Despite disparate geographical, historical, and cultural backgrounds, a common thread is found in our relation to the earth. It is this concept that Shamma Al Mheiri explored for her curation of Solace in Soil, a duo exhibition running at Efie Gallery in Dubai until October 6. Al Mheiri, an Emirati curator and art historian, brought together the sculptural works of Kenyan Maggie Otieno and Sharjah’s Dr. Mohamed Yousif.

Emily Karaka's political landscapes stand out in 'Ka Awatea, A New Dawn' at Sharjah Art Foundation.

The New Zealand artist of Maori descent advocates for social justice and equity through her expressionist canvases.

Sharjah has long straddled the divide between ancient and contemporary. The emirate has led the charge in embracing its deep-rooted history while at the same time hosting a plethora of heavyweight cultural events in art, literature, music, and more. Tanweer Festival, which makes its much-anticipated debut this November, continues this rich tradition. The festival is a showcase of world music, art, and culinary journeys aimed at fostering cultural understanding and global harmony.

Although Lamya Gargash often turns her lens to forgotten spaces, vacant rooms or objects, it is the trace of human presence that she seeks to capture. In the rapidly modernising UAE, change is a subject that continually draws attention, but in Gargash’s work there is also a kind of stillness. A viewer can sense traces of the people that once inhabited the space, or the forces of nature that are taking over. It is a documentation of transition.

For the past nine years, over the course of a week in early November, Dubai Design District [d3] transforms into a hub of creativity. True to its name, the district is the location for Dubai Design Week, a festival that provides a platform for both emerging and established designers, architects, educators, companies, and all creative practitioners. In addition to attracting industry professionals, it is also something that engages the public with large-scale outdoor installations, exhibitions and public interventions – and it's free to attend, which means it’s something everyone can enjoy.

When an all-male cast of 13 virtuoso dancers from Algeria and Morocco took to the stage atThe Arts Center in New York University Abu Dhabi, audiences were thrilled by the stunning display of contemporary dance that combined capoeira, martial arts and urban-style street dance with powerful imagery evocative of orientalist paintings and the stone filigree of Islamic architecture.

The Taskhent Qur’an – also known as the Samarkand Kufic Qur’an is one of the oldest surviving Qur’an manuscripts in existence. The large lettering, where only a few words populate an entire page, is written in an early version of the kufic script and dates back to the eighth century. About one third of the original manuscript is housed in the Hast-Imam Library in Tashkent, Uzbekistan but one page, in immaculate condition is currently on show at the Museum of Islamic Civilisation in Sharjah. It is a key part of Sacred Words, Timeless Calligraphy: Highlights of Exceptional Calligraphy from the Hamid Jafar Qur’an Collection displaying some of the world’s finest examples of Qur’an manuscripts and Islamic calligraphy owned by Hamid Jafar. Jafar is the founder and chairman of Sharjah-based Crescent Group of companies and he began collecting the rare manuscripts more than 40 years ago.