Lunging, jumping, and vaulting, dance masters demonstrate capoeira, inviting onlookers in Sharjah’s Arts Square to join them. Few will have guessed that the 60-something man in loose white trousers and a light pink T-shirt, part of the crowd, was the artist Hassan Hajjaj. He organised the workshop as part of Sharjah Biennial 15 in February as a way to engage the public with his documentary Gnawa Capoeira Brothahood (2023). A deeply personal project that took two decades to come to fruition, it traces the historical similarities between Gnawa, a Moroccan performance art rooted in Sufi music, and the Afro-Brazilian martial art of capoeira.

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