Our 21st century society is drowning in images; a dizzying waterfall of visual data giving new meaning to the term ‘rapid eye movement’. What exactly compels our eyes to alight, to dwell, to focus? Branding agencies, UI designers and visual artists around the world seek the magic formula to answer that question and pause our continuous scrolling, competing over microseconds of attention, let alone minutes.
Read MoreSince the historic Christie’s and Beeple drop in March, the three letters N, F and T have morphed into one of the world’s most talked about acronyms. They carry with them a sense of mystery as well as an air of confidence for those in the know. Use the acronym boldly in conversation and you tell your friends, that yes indeed, you know exactly what an NFT is. But, let’s be honest, six months ago (or maybe more for a select few), had you even heard of the word fungible?
Read MoreMORROW collective is working with galleries and artists to bring together art from around the world in curated, themed exhibitions. One word in that sentence may stand out to cryptoart purists, who often prioritise frictionless, open and free access to making art available: curation. But is curation a bad thing in cryptoart?
Read MoreFor MORROW collective’s exhibition All-Seeing Eye, the following Q&A is part of a series of short artist interviews. The showcase was on September 28, 2023 at the exhibition’s partner space Seeing Things on Alserkal Avenue, paired with a drop on Foundation.
Read MoreFor MORROW collective’s exhibition All-Seeing Eye, the following Q&A is part of a series of short artist interviews. The showcase was on September 28, 2023 at the exhibition’s partner space Seeing Things on Alserkal Avenue, is paired with a drop on Foundation.
Read MoreMariah (Veštica) is a contemporary artist from Belgrade, Serbia. Her style is often characterized as a digital and traditional avant-garde experiment with indication of surreal, magic realism and post-expressionistic elements. Using the diverse approaches within a formally divergent field of media, from physical painting to processing art, she is confronting new and traditional techniques while questioning the position of art in technological society.
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