One of the most prolific artists in the UAE, Mohamed Ahmed Ibrahim crafts his work in the mountains of Sharjah’s Khorfakkan and represents his nation at the 2022 Venice Biennale.
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The curators for the 2020 UAE National Pavilion will curate an exhibition around the theme of sea salt. Wael Al Awar and Kenichi Teramoto will present an exhibition exploring sea salt as a traditional, locally-sourced building material, and its potential uses for developing sustainable habitation in desert environments like the UAE.
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Lorenzo Quinn is a world renowned sculptor whose signature trademark - the human hand - has allowed people to connect with his work from far and wide. I interviewed him for Shawati Magazine.
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Nujoom Alghanem will represent the UAE at the Venice Biennale. I spoke to the curators Sam Bardaouil and Till Fellrath about their choice and the artist’s practice.
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Curatorial pairing Sam Bardaouil and Till Fellrath chosen to curate the UAE’s National Pavilion for the 2019 Venice Biennale.
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Are you an architect or designer with a curatorial leaning? The UAE’s National Pavilion is looking for a curator for the 2020 edition.
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Art Jameel and Delfina Foundation are teaming up for simultaneous exhibitions in London and Dubai with newly commissioned work from Ala Younis
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The commissioners of the Saudi Pavilion for the 2018 Venice Biennale are looking for submissions for their exhibition exploring the freedom of architecture.
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The Egyptian Pavilion at Venice Architecture Biennale will explore the concept of the informal city in today's digital age.
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A two-day conference in Venice will discuss the relationship between the Italian city and artists from the Arab world.
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In Christine Macel's statement for the current (57th) edition of the Venice Biennale she wrote: "Today, in a world full of conflicts and shocks, art bears witness to the most precious part of what makes us human. Art is the ultimate ground for reflection, individual expression, freedom, and for fundamental questions."
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"My interest is not what things look like, but why they look like that," he says. "I don’t want to represent something or reproduce something we are already familiar with. I want to be involved with the internal structure of the material."
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