details are magnified to intensify the experience.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/co-lab-at-louvre-abu-dhabi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-02-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1515232900061-M4KM5IND0GHY96O3THKV/7.jpg</image:loc>
      <image:title>content - Co-Lab at Louvre Abu Dhabi</image:title>
      <image:caption>The Saint-Lazare Station, Claude Monet (1840-1926), France, 1877. 75.5 x 104 cm. Oil on canvas. © Musée d'Orsay, dist. RMN-Grand Palais / Patrice Schmidt</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1515233154805-RTGU358KRO351IK2IXLV/DSCF0322.JPG</image:loc>
      <image:title>content - Co-Lab at Louvre Abu Dhabi</image:title>
      <image:caption>Vikram Divecha and MTX - Broderie Architecturale. Train to Rouen (2017). Image courtesy of Louvre Abu Dhabi.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1515233235532-9GJPJYECTN0L2ICJHR40/DSCF0320.JPG</image:loc>
      <image:title>content - Co-Lab at Louvre Abu Dhabi</image:title>
      <image:caption>Vikram Divecha and MTX - Broderie Architecturale. Train to Rouen, 2017 (detail). Image courtesy of Louvre Abu Dhabi.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1515233467582-YB92X56RC05E7ZBO3E20/DSCF0333.JPG</image:loc>
      <image:title>content - Co-Lab at Louvre Abu Dhabi</image:title>
      <image:caption>Zeinab Alhashemi and Verrerie de Saint Juste-Saint Gobain. Metamorphic. Installation view as part of Co-Lab: Contemporary Art &amp; Savoir-faire at Louvre Abu Dhabi. Pictured here with Khalid Shafar's Chromachron, 2017. Image courtesy of Louvre Abu Dhabi.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1515233572652-Z7XEGGLFQF53B96H16CI/DSCF0338.JPG</image:loc>
      <image:title>content - Co-Lab at Louvre Abu Dhabi</image:title>
      <image:caption>Zeinab Alhashemi and Verrerie de Saint Juste-Saint Gobain. Metamorphic (detail). Installation view as part of Co-Lab: Contemporary Art &amp; Savoir-flair at Louvre Abu Dhabi. Image courtesy of Louvre Abu Dhabi.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1515248797787-0DS3O1B0INV3Q5WW703F/DSCF0340.JPG</image:loc>
      <image:title>content - Co-Lab at Louvre Abu Dhabi</image:title>
      <image:caption>Talin Hazbar and La Manufacture Nationale de Sèvres. Transient: A Brief Stay (2017). Installation view seen with Vikram Divecha's work on the right side in the background and Khalid Shafar's work Chromachron, 2017 made in collaboration with Mobilier National Manufactures Nationales Gobelins-Beauvais-Savonnerie  hanging from the ceiling. Image courtesy of Louvre Abu Dhabi.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1515235834366-TJNOD5KKSIATAZ1Q6YJP/DSCF0326.JPG</image:loc>
      <image:title>content - Co-Lab at Louvre Abu Dhabi</image:title>
      <image:caption>Talin Hazbar and La Manufacture Nationale de Sèvres. Transient: A Brief Stay, 2017 (detail). Image courtesy of Louvre Abu Dhabi.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/apply-now-for-the-christo-and-jeanne-claude-award</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1515218260031-HY11YRPTE5M1FWGHX55T/Christo-e-Jeanne-Claude.jpg</image:loc>
      <image:title>content - Apply now for The Christo and Jeanne-Claude Award</image:title>
      <image:caption>New York City, 2005. Christo and Jeanne-Claude at The Gates. Photo: Wolfgang Volz © 2005 Christo</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/uae-unlimited-to-explore-communication-in-new-show</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1515142282908-BZQFGFPVCLQE2L6TBWBL/Ramin+Haerizadeh%2C+Rokni+Haerizadeh%2C+Hesam+Rahmanian%2C+Shobha+Pia+Shamdsani+and+Karim+Sultan_photo+courtesy+Alserkal+Avenue.jpg</image:loc>
      <image:title>content - UAE Unlimited to explore communication in new show</image:title>
      <image:caption>Ramin Haerizadeh, Rokni Haerizadeh, Hesam Rahmanian, Shobha Pia Shamdsani and Karim Sultan during a curatorial meeting for the forthcoming show Ishara: Signs, Symbols and Shared Languages Image courtesy of Alserkal Avenue.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/saudi-pavilion-at-venice-looking-for-contributions</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1514790920249-7EMCWTJVREDZN4MQIG3S/Archbiennale-2018-Yvonne-Farrell-Shelley-McNamara-Photo-Andrea-Avezzu-Courtesy-of-La-Biennale-di-Venezia-01.jpg</image:loc>
      <image:title>content - Saudi Pavilion at Venice looking for contributions</image:title>
      <image:caption>© Andrea Avezzu. Yvonne Farrell and Shelley McNamara, Directors of the 2018 Venice Architecture Biennale – "Freespace". Image Courtesy of La Biennale di Venezia</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/egyptian-pavilion-announces-theme-for-venice-2018</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1514396419999-5J7L731VJIHOUUGM19YN/8b2cf1f6-6959-4beb-8868-74b899eafb41.jpg</image:loc>
      <image:title>content - Egyptian Pavilion announces theme for Venice 2018</image:title>
      <image:caption>(L-R) Giuseppe Moscatello, Cristiano Luchetti, Islam El Mashtooly and Mouaz Abouzaid, curators of the Egyptian pavilion at the 2018 Venice Architecture Biennale.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/el-seed-installs-artwork-in-the-dmz</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1514110561404-9UQCBJASNP72WIA8KO3G/EL+Seed+Korea+02.jpg</image:loc>
      <image:title>content - eL Seed installs artwork in the DMZ</image:title>
      <image:caption>The barbed wire fence between North and South Korea represents discord and violence. eL Seed's artwork is a message of unity.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1514110799020-016W21UD0E7ROJUYPXXP/EL+Seed+Korea10.jpg</image:loc>
      <image:title>content - eL Seed installs artwork in the DMZ</image:title>
      <image:caption>On either side of the fence. Art can bring people closer than war and idealogoical battles.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1514110687478-2SZOL0YBPJWMW75Z9DO9/EL+Seed+Korea03.jpg</image:loc>
      <image:title>content - eL Seed installs artwork in the DMZ</image:title>
      <image:caption>During the installation process, a panel stands against the fence, as a silent symbol of peace.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1514110638861-7ZZXIEB8YXAUIDJDP6EO/EL+Seed+Korea04.jpg</image:loc>
      <image:title>content - eL Seed installs artwork in the DMZ</image:title>
      <image:caption>Up close. The laser-cut aluminium panel spell out the words of a poem by Kim Sowol, a famous Korean folk poet who wrote about memory and loss.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1514110797094-BM5SH260SG92P58KFBW7/EL+Seed+Korea11.jpg</image:loc>
      <image:title>content - eL Seed installs artwork in the DMZ</image:title>
      <image:caption>Birds can fly freely over the fence and into the blue sky, but as humans, we restrict ourselves.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/tarek-al-ghoussein-al-sawaber</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1514111402016-WICHCHTMRCAW83KHMZXI/Tarek+Al-Ghoussein_Al+Sawaber+3665_2015-2017_Digital+print_100+x+150+cm.jpg</image:loc>
      <image:title>content - Tarek Al Ghoussein: Al Sawaber</image:title>
      <image:caption>Tarek Al-Ghoussein. Al Sawaber. The stained wallpaper and charred air-conditioning systems are the results of a small house fire inside one of the apartments in the Al Sawaber complex. Image courtesy of the artist and The Third Line</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1514111859987-9C5AMW25GM6YH7W2USA1/Tarek+Al-Ghoussein_Al+Sawaber+9595_2015-2017_Digital+print_21+x+28+cm_preview.jpeg</image:loc>
      <image:title>content - Tarek Al Ghoussein: Al Sawaber</image:title>
      <image:caption>Tarek Al Ghoussein. Al Sawaber. An interior image that, while it depicts no human forms, is rich with history and life.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1514112062946-TNNVZVULSNNYHJ25FOXJ/image-asset.jpeg</image:loc>
      <image:title>content - Tarek Al Ghoussein: Al Sawaber</image:title>
      <image:caption>Tarek Al Ghoussein: Al Sawaber. Installation view. Image courtesy of the artist and The Third Line.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/a-visit-to-fikra-campus</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1513942051864-8WS8S2WCITPF17COCQL8/4.jpg</image:loc>
      <image:title>content - A visit to Fikra Campus</image:title>
      <image:caption>Salem Al Qassimi gives me a tour of Fikra Campus. Image courtesy of Fikra Design Studio</image:caption>
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    <image:image>
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      <image:title>content - A visit to Fikra Campus</image:title>
      <image:caption>Inside Fikra Campus. A key part of the campus is the design library.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1513941627462-A04NVFL365PTMO8UDANJ/05.jpg</image:loc>
      <image:title>content - A visit to Fikra Campus</image:title>
      <image:caption>Inside Fikra Campus. The experimental gallery will host regular exhibitions and also a place for resident designers to work.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1513941683153-GV2N1U50TRL0WQP81QLM/06.jpg</image:loc>
      <image:title>content - A visit to Fikra Campus</image:title>
      <image:caption>The coffee shop. An essential part of community building.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1513941757384-WAVLBHZU6ZM9N2TNOF7P/07.jpg</image:loc>
      <image:title>content - A visit to Fikra Campus</image:title>
      <image:caption>Meeting rooms are available for those who need a bit of private time.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/gcc-collective-to-take-over-the-room-at-art-dubai</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1513839978909-BQOBZBU3UKBS05YDJK4O/Image+21-12-2017+at+11.06.jpg</image:loc>
      <image:title>content - GCC collective to take over The Room at Art Dubai</image:title>
      <image:caption>Portrait of GCC. Courtesy of Art Dubai.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/kuwait-city-captured-in-a-photo-exhibition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1513573917927-L0FWTC74Q8AV8OSESHFK/Farah+Salem+-+No+Title.JPG</image:loc>
      <image:title>content - Kuwait City captured in a photo exhibition</image:title>
      <image:caption>A portrait of a man sitting on a bench, drinking coffee and checking his phone in Kuwait City. Courtesy Farah Salem</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1513573968338-DV3FP88RUFTN3CR8HG1Y/Farah+Salem+-+Orange+Mist.jpg</image:loc>
      <image:title>content - Kuwait City captured in a photo exhibition - Orange Mist</image:title>
      <image:caption>Smoke hangs in the air over a shisha cafe in the afternoon light in Kuwait City. Courtesy of Farah Salem</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1513573987866-4J9FK1B5P0WVZMLAVEFX/Farah+Salem+-+Red+Scripts.jpg</image:loc>
      <image:title>content - Kuwait City captured in a photo exhibition - Red Scripts</image:title>
      <image:caption>Two women exchange their daily news as they sit beneath vibrant red graffiti in Kuwait City. Courtesy of Farah Salem</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1513573939536-39WWOH2VEU4DUL4AKD0X/Farah+Salem+-+Book+cover.jpg</image:loc>
      <image:title>content - Kuwait City captured in a photo exhibition - In-Between the Skyline of Kuwait City</image:title>
      <image:caption>The cover of Farah Salem's book that shows a black and white street scene, accented by flying birds</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/two-exhibitions-to-open-at-louvre-abu-dhabi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1513509367721-OUNCVP75NYEX0DVHNLS6/Louvre+Abu+Dhabi.+Architect+-+Ateliers+Jean+Nouvel+%C2%A9+TDIC.jpg</image:loc>
      <image:title>content - Two Exhibitions to Open at Louvre Abu Dhabi</image:title>
      <image:caption>Louvre Abu Dhabi. Architect - Ateliers Jean Nouvel © Abu Dhabi Tourism and Cultural Authority</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/timo-nasseri-all-the-letters-in-all-the-stars</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1513235586758-8BELBUEZCHFKVTSCT2HI/Maraya+31+13-12-2017+copy.JPG</image:loc>
      <image:title>content - Timo Nasseri: All The Letters in All The Stars</image:title>
      <image:caption>All The Letters In All The Stars. Installation view. Image courtesy of Maraya Art Centre</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1513235682043-ZFHQFYMLRIS59DP36OUU/Maraya+30+13-12-2017+copy.JPG</image:loc>
      <image:title>content - Timo Nasseri: All The Letters in All The Stars</image:title>
      <image:caption>Timo Nasseri. Mind map (2015). Ink on paper Variable dimensions. Courtesy of Maraya Art Centre</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1513235979437-WIEYSV0KJVRLIVQC1DUB/Maraya+18+13-12-2017+copy.JPG</image:loc>
      <image:title>content - Timo Nasseri: All The Letters in All The Stars</image:title>
      <image:caption>Florenz-Bagdad, 2016 Acrylic mirror and wood dimension variable. Image courtesy of Maraya Art Centre.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1513236174965-AZBE3R0ALY6L73LGPWCJ/Maraya+23+13-12-2017+copy.JPG</image:loc>
      <image:title>content - Timo Nasseri: All The Letters in All The Stars</image:title>
      <image:caption>Timo Nasseri. Unknown Letter IV, 2015 Walnut, Steel 162 x 162 x 42 cm. Courtesy of Maraya Art Centre</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/mentalklinik-truish</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1513014027386-5ODE8LX91E5BL9HWPU63/Show+view+2.jpg</image:loc>
      <image:title>content - :mentalKLINIK: Truish</image:title>
      <image:caption>Installation view of :mentalKLINIK's exhibition Truish. Image taken November 2017. Courtesy of Gallery Isabelle Van Den Eynde.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1513013909643-XB64V9N6Z2BG51V6K6TY/Show+view+3.jpg</image:loc>
      <image:title>content - :mentalKLINIK: Truish</image:title>
      <image:caption>Installation view of custom-framed and embellished copies of Time Magazine. From the series Some-TIme, 2017. Image courtesy of Gallery Isabelle Van Den Eynde</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1513014293647-20CP5ABETWAO8RNHZXYE/M_SC+086.jpg</image:loc>
      <image:title>content - :mentalKLINIK: Truish</image:title>
      <image:caption>Self-Seeking-Superficials 1707, 2017. Ultra-clear tempered glass, micro-layered polyester solar films and artist’s frame in eloxal coated aluminium. 121.5 x 91.5 cm. Courtesy of  the aGallery Isabelle Van Den Eynde.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1513014400349-0CU64DOA8QHBOSOSQ5I8/M_VI_005.001.O.jpg</image:loc>
      <image:title>content - :mentalKLINIK: Truish</image:title>
      <image:caption>Still from Whiff, 2010. Single channel video of three minutes and four seconds. Courtesy of the artist and Gallery Isabelle Van Den Eynde</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/threading-a-link-between-past-and-present</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1512896923919-9QT00U4W7DKH3ROIDVV4/image-asset.jpeg</image:loc>
      <image:title>content - Threading a link between past and present</image:title>
      <image:caption>Annotations: Interdisciplinary Practices of the Early 80s in the UAE. Project Space Art Jameel's research studio. Image courtesy of Art Jameel</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/nadim-karam-compressed-thoughts</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1512559406894-TVBQZ1IR471PCB5ZJF4J/DSCF5743+copy.jpg</image:loc>
      <image:title>content - Nadim Karam: Compressed Thoughts</image:title>
      <image:caption>Visitors in Ayyam Gallery at Nadim Karam's Compressed Thoughts exhibition, November 2017. Image courtesy of Ayyam Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/the-monir-museum-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1512378822739-II4KIQPK81LXV97L09DT/IMG_5536.png</image:loc>
      <image:title>content - The Monir Museum set to open in Tehran</image:title>
      <image:caption>Film still from Monir (2016), directed by Bahman Kiarostami and produced by Leyla Fakhr. Courtesy of the artist and The Third Line.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1512379027616-UBFHDNNS530OIZEWYOBW/MSF_Lightning+for+Neda_2009_Opening+Crowds+8_650.jpg</image:loc>
      <image:title>content - The Monir Museum set to open in Tehran</image:title>
      <image:caption>Monir Shahroudy Farmanfarmaian, Lightening for Neda, 2009, Queensland Art Gallery, Installation View. Courtesy of the artist and The Third Line.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/ahmed-mater-mecca-journeys</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1512283091425-TZ2JRLS4TSDNG8JQO4EB/EL163.06_Metropolis.jpg</image:loc>
      <image:title>content - Ahmed Mater: Mecca Journeys</image:title>
      <image:caption>Ahmed Mater (Saudi, born 1979). Metropolis, 2013. Diasec mounted Latex jet print on Kodak Premier Paper, 118 x 88 ½ in. (300 x 225 cm). Courtesy of the artist. © Ahmed Mater</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1512283091418-ILB2K7AEP5FJWS6YCPMU/EL163.09_AM_BF5P9396_V1_LoRes.jpg</image:loc>
      <image:title>content - Ahmed Mater: Mecca Journeys</image:title>
      <image:caption>Ahmed Mater (Saudi, born 1979). Gas Station Leadlight, 2013. C-print, 60 x 90 in. (152.4 x 228.6 cm). Courtesy of the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana. © Ahmed Mater</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1512283093373-Q70G1QRE7NTUARKXHCIT/EL163.11_AM_leaves-fall-in-all-seasons_x2E_V2_File.jpg</image:loc>
      <image:title>content - Ahmed Mater: Mecca Journeys</image:title>
      <image:caption>Ahmed Mater (Saudi, born 1979). Still from Leaves Fall in All Seasons, 2013. Video, color, sound, 19 min. 57 sec. Courtesy of the artist. © Ahmed Mater</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1512283099193-H1C8XEMJ2H63RMR43QHT/EL163.20_AM_BJ8R7321_V2_LoRes.jpg</image:loc>
      <image:title>content - Ahmed Mater: Mecca Journeys</image:title>
      <image:caption>Ahmed Mater (Saudi, born 1979). Workers Camp, 2015. C-print, 20 x 30 in. (50.8 x 76.2 cm). Courtesy of the artist. © Ahmed Mater</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1512283101041-EFA3U35TD5ZTJ8H6UX7E/EL163.27_AM_5066_V1B_LoRes.jpg</image:loc>
      <image:title>content - Ahmed Mater: Mecca Journeys</image:title>
      <image:caption>Ahmed Mater (Saudi, born 1979). Mountain of Light, 2015. C-print, 20 x 30 in. (50.8 x 76.2 cm). Courtesy of the artist. © Ahmed Mater</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/paul-guiragossian-solo-show-to-open-next-year-in-sharjah</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-01-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1511971417651-F4W0SZD45L540VJPCJ2D/Figures+%28C.+1965%29+-+Oil+on+Canvas+-+60+x+90+cm+%28Fadi+Moussalli%29.jpg</image:loc>
      <image:title>content - Paul Guiragossian solo show to open next year in Sharjah</image:title>
      <image:caption>Paul Guiragossian. Figures (c.1965). Oil on canvas. 60 x 90 cm. From the collection of Fadi Moussalli. Courtesy of Barjeel Art Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1511971323858-7O2FXM56O5EOSNYVFLBK/Masques+et+Bergamasques+%28Circa+1990%29.+Oil+on+Canvas.+100+x+120+cm+%28James+Khazaei%29.jpg</image:loc>
      <image:title>content - Paul Guiragossian solo show to open next year in Sharjah</image:title>
      <image:caption>Paul Guiragossian. Masques et Bergamasques (c.1990). Oil on canvas, 100 x 120 cm. From the collection of James Khazaei. Courtesy of Barjeel Art Foundation.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/a-decade-of-emirates-photography-competition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1511434132295-682AA3JK5G11786AVCTN/%28CULTURAL+REFLECTIONS+2012%29Nature+1st+Prize+Kacper+Kowalski+Poland+Autumn+1.jpg</image:loc>
      <image:title>content - A decade of Emirates Photography Competition</image:title>
      <image:caption>Kacper Kowalski. Cultural Reflections. Taken in Poland and first prize winner in nature, 2012. Courtesy: TCA Abu Dhabi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1511433993019-2WGFJVJL3S8F4UR7T68S/%28PRINCE+OF+LIGHT+2010%29+People+and+Portraits+1st+Prize+Cristina+Garzone+Italy+Thoughts.jpg</image:loc>
      <image:title>content - A decade of Emirates Photography Competition</image:title>
      <image:caption>Cristina Garzone. Prince of Light. Winner of the first prize of People and Portraits, 2010. Courtesy: TCA Abu Dhabi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1511434005152-SD8KIS13NKWBXW2S8NN0/%28DECISIVE+MOMENT+2013%29+Arab+Photo+Award+Saleh+Huseein+Aldgary+Saudi+Arabia+Hello.jpg</image:loc>
      <image:title>content - A decade of Emirates Photography Competition</image:title>
      <image:caption>Saleh Hussein Aldgary. Decisive Moment. Arab Photo Award winner, 2013. Courtesy: TCA Abu Dhabi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1511433956489-9FP9JDKQPYRPJQXYRZO9/%28STREET+PHOTOGRAPHY+2009%29+Grand+Prize+Sudipto+Das+India+Siesta.jpg</image:loc>
      <image:title>content - A decade of Emirates Photography Competition</image:title>
      <image:caption>Sudipto Das. Siesta. Winner of Street Photography award, 2009. Courtesy: TCA Abu Dhabi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1511434124681-17PKA2WLIZP6PALEKJOC/%28FAMILY+ALBUM+2016%29MONOCHROME%2C+3rd+Prize+Andi+Halil+Indonesia+Two+Dimension.jpg</image:loc>
      <image:title>content - A decade of Emirates Photography Competition</image:title>
      <image:caption>Andi Halili. Family Album. Third prize winner in Monochrome, 2016. Courtesy: TCA Abu Dhabi</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/research-studio-annotations</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1511432706093-1K3ANYEJYXXP8E65I7YH/IMG_7087.JPG</image:loc>
      <image:title>content - Research Studio: Annotations</image:title>
      <image:caption>Part of Art Jameel's Research Studio: Annotations presentation in Alserkal Avenue. Image taken by Anna Seaman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1511432808601-3S235664D61LDZL2K1AL/IMG_7086.JPG</image:loc>
      <image:title>content - Research Studio: Annotations</image:title>
      <image:caption>Annotations on the conversation include reproduced images, essays and articles written and produced in the early 1980s. Image taken by Anna Seaman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1511447114995-ZBFQANP817PL9W3S4W1F/Art+Jameel_Nov+1+2017-4.jpg</image:loc>
      <image:title>content - Research Studio: Annotations</image:title>
      <image:caption>The reading annexe as part of the ongoing Research Studio currently on display at Art Jameel. Image courtesy of Art Jameel.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/a-trip-to-sharjah-for-hassan-sharif</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1511172101018-FCZIJUVAJJ0NRZF0B4LB/Exhibitions_Hassan_sharif.png</image:loc>
      <image:title>content - A trip to Sharjah for Hassan Sharif</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/azad-nanakeli-highlighted-memory</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1511078489110-FNVDJJ1CCPNA5ZYMSMT1/image-asset.jpeg</image:loc>
      <image:title>content - Azad Nanakeli: Highlighted Memory</image:title>
      <image:caption>Azad Nanakeli. Highlighted Memory (3), 2017. 70 x 90 cm. Mixed media, painting on canvas. Courtesy of the artist and XVA Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1511078957862-FX1H386G5UGTPVM5TWX2/T8+copia+OW+70+x+50+cm.jpg</image:loc>
      <image:title>content - Azad Nanakeli: Highlighted Memory</image:title>
      <image:caption>Azad Nanakeli. The Other World (4), 2017. Mixed media, acrylic on canvas 50 x 70 cm. Courtesy of the artist and XVA Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1511078804999-URRSVZK5TM1A1RASTQ1V/1+copia+HM+70+x+50cm.jpg</image:loc>
      <image:title>content - Azad Nanakeli: Highlighted Memory</image:title>
      <image:caption>Azad Nanakeli. The Other World (9), 2017. Mixed media, acrylic on canvas 50 x 70 cm. Courtesy of the artist and XVA Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/paintings-display-the-spirit-of-formula-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1510849515974-S3AR4H1XB1W1U5WEFWGY/Ayrton+Senna.jpg</image:loc>
      <image:title>content - Paintings display the spirit of Formula 1</image:title>
      <image:caption>Ayrton Senna by Julian Castaldi. Courtesy of the artist and Mestaria</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1510850485829-3ZQ4DMEK8PY58HSTZIMD/James+Hunt.jpg</image:loc>
      <image:title>content - Paintings display the spirit of Formula 1</image:title>
      <image:caption>James Hunt by Julian Castaldi. Courtesy of the artist and Mestaria</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/weekends-at-the-oasis</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1510651083392-LH7MUNXWW2UGC0FWFQ9P/Al+Ain+Oasis+UNESCO+World+Heritge+Site.jpg</image:loc>
      <image:title>content - Weekends at the Oasis</image:title>
      <image:caption>Al Ain Oasis is a UNESCO World Heritage Site and is characterised by palm-lined corridors and greenery amid the desert landscape.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/inspiring-a-new-generation-of-curators</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1510635257787-EHA4BKNCWVUI9UN95LOY/http---cdn.cnn.com-cnnnext-dam-assets-171113094326-louvre-abu-dhabi-cy-twombly.jpg</image:loc>
      <image:title>content - Inspiring a new generation of curators</image:title>
      <image:caption>A visitor peruses the Cy Twombly paintings inside the Louvre Abu Dhabi. Image taken by Giuseppe Cacace</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1510635320632-1ICE3MN0W2KBDESLGVX7/http---cdn.cnn.com-cnnnext-dam-assets-171112210943-paris-sorbonne-university-abu-dhabi-2.jpg</image:loc>
      <image:title>content - Inspiring a new generation of curators</image:title>
      <image:caption>Paris Sorbonne University in Abu Dhabi. Courtesy PSUAD</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1510635715628-MDABNJLBRGNJ93L0OMB1/4.jpg</image:loc>
      <image:title>content - Inspiring a new generation of curators</image:title>
      <image:caption>Funeral set of princess Henuttawy : cartonnage Egypt, 2nd half of 10th century BCE-beginning of the 22th dynasty Wood with polychromy 163.0 x 38.0 x 31.0 cm Courtesy: Louvre Abu Dhabi / Thierry Ollivier</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/khalid-shafar-to-unveil-a-new-sculpture-at-design-week</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1510594735953-Y2Z00LUX8GRAKO8YT7N2/Khalid+Shafar.jpg</image:loc>
      <image:title>content - Khalid Shafar unveils a new sculpture at Design Week</image:title>
      <image:caption>Khalid Shafar &amp; LASVIT. Silent Call (2017). A lighting and glass installation unveiled as part of Dubai Design Week. Courtesy: Lasvit.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1510594800551-RR9IGZXNY76F9ZG4F1UC/O49A0352+copy.jpg</image:loc>
      <image:title>content - Khalid Shafar unveils a new sculpture at Design Week</image:title>
      <image:caption>Khalid Shafar &amp; LASVIT. Detail of Silent Call (2017). A lighting and glass installation unveiled as part of Dubai Design Week. Courtesy: Lasvit.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/abu-dhabi-art-the-best-bits</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1510303922143-9TPRHFQDLS6WFUAQOP9N/IMG_7003.JPG</image:loc>
      <image:title>content - Abu Dhabi Art: the best bits</image:title>
      <image:caption>Nalini Malani &amp; Iftikhar Dadi. Bloodlines, 1997 (refabricated in 2011 by the workshop of Abdul Khaliq, Saddar, Karacho. Image taken by Anna Seaman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1510304093339-6M0DHL1IXS7GJ8GGUJXL/IMG_7009.JPG</image:loc>
      <image:title>content - Abu Dhabi Art: the best bits</image:title>
      <image:caption>The entrance to Abu Dhabi Art, 2017. Image taken by Anna Seaman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1510304324890-2C9EFP24PK7ETFFWHHEB/IMG_7014.JPG</image:loc>
      <image:title>content - Abu Dhabi Art: the best bits</image:title>
      <image:caption>Part of the Line exhibition, curated by Maya Allison under the Gateway banner of Abu Dhabi Art, 2017. Image taken by Anna Seaman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1510304599849-YMG278CANCZKNAVPIKMS/IMG_7010.JPG</image:loc>
      <image:title>content - Abu Dhabi Art: the best bits</image:title>
      <image:caption>Dia Azzawi. Mission of Destruction. 2004–2007. Acrylic on canvas, 200cm x 1500cm. Image taken by Anna Seaman at Abu Dhabi Art, 2017.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1510305217638-V3GPOI8I1XNF57J44BB1/IMG_6929.JPG</image:loc>
      <image:title>content - Abu Dhabi Art: the best bits</image:title>
      <image:caption>Detail of Hadieh Shafie's new work at Pentimenti Gallery, Abu Dhabi Art, 2017. Image taken by Anna Seaman.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/a-first-look-inside-the-louvre-abu-dhabi</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1510200838439-BVVWJW01Y2D1BEJAJQH4/Louvre+Abu+Dhabi.+Architect+-+Ateliers+Jean+Nouvel+%C2%A9+TDIC.jpg</image:loc>
      <image:title>content - A first look inside the Louvre Abu Dhabi</image:title>
      <image:caption>Louvre Abu Dhabi. Architect - Ateliers Jean Nouvel © TDIC</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1510201087952-HIEYUWH77TR9CM92Q3HK/1.+Louvre+Abu+Dhabi+%E2%80%93+The+Great+Vestibule+%C2%A9+Louvre+Abu+Dhabi+-+Photography+Marc+Domage.jpg</image:loc>
      <image:title>content - A first look inside the Louvre Abu Dhabi</image:title>
      <image:caption>Louvre Abu Dhabi – The Great Vestibule © Louvre Abu Dhabi - Photography Marc Domage</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1510201232889-Y3R13YBVHZQZMY9IT5Q3/IMG_6959.JPG</image:loc>
      <image:title>content - A first look inside the Louvre Abu Dhabi</image:title>
      <image:caption>The interconnected second and third gallery halls inside the Louvre Abu Dhabi. Image taken by Anna Seaman during the press preview, November 7, 2017.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1510201609252-Z34JEYI89TKMIIDVBJZ1/10.+Louvre+Abu+Dhabi+%E2%80%93+Leonardo+da+Vinci%2C+%E2%80%98La+Belle+Ferroniere%E2%80%99%2C+muse%CC%81e+du+Louvre+%C2%A9+Louvre+Abu+Dhabi%2C+MD.jpg</image:loc>
      <image:title>content - A first look inside the Louvre Abu Dhabi</image:title>
      <image:caption>Leonardo da Vinci. La Belle Ferroniere, a loan from the Musée du Louvre, Paris © Louvre Abu Dhabi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1510201871111-VKLG5EDB33RJY09O3WGS/IMG_6978.JPG</image:loc>
      <image:title>content - A first look inside the Louvre Abu Dhabi</image:title>
      <image:caption>Ai WeiWei. The Fountain of Light (2007) at the centre of the final gallery hall inside the Louvre Abu Dhabi. Image taken by Anna Seaman</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/highlights-of-abu-dhabi-art-2017</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1509728570212-CEC4E7ZQ36B336T0TG9Z/Hassan+Sharif.+Slippers+%282016%29.+Slippers%2C+wool+thread%2C+synthetic+thread.+Courtesy+Estate+of+Hassan+Sharif+and+Gallery+Isabelle+van+den+Eynde.jpg</image:loc>
      <image:title>content - Highlights of Abu Dhabi Art 2017</image:title>
      <image:caption>Hassan Sharif. Slippers, 2016. Slippers, wool thread and synthetic thread. 210 x 260 x 23 cm. Courtesy Estate of Hassan Sharif and Gallery Isabelle van den Eynde</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1509728777311-NOZVEVV0OCPYO2OBA448/the+great+puzzle+-+alaa+edris.jpg</image:loc>
      <image:title>content - Highlights of Abu Dhabi Art 2017</image:title>
      <image:caption>Alaa Edris. Study for The Great Puzzle, 2017. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1509770225043-Q1TM1HAWIJVL5A7JRMHM/OPI_29555_Untitled_15202_1957_1965_01.jpg</image:loc>
      <image:title>content - Highlights of Abu Dhabi Art 2017</image:title>
      <image:caption>Otto Piene. Untitled, 1957/1965. Oil on paper mounted on board. 72 x 101.6 cm. 84 x 112 cm (framed). Courtesy of Sprüth Magers.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1509728595202-Q6DP3E4QDB0KFY16DV4W/Kol+Hal+yazool+-+Stencil+on+corrugated+cardboard+W.+300+X+H.+250+cm+-+2013.jpg</image:loc>
      <image:title>content - Highlights of Abu Dhabi Art 2017</image:title>
      <image:caption>Chant Avedissian. Kol Hal yazool, 2013. A work never shown before, this work consists of five panels of corrugated cardboard. It portrays Princess Fawziya, King Farouk, Yolanda, Yuri Gagarin, President Nasser, Om Kalthum, the artist himself and a fan. Courtesy of Sabrina Amrani Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/poems-sculptures-and-embroidery-in-new-dubai-exhibition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1509371244197-UUL6P9KOHA3Z2BY76BGQ/3_1500x844.jpg</image:loc>
      <image:title>content - Poems, sculptures and embroidery in new Dubai exhibition</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/calligraphy-pop-up-show-introduces-new-forms</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-30</lastmod>
    <image:image>
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      <image:title>content - Calligraphy pop up show introduces new forms</image:title>
      <image:caption>Wissam Shawkat. New Geometry 4. © Wissam Shawkat 2017. Courtesy of Mestaria.</image:caption>
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  </url>
  <url>
    <loc>https://annaseaman.net/content/a-night-at-the-museum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-13</lastmod>
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      <image:title>content - A Night At The Museum</image:title>
      <image:caption>Esmat Dawestashy's The Half Circle of Death (1981) placed in front of an ancient Egyptian sarcophagus inside the Egypitan Museum in Cairo. Above it hangs Youssef Nabil, Say goodbye, Self Portrait, Alexandria (2009). Image taken by Anna Seaman</image:caption>
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      <image:title>content - A Night At The Museum</image:title>
      <image:caption>Hany Rashed. Western Journey (28 pieces), 2017 installed in front of a seated sphinx at the Night At the Museum event. Image taken by Anna Seaman.</image:caption>
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      <image:title>content - A Night At The Museum</image:title>
      <image:caption>Huda Lutfi's Obelisque (2010) stands amid ancient artifacts in the Egyptian museum with Youssef Nabil's Self Portrait, Hawaii (2013) hanging above. Image taken by Anna Seaman</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/a-celebration-of-language-and-colour</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-22</lastmod>
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      <image:title>content - A celebration of language and colour</image:title>
      <image:caption>eL Seed. Anyone who wants to see the light clearly, needs to wipe his eyes first (2017). Courtesy of the artist and Novus Art Gallery.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1508650639601-X112WVIP9DRUAPTTXDXZ/Wissam+Shawkat+_+Epic+_+200x110cm+_+Original+Artwork+_+2016.jpg</image:loc>
      <image:title>content - A celebration of language and colour</image:title>
      <image:caption>Wissam Shawkat. Easy (2016). Courtesy of the artist and Novus Art Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/vers-le-tableau-pierre-dunoyer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-20</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1508348671878-XQI0ZBY97QPBUIKJ10UO/JPNF_19.jpg</image:loc>
      <image:title>content - Vers Le Tableau: Pierre Dunoyer</image:title>
      <image:caption>Noir. Acrylic on canvas, 1983. Courtesy of Jean-Paul Najar Foundation (JPNF)</image:caption>
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      <image:title>content - Vers Le Tableau: Pierre Dunoyer</image:title>
      <image:caption>Untitled. Acrylic on canvas, 1978. Courtesy of Jean-Paul Najar Foundation (JPNF)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/art-jameel-announces-major-commission-for-new-art-centre</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1508236488878-YQ0DEZE3QFRQ96X2Z75O/Jameel+Arts+Centre%2C+northside+view%2C+from+the+Creek%2C+Courtesy+of+Serie+Architects.jpg</image:loc>
      <image:title>content - Art Jameel announces major commission for new art centre</image:title>
      <image:caption>Jameel Arts Centre, northside view, from the Creek, Courtesy of Serie Architects.jpg</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1508236598208-4QDVT9ERZ0B8JAPKKU6F/Art+Jameel+Commissions+Sculpture+Jury+Collage.jpg</image:loc>
      <image:title>content - Art Jameel announces major commission for new art centre</image:title>
      <image:caption>Art Jameel Commissions Sculpture Jury. Image courtesy of Art Jameel</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/alserkal-avenue-openings-for-november</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1508077202677-0AE724KSGRGJLFCMPQ7P/ConcreteLR-2.jpg</image:loc>
      <image:title>content - Alserkal Avenue openings for November</image:title>
      <image:caption>Visitors at the opening of Syria: Into the Light, Concrete's inaugural exhibition at March 2017, Image courtesy: Alserkal Avenue</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/7apraxoa706p4v6vtm05ta5y6txd5y</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-14</lastmod>
    <image:image>
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      <image:title>content - The art of the portrait with Caleb Arias</image:title>
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      <image:title>content - The art of the portrait with Caleb Arias</image:title>
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      <image:title>content - The art of the portrait with Caleb Arias</image:title>
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      <image:title>content - The art of the portrait with Caleb Arias</image:title>
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      <image:title>content - The art of the portrait with Caleb Arias</image:title>
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      <image:title>content - The art of the portrait with Caleb Arias</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1507999939612-5FC5GPRHZFTPH4XV3E7I/caleb_arias_photography-4.jpg</image:loc>
      <image:title>content - The art of the portrait with Caleb Arias</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/mohamed-abla-the-silk-road</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1507789660352-S5X4V036ZJ8XDQ6Z7NY1/Mohamed+Abla%2C+The+Lake%2C+2016%2C+mixed+media+on+canvas%2C+100+x+140+cm%2C+courtesy+the+artist.JPG</image:loc>
      <image:title>content - Mohamed Abla: The Silk Road</image:title>
      <image:caption>Mohamed Abla, The Lake, 2016, mixed media on canvas, 100 x 140 cm. Courtesy the artist and Tabari Artspace.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1507790133064-E419VEJZSA8VQUIPMPIR/Mohamed+Abla%2C+The+Spiral%2C+2016%2C+mixed+media+on+canvas%2C+100+x+70+cm%2C+courtesy+the+artist.JPG</image:loc>
      <image:title>content - Mohamed Abla: The Silk Road</image:title>
      <image:caption>Mohamed Abla, The Spiral, 2016, mixed media on canvas, 100 x 70 cm. Courtesy the artist and Tabari Artspace</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1507790152161-E1MW4LTJH2SYQ3WGGW3C/pjimage+%281%29.jpg</image:loc>
      <image:title>content - Mohamed Abla: The Silk Road</image:title>
      <image:caption>(R + L) Mohamed Abla, The Princess, 2016, mixed media on canvas, 70 x 100 cm. Courtesy the artist and Tabari Artspace</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/of-lightness-and-weight-sand</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1507714317513-EKS4S83L1YI6XO2DK86Y/image-asset.jpeg</image:loc>
      <image:title>content - Of lightness and weight: Sand</image:title>
      <image:caption>Installation view of Sand, an exhibition by Daniel Gustav Cramer &amp; Joana Escoval at Grey Noise Gallery, Dubai. Sculpture top left is Healthy forests provide clean water, as mentioned in story below. Image courtesy of the artists and Grey Noise.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1507715039592-5LK3TYENEF9PFYYSHQ7X/8.jpg</image:loc>
      <image:title>content - Of lightness and weight: Sand</image:title>
      <image:caption>Joana Escoval, Their beliefs were passed down orally, and thus they could not direct one to written documentation (I), 2017, silver, variable dimensions. Courtesy of the artist and Grey Noise.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1507714710217-058CQ6U7SFL2IEJHW61W/image-asset.jpeg</image:loc>
      <image:title>content - Of lightness and weight: Sand</image:title>
      <image:caption>Daniel Gustav Cramer, Owl (1932 / 1938), 2017, 2 found photographs, glass plates, nails, 34x58cm. Courtesy of the artist and Grey Noise</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/whats-on-at-dubai-design-week-a-guide</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1507570058963-T15RHNZWTA2RE28SCYS6/SuperDesignMarket_House+of+Folly_Designs+of+Alexander+Girard_Alexander+Girard_13-18Nov_d3+%281%29.jpg</image:loc>
      <image:title>content - What's on at Dubai Design Week: a guide</image:title>
      <image:caption>Super Design Market. House of Folly. Designs of Alexander Girard. Courtesy DDW</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1507570476854-6I6XOPYU8GQZVWHO3HF6/Lasvit_The+Silent+Call_Khalid+Shafar_13-18+Nov+2017_D3_2.jpg</image:loc>
      <image:title>content - What's on at Dubai Design Week: a guide</image:title>
      <image:caption>The Silent Call by Khalid Shafar presented by Lasvit. Courtesy DDW</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1507570496196-W4HTUQIOINDBMB18LV21/IconicCity2017_Loading...+Casa_Mostafa+Maftah_Feu+en+Ocean1979.png</image:loc>
      <image:title>content - What's on at Dubai Design Week: a guide</image:title>
      <image:caption>Mostafa Maftah's Feu en Ocean, 1979. Part of the Iconic City, 2017 Loading... Casa. Courtesy DDW</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1507570273211-9ZVS1UO2IT7XL96ZG5SH/Abwab2017_AbhishekMatta_27Degrees.jpg</image:loc>
      <image:title>content - What's on at Dubai Design Week: a guide</image:title>
      <image:caption>Abhishek Matta's 27Degrees. One of the several products in Abwab 2017. Courtesy DDW</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/dubai-launches-first-architecture-biennial</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1507549918579-8SG34U1V421B40QNPJFE/ARCH_BCANAL.jpg</image:loc>
      <image:title>content - Dubai launches first architecture biennial</image:title>
      <image:caption>The Dubai Water Canal during its construction stage is just one example of the constantly changing urban environment in Dubai. Courtesy Arch. Season '17.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1507549962536-2H0IDMDRG2WAG26WM5F1/ARCH_BCONCRETE2.jpg</image:loc>
      <image:title>content - Dubai launches first architecture biennial</image:title>
      <image:caption>Concrete, an OMA designed building in Alserkal Avenue, Dubai. Courtesy Arch. Season '17.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/highlights-from-sothebys-dubai-auction-are-unveiled</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1507453806658-9FUMN9ZZ9KHOML3RWS9G/Ali+Banisadr.jpeg</image:loc>
      <image:title>content - Highlights from Sotheby's Dubai auction are unveiled</image:title>
      <image:caption>Ali Banisadr, Meanwhile, oil on panel, 2012. Courtesy of Sotheby's</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1507453837126-9DAJ3GXXODMN4V7BPWX2/Katia+Nounou%2C+Head+of+Sotheby%27s+Dubai+with+%27The+Raj+Pink%27.jpg</image:loc>
      <image:title>content - Highlights from Sotheby's Dubai auction are unveiled</image:title>
      <image:caption>Katia Nounou, Head of Sotheby's Dubai with 'The Raj Pink' diamond. Image courtesy of Sotheby's Dubai.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/behind-the-portrait</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1507093978994-5BN6NACBB41WVNK58W61/Behind+the+Portrait+%7C+Adeolu+Osibodu.jpg</image:loc>
      <image:title>content - Behind the Portrait - Adeolu Osibodu. Losing Amos. Shot in Ogun State, Nigeria</image:title>
      <image:caption>My Grandfather, Amos died in late 2014. It wasn't until then I realised how casual my idea of him was. I constantly asked myself why I couldn’t see beyond his heavy grins. Why I couldn’t define him as more than the man who was never not glad. Was that all there was or did I just completely miss the point of having people before me?  Here is a self-portrait in which I am contained by an attire he owned at a certain time in his life.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1507094056216-L7X92JMF8ANWDG5303GB/Behind+the+Portrait+%7C+Griselda+San+Martin.jpg</image:loc>
      <image:title>content - Behind the Portrait - Griselda San Martin. Through the Wall. Shot in San Diego, USA &amp; Tijuana, Mexico</image:title>
      <image:caption>This particular stretch of the U.S.- Mexico border fence is called Friendship Park. It where families convene to see their loved ones through the massive metal wall that separates them. In this image, deported musician Jose Marquez visits his daughter Susanna and fourteen-year-old grandson Johnny who are both on the U.S. side of the fence. Jose and his daughter have been separated by the border wall for 15 years, since he was deported from the United States after living and working in San Diego for almost two decades.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1507094163194-NAZW37P2JF0PBEN122S3/Behind+the+Portrait+%7C+Katarina+Premfors.JPG</image:loc>
      <image:title>content - Behind the Portrait - Katarina Premfors. Sira South Sorong, Papua, Indonesia.</image:title>
      <image:caption>The villagers have lived off their land in balance with nature. Young boys go hunting for days with spears. Barefoot and silent. Women go alone to hunt for game. Barefoot. Their feet are constantly trying to reconnect with soil, the trees and each other. The villagers have always been practicing sustainable farming. They only take what they need from the forest. They have a great respect for the land they live on are in harmony with the earth.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1507094397977-TOJVZJOE4G1Z73I4MR9R/Behind+the+Portrait+%7C+Yassine+Alaoui+Ismaili.jpg</image:loc>
      <image:title>content - Behind the Portrait - Yassine Alaoui Ismaili. Karima, The Acrobat. Shot in Marrakesh, Morocco</image:title>
      <image:caption>In the hidden side of Jamaa-Lafna, the poor are often forced into begging, or prostitution for income. Jawad and Karima were not interested in that type of living. They wanted to create something that has value - that people will pay to see. They started improvising together as acrobats outside cafés and in the square. Even though they were chased away they were undeterred and they turned their act into a highly artistic, contemporary experience. They quickly won the tourists’ support. Karima is the only female acrobat in the square, and the two are its youngest performers.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1507094227880-3AYMYDJZ1RIEF2TULCCU/Behind+the+Portrait+%7C+Lamya+Gargash.jpg</image:loc>
      <image:title>content - Behind the Portrait - Lamya Gargash. Khalo Aysheh. Shot in Ajman, UAE</image:title>
      <image:caption>This is a portrait of my great aunt Aysheh. She was a cousin of my father’s, as well as a cousin of my grandmother, who also shared the habit of wearing two rings on each hand. But in my grandmother's case, her rings had to be identical. Perhaps I’m melancholic and just yearn for a scent of the past, but also, I am constantly aware of our mortality and the changing of times and how it’s important to bring to life these wonderful details that may not exist in the years to come.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1507094289420-V1OXAUBM465W6NLBVC6S/Behind+the+Portrait+%7C+Maha+Alasaker+2.jpg</image:loc>
      <image:title>content - Behind the Portrait - Maha Alasaker. Farah Khajah, 2016. Shot in AlAsimah, Kuwait</image:title>
      <image:caption>It is not easy being Arab / Muslim in general. But if you know what you're doing ... If you know what you want ... Everything will fall in place eventually..." - Farah Khajah, 31, Single, Events organizer (2016)   From a wider series titled Women of Kuwait.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1507094304897-HQXVEPENBPGZL7B06KXG/Behind+the+Portrait+%7C+Saad-Eltinay.jpg</image:loc>
      <image:title>content - Behind the Portrait - Saad Eltinay. Connections. Shot in Sudan.</image:title>
      <image:caption>Today and in advance, I would like to say thank you. Thank you for the extra warmth in our mother’s womb and for enduring so many fateful slings and arrows together, thank you for constantly sharing your delights and sometimes sharing my distress. I hope that we forever treasure me and you; after all, the fabled connection between twins is true.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1507094386328-YHXQQEHBJ9MD1JNBUZ5Q/Behind+the+Portrait+%7C+Samia+Qaiyum.jpg</image:loc>
      <image:title>content - Behind the Portrait - Samia Qaiyum. I Saw Myself in Him. Shot in Galle, Sri Lanka.</image:title>
      <image:caption>The term TCK – or Third Culture Kid – has come to define me, bringing with it both pride and shame. This identity (or lack thereof) is the reason why I simultaneously fit in and feel like a complete misfit everywhere I go. Like many who are born and raised in Dubai, I've long grappled with the concept of home. It's precisely due to my chaotic background that I stopped to photograph this particular group, which represents a small sliver of the Muslim community. It continues to resonate with me.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/vr-exhibition-planning-launched-during-freize-week</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1507091787218-DDM96ISTFMRYASCQA7P4/Custot+top+view.png</image:loc>
      <image:title>content - VR exhibition planning launched during Freize Week</image:title>
      <image:caption>Digital view of Custot Gallery, Dubai, as rendered by Ikonospace to enable three-dimensional exhibition planning. Image courtesy of Ikonospace</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1507092253722-KS02I0N1W8VPK938X2WI/Custot+main+floor.png</image:loc>
      <image:title>content - VR exhibition planning launched during Freize Week</image:title>
      <image:caption>Screen shot of the Ikonospace software showing distances between artworks and the height of the hang. Image courtesy Ikonospace.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/art4sight-auction-to-raise-funds-for-visually-impaired</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1506962937732-HJHDTIKMC2CLHUIN8NUT/15-Manal+Dowayan.png</image:loc>
      <image:title>content - Art4Sight auction to raise funds for visually impaired</image:title>
      <image:caption>Manal Al Dowayan. The Small Desk (2017) from the collection titled: And I, Will I Forget? وانا هل انسى. Etching on Paper (Etching Print, Ink on Paper). 39 cm x 28 cm. Courtesy of the artist and Christie's</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1506963040084-23REZ9B38G9QHAZR0832/9-Sheikha+Lateefa+-+2.jpg</image:loc>
      <image:title>content - Art4Sight auction to raise funds for visually impaired</image:title>
      <image:caption>Sheikha Lateefa Bint Maktoum. Transition (2017). Archival print. 121cm x 151 cm. Image courtesy of the artist and Christie's</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/venice-and-arab-world</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-10-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1506875949611-MVVTLWSXDV3BOUVQU5GZ/image-asset.jpeg</image:loc>
      <image:title>content - Venice Biennale and the Arab World</image:title>
      <image:caption>Abdulnasser Gharem. Hemisphere 2017, © Gharem Studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1506876335050-RD8SIJ6JUFBNQ13E8EP9/170411161342-thousand-times-no-bahia-shehab-3-exlarge-169.jpg</image:loc>
      <image:title>content - Venice Biennale and the Arab World</image:title>
      <image:caption>Bahia Shehab. A thousand times No. Courtesy of the artist.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/theatre-of-the-absurd</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1506571393473-MNBE36XXHR8FTCKCHHDQ/Ana+Mazzei%2C+Garden%2C+2017%2C+Wood%2C+painted+wood%2C+iron%2C+felt%2C+tempera+on+linen%2C+acrylic+on+linen%2C+350+x+450+x+180+cm%2C+%2818+pieces%2C+painted+wall+and+floor%29+%28Installation+View%29.jpg</image:loc>
      <image:title>content - Theatre of the Absurd</image:title>
      <image:caption>Ana Mazzei, Garden, 2017, Wood, painted wood, iron, felt, tempera on linen, acrylic on linen, 350 x 450 x 180 cm. Installation view. Courtesy of the artist and Green Art Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1506590963614-24GYRI84NHXZNU5LCZYB/%28from+left+to+right%29%2C+Untitled+%28Order+of+materials+7%29%2C+2017%2C+Mixed+media+on+paper%2C+38+x+30+cm.+Untitled+%28Order+of+materials+8%29%2C+2017%2C+Mixed+media+on+paper%2C+38+x+30+cm.+Courtesy+of+artist+and+Green+Art+Gallery+Dubai.jpg</image:loc>
      <image:title>content - Theatre of the Absurd</image:title>
      <image:caption>(L-R), Untitled (Order of materials 7), 2017, Mixed media on paper, 38 x 30 cm. Untitled (Order of materials 8), 2017, Mixed media on paper, 38 x 30 cm. Courtesy of artist and Green Art Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1506591270597-X3BL2UPDCY8U1WISFTYT/HBH001_Hemali+Bhuta%2C+Fold%2C+2016%2C+latex+rubber+and+silicon+rubber%2C+73+x+40+X+7+inches.+Courtesy+of+artist+and+Green+Art+Gallery.jpg</image:loc>
      <image:title>content - Theatre of the Absurd</image:title>
      <image:caption>Hemali Bhuta, Fold, 2016, latex rubber and silicon rubber, 73 x 40 X 7 inches. Courtesy of artist and Green Art Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1506591361225-NO2D05C3VPRQTHC06IOV/Nika+Neelova%2C+Lemniscate+V+%28installation+view+2%29%2C+2017%2C+2+flights+of+stairs+and+hardwood+handrails%2C+320+x+100+x+50+cm.+Courtesy+of+Artist+and+Green+Art+Gallery+Dubai.jpg</image:loc>
      <image:title>content - Theatre of the Absurd</image:title>
      <image:caption>Nika Neelova, Lemniscate V (installation view), 2017, two flights of stairs and hardwood handrails, 320 x 100 x 50 cm. Courtesy of Artist and Green Art Gallery Dubai</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/sheikha-hoor-is-the-new-iba-president</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1506570313378-GF0KZ6O9HJN0LA1M0IJR/jpeg+%281%29.jpg</image:loc>
      <image:title>content - Sheikha Hoor is the new IBA president</image:title>
      <image:caption>Sheikha Hoor Al Qasimi. Courtesy Alfredo Rubio / Sharjah Art Foundation</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/howard-hodgkin-portrait-of-the-artist</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1506313921824-HYZXQMX8G0EXQO5Q4J8K/Bhupen+Khakhar+-+De-Luxe+Tailors.jpg</image:loc>
      <image:title>content - Howard Hodgkin: Portrait of The Artist</image:title>
      <image:caption>Bhupen Khakhar. De-Luxe Tailors, 1972. Courtesy of Sotheby's and Howard Hodgkin estate.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1506314109492-NZRDNK9F0HDT1K1IW0EK/Mughal+Ivory-Inlaid+Wood+Cabinet+%282%29.jpg</image:loc>
      <image:title>content - Howard Hodgkin: Portrait of The Artist</image:title>
      <image:caption>Mughal Ivory-Inlaid Wood Cabinet, North West India, circa 17th century. Courtesy of Sotheby's and Howard Hodgkin estate.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/sharjahs-biennial-school-in-final-flourish</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1506266180369-90I1SIYIYRI3IQUY3DPN/_DSE8062+ok.jpg</image:loc>
      <image:title>content - Sharjah's Biennial School in final flourish</image:title>
      <image:caption>Participants during a practical course with artisans in the fishing trade. Image courtesy of Sharjah Art Foundation.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/decoding-the-italian-renaissance</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1506098055333-RCOSZZLSARFN2ZQEPHHE/Giotto_-_Scrovegni_-_-36-_-_Lamentation_%28The_Mourning_of_Christ%29_adj.jpg</image:loc>
      <image:title>content - Decoding the Italian Renaissance</image:title>
      <image:caption>Lamentation (The Mourning of Christ) by Giotto, an Italian painter and architect from Florence during the Late Middle Ages. He worked during the "Gothic or Proto-Renaissance" period.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/appetite-for-destruction-ramin-haerizadeh</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1506010527767-QBEJ6OCVKGJJ3VVUG8YZ/RAH-PA+574.jpg</image:loc>
      <image:title>content - Appetite for Destruction: Ramin Haerizadeh</image:title>
      <image:caption>Ramin Haerizadeh. Still Life, 2016. Collage on paper, 100 x 70 cm. Courtesy of the artist and Gallery Isabelle Van Den Eynde</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1506010637550-U5XV8AQO3UDM1Z68TG4A/RAH-CA+229.jpg</image:loc>
      <image:title>content - Appetite for Destruction: Ramin Haerizadeh</image:title>
      <image:caption>Ramin Haerizadeh. We Choose to Go to the Moon, 2009-17. Collage, acrylic wooden console table, crochet, fake fruits, oil painting and candle on canvas. 200 x 150 cm. Courtesy of the artist and Gallery Isabelle Van Den Eynde</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1506010988289-NKZSKU3QLBZKN4GBPKX2/RAH-PA+630.jpg</image:loc>
      <image:title>content - Appetite for Destruction: Ramin Haerizadeh</image:title>
      <image:caption>Ramin Haerizadeh, Still Life, 2017. Collage on paper, 72 x 101 cm. Courtesy of the artist and Gallery Isabelle Van Den Eynde</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1506011331129-R4SV3AE5NC556UQUKTZ0/RAH-PA+631.jpg</image:loc>
      <image:title>content - Appetite for Destruction: Ramin Haerizadeh</image:title>
      <image:caption>Ramin Haerizadeh. First Rain's Always a Surprise, 2017. Collage and colour pencil on paper 70 x 100 cm. Courtesy of the artist and Gallery Isabelle Van Den Eynde.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1506011216640-146K2J7ZLAW2UBH1OLT9/RAH-SC+593.jpg</image:loc>
      <image:title>content - Appetite for Destruction: Ramin Haerizadeh</image:title>
      <image:caption>Ramin Haerizadeh.To Be or Not To Be, That is the Questions, And Though it Troubles the Digestion, 2015-17. Collage, pencil, acrylic, school uniform, metal hooks, wooden ladle on a wooden plank, fake fruits, oil painting and polycarbonite chair and prints. Canvas: 170 x 140 cm, overall variable dimension. Courtesy of the artist and Gallery Isabelle Van Den Eynde.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/heretic-spaces-thameur-mejri</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1505495023904-A5Y41TCE7BLYPSBPN7S3/Thameur+Mejri_Heretic+space+3_2017_Mixed+media+on+canvas_180+x+140cm.jpg</image:loc>
      <image:title>content - Heretic Spaces: Thameur Mejri</image:title>
      <image:caption>Thameur Mejri. Heretic Spaces 3, 2017. Mixed media on canvas, 180 x 140cm. Courtesy of the artist and El Marsa Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1505551362053-9DYHSCKH70LRLR50KGN4/Thameur+Mejri_Figures+at+war_2017_Mixed+media+on+canvas_200+x+180cm.jpg</image:loc>
      <image:title>content - Heretic Spaces: Thameur Mejri</image:title>
      <image:caption>Thameur Mejri. Figures At War, 2017. Mixed media on canvas, 180 x 140cm. Image courtesy of the artist and El Marsa Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1505551703893-RKEI2M1NNLHEIKCCI93H/El+Marsa+Gallery+set+up%C2%A92017Pia+torelli-15.jpg</image:loc>
      <image:title>content - Heretic Spaces: Thameur Mejri</image:title>
      <image:caption>Installation view of Heretic Spaces by Thameur Mejri at El Marsa Gallery, Dubai (Upper level). Image credit: Pia Torelli.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1505551954563-UQVHC1YHIWEIX6TEYGQS/SAM_3209.JPG</image:loc>
      <image:title>content - Heretic Spaces: Thameur Mejri</image:title>
      <image:caption>Thameur Mejri in his studio. Image courtesy of El Marsa Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/a-caravan-to-the-moons-dark-side</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1505403868232-Y685XLR794M05EVKRYH7/Interviewed+for+Arab+media+in+London+at+THE+KEY.jpg</image:loc>
      <image:title>content - Caravan to the Dark Side of the Moon</image:title>
      <image:caption>Paul-Gordon Chandler during an interview with a journalist at the opening of The Key, Caravan's 2014 exhibition in London. Image courtesy of Caravan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1505475602983-X3X67ZM97N3FOKR82BPQ/I+AM+exhibition+%C2%A9Marc+Gascoigne.jpg</image:loc>
      <image:title>content - Caravan to the Dark Side of the Moon</image:title>
      <image:caption>During the opening of I AM exhibition at St Martin-in-the-Fields, Trafalgar Square, London. Artwork visible is an untitled photograph by Boushra Almutawakel and Maitha Demithan's Mother (scanography). Image credit: Marc Gascoigne</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1505404659808-VUL5US5N2FYE5DYB70EH/Anglican+Bishop+Mouneer+Anis+showing+Coptic+Bishop+Botros+-CARAVAN+opening+2011.jpg</image:loc>
      <image:title>content - Caravan to the Dark Side of the Moon</image:title>
      <image:caption>Anglican Bishop Mouneer Anis showing Coptic Bishop Botros the opening of the Caravan exhibition in 2011 in Cairo. Image courtesy of CARAVAN</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1505404743957-J8VD3VHAZAVO6T7IBP7B/21543926_1498945513487401_8796836126316915702_o.jpg</image:loc>
      <image:title>content - Caravan to the Dark Side of the Moon</image:title>
      <image:caption>Hilda Hiary. Pregnant Women. Shown here installed in the I AM exhibition in the American University Museum, Washington DC. Image credit and copyright: Bruce Guthrie</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/global-cultural-patronage-award-comes-to-dubai</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1505283219335-U39JYKQNOY8Y3SAHJ9D5/Mr+and+Mrs+Samdani.jpg</image:loc>
      <image:title>content - Global cultural patronage award comes to Dubai</image:title>
      <image:caption>Rajeeb and Nadia Samdani, the recipients of the 2017 Montblanc de la Culture Arts Patronage Award. Courtesy of the Samdanis</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1505280694898-ZQB9OEJQZY1SP6G4EVPH/Sam+and+Till.jpg</image:loc>
      <image:title>content - Global cultural patronage award comes to Dubai</image:title>
      <image:caption>Till Fellrath (L) and Sam Bardaouil (R). Courtesy: Arter / Murat Germen</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/wednesdays-at-the-warehouse-returns</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1505131409475-86BPUIISIZNX81VKRGE5/Warehouse421.jpg</image:loc>
      <image:title>content - Wednesdays at the Warehouse returns</image:title>
      <image:caption>Warehouse 421. Courtesy of Warehouse 421.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/apollos-40-under-40</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1504891273890-6HGV9BHEB7GJ7VGWBPGQ/pjimage.jpg</image:loc>
      <image:title>content - Apollo's 40 under 40</image:title>
      <image:caption>Four of Apollo Magazine's 40 under 40. Images taken from Apollo</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/louvre-abu-dhabi-announces-opening-date</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1504695888555-LYGR58W8T3BRF1SG6HC6/new-louvre-header.jpg</image:loc>
      <image:title>content - Louvre Abu Dhabi announces opening date</image:title>
      <image:caption>The Louvre Abu Dhabi will open on Saadiyat Island on November 11, 2017. Image courtesy Louvre Abu Dhabi</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/gypsumgallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1504019439470-TEHJAZPDEGR7G05437ZT/Paper+Trail+Installation+shot.JPG</image:loc>
      <image:title>content - On a Paper Trail to find Gypsum</image:title>
      <image:caption>Installation view of Paper Trail, a group exhibition of Cairo-based artists dedicated to works on paper. Image courtesy of Gypsum Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1504032264360-MDKCA7SV3XKCT0FRW2RN/Fadwa+Ramadan%2C+Untitled+4%2C+100+x+100+cm%2C+Ink+on+paper%2C+2016+.jpg</image:loc>
      <image:title>content - On a Paper Trail to find Gypsum</image:title>
      <image:caption>Fadwa Ramadan, Untitled 4, 100 x 100 cm, Ink on paper, 2016. Courtesy of Gypsum Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1504032245448-K77KW01FO1O4ZVTOC7W9/Nada+Baraka%2C+Progression+of+the+Unnecessary%2C+25+x+34+cm%2C+Monoprint+on+paper%2C+2017.jpg</image:loc>
      <image:title>content - On a Paper Trail to find Gypsum</image:title>
      <image:caption>Nada Baraka, Progression of the Unnecessary, 25 x 34 cm, Monoprint on paper, 2017. Courtesy of Gypsum Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1504160224380-QYTE1PY4HZ11MA53QJ1O/Islam+Zaher%2C+Study+of+a+Dog%2C+35+x+25+cm%2C+Brown+ink+on+colored+paper%2C+2012..JPG</image:loc>
      <image:title>content - On a Paper Trail to find Gypsum</image:title>
      <image:caption>Islam Zaher, Study of a Dog, 35 x 25 cm, Brown ink on coloured paper, 2012. Courtesy of Gypsum Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/lest-we-forget-exhibition-extended</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1504016599314-W6RGMAX9E83RFNXD2ZYT/Screen+Shot+2017-08-29+at+16.17.33.png</image:loc>
      <image:title>content - Lest We Forget exhibition extended</image:title>
      <image:caption>Visitors engage with displays during the opening of Lest We Forget - Emirati Adornment: Tangible &amp; Intangible. Image courtesy of TCA Abu Dhabi</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/portrait-of-a-nation-travels-to-berlin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1503918008642-BDA7793SD6QYT51LAJNR/jpeg.jpg</image:loc>
      <image:title>content - Portrait of a Nation travels to Berlin</image:title>
      <image:caption>Layla Juma. Leaf, 2016. Stainless steel. 36 x 59 x 33 cm. An Abu Dhabi Festival 2016 commission. Courtesy of the artist. Part of the ADMAF Art Collection. © ADMAF</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1503918097121-VLQU1G1W91WL5JV28K2U/Zeinab+Al+Hashemi.+Coast+Collision.+Courtesy+ADMAF+and+the+artist.jpg</image:loc>
      <image:title>content - Portrait of a Nation travels to Berlin</image:title>
      <image:caption>Zeinab Al Hashemi. Coast Collision, 2016. From the 'Urban Phantasmagoria' series. Digital scanography; satellite shot and digital editing, 160 x 240 cm. An Abu Dhabi Festival 2016 Commission. Courtesy of the artist. Part of the ADMAF Art Collection. © ADMAF</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1503918992267-DG991I9RQ2YM5FY0XJRH/Mohammed+Ahmed+Ibrahim%2C+The+Qubba+Project%2C+2015+-+Courtesy+of+the+artist.+Part+of+the+ADMAF+Art+Collection.+%C2%A9+ADMAF.jpg</image:loc>
      <image:title>content - Portrait of a Nation travels to Berlin</image:title>
      <image:caption>Mohammed Ahmed Ibrahim, The Qubba Project, 2015 - Courtesy of the artist. Part of the ADMAF Art Collection. © ADMAF.jpg</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/ayman-zedani-to-open-new-sharjah-project-space</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1503661046582-HGXK74NVNKFP5I2T9FA9/P4-2.jpg</image:loc>
      <image:title>content - Ayman Zedani to open new Sharjah project space</image:title>
      <image:caption>Ayman Zedani's series 4, uses charcoal to represent human existence through hand-crafted wearable items. Image courtesy of the artist and Maraya Art Centre</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/spiritual-links-between-saudi-and-utah-are-the-focus-of-new-exhibition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1503387319267-XHYYTS27M22IPFFNY1IG/Area+Al+Neami_Never+Never+Land+2_2014_Diasec+Mounted+on+Photographic+Print_40+x+60+cm.jpg</image:loc>
      <image:title>content - Spiritual links between Saudi and Utah are the focus of new exhibition</image:title>
      <image:caption>Area Al Neami, Never Never Land 2, (2014) Diasec Mounted on Photographic Print. Image courtesy of the artist and UMOCA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1503387785599-QZZ62DKIOVSHJV5Z9K5X/Abdulnasser+Gharem_Road+to+Makkah_2014_+Digital+print+and+lacquer+paint+on+rubber+stamps+on+aluminum_40.6x120in_103x305cm.jpg</image:loc>
      <image:title>content - Spiritual links between Saudi and Utah are the focus of new exhibition</image:title>
      <image:caption>Abdulnasser Gharem. Road to Makkah (2014) Digital print and lacquer paint on rubber stamps on aluminum. Image courtesy of the artist and UMOCA.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/the-tug-of-war-and-the-chaos-of-life-on-solo-shows-in-dubai</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1503234816168-IF2D4LRYDG01PSLANJIN/Pouran+Jinchi_The+Red+Line_2017_Copper%2C+brass+and+enamel+paint_Variable+dimensions_198+pieces_View+1.jpg</image:loc>
      <image:title>content - The tug of war and the chaos of life: On solo shows in Dubai</image:title>
      <image:caption>Pouran Jinchi. The Red Line, 2017. Copper, brass and enamel paint. Courtesy of the artist and The Third Line.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1503234948007-3YJJXAN9RKXOMBLAMAHV/First+Rain%27s+Always+a+Surprise.jpg</image:loc>
      <image:title>content - The tug of war and the chaos of life: On solo shows in Dubai</image:title>
      <image:caption>Ramin Haerizadeh. First Rain's Always a Surprise, 2017. Paper collage and colour pencil on paper. Courtesy of the artist and Gallery IVDE.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1503234761073-CW0MD4K2QRX8375YUNIT/MO320+Mohannad+Orabi+140+x+300+cm+Acrylic+on+canvas+2017.jpeg</image:loc>
      <image:title>content - The tug of war and the chaos of life: On solo shows in Dubai</image:title>
      <image:caption>Mohannad Orabi. Untitled, 2017. Acrylic on canvas. Courtesy of the artist and Ayyam Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/palestines-stones-form-new-design-commission</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1502973598753-PHWMKZ01MK50BTW9655B/image-asset.jpeg</image:loc>
      <image:title>content - Palestine's stones form new design commission</image:title>
      <image:caption>While We Wait, as it will look when it is eventually placed inside Palestine's Cremisan Valley. Image courtesy of V&amp;A and the artists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1502973771459-HS78Q0HZPKRNC9DQK6DJ/image-asset.jpeg</image:loc>
      <image:title>content - Palestine's stones form new design commission</image:title>
      <image:caption>While We Wait (close-up detail) by Elias and Yousef Anastas. Image courtesy of the V&amp;A and the artists.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/supermarket-shelves-to-seascapes-at-the-57th-venice-biennale</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1502652217209-Y0W6OKA5R522Y8NBICB6/IMG_5746.JPG</image:loc>
      <image:title>content - Supermarket shelves to seascapes at the 57th Venice Biennale</image:title>
      <image:caption>Visitors peruse the central exhibition of the 57th Venice Biennale. Image taken by Anna Seaman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1502694388606-EN9NVPXRUTYDA7U8C4YN/IMG_5579.JPG</image:loc>
      <image:title>content - Supermarket shelves to seascapes at the 57th Venice Biennale</image:title>
      <image:caption>Hassan Sharif's Studio (Supermarket) 1990-2016 on display in The Pavilion of Artists and Books at the 57th Venice Biennale. Image taken by Anna Seaman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1502694412556-4FMRX1FBXMBBVIHNSQJZ/IMG_5583.JPG</image:loc>
      <image:title>content - Supermarket shelves to seascapes at the 57th Venice Biennale</image:title>
      <image:caption>Detail from Hassan Sharif's Studio (Supermarket) 1990-2016. Image taken by Anna Seaman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1502694544471-SY0NWJPGQ3XLCD8JM85B/Hajra+Waheed%27s+Our+Naufrage+1-10+%282014%29%2C+on+display+in+the+central+exhibition+of+the+57th+Venice+Biennale.+Image+taken+by+Anna+Seaman</image:loc>
      <image:title>content - Supermarket shelves to seascapes at the 57th Venice Biennale</image:title>
      <image:caption>Hajra Waheed's Our Naufrage 1-10 (2014), on display in the central exhibition of the 57th Venice Biennale. Image taken by Anna Seaman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1502694613026-CKUVYVT9CXRF2FYIO0U3/One+of+Marwan%27s+paintings+that+illustrates+his+way+of+depicting+the+human+face+as+a+landscape.+Image+taken+by+Anna+Seaman.</image:loc>
      <image:title>content - Supermarket shelves to seascapes at the 57th Venice Biennale</image:title>
      <image:caption>One of Marwan's paintings that illustrates his way of depicting the human face as a landscape. Image taken by Anna Seaman.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/van-goghs-life-and-work-celebrated-in-oil-painted-animation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1502356425757-WKHOSYB4WYEDH0VGC02F/image-asset.jpeg</image:loc>
      <image:title>content - Van Gogh's life and work celebrated in oil painted animation</image:title>
      <image:caption>Vincent Van Gogh, painted by Robert Glyaczk. Courtesy of Loving Vincent.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/iranian-past-meets-present-in-new-lacma-show</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1502285235470-BIDJXQUZ2UCEOFZ7JT3E/Parviz+Tanavoli.jpg</image:loc>
      <image:title>content - Iranian past meets present in new LACMA show</image:title>
      <image:caption>Parviz Tanavoli, Lion and Sword II, 1979, © Parviz Tanavoli, photo © Museum Associates/LACMA</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1502285309593-EC9EKLGF4S8AVCZXYQ3S/image-asset.jpeg</image:loc>
      <image:title>content - Iranian past meets present in new LACMA show</image:title>
      <image:caption>Newsha Tavakolian, Mothers of Martyrs, 2006, Los Angeles County Museum of Art, purchased with funds provided by Nina Ansary, © Newsha Tavakolian</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/fahrelnissa-zeid-of-layers-and-light</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1502163279771-QD259P5I5GPMY9CI0WEP/Fahrelnissa+Zeid.+Untitled+c.1950s.+Oil+paint+on+canvas.+Image+courtesy+of+Prince+Raad+Zeid+Al-Hussein+and+the+Tate.</image:loc>
      <image:title>content - Fahrelnissa Zeid: Of layers and light</image:title>
      <image:caption>Fahrelnissa Zeid. Untitled c.1950s. Oil paint on canvas. Image courtesy of Prince Raad Zeid Al-Hussein and the Tate.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1502163399469-CBO456Z02QJ28AU9RDB8/Fahrelnissa+Zeid+in+her+studio%2C+Paris%2C+c.1950s+Courtesy+of+the+Prince+Raad+Zeid+Al-Hussein+collection.</image:loc>
      <image:title>content - Fahrelnissa Zeid: Of layers and light</image:title>
      <image:caption>Fahrelnissa Zeid in her studio, Paris, c.1950s Courtesy of the Prince Raad Zeid Al-Hussein collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1502163564729-W9MXKJIXE2ZEZOY4XQ7P/Someone+From+the+Past%2C+1980.+Courtesy+of+the+Prince+Raad+Zeid+Al-Hussein+collection.</image:loc>
      <image:title>content - Fahrelnissa Zeid: Of layers and light</image:title>
      <image:caption>Someone From the Past, 1980. Courtesy of the Prince Raad Zeid Al-Hussein collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1502163607541-Y7W8DSPTEL3W2E7TZBFO/image-asset.jpeg</image:loc>
      <image:title>content - Fahrelnissa Zeid: Of layers and light</image:title>
      <image:caption>Fahrelnissa Zeid. Untitled, c.1950s, Oil paint on canvas. Courtesy of Prince Raad Zeid Al-Hussein</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/good-printing-an-exploration-of-a-medium</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1501960639518-UK57H2KZS47PJ7Y9IADH/Show+views+3.jpg</image:loc>
      <image:title>content - Good Printing: an exploration of a medium</image:title>
      <image:caption>Installation view. Good Printing, Gallery Isabelle Van Den Eynde, Alserkal Avenue, Dubai. Courtesy Gallery IVDE</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1501960773675-6T7RW77BV35TWX4531U8/RB-TP+001.jpg</image:loc>
      <image:title>content - Good Printing: an exploration of a medium</image:title>
      <image:caption>Rania Belou, Be Your Freedom and Build Your Own Kingdom, 2017. Pencil on colour tissue paper, 170 x 216 cm. Image courtesy of Gallery Isabelle Van Den Eynde</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1501960823969-QMEA0U6CV94XAXEX52B2/image-asset.jpeg</image:loc>
      <image:title>content - Good Printing: an exploration of a medium</image:title>
      <image:caption>:mentalKLINIK LAZY WORKS 1701, 2017. Sticky page markers (foil transparent) on squared index card 10 x 15 cm. Image courtesy of Gallery Isabelle Van Den Eynde</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1501960693914-WIQ45MN7UN4BEW21X9WL/image-asset.jpeg</image:loc>
      <image:title>content - Good Printing: an exploration of a medium</image:title>
      <image:caption>llan Manouach, Shapereader METOPE, 2017. Set of 7 acrylic panels, 50 x 50 x 0.8 cm each. Image courtesy of Gallery Isabelle Van Den Eynde</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/i-am-a-peace-building-exhibition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1501786039816-14MXYBSXJPFM8O0LB2WW/image-asset.jpeg</image:loc>
      <image:title>content - I AM: A peace-building exhibition</image:title>
      <image:caption>Hanaa Malallah, I Have Learnt Something You Did Not Know, 2015, black and red Ink on paper, 60 x 100 cm. Image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1501788912512-XE0XN40EHLRH5FQ79NCJ/image-asset.jpeg</image:loc>
      <image:title>content - I AM: A peace-building exhibition</image:title>
      <image:caption>Maitha Demithan. Mother, 2017. Scanography. 100 x 80 cm. Image courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1501789170452-FU3JNQAW5HZS9NJFTG5M/image-asset.jpeg</image:loc>
      <image:title>content - I AM: A peace-building exhibition</image:title>
      <image:caption>Rania Matar, (L) Jacqueline and Juliette, Beirut, Lebanon and (R) Wafa’a and Samira, Bourj El Barajneh Palestinian Refugee Camp, Beirut, Lebanon. From Unspoken Conversations, 2016. Archival pigment prints mounted on DiBond. 60.9 x 50cm. Image courtesy of the artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/elif-shafak-to-speak-at-i-am-exhibition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1501622253186-LFK7CPBX7GRECW90T834/ElifShafak2_creditZeynelAbidin+2013.jpg</image:loc>
      <image:title>content - Elif Shafak to speak at exhibition of Middle Eastern art</image:title>
      <image:caption>Elif Shafak. Image courtesy of Zeynal Abidin</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1501622335616-8KT2F4SHR6GA7GN8HXPF/Golden+-+Manal+Deeb+%C2%A9Marc+Gascoigne.jpg</image:loc>
      <image:title>content - Elif Shafak to speak at exhibition of Middle Eastern art</image:title>
      <image:caption>Golden by Manal Deeb as part of the I AM exhibition at St Martin In The Fields. Courtesy and copyright, Marc Gascoigne</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/informal-art-education-in-uae-given-boost</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1501314100129-7QGE37P18D1FVF73P3K3/image-asset.jpeg</image:loc>
      <image:title>content - Informal art education in UAE given boost</image:title>
      <image:caption>Class in session at Campus Art Dubai, 2016. Photo courtesy of Art Dubai</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1501314176117-R3OQEDMXENVO1KPMW8ZX/image-asset.jpeg</image:loc>
      <image:title>content - Informal art education in UAE given boost</image:title>
      <image:caption>Project Space Art Jameel, Alserkal Avenue, Dubai. Image courtesy of Art Dubai</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/new-cash-prize-for-artists-aged-18-30</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1501273051000-DMKWVCZJY43R2P9D785Q/image-asset.jpeg</image:loc>
      <image:title>content - New cash prize for artists aged 18-30</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/experimenter-curators-hub-opens-today</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1501165445040-7KY9576K2JADDOM7UL6C/image-asset.jpeg</image:loc>
      <image:title>content - Experimenter Curator's Hub opens today</image:title>
      <image:caption>Noelle Kadar, Ashish Avikunthak, Aisling Maeve, Matt Packer at ECH, 2015. Courtesy of Experimenter Gallery.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/hassan-hajjaj-to-open-solo-in-london</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-27</lastmod>
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      <image:title>content - Hassan Hajjaj to open solo in London</image:title>
      <image:caption>Hassan Hajjaj, Aka Momo 2011. Metallic lambda print on dibond with wood &amp; found objects frame. Courtesy of the artist and The Third Line</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/two-middle-eastern-galleries-to-show-at-fiac</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1501054369294-KIAORM2EWF3AGSNGAH2H/image-asset.jpeg</image:loc>
      <image:title>content - Two Middle Eastern galleries to show at FIAC</image:title>
      <image:caption>Seher Shah, Untitled (bridge), 2015, cast iron, 18.4 x 10.3 x 38 cm, Ed of 2. Courtesy of Artist and Green Art Gallery, Dubai</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1501054428933-F6F7O0KQ3HWYU2RTR3RF/image-asset.jpeg</image:loc>
      <image:title>content - Two Middle Eastern galleries to show at FIAC</image:title>
      <image:caption>Film still from The Everyday Ritual of Solitude Hatching Monkeys by Basim Magdy. Courtesy of the artist and Gypsum Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/a-fast-moving-sky-a-podcast</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-08-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1500882658206-Q0GQPN4NTVA0CQTF0ZFE/image-asset.jpeg</image:loc>
      <image:title>content - A Fast Moving Sky: a podcast</image:title>
      <image:caption>Leonardo Benzant, The Mothership (2017). Image courtesy of the artist and The Third Line</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1500882814809-OH1C1QKSKN7QZHAKF0EG/image-asset.jpeg</image:loc>
      <image:title>content - A Fast Moving Sky: a podcast</image:title>
      <image:caption>Rushern Baker, Crashing Drone II (2017). Image courtesy of the artist and The Third Line</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/shift-three-young-saudi-artists-in-london</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-24</lastmod>
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      <image:title>content - Shift: Three young Saudi artists in London</image:title>
      <image:caption>Cell of the City, 2017 by Zahrah Al-Ghamdi. Photo by Andy Stagg. Courtesy of The Mosaic Rooms</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1500729333429-JM8F57KBTBJA4LJCHAU4/image-asset.jpeg</image:loc>
      <image:title>content - Shift: Three young Saudi artists in London</image:title>
      <image:caption>I went away and forgot you. A while ago I remembered. I remembdered I'd forgotten you. I was dreaming. Installation of hand dyed sand (2017) by Dana Awartani. Photo by Andy Stagg. Courtesy of The Mosaic Rooms.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/gpp-accepting-entries-for-community-photo-exhibition</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-22</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1500724297445-X4TIGKQUV3LAQK8TKKE0/image-asset.jpeg</image:loc>
      <image:title>content - GPP accepting entries for community photo exhibition</image:title>
      <image:caption>Kostan, a farmer who grows sustainable crops in Sira South Sorong, Papua, Indonesia. Image taken in 2015 by Katarina Premfors. Courtesy GPP</image:caption>
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  </url>
  <url>
    <loc>https://annaseaman.net/content/2017/7/22/sharjah-biennial-continues-in-ramallah</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-22</lastmod>
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      <image:title>content - Sharjah Biennial continues in Ramallah</image:title>
      <image:caption>Photograph with red sheet filters corresponding to caesium 137 levels in Khirbet Al Taybeh, Hebron from Inas Halabi, Lions Remind Us of Futures Present (artist book), 2017. Courtesy of the artist.</image:caption>
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  </url>
  <url>
    <loc>https://annaseaman.net/content/2017/7/12/modernist-women-of-egypt</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-12</lastmod>
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      <image:title>content - Modernist Women of Egypt</image:title>
      <image:caption>Untitled works by Inji Efflatoun both from 1958, oil on canvas here installed as part of Modernist Women of Egypt exhibition. Courtesy of Green Art Gallery.</image:caption>
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      <image:title>content - Modernist Women of Egypt</image:title>
      <image:caption>Installation view. Modernist Women of Egypt at Green Art Gallery, May - July 2017. Courtesy of Green Art Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/2017/7/10/el-seed-unveils-a-new-sculpture-in-ajman-uae</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-22</lastmod>
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      <image:title>content - eL Seed unveils a new wall mural in Ajman, UAE</image:title>
      <image:caption>Aerial view of the building at the junction of Badr and Al Ittihad Streets in Ajman's Al Bustan neighbourhood. Image courtesy of ALJVD Photography.</image:caption>
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      <image:title>content - eL Seed unveils a new wall mural in Ajman, UAE</image:title>
      <image:caption>eL Seed on a crane, painting a high-rise building in Ajman, UAE. Courtesy of ALJVD Photography</image:caption>
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  </url>
  <url>
    <loc>https://annaseaman.net/content/2017/7/9/8125tldh66i8431bjbqjty3pe6fym9</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1499762390133-AYZ32KM00C61I4LYXEBA/Summertime%2C+Regents+Park%2C+Rasheed+Araeen.+Courtesy+Grovesnor+Gallery..JPG</image:loc>
      <image:title>content - Frieze Sculpture Park opens to the public</image:title>
      <image:caption>Summertime, Regents Park, Rasheed Araeen. Courtesy of Grovesnor Gallery</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1499629696544-8EJYSGGL64VRTJ4FVXJ3/image-asset.jpeg</image:loc>
      <image:title>content - Frieze Sculpture Park opens to the public</image:title>
      <image:caption>Reza Aramesh, Action 188. Metamorphosis, a study in liberation. Courtesy of the artist and Leila Heller Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/2017/7/9/dive-into-turner</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-09</lastmod>
  </url>
  <url>
    <loc>https://annaseaman.net/content/2017/6/21/abdulla-al-saadi-a-uae-national-treasure</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498102933425-B33MHYU4J58AZZB97TJ4/Abdullah+Al+Saadi+sits+inside+his+studio.+Image+by+Anna+Seaman.JPG</image:loc>
      <image:title>content - Abdullah Al Saadi: A UAE National Treasure</image:title>
      <image:caption>Abdullah Al Saadi sits inside his studio. Image by Anna Seaman</image:caption>
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    <image:image>
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      <image:title>content - Abdullah Al Saadi: A UAE National Treasure</image:title>
      <image:caption>Abdullah Al Saadi enters his studio. Image by Anna Seaman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498103376851-XYLKFOQEXR7NXXEY1KU9/image-asset.jpeg</image:loc>
      <image:title>content - Abdullah Al Saadi: A UAE National Treasure</image:title>
      <image:caption>Abdullah Al Saadi stands by his rock collection. Image by Anna Seaman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498103291648-E09EXM17O7IVCK4O13O6/image-asset.jpeg</image:loc>
      <image:title>content - Abdullah Al Saadi: A UAE National Treasure</image:title>
      <image:caption>A scarecrow and other objects in the garden of Abdullah Al Saadi's studio. Image by Anna Seaman</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498103123378-3XLI983ARL5N2S05F7VS/image-asset.jpeg</image:loc>
      <image:title>content - Abdullah Al Saadi: A UAE National Treasure</image:title>
      <image:caption>A stone slipper inside Abdullah Al Saadi's studio</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/2017/6/21/myriam-ben-salah-appointed-as-curator-for-next-years-abraaj-prize</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-29</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498068285054-3GT0J1WHNHI2HNE1FO8L/Myriam+Ben+Salah.+Courtesy+Deborah+Farnault</image:loc>
      <image:title>content - Myriam Ben Salah Appointed as Curator for Next Year’s Abraaj Prize</image:title>
      <image:caption>Myriam Ben Salah. Courtesy Deborah Farnault</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/2017/6/21/prominent-middle-eastern-galleries-participating-in-art-basel-2017-06-18</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498074539827-F0QI7HR9IJGXSETG6266/Seher+Shah.+Unit+Object+%28landscape+view%29%2C+2014.+Courtesy%3A+Green+Art+Gallery</image:loc>
      <image:title>content - Prominent Middle Eastern Galleries Participating in Art Basel</image:title>
      <image:caption>Seher Shah. Unit Object (landscape view), 2014. Courtesy: Green Art Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498072265265-LACDNBW9MVK9O880NGY4/image-asset.jpeg</image:loc>
      <image:title>content - Prominent Middle Eastern Galleries Participating in Art Basel</image:title>
      <image:caption>Arman. Sol Lewitt’s Refuse (1970) This work is recorded in the Arman Studio Archives New York under number: APA# 8017.70.00. Courtesy: Leila Heller Gallery</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498074348657-YXZ949LSSLVQWFAB9WCG/Blazon</image:loc>
      <image:title>content - Prominent Middle Eastern Galleries Participating in Art Basel</image:title>
      <image:caption>Marwan Rechmaoui. Blazon, 2015. Courtesy: Sfeir-Semler Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/living-shrines-lisa-ross</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-04</lastmod>
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      <image:title>content - Living Shrines: Lisa Ross</image:title>
      <image:caption>Living Shrines- Lisa Ross</image:caption>
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      <image:title>content - Living Shrines: Lisa Ross</image:title>
      <image:caption>Living Shrines- Lisa Ross</image:caption>
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      <image:title>content - Living Shrines: Lisa Ross</image:title>
      <image:caption>Living Shrines- Lisa Ross</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/artists-spotted-at-art-dubai-now-showing-at-venice-biennale</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498075161047-WOSA4A9B7AU80ARRU59W/In+Between+2.0+by+Issay+Rodriguez+and+Katherine+Nunez.+Courtesy+of+the+artists</image:loc>
      <image:title>content - Artists Spotted at Art Dubai, Now Showing at Venice Biennale</image:title>
      <image:caption>In Between 2.0 by Issay Rodriguez and Katherine Nunez. Courtesy of the artists</image:caption>
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  </url>
  <url>
    <loc>https://annaseaman.net/content/2017/6/21/the-baby-whisperer-anne-geddes-on-international-fame-and-regional-work</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-04</lastmod>
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      <image:title>content - The Baby Whisperer: Anne Geddes on International Fame and Regional Work</image:title>
      <image:caption>Anne Geddes. Courtesy of Anne Geddes.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498173074779-HHB1MK9L4JVQQZ3NLO7F/image-asset.jpeg</image:loc>
      <image:title>content - The Baby Whisperer: Anne Geddes on International Fame and Regional Work</image:title>
      <image:caption>Jai, 6 months, Sydney, 2012. Courtesy Anne Geddes and Taschen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498173572982-47SVSJXZN6B85IUH5HY5/image-asset.jpeg</image:loc>
      <image:title>content - The Baby Whisperer: Anne Geddes on International Fame and Regional Work</image:title>
      <image:caption>Anne Geddes. Small World Anne Geddes, Holly Stuart Hughes. Courtesy Taschen</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498173605141-XI85133A2SI5NVMQELN0/image-asset.jpeg</image:loc>
      <image:title>content - The Baby Whisperer: Anne Geddes on International Fame and Regional Work</image:title>
      <image:caption>Mia, 4 weeks, Sydney, 2012. Courtesy of Anne Geddes and Taschen</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/artists-run-new-york-the-seventies</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498087453473-9AIP36T3LGPEPSJSVE1X/%27Dance+I%E2%80%99+%2C+1976%2C+Courtesy+of+the+artist</image:loc>
      <image:title>content - Artists Run New York: The Seventies</image:title>
      <image:caption>Richard Landry, Einstein on the Beach. ‘Dance I’ , 1976, Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498087833149-WIN01PHKXPJX9MG8DOC7/Artist+Run+New+York%3A+the+Seventies%2C+Installation+Shot%2C+March+2017%2C+Copyright+2017%2C+Jean-Paul+Najar+Foundation</image:loc>
      <image:title>content - Artists Run New York: The Seventies</image:title>
      <image:caption>Artist Run New York: the Seventies, Installation Shot, March 2017, Copyright 2017, Jean-Paul Najar Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498087909122-MWHK7E0UH4VBPK4U2FCJ/Gordon+Matta-Clark%2C+Office+Baroque%2C+Cibachrome%2C+c.+1977%2C+Courtesy+of+Jean-Paul+Najar+Foundation</image:loc>
      <image:title>content - Artists Run New York: The Seventies</image:title>
      <image:caption>Gordon Matta-Clark, Office Baroque, Cibachrome, c. 1977, Courtesy of Jean-Paul Najar Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498087641610-VUP7VLO7QPJV41ZTDY33/%E2%80%98Food%E2%80%99%2C+1972%2C+Courtesy+of+the+artist+and+The+Estate+of+Gordon+Matta-Clark</image:loc>
      <image:title>content - Artists Run New York: The Seventies</image:title>
      <image:caption>Richard Landry, Gordon Gordon Matta-Clark, ‘Food’, 1972, Courtesy of the artist and The Estate of Gordon Matta-Clark</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498088052292-4MC0YISAIR0LM3D2P456/Artist+Run+New+York%3A+the+Seventies%2C+Installation+Shot%2C+March+2017%2C+Copyright+2017%2C+Jean-Paul+Najar+Foundation</image:loc>
      <image:title>content - Artists Run New York: The Seventies</image:title>
      <image:caption>Artist Run New York: the Seventies, Installation Shot, March 2017, Copyright 2017, Jean-Paul Najar Foundation</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/how-picasso-and-giacometti-inspired-a-new-exhibition-in-the-middle-east</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498094218230-DYWLJDALS2B76RNA975M/Pablo+Picasso+-+Self-portrait.jpg</image:loc>
      <image:title>content - How Picasso and Giacometti Inspired a New Exhibition in the Middle East - Pablo Picasso. Self-portrait (1901) Musée National Picasso-Paris Dation Pablo Picasso. Courtesy: Pablo Picasso © Pablo Picasso Estate</image:title>
      <image:caption>Pablo Picasso. Self-portrait (1901) Musée National Picasso-Paris Dation Pablo Picasso. Courtesy: Pablo Picasso © Pablo Picasso Estate</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498094289826-UNHMZVVNTLXTT0RF6QLD/Alberto+Giacometti+-+Self+Portrait.jpg</image:loc>
      <image:title>content - How Picasso and Giacometti Inspired a New Exhibition in the Middle East - Alberto Giacometti. Self-portrait (1923) Kunsthaus Zurich - Alberto Giacometti Stiftung. Courtesy: Alberto Giacometti © Giacometti Estate (Fondation Giacometti + ADAGP)</image:title>
      <image:caption>Alberto Giacometti. Self-portrait (1923) Kunsthaus Zurich - Alberto Giacometti Stiftung. Courtesy: Alberto Giacometti © Giacometti Estate (Fondation Giacometti + ADAGP)</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498094617143-6QVG9C54GN0M7T52T7OB/Alberto+Giacometti+-+Head+of+Ottilia.jpg</image:loc>
      <image:title>content - How Picasso and Giacometti Inspired a New Exhibition in the Middle East - Alberto Giacometti. Head of Ottilia (1925) Fondation Giacometti, Paris. Courtesy: Alberto Giacometti © Giacometti Estate (Fondation Giacometti + ADAGP)</image:title>
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    <image:image>
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      <image:title>content - How Picasso and Giacometti Inspired a New Exhibition in the Middle East - Pablo Picasso. Head of a Woman - Fernande (1906) Musée National Picasso-Paris Dation Pablo Picasso. Courtesy: Pablo Picasso © Pablo Picasso Estate</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498094879531-2Y9L6507ORAYZ3XZUASS/Pablo+Picasso+-+Figure.jpg</image:loc>
      <image:title>content - How Picasso and Giacometti Inspired a New Exhibition in the Middle East - Pablo Picasso. Figure (1927) Musée National Picasso-Paris Dation Pablo Picasso. Courtesy: Pablo Picasso © Pablo Picasso Estate</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498094886586-3AA4XWCHQ9I45RZU31WG/Alberto+Giacometti+-+Woman+Flat+III.jpg</image:loc>
      <image:title>content - How Picasso and Giacometti Inspired a New Exhibition in the Middle East - Alberto Giacometti. Woman - Flat III (1927-1929) Fondation Giacometti, Paris. Courtesy: Alberto Giacometti © Giacometti Estate (Fondation Giacometti + ADAGP)</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498095404672-ECFYVZ1ZBGOQ0UZ1ACW6/Alberto+Giacometti+-+Walking+Man+II.jpg</image:loc>
      <image:title>content - How Picasso and Giacometti Inspired a New Exhibition in the Middle East - Alberto Giacometti. Walking Man II (1960) Fondation Giacometti, Paris. Courtesy: Alberto Giacometti © Giacometti Estate (Fondation Giacometti + ADAGP)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498095405791-G27EEHTLLZ8SPWS2OZGY/Pablo+Picasso+-+The+Bathers.jpg</image:loc>
      <image:title>content - How Picasso and Giacometti Inspired a New Exhibition in the Middle East - Pablo Picasso. The Bathers: The Diver (1956) Musée National Picasso-Paris Dation Pablo Picasso. Courtesy: Pablo Picasso © Pablo Picasso Estate</image:title>
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  <url>
    <loc>https://annaseaman.net/content/2017/5/23/the-vulnerability-series-abdalla-al-omari</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498081062983-W2IXVMV07L4RDOY3VE7T/http%3A%2F%2Fwww.thenational.ae%2Farts-life%2Fart%2Fa-closer-look-at-abdalla-omaris-the-vulnerability-series</image:loc>
      <image:title>content - The Vulnerability Series: Abdalla Al Omari</image:title>
      <image:caption>Abdalla Al Omari. The Queue, 2016. Courtesy Ayyam Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498081853803-XJUYR6QC5A3PE15NPU5L/Abdalla+Al+Omari.+The+Mediterranean%2C+2015.+Courtesy+of+Ayyam+Gallery.jpg</image:loc>
      <image:title>content - The Vulnerability Series: Abdalla Al Omari</image:title>
      <image:caption>Abdalla Al Omari. The Mediterranean, 2015. Courtesy of Ayyam Gallery</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498081892657-6I3VDWLE771W57P0VOM2/Abdalla+Al+Omari.+Donald%2C+2016.+Courtesy+of+Ayyam+Gallery</image:loc>
      <image:title>content - The Vulnerability Series: Abdalla Al Omari</image:title>
      <image:caption>Abdalla Al Omari. Donald, 2016. Courtesy of Ayyam Gallery</image:caption>
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  </url>
  <url>
    <loc>https://annaseaman.net/content/2017/6/21/marwan-sahmarani-drifting-island</loc>
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    <priority>0.5</priority>
    <lastmod>2017-07-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498097995476-JCG7IW2T177FNS512K55/image-asset.jpeg</image:loc>
      <image:title>content - Marwan Sahmarani: Drifting Island and The Bruce High Quality Foundation: The Second Coming</image:title>
      <image:caption>Sahmarani, Marwan. Cinco Cames (2017) Oil on canvas, 225 x 300 cm Courtesy of Leila Heller Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498107073772-MEWKOELT2CD4RDO3INEF/image-asset.jpeg</image:loc>
      <image:title>content - Marwan Sahmarani: Drifting Island and The Bruce High Quality Foundation: The Second Coming</image:title>
      <image:caption>Sahmarani, Marwan. Landscape (2016) Oil on canvas, 100 x 100 cm. Courtesy of Leila Heller Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498106917648-ZZT47V5WS8W4QNBHYJ2H/image-asset.jpeg</image:loc>
      <image:title>content - Marwan Sahmarani: Drifting Island and The Bruce High Quality Foundation: The Second Coming</image:title>
      <image:caption>Sahmarani, Marwan. I Had a Dream III (2016) Oil on canvas, 225 x 300 cm. Courtesy of Leila Heller Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498777055313-YJ9R41VSPYQNVWX85VLY/image-asset.jpeg</image:loc>
      <image:title>content - Marwan Sahmarani: Drifting Island and The Bruce High Quality Foundation: The Second Coming</image:title>
      <image:caption>The Bruce High Quality Foundation: The Second Coming. Courtesy of Leila Heller Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498777151549-9QWJAP47FY6H1QRJHYHS/Bruce+High+Quality+Foundation</image:loc>
      <image:title>content - Marwan Sahmarani: Drifting Island and The Bruce High Quality Foundation: The Second Coming</image:title>
      <image:caption>The Bruce High Quality Foundation: The Second Coming. Courtesy of Leila Heller Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/2017/6/21/beej-sowing-seeds-in-a-sharjah-roundabout</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498101520345-AZ3QW8QYK4STDHATU905/image-asset.jpeg</image:loc>
      <image:title>content - Beej: Sowing Seeds in a Sharjah Roundabout</image:title>
      <image:caption>Vikram Divecha. Courtesy National Pavilion UAE</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498101612871-9VL1VQTGMHUKW54AAUHX/image-asset.jpeg</image:loc>
      <image:title>content - Beej: Sowing Seeds in a Sharjah Roundabout</image:title>
      <image:caption>Vikram Divecha, Beej, 2017. Intervention at roundabout in Al Naba’ ah area of Sharjah. Installation view, Sharjah Biennial 13, 2017. Unregistered seeds, soil, water and supplies. Commissioned by Sharjah Art Foundation. Courtesy of the artist. Image Courtesy of Sharjah Art Foundation.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498102037149-OYYHKJKUGD7BF31P4150/image-asset.jpeg</image:loc>
      <image:title>content - Beej: Sowing Seeds in a Sharjah Roundabout</image:title>
      <image:caption>Vikram Divecha, Beej, 2017. Intervention at roundabout in Al Naba’ ah area of Sharjah. Installation view, Sharjah Biennial 13, 2017. Unregistered seeds, soil, water and supplies. Commissioned by Sharjah Art Foundation. Courtesy of the artist. Image Courtesy of Sharjah Art Foundation.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://annaseaman.net/content/2017/6/21/on-existentialism-and-materiality-with-tony-cragg</loc>
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    <lastmod>2017-07-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498104455344-UMY3MTDH39Q37W328U3O/image-asset.jpeg</image:loc>
      <image:title>content - On Existentialism and Materiality with Tony Cragg</image:title>
      <image:caption>Tony Cragg - portrait. Courtesy of Leila Heller Gallery</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498104978738-UULDSIKFX908N0MBHH1W/image-asset.jpeg</image:loc>
      <image:title>content - On Existentialism and Materiality with Tony Cragg</image:title>
      <image:caption>Installation views of Tony Cragg's solo show at Leila Heller Gallery, Dubai, March 2017. Courtesy of Leila Heller Gallery.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5944e645b11be1e4f408e160/1498105155505-NXA9GQIA8RNQBY3UQYE6/image-asset.jpeg</image:loc>
      <image:title>content - On Existentialism and Materiality with Tony Cragg</image:title>
      <image:caption>Installation views of Tony Cragg's solo show at Leila Heller Gallery, Dubai, March 2017. Courtesy of Leila Heller Gallery.</image:caption>
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      <image:title>content - On Existentialism and Materiality with Tony Cragg</image:title>
      <image:caption>Installation views of Tony Cragg's solo show at Leila Heller Gallery, Dubai, March 2017. Courtesy of Leila Heller Gallery.</image:caption>
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      <image:title>content - On Existentialism and Materiality with Tony Cragg</image:title>
      <image:caption>Installation views of Tony Cragg's solo show at Leila Heller Gallery, Dubai, March 2017. Courtesy of Leila Heller Gallery.</image:caption>
    </image:image>
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