Not wanting to sound too morbid at the beginning of a new year but the words that I have chosen for the title of this piece, in literary terms, usually signify death and how the fall of the final curtain makes no distinction between rich or poor, status or insignificance. Death, indeed, is the greatest leveller of all. However, these words continually come to my mind when pondering the world of NFTs and how they are impacting the traditional art market.
Read MoreWhat does it take to go viral? What’s the secret formula that makes one clip about a child biting another child’s finger worth £500,000 whilst the cute, funny home videos on my iPhone only have sentimental value to me? So much about going viral, or skyrocketing prices pegged to your NFT is about being first, new, fresh and surprising. But equally, it can feel like a murky world out there when it comes to the deep, dark mysteries of internet algorithms that bounce one meme to the top of the forwarding pile and leave others lingering to fall into oblivion.
Read MoreOver the centuries, many feet have traversed the desert sands of the Arabian Peninsula. Some seeking sustenance, some seeking shelter and others seeking inspiration. Although the musings of these wanderers were mostly charted in poems passed down orally, their footprints have left an imprint of collective memory upon the modern Arab world.
Read MoreWhen art historian, critic, and curator Valeria Ibraeva visited Latifa Saeed’s Dubai studio in January, she told the Emirati artist that she wanted to bring her work to Almaty for a solo exhibition that would showcase its breadth and diversity. In June, Saeed’s show A Black Silhouette opened in the city’s Almaty Gallery with a collection of nine distinct bodies of work from 2013 to today. It was her first solo and the first time an Emirati has exhibited a solo show in Kazakhstan. The exhibition paid credit to Saeed’s evolution as an artist and designer whose experimental approach covers fine art, graphic design, advertising, branding, and product design.
Read MoreLabels are something singer Emel Mathlouthi has tried to avoid—but not always successfully. Activist. Revolutionary. Protest singer. Role model.
Born in the suburbs of Tunis and raised during the long rule of President Zine El Abidine Ben Ali, it is lore that Mathlouthi rose to prominence with a powerful song that became the soundtrack to Tunisia’s Jasmine Revolution, which ignited a fire that spread along the North African shore. ‘Kelmti Horra’ (‘My Word is Free’), based on lyrics by Tunisian poet Amine Al Ghozzi, changed Mathlouthi’s career.
Read MoreSawsan Al Bahar’s father raised her with music. “There was never a moment without music playing in our house. I grew up listening to a rich spectrum: songs by superstars and obscure musicians, songs known to all and songs known to nobody,” she says. But it was songs by Arab music’s pioneers that captured her heart. Richly lyrical numbers taught her—yearning, nostalgia, love, joy, pride, protest, celebration, mourning, and humour. Now the Damascus-born, Dubai-based artist presents an exhibition at Maraya Art Centre in Sharjah, which charts her life through 33 songs, a track for each year.
Read MoreBorn in the Christian quarter of Jerusalem in 1942, Boullata went on to study fine art at the Accademia di Belle Arti, Rome in 1965. When war broke out at home in 1967, he was in Beirut and was not able to return to Palestine. He lived the rest of his life in exile moving from Morocco to the US – where he received an MFA from Corcoran School of Art, Washington, DC in 1971, then to France and eventually to Germany, where he lived out the rest of his life. However, the city of Jerusalem was continuously alive in his heart. He once said: "I keep reminding myself that Jerusalem is not behind me, it is constantly ahead of me."
Read MoreIn April 2019, Her Excellency Hala Badri was appointed as the Director General of Dubai Culture and Arts Authority [Dubai Culture] by a royal decree from His Highness Sheikh Mohammed bin Rashid Al Maktoum, Vice President and Prime Minister of the UAE and Ruler of Dubai, following more than 20 years upon an impressive path across dynamic business sectors critical to the UAE’s economic development: telecommunications, oil and gas, media and real estate. Since taking over that vital role, Her Excellency has paved the way for a cultural revolution across the city, which, most recently, has taken hold in the announcement of Al Quoz Creative Zone - a new hub for creative businesses, including those involved in the visual arts, cinema, music and cultural heritage.
Read MoreWhen an all-male cast of 13 virtuoso dancers from Algeria and Morocco took to the stage atThe Arts Center in New York University Abu Dhabi, audiences were thrilled by the stunning display of contemporary dance that combined capoeira, martial arts and urban-style street dance with powerful imagery evocative of orientalist paintings and the stone filigree of Islamic architecture.
Read MoreFewer than a thousand people have been to the blackness of outer space. But some 20,000 were able to walk through the Xposure International Photography Festival in February, where photographs of space exploration were spotlighted in the near darkness of galleries set up as mock moonscapes—featuring boulders and suspended meteors.
Read MoreInspired by desert rose crystal forma- tions, Moufida Mohideen designed a sculptural bookcase, titled Ascension, as a symbol of everlasting growth. Mohideen, a student of interior archi- tecture and design at the University of Sharjah, used contrasting raw materials—damas wood and mother of pearl—for the design, which won the ninth edition of the Van Cleef & Arpels Middle East Emergent Designer Prize.
Read MoreIn 2021, Collins Dictionary announced that NFT was word of the year, which was a rather curious situation for a word that isn’t even a word. NFT is an acronym that stands for non-fungible token. Collins defines it as “a unique digital certificate, registered in a blockchain, that is used to record ownership of an asset such as an artwork or a collectible.” The rise of NFTs in popular discourse over the course of the past 12 months has been meteoric and frankly unprecedented especially given that the vast percentage of people had never heard of one before March 2021. This month two things happened to catapult them into the headlines. First was Twitter’s co-founder Jack Dorsey selling the first ever tweet as an NFT for USD 2.9 million and the second was the sale of an artwork by a previously unknown artist called Beeple whose digital collage sold at Christie’s for USD 69 million. Of course, this was not the birth of NFTs. Actually, the first ever piece of art minted [this is the term for making an NFT] on a blockchain was in 2014 but March 2021 will go down in history as a watershed moment.
Read MoreIn March 2022, when the 14th edition of the Emirates Airline Festival of Literature got underway, so did the first year-long edition of First Chapter, the ELF Seddiqi Writers’ Fellowship. The programme, the first of its kind in the region, is a platform for aspiring writers from the UAE aiming to identify and nurture emerging writing talent, elevating it to an international standard and bringing it to global attention.
Read MoreAfter a three-year hiatus, Sharjah Biennial will return next March. It is a landmark moment also for the event, as SB15 will realise the dreams of its curator, who died in 2019. Here, Anna Seaman gives a short preview ahead of the 2023 event.
Read MoreThis story is tinged with sadness as the artist Ismail Khayat is in a coma since having an accident in 2019. Sharjah Art Museum will celebrate his practice with a landmark show.
Read MoreART MATERIAL MAN Taking a measured approach to reconstructing the past and presentingit as contemporary art, Khalid Al Banna straddles...
Read MorePOETRY IN MOTION eL Seed is on a global journey to unite people through art and a love of the...
Read MoreA dynamic force for change The Xposure International Photography Festival is the celebration of a universal language. It is a...
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