Across six painted panels of tent fabric, which Hashel Al Lamki has fashioned as canvas, a complex narrative unfolds. Watery textures in shimmering colours rise from the heart of the nine-metre polyptych with a vivid intensity of light and a poetic, ethereal quality. On one side, a bird of prey soars overhead and pink flamingos walk beneath an enlarged sun, and on the other Cupid aims his arrow at the fluorescent heavens. This is nature, but not as we know it.

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